RUBBERMAIDS - Twisted Chords 1991

An older rip now and we encounter a comfortable, mid-tempo sound and we're talking about the Rubbermaids. Founded 1986 in Hamburg and the original line-up consisted of Birgit (vocals), Minne & Matzy (guitar), Hardy (bass), DynaMeik (drums). They existed until 1994 and in their active lifespan, the band released four albums and one 7Inch. This is their second album on Rebel Records with twelve powerful melodic pieces and occasional short Pogo blasts and the pleasant choral singing is also cool. In 2003, members of Slime and the Rubbermaids founded the band Rubberslime, who made two albums together. For me, Punk from Hamburg is always at the top and many good bands came from this beautiful city, especially in the early days. The harsh sound and the offensive lyrics are a trademark and their records are very sought after today, especially those from Weird System, the most important label from there. Enough words, enjoy some really good Punkrock from the Hanseatic city and stay vertical.

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V/A - Halt! 2023

All right! Now, after a long time, one more selfmade Compilation is coming and there are songs on a certain topic that I don't usually do, but this time it was a need for me and it's quite possible that a second one will follow. It's about society & people, and I took thirty-seven killers which I like and think, they're fit. This manipulated society that is trapped in those systems and marches along tightly without following their own emotions and demands, that others hate because of a pimple on their forehead and let themselves be fooled every day and are numbed by the guidelines that are presented to them. Frightening & Incomprehensible this mass social control... I'm so sick of them! Certainly not just here but everywhere and I guess you know what I'm talking about, you see it every day. Anyway, this is my small contribution from the WDM Records headquarters with a lot of help by friends. Enjoy!

1.Bullshit Society - CRUMBSUCKERS

2.Fuck The Media - ANTIDOTE

3.Schmetterling - TEAM SCHEISSE

4.I Don't Wanna Work - QUEERS

5.Cremation In Belsen - THE GROUT

6.Knowledge - NYAM NYAM

7.One And One Is Two - BADBEATS

8.Punk's Not A Fashion - STRAIN

9.Don't Classify Me - TAZERS

10.A Year Without Summer - THE DICEMEN

11.I Don't Love You - DISHRAGS

12.Get Out Of My Life - VIOLATORS

13.Und So Weiter - DIE TOTEN HOSEN

14.Sick Society - HANGOVER

15.System - CRASS

16.Ihr Nennt Es Leben - INZEST

17.Society - THE RUTS

18.Nazi School - CRACKED ACTOR

19.Linke Spießer - SLIME

20.Don't Care - BLITZ

21.Sad Society - CHAOTIC YOUTH

22.I Hate People - ANTI-NOWHERE LEAGUE

23.Money Talks - PENETRATION

24.Dead Serious - ATTITUDE ADJUSTMENT

25.Sick Society - DEEP SIX

26.Police Brutality - VICIOUS CIRCLE

27.World's Going Insane - THE INSANE

28.Society Rules - VIOLENT APATHY

29.Fuck You - THE STIFFS

30.I Like Drugs - SIMPLETONES

31.Essential Services - HERCO PILOTS

32.I'm So Sick Of It - BILLY SYNTH & THE TURN UPS

33.Just Be Yourself - NEGATIVE ELEMENT

34.Kill Someone You Hate - RED CROSS

35.Don't Believe - KRAUT

36.Insane Society - MENACE

37.Halt! - RAMMSTEIN

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SLIME - Yankees Raus 1982

March, last post and I dedicate this one to a sublime sound experience by Hamburg's most famous Punx named Slime on Aggressive Rockproduktionen. In 1981 they met Karl-Ulrich Walterbach, who signed the young band to his recently founded label and after the two samplers tracks on Soundtracks Zum Untergang, he first released the self-financed debut album and then continued to support the Five in the realization of their follow-up albums. Shortly after the release of Slime I, the band had separated from their drummer Peter "Ball" Wodok, who was unreliable due to frequent drinking. Christian brought Stephan into the band, the two had previously played with Screamer. The band itself wasn't satisfied with the recordings, because the sound was too 'thin...flat' produced, but I would say the music is still fresh and dynamic after more than forty years and Slime are definitely one of the most important combos in my life, among other things they paved the way for my current existence. And in all these years they're never been taken in by any fucking political scene. 'Alptraum', 'Gerechtigkeit', 'Demokratie' or 'Wenn Der Himmel Brennt' are still great songs and make every tired ass think. Yankees Raus is powerful, straight forward and written during the Reagan era and captures the harsh climate, gray betong canyons and morbid times of the early Eighties brilliantly, a tough part of the town. Do the POGO!

