UHF - Cavalos De Corrida 7'' 1980

The second 7Inch from my favorite Portuguese band UHF is a real gem that stands out for its catchy melody and rhythmic structure. UHF, a band that is well-known in the Portuguese scene today, placed a special focus on melodic mid-tempo sound, which is excellently implemented in the title track, a real earworm and still my favorite song. Dynamic with passionate energy and intensity, both songs spray positive vibes into your broken brain. This record is an absolute highlight for anyone looking for a thrilling experience. From the very first second, it captivates listeners and invites them to dance. The powerful beats and dynamic rhythm are a powerful combination that clearly demonstrate UHF's creative talent. They know how to combine different musical styles into a harmonious work that invites you to sing along and dance. The lyrics are inspiring and perfectly capture the feeling of freedom and adventure, making the single an ideal companion for any party or a relaxed evening. The production is particularly noteworthy, as it is clear and powerful and brings out every nuance of the music. The instrumentation is varied and ensures that the tracks never get boring. You can tell that a lot of heart and soul went into the creation of this single. Overall an absolute must for every. It not only promises an entertaining listening experience, but also an invitation to leave the worries of everyday life behind, a great slab that should be on every playlist!

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V/A - Bloodstains Across The World #7 2022

Well it's time for one more Bloodstains Compilation and this one is cheap like the other "from all over the world" (from #3) and kept in a simple CD-R format, but I'm pleased that there are always maniacs who share their things, in contrast to other arrogant Assholes who defame such small people even though they don't know them at all and believe that they contribute a part of underground culture with their so-called professional Compilations (hahaha...), they just have to get their ass kicked and I give them a big Fuck You! I prefer to take these because the originals aren't tangible and I am grateful for this and everyone who thinks the same way will be enthusiastic with this cheap but cool one.

1.Tomorrow - QUIZZ KIDS

2.Kill Me Now - LA PESTE

3.T.V. Eyes - THE TOOLS

4.I Died Four Times - THE MANSONS

5.True Love - MARCHING GIRLS

6.Living In The 80's - TRUE PETER

7.I Don't Like Girls - MINOR CLASSICS

8.Teenager In Love (Live) - RADIATORS FROM SPACE

9.Berlin - IDEAL

10.Trop Tard - ROTTERS

11.No Rule - THIRD WORLD CHAOS

12.Get The Glory - LAUGHIN' NOSE

13.An Ather Day - THE VOPO'S

14.Ogro De Ciudad - ALMEN T.N.T.

15.London - TAPPI TÍKRRASS

16.She's So Fine - STRAIGHTSHOOTER

17.Baarissa - SOS

18.What's Going On Inside Ronald Reagan's Brain? - DEFORMED!

19.Anarchy & Peace - ABGAS

20.Du Er Eit Svin - NOREGS PUNKLAG

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NEONBABIES - Harmlos 1982

I hope it's finally getting warmer in this country, but until then the appropriate music has to help out, and wavie sounds are coming today by the Neonbabies from Berlin with their second album. The band has absolutely nothing to do with the Neue Deutsche Welle and their original & timeless songs belong to the best in the German underground scene, unfortunately they didn't get the attention they deserved, probably because the older ones the Humpe sisters got a lot more resonance with Ideal after she left. A newspaper at the time wrote: "Harmlos has humour, wit and irony but the catch was that the Neonbabies have just that spark of wit that the masses don't understand." That hits the core 100% in my opinion. Well, I like the album with its ten songs, which are characterized by Inga's beautiful voice and were brilliantly set to music by the talented musicians.