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RAZZIA - Spuren 1991

With their fourth album Razzia came back to their roots and leave the keyboard at home and wrote thirteen fantastic goodies shortly after the reunification of Germany, who express their feelings in entangled lyrics but musically tie in with the first album (Sören also left the band during the production of the album, but continued to contribute to the creation of lyrics and bass tracks. His successor on bass was Christian Both). It's a refreshing one that's more relevant than ever and amazing that singer Rajas has no songwriting credits, all written by the musicians which I think is extraordinary. Short info: Razzia was founded in Hamburg 1979 by brothers Andreas (guitar) and Peter Siegler (drums) and Rajas (vocals). The first line-up was completed by Sören (bass) and Frank (guitar). Unlike Slime, however, Razzia were not a purely politically motivated Punk combo and in the lyrcs, abuses of all kinds were formulated in a very rough and cynical way and implemented very aggressively in the early years. Spuren is a fantastic record with catchy songs and an excellent example how an versatile band come back mercilessly and kick your ass ruthlessly. Absolutely suitable and a solid Razzia record!!!

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V/A - Planet Punk #4 2005

Second and last part of Planet Punk and with Volume 3, this little self-made series is already complete. H2D#26 is another tidbit full of rare stars from international bands that are still kicking ass, much in demand and popular in our fucking disillusioned times which bring little decent music to light in my opinion. Music is like inventions, there is nothing innovative that can really impress me, hardly any wow factor or thing that I can really admire. And I would say that for almost twenty years. Speaking of music, we all hear & see the so called "combos" thrown together, the TV shows which offer only shit and are played over and over by radio stations, all this crap is boring, repetitive and only geared towards profit, commercial shit and really sucks. It's really intoxicating to get acquainted with such music as on this further fantastic compilation and to eke out an existence far away from this dead & dull society. That are the words for Sunday, Amen! Enjoy the vibes of the good ole days!

1.Desire - THE STALIN

2.Hello New Punks - THE STAR CLUB

3.Maze - THE STAR CLUB

4.TV - SEX

5.Give Me Confusion - PAIN

6.Head Explosion - THE STALIN

7.D-Day Or Lost Day - THE WILLARD

8.X.O.T. - CÓLERA

9.Terciera Guera - FOGO CRUZADO

10.Ain't She Dumb - ROCKS

11.Revolution - X

12.Vem Har Gett Dom Rätten!? - REVOLT

13.I Lost My Legs - WARHEADS

14.Är Ungdomar Människor? - VACUM

15.Inuinem Rakkaus - RATSIA

16.Vik Hädan! Var Hälsad! - REVOLT

17.Moro M/System - WANNSKRÆKK

18.Dan Eften Bomben - STREBERS

19.Eibon - ASTA KASK

20.Tio Zynthar På En Rad - ZYNTHSLAKT

21.Rattus On Rautta - RATTUS

22.Kivisissa Metissa - VAU

23.Sticky Life - ROTZKOTZ

24.Wir Hams Satt - STRASSENJUNGS

25.Hey Punk - SLIME

26.C.I.A. - DER RIß

27.B Alarm - RAZZIA

28.Heute Norm Morgen Tod - S.Y.P.H.

29.We're Gonna Do What We Like - VOPO'S

30.I Don't Want To Be - BIZON KIDS

31.Two Wheels - SPEEDTWINS

32.God Save Rock'N'Roll - SUBWAY

33.Man Under My Bed - THE NIXE

34.I Got A Right - RONNIE URINI

35.Psychic Underground - TIMESHIFT

36.Pill Girl - VOGUE

- Great Thx to Mark -

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...BUT ALIVE - Für Uns Nicht 1993

Welcome 2022 and the first post belongs to a band that I appreciate very much and whose music is one of the best of the nineties and thus gave an important part of the lame movement of that time new input. Krawehl, Krawehl was their first demo from 1991 (connoisseurs know immediately who gave this words), and it soon attracted the interest of the Hamburg label Weird System, which finally signed the band. - The quartet But Alive was one of the most influential German punk bands until 1999 and were, alongside Wizo, Boxhamsters and Dackelblut, at the forefront of German punk movement for four records and seven years. Actually started as a small fun band, the political claim developed more and more as a permanent trademark of the group. Spurred on by German formations such as EA80 and, above all, Slime, But Alive quickly became one of the biggest mouthpieces of the intellectual punk scene. Because of their left-radical and highly political lyrics, ...But Alive should not be equated with the blunt slogans of the "Mob & Gesocks" punks. Their message is hidden in demanding lyrics, which often wrong interpreted (also from punks itself). After a few bass players, there is finally the line-up around Marcus (vocals/guitars), Hagen (guitars), Torben (bass), Frank (drums). They made four very good albums, of which more will appear soon in this theatre. Für Uns Nicht is a great debut, arranged sharply and fluently and with lyrics that get to the point, they spoke out what is wrong in this world and that fourteen times. The first 500 copies in blue vinyl, my copy. Enough useless words, nobody cares anyway, enjoy the music and look forward to an interesting new music year.

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ÜBERDOSIS GRAU - Schritt Ins Nichts EP 1997

Powerful, energetic and ponderous mucke far from slogans with deep thought lyrics by this three-piece from Frankenthal, a small kaff in the south of Rheinland-Pfalz and Überdosis Grau exist since approx. 1993, emerged from the Slime cover band "Die Letzten" they have remained loyal to the minimalist line-up: Flo (vocals/guitar), Tobi (bass), Stefan (drums). This is their debut slab on Freibeuter Records with four goodies. Like most bands, Überdosis Grau started with cover numbers. The repertoire included songs from Toxoplasma, Ramones and Nirvana, among others. Above all, these bands shaped the style of their own songs which they mixed with a dose of depression and a bit gloom. However, pressure and speed were not saved, so that the current style of the band could develop. To date they have released two albums and on few compilations. In any case interesting band far from Pogo. Listen!

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DISASTER AREA - Die On Your Board 1986

In 1979, the later members were in the process of developing their skate skills on the concrete surfaces of the Berlin district of Märkisches Viertel, known as the ghetto. A trip to London with the Berlin Skate Club led to contacts with the punk scene. This resulted in the connection between skating and punk music for the band. In the winter of 1980/81 they began to rehearse as C&A (Chaos & Turmoil) in a boiler room. Under this name they played their first concerts with the Suurbiers (from which Die Ärzte later emerged) and die deutsche Trinkerjugend. In 1984 they were inspired by the "Loudest Band in the Universe" appearing in the series The Hitchhiker's Guide to the Galaxy and renamed themselves Disaster Area. In the same year they produced two tracks for a split single with the band Die Schlimmen Finger on the Berlin label Pogar. The debut Die On Your Board was created in just three days 1986 and after a record review in MaxiMumRocknroll, the band received more and more concert inquiries. In 1987 Disaster Area played for the first time at the skate contest in Münster, where they appeared regular since then. In 1988 the second album Back From The Reservation came out and is stylistically more influenced by hardcore punk. The song 'Skate Tonight' from the first single was also newly recorded. In 1988 Oli suffered an eardrum injury from feedback at the Skate'N'Roll Festival and left the band. Frusti became the new drummer, and Norman joined as second guitarist. In 1989 they took part in the Berlin Senat Rock Competition and made it to the finals.