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KNOTS - Heartbreaker EP 1980

First one today and it's a superb re-release by Knots only 7Inch with three tracks on RaveUp Records (500 copies). Info: "Back in the 1970s, Max’s Kansas City introduced many fine bands. Some of the best never got famous. Fuse, aka Knots, was one of the finest. Let’s start at the beginning: Joey Pinter (guitars) was looking to put a band together in the mid Seventies when he met ‘the loudest drummer I’ve ever heard in my life’: Niki Fuse! They recruited vocalist, Tommy Bell and began rehearsing with a parade of now forgotten bass players and began gigging at various dives in and around Manhattan. Soon, they scored gigs at CBGB and Max’s and began to attract a following that included Eric Dufaure, a former Island Records executive who asked them to record for his new label, Ideal Records. Unfortunately, band infighting had reduced Knots to Joey and Tommy, so they entered Neal Steingart’s Fly Studios in Brooklyn with replacement drummer, Jerry Ryan, and Pinter doing double duty on guitar & bass guitar! There, they recorded a few songs: the two that made it to the single, plus “Rock‘N’Roll,” “New York,” “Blinded By The Darkness", and “Glad To Be Alive“. When the finished record hit the streets in 1980, Knots became a hot commodity. I put the single on the Max’s jukebox, and Bleeker Bob’s sold out multiple copies. On Manhattan’s downtown club circuit, Knots shared bills with now-legendary outfits like the Heartbreakers, The Cramps and VON LMO, as well as headlining their own shows at Max’s. With Nick Fuse back in the drum seat and Big Tony Corio on bass, the Knots were on their way to fame and fortune! Knots also toured the nation with Johnny Thunders, but then in ‘81, Max’s Kansas City closed, CBGB went New Wave and Johnny took off for Europe. Knots broke up. Joey and Tony joined The Waldos, Fuse went on to play in a number of local groups, and Tommy disappeared. However, the Knots recordings have had a life of their own. They were covered by underground bands all over the world, used in a film soundtrack, and included on Punk Compis and so the legend has been kept alive. Through the years, only three of their recordings survived: “Action”, “Heartbreaker” & “Glad To Be Alive”, the latter released here for the first time!" (Peter Crowley)

- Great Thx to Fredrik -

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IDEAL - Der Ernst Des Lebens 1981

Almost a year earlier, Ideal had set a milestone in the young NDW scene with their debut album and it's still a fantastic record and a year later the second followed, which is again a strong statement from the Four. Der Ernst Des Lebens has become a bit more mature and smooth in terms of sound and the rough Punkroots (so I want to call it) are a bit lost to the mix, but the record still impresses with its good variable songs and they do this in an expressive way, no Ideal album is fucking boring!! As you can easily see, this is the promo version with a different cover and the lyrics are printed in English and French. Recorded again with the line-up of Humpe, Deuker, Behrendt & Krüger. Conny Plank was the producer and all songs were recorded in his studio, released then at WEA. At the time, the label emphasized almost like a prayer wheel that it was a "dance combo (from West Berlin)" and that the music was "definitely dance music". There was talk of "strict rhythms that demand movement and pop music" as well as "music without frills, without superfluous ornamentation. The roots in the New Wave movement are not denied. And yet the possibilities of studio recording have not been neglected". The descriptions may seem wooden, but ultimately the hodgepodge of descriptions is understandable. Ideal combined melodic features of the Schlager with the drive of New Wave, mixed with a bit more offbeat passages. Catchy, hard riffs and the typical subtly psychedelic interjections, with South Seas/Caribbean flair and an emphatically decadent mood, eleven nuggets that still sound fresh.

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V/A - BIPPP: French Synth-Wave 1979-1985 [2006]

Born Bad Records released this charming Compilation with thirteen rare pieces with a 16 pages booklet, including bands stories & photos (unfortunately only in French) and we enjoy a healthy mix of Cold/New Wave goodies from the early days. Info: "Increasingly detached from the original Punk formula, the modern and arty youth of the early eighties set itself to jettison an artform that had lost much of the nihilistic and exhilarating energy of its halcyon days, stuck, as it was, in an endless and noisy regression. 'No Future' was the motto of an artform without a cause that no longer echoed with the mindset of the time. Disheartened but eager to experiment and create, a New Wave of French musician followed the beacon of Jacno’s seminal 79 hit “Rectangle”, a visionary, digital coup de grâce ,courtesy of a former punk which dealt the Rickenbacker and Fender era a fatal blow. The cold and robot-like bips of analogic keyboards took over. Casio, Korg MS 10, Arp Omni were the new paraphernalia of the növö generation. The ideal conveyers of its retro-futurist elegance and self-professed cold arrogance. They were pinnacles and symbols which turned as potent a fetiche as the electric guitar in the fifties or the laptop in the nineties." Not as punkie as Vertigo, but absolutely brilliant!