In 1990, the third album Cut The Line came through Bonzen Records and the Ox wrote at the time: “Germany's Skate Punk Band No.1". This was followed by a tour with the Badtown Boys and a live album, recorded at SO36 in Berlin. Norman switched from guitar to snowboard and Domi became the new guitarist. Shred Ready is the band's fourth album and for the first time, metal borrowings were clearly heard in the music. The guitarist received a postcard from Marty Friedman of Megadeth with the words: “It Rocks! The fun of the Ramones with cool lead guitar, too. Keep up the good work! ". In 1994 Disaster Area played as the opening act for The Offspring and in December the same year made a ten-day tour through ten Berlin concert halls to mark its tenth anniversary. In 1996 Domi switched to the metal band Orth and Disaster Area continued as four piece. The new songs became much more melodic and the Powder EP was released the same year. The next album Slam Section was released in 1998 on the metal label Noise Records by Karl Walterbach. At the end of a tour with CIA (Ex-Slime) and several concerts with Millencolin followed. In 1999 Tom, who had previously played in Mr. Ed Jumps The Gun joined the band. Tom already knew Disaster Area back in 1984. He had played guitar on the split single for Die Schlimmen Finger. A tour with California punx The Line followed and for the 20th anniversary of the band the last album Forever was released.

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MCD - Bilboko Gaztetxean 1987

Decent debut album by MCD (Me Cago En Dios) on Discos Suicidas, recorded live @ Bilbo's Gaztetxe, January 1987 and I must first point out the outstanding sound quality and in this context I immediately have Slime's Pankehallen (released 1984) slab on my radar, which for me is by far the best live album of all time, the energy and power of these recordings remains unique to date, but Bilboko Gaztetxean is definitely at the top of this list. MCD was formed in Bilbao between 1978-1979 by Niko (bass) and his brother Bernar (drums) and with Bronkoki (voice) & Ruffus Fuck-Off (guitar) they entered the stage 1981 with Vulpess. In the mid 80s, Niko & Rockan, with the help of Virgi and Bernar, recorded their only demo. The band doesn't gave many concerts, but it included scandals such as the Bilbao Carnival, where the group was "banned" from municipal concerts in their city; the band found its sound with the entry of Joakin in 1986 and finally they released their debut in January 1987. From then, with some line-up changes, it went very well for MCD, numerous albums and 7Inches were made and after their inactive break from 2004 to 2011 they're still active. So folks, in an hour the longed-for match against Bayern.

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EMILS - Demo '87 EP 2015

The Emils, Ille (vocals), Oliver (guitars), Sven (bass), Carsten (drums), have been influenced by American punk from the start. The band started to write their own songs straight away because, as already mentioned, they had already rejected the much-cited "musical horns" in local Hamburg punk bands. The musical & textual part gradually emerges, they decide to sing in German. So far nobody had tried to combine this musical style with German lyrics. The lyrics from the beginning still reveal a lot of naive and juvenile anger, which some critics of the band use to use this as a generally valid statement until the end. But what was still missing is a name for the baby. If you believe a legend, Olli reads the name Slime in some mangled toilet at a sink in a mirror, where Slime's writing was emblazoned upside down and comes up with Emils. Well, however, the only truth about this story is that Olli read the name the wrong way round. The Emils played live for the first time about 1 year after they got together on April 12th, 1986 in the kitchen of the then still occupied Hafenstrasse. They play where they can, including spontaneous practice room concerts that they have organized themselves. This great five song EP was released via Power It Up in coloured vinyl and limited to 100 copies and shows the energy and dynamic of their first recordings which was intensively continued on their great debut Fight Together For. Splendid German Hardcore.

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V/A - Bloodstains Across Germany #2 1998

Last working day before my vacation, this year not in Crete or any Mediterranean region, thanks to fucking Corona, it's getting annoying and the new regulations even more. But what should we do? As long as research doesn't keep creating a vaccine, this shit keeps us back from free life and so is 2020 an extraordinary shit year. Well, let us better enjoy the loud dirty sound of the early wild punk days, so let's pull another fantastic Bloodstains compilation off the shelf and find Volume 2 with twenty-two German delicacies. Some songs overlap Volume 1 and why here again is a bit unfortunate, there are so many more rarities of German bands that they obviously haven't researched exactly. But I'm grateful that the detectives made the effort anyway... and you certainly as well. Now let the bands kicking, get this Friday quick behind us and looking forward to the weekend.

1.Rock'n'Roll Is Dead - BLITZKRIEG

2.Disco Sound Is Dead - ROTZKOTZ

3.Manchmal Habe Ich's Satt - HARNRØHRER

4.Donnerwetter - ARTLESS

5.Out Of Order - OUT OF ORDER

6.Nazi - NIVEAU NULL

7.Bonanza - THE BUTTOCKS

8.Samen Im Darm - CRETINS

9.Fuck - LENNONS

10.Party In Der Gaskammer - MIDDLE CLASS FANTASIES

11.No School - PUNKENSTEIN

12.Kick Her In The Dirt - BIG BALLS & THE GREAT WHITE IDIOT

13.Rank Xerox - HANS-A-PLAST

14.Schweinelied - RIGOLETTO

15.Sexmörder - KFC

16.Seuchen - TOLLWUT

17.Das Lied Für Fritz - HONKAS

18.Christ Child - RAZORS

19.Barras - THE SCHROTT

20.Schlager - NORMAHL

21.Es Tut Weh - HASS

22.Iran - SLIME

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KILLER PRALINEN - s/t 12'' 1982

Killer Pralinen is a combo from Frankfurt, my hometown, and emerged from Middle Class Fantasies, and consisted of Deo (vocals), Judas (guitars), Prinz Hulk (bass) and TG (drums) and to document the cut, they decided to change their name to Killer Pralinen. Musically, elements from the avant-garde were adopted. They moved away from the fast and hard punk style which they presented gloriously in their few publications, towards post-punk in the style of Killing Joke and UK Decay. In 1982 the band released their only 12'' on Aggressive Rockproduktionen which flopped and really disappointed the punk hearts in Germany, but now a sought-after rarity. Tensions within the band spread and they played again in front of an almost empty hall in Bochum and then dissolved. Today; after Prinz Hulk and TG so also Deo passed away a few years ago. Over the years and not least because of their participation on the first Soundtrack Zum Untergang compilation, the band became cult status of the German punkscene. Their recordings were distributed via bootlegs. In addition, some songs appeared again and again on compis, such as Party In The Gaskammer on the anti-Nazi compilation Nazis Raus!, published by Zap Fanzine and Weird System, etc.... When inquiries accumulated, Deo recorded five older but never published songs from the Killer Pralinen era together with Michael "11" Mayer and Stephan Mahler from Slime which were 2007 published on the complete discography of Middle Class Fantasies under the title Fick Dich Selbst by WS.

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NDT - Live! 1983

This time not a bootleg but an official album, the second and last of NDT from Lucerne and this rare record was taped on April 1983 in Bern. When I heard the slab for the first time I immediately thought of Slime's Pankehallen album but today I think it lacks the power of it a bit but that does not make it any worse. Fifteen goodies mostly from their first album in fantastic sound and charming intermediate announcements, I wanna know who supported them at that time, was certainly a great gig. Anyway, let's see if I can fill the month with more live stuff. Have a great weekend and now welcome NDT!

Intro/TV/Di Ewige/Näbel & Die Schwarzi Nacht/Luzy/Entwarnig/Onder Der Sonne/Am Egge/Tote Soldat/Ua Ua Ua/Tangram/Besch Du Ellei/Schwarze Vogel/Marmor, Stei & Ise Bricht!/Däni

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SLIME - Musa, Göttingen 04.10.2012

In 2012 entered Slime from Hamburg the stage again and in the baggage their new record which appeared almost twenty years after the Schweineherbst album. Of course I was curious and had to see them live (last was 1990 in the Fabrik). Although I did not like the new album very much, I was hot for the gig, especially as I wanted to hear the old classics. So we go to the Zoom and experienced a refreshing evening with lots of fun, beer and a band in an euphoric playing mood, as if they had never been away. Grandios! Now here are quite good recordings from their show in Göttingen, enjoy!