1.Contagion - A TROIS DANS LES WC

2.Ping Pong - ACT

3.Je T'écris D'Un Pays - LES VISITEURS DU SOIR

4.Terroriste - VOX DEI

5.Touche Pas Mon Sexe - COMIX

6.Partie 1 - TGV

7.20h25 - C.K.C

8.Pretty Day - MARIE MÖÖR

9.Game And Performance - DEUX

10.Polaroïd-Roman-Photo - RUTH

11.Aller Simple - VITOR HUBLOT

12.Le Jour Se Lève - VISIBLE

13.Viol AF 015 - CASINO MUSIC

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EINLEBEN - Soundtrack Zum Sommer 2002

August starts with a sad laugh and I thought I still had to rip the vinyl, but I did that job five years ago, that saves me a lot of work because I'm afraid my PC cracks soon. - Einleben from Wasserberg are among the bands that I always enjoy listening to and whose concerts I have always enjoyed attending whenever possible. This is their third & final album on Plastic Bomb Records. First, the artwork is very aesthetic with somber images in shades of blue, country roads, railway lines and a dilapidated cottage in the mountains, in front of which one sees oneself sighing and lamenting one's fate. For the ears then ten melodic and emotional Gems in mid-tempo range, some of which go well forward. The whole thing is very heavy on guitars and lyrics. The songs are, as usual, saturated with a deep melancholy, sometimes with despair, whereby the guys keep letting hope particles flow in, so as not to let the listener stand too much in the vale of tears. Inspiring and certainly an ideal stimulant to balance disharmony. A short visit to Bunt and Rauchzart, their two predecessor albums, is also worthwhile. Now I leave you alone with beautiful, driving and sensitive music. Enjoy!

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WANDA'S - A State Of No Mercy 1986

The rattle-punk of Wanda's first few years transformed into decent rock music, as can be heard on A State Of No Mercy, a statement of freedom and tolerance. The band changed line-up several times with a core of three women and on these recordings men are playing in Wanda’s as well and the studio line-up on this brilliant album were Joseé (vocals), Frank (guitar), Jan (bass), Christiaan (sax), Arie (drums) and this is their second and final full-length. The sound has gone from a rougher dirty fuzz sound to a much slicker Siouxsie influenced feel. What hasn’t changed is the lyrical radicalism, still inspirational. The Punk roots, however, remained unmistakable. "And we mean Punk as it was played as a music movement in the first years of its existence: straight forward, with a lot of melancholy humor, full of energy and nicely heavy. The sound of the early days was given a fat layer of metal and crossover: low flying guitars, solid woodcutter drums, driving bass and the menacingly low vocals. The first album (The Ideal, 1979) was about the ideal woman, the cover was phenomenal: all the members' faces had been shuffled & taped together, the music is definitely rammelpunk. Beautifully adolescent and recorded on a four-track recorder in the legendary Joke's Koeienverhuurbedrijf".

There are combos where the change from "amateurish" sound to melodic & powerful vibes works and in my opinion, the ladies and gentlemen from the Netherlands did it excellently. Wanda's was often described as 'Girl Punk'. A strange title, because what does that sound like? Music is always described in terms of style; each style has its own niche. But when it comes to female musicians, you're suddenly classified based on your gender instead of your music. In 1989 the band performed for the last time with a grandiose farewell concert at the Korsakoff in Amsterdam. Well, I like this record and I highly recommend the download, my dear visitors.