Wir Geben Nicht Nach/Schweineherbst/Sich Fügen Heißt Lügen/Alle Gegen Alle/Alptraum/Zum Kampf/Störtebeker/Bett Aus Lehm & Jauche/Revoluzzer/Gewalt/A.C.A.B./BGS/Zu Kalt/Freiheit In Ketten/Untergang/Etikette Tötet/Rebellen/Brüllen, Zertrümmern & Weg/Seenot/Der Tod Ist Ein Meister Aus Deutschland/Linke Spießer/Religion/Gewinnen Werden Immer Wir/Gerechtigkeit/Legal-Illegal-Scheißegal/Deutschland/1,7‰ Blues 

- Great Thx to Markus -

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NDT - Liebi, Liebi! 7'' 1984

Again in Switzerland and I think this is the last record which was released on Mad Records by NDT, Luzern-based band featuring ex-Crazy members and this rare single came after already releasing two classic records. Their debut album is a classic punk album with ten Schwizzer cheese tankards and I like dialect and this kind of noises from this country. In general, the scene there was very versatile: rock, wave, minimal-synth-punk-pop and obscure things came from the Alpine country and that makes it just interesting for me and at a gig in April 1983, Kursaal Bern they packed fifteen songs on their second album which is simply called 'Live' and the sound quality is of course quite brilliant and everytime I listen to I compare it with Pankehallen by Slime, fat-loud-clear-sound with so much energy (except the drums, sound better with the hamburgers). In Spring 1984 they recorded this 7inch and both songs are okay. On the B-side is 'Schwarzer Vogel' which already appeared on the live slab and here as studio version. In the same year came the end of NDT. And now: BVB-SGE, three points would be cool :))

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TARGETS - Massenhysterie 1985

We start the long X-Mas weekend with full steam and let's open door #22 with a German classic, thirty years ago and not a bit rusty, this legendary and only album of the Slime successor band appeared. Targets existed only two years, released two EP's (listen) and one album, all on Aggressive Rockproduktionen, and they are still popular in our orbit nowadays, no wonder that Colturschock/Höhnie Records reissued the slab in 2014. Why AGR only at the first pressing with red labels the track "Großer Bruder" has is a mystery to me, my copy has yellow labels. Anyway, the songs sounds still fresh, dynamic and with such intensity which is unparalleled in my opinion, and lyrically as brilliant as Slime: "An Outbreak Of Emotions, People Running Around, On A House Sits A Madman With A Sharp Rifle - Chaos Panic Masshysteria!" - I think that's enough info, buy the record, enjoy this German punk nugget and have a nice time!

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V/A - Killed By Death #18 1998

Let's end the gray fucking November with hot music and what lies near to complete with a juicy compilation with all American punk, no foreign junk again, 700 pressed on black vinyl with plain white labels. Another volume with other songs of already compiled records and an attempt at some new obscurities. Overall, a successful selection and the right time to get your neighbors out of sleep and tomorrow we open the first door of the Advent calendar.

1.Machine Gun Love - DEFEX

2.Teen Slime - DOGS

3.Transformation Vacation - LUBRICANTS

4.Excuse My Spunk - DENNIS MOST & THE INSTIGATORS

5.In America - ABUSE

6.My Way - SHELL SHOCK

7.Criminal Mind - MEATY BUYS

8.Little Billy's Burning - NUBS

9.Eat, Sleep And Fuck - TEENAGE PHD'S

10.Paradise - DESTRY HAMPTON & THE WOLVES FROM HELL

11.Can You Dance To It - SNUKY TATE

12.Sex Orgy With The Bradee Bunch - GYNECOLOGISTS

13.Fake - EBENEEZER & THE BLUDGEONS

14.Big Money - AUNT HELEN

15.Jimmy B. Good - THE EAT

16.As The World Turns - JAYNE DOE

17.Coitus Interruptus - THE LEPERS

18.World War III - SHIT DOGS

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DESTINATION ZERO - Suiciety 1988

As Punk has lost at the end of the 80's its aggressiveness and hardness a lot of many new bands formed and choose a new direction in terms of punk rock. So here is a good example: Destination Zero, four piece from Hamburg with ex-members of Slime (Elf, guitars + vox) and Razzia (P. Siegler, drums) and they play a solid Rock'n'Roll with a dark touch and nasty words. Their first sign of life are on the great Hamburg '88 compilation with two cuts, 'Kicks' is also on this debut album but in a different version I think, released by the Reeperbahn label Bitzcore, this album struck me like a bomb, hard, excellent production and with a powerful sound that brings houses to collape, really a fat singular release. In 1990 they recorded their second called "Survive" and one year later the last, a mini LP (Mr.Evil), both by Ruff & Roll Recordings released. In the same year the band broke up and Elf played again with Slime. - What's left: a cool album with many highlights!

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ANGESCHISSEN - @ Hamburg/Störtebeker 21.12.1994

Here is an amazing live recording from Angeschissen, a Hamburg combo which existed from 1984 to 1988 and they were one of the influential and stylistic punk bands of the Hamburg scene in the 80s and consisted of: Jens (vocals), Christian (guitars), Daniel (bass) and Stephan (drums + vocals). Christian was guitarist of Slime from 1980 until his first dissolution, where he had played together with Stephan; he was also drummer of Torpedo Moskau. Both brought hardcore punk into the style that hit American influences like Wipers and Rites Of Spring. In addition to singer Jens, Stephan also wrote some of the lyrics. The musical style of the band can be described as powerful dirty snotty melodic punkrock which is, in my opinion, live more intense and dynamic as on plate. In 1987 they released their first EP 'Angst Macht Keinen Lärm' via Buback. A year later comes the first longplayer, Angeschissen, with twelve goodies out and it was exclusively as vinyl record released. Then the band was supported by the studio guitarist Atli Grund and a split slab with Rachut's second band Das Moor came out also in 1988, shortly after the band was carried to the grave. In 1997 the Hamburger label Schiffen released a double album with all the recordings, this time also on CD. Follow-up projects by Jens were then Blumen Am Arsch Der Hölle, Dackelblut, Oma Hans and Kommando Sonne-Nmilch. So this is an excellent live document in a very good quality and I saw them a few times and I like to remember their great, impulsive and funny performances. Their only important compilation contributions are on the great Hamburg '88 album by Bitzcore.

Wolf/Rücken/Hallo Tod/Strangulieren/Treibsand/Wissen Wohin/Liebesfalle/Omega Mensch/Good Good Things/Hund/Angst Macht Keinen Lärm/Blut Im Urin/Over The Edge/6 Jahre Sind Genug/Picture This/Weltschmerz/D-7/Schwein/Kreislauf/Window Shop For Love/Es Gibt Millionen/It's Not You

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TARGETS - Schneller, Lauter, Härter EP 1984

One more superb German Punk I like a lot and I regret to sold this awesome EP many years ago. So if anyone wanna sell this record I'm the right man, of course at a reasonable price, please leave me a message in the comment section for fair offers. Targets were founded ca. 1984 after the dissolution of the best German political punk band Slime in Hamburg by Eddie (bass), Elf (vox & guitars) and Stéphane from the Buttocks (drums). Targets stand for aggressive punk with brilliant offensive lyrics and anyone who knows their full length album can imagine how great they are live (I was lucky to see Slime in HH anno 1990 in Altona/Fabrik: awesome!!). Hamburg had a very active scene + many cool bands released lots of classics and the list is endless. Schneller, Lauter, Härter was released on Karl Walterbach's AGR label and their second 'Menschenjagd' in the same year. 1985 they went to Berlin again and recorded their fantastic album Massenhysterie. Shortly after, the band broke up. What remains are three brilliant records which should have a place in every well-stocked record collection.

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