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TOLLWUT - Seuchen 2017

An older rip now and a few words from the web: One helluva obscure release for all KBD lovers is this record by Bochum's Tollwut, Susi (vocals), Matte (guitars), Hans (bass), Angela (drums), from Hayride Records, one of the most iconic underground acts Germany saw in its 1980's. We speak of Punkrock in its original form and spirit-border songwriting that presents lots of ska-rhythms among furious riffs. This compilation consists their only vinyl release, the "Seuchen" EP from 1981, and the even more rare "Tollwut-Hits '83" cassette. The more sophisticated tape recordings makes one think of a way more raw, nihilistic and aggressive Ideal and Ton Steine Scherben and might appeal to fans of the more wicked NDW underground as well. In the end all of these bands are rooted in a similar background they share with Tollwut (Rabies). Interchanging male and female vocals add much diversity to these tracks. When it gets to the four tracks from the classic EP, ferocious underground Punkrock placed in between more tracks from the 1983 tape. It works fairly well with this splitting of the original single tracks and shows how a full length album released back in the day might have sounded. Tollwut have a good feeling for great anthems that stick to your mind and deliver a brilliant rabid experienced performance. Could have become a hard hitter on the scene back then! Fans of early German music should definitely give this a go! - Solid record.

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EXTRABREIT - Welch Ein Land! - Was Für Männer: 1981

Well-known and also popular overseas are Hagen's Extrabreit and they returned 1981 to the studio to record their sophomore effort. At that time the band consisted of Kai (vocals), Stefan & Ulrich (guitars), Wolfgang (bass), Rolf (drums). In the early 1980s, 3D technology was slowly gaining momentum, resulting in films, posters and even some TV commercials. To experience the effect, paper glasses with red and green plastic lenses were distributed everywhere. An interesting gag for the time. Extrabreit had the idea of using the new technology for Welch Ein Land!... and designed a stereoscopic three-dimensional photo for the cover and as far as I know it's the only one of its kind, and the first edition came with anaglyph glasses and this is innovation I miss these days. Well, a nice review: "WEL-WFM is a more angry, politically quarrelsome album and to everyone's big surprise, first single "Polizisten" immediately turned into the band's first hit, only gaining strength when the Bavarian government banned the song for openly insulting the country's police force. Around the same time, German music journalists had discerned a new trend and dubbed it NDW. Bands like Ideal, Trio, and Spliff demonstrated a new national self-esteem, and Extrabreit, with their raucous, untamed attitude, fit right in. Over a year after its release, Extrabreit's debut album followed its successor into the charts and the single "Hurra, Hurra, die Schule Brennt" quickly climbed into the Top Ten. By 1982 both of the band's albums had established themselves in Germany's Top Five album chart and against all odds Extrabreit had turned into Germany's most successful band of the year." - Enough bla bla, listen and enjoy the weekend!

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ZYNTHSLAKT - Hit Med Stålarna! EP 1986

For all who came late to this nice combo the band were merciful and with this self-produced single they threw out their entertaining anecdotes among the people for the last time. Zynthslakt were Punx from Köping and this last pig features all six songs from the split EPs they released in the early Eighties. A short review: "This Swedish ensemble hits with some hard-hitting blows, using raw guitar and drum mixtures with harmonious vocals, a little say, and just pure driving energy." Pushead (MRR #20 • December 1984) - Well, not really to this record, but his words can confidently apply to this one in my opinion. One's for sure, is worth downloading and since it's Monday today, it's an ideal enrichment for the six o'clock tea, enjoy!

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IDEAL - s/t LP 1980

Even if Annette says these are not punk pieces, in my opinion this is a gross understatement. Because what the band delivered with their debut is extremely powerful and impressively plays some punk albums of the early Eighties on the wall. Remarkable F.J.'s guitar playing which is recorded as unprecedentedly scruffy as I love it, plus great lyrics, hectic rhythms and astonishing variability. This album is an absolutely timeless gem and a real masterpiece. Annette (vocals/keys), F.J. Krüger (guitars), Ernst (bass), Hansi (drums): four musicians from Berlin came together in spring of 1980, when hardly anyone was talking about a "New German Wave". When they parted in April 1983, this wave had already ebbed and splashed along in dreary Schlager monotony. Ideal's musical life was comparatively quick and short. But it was honest. Or with Hansi's favorite saying: "Only the pure material is tolerated." Also against each other. Each of the four could have said it like Annette in one of her texts: "Alone In My Skin." But, what Ideal was, no one could have done alone. Released via Innovative Communication and only real at 45 RPM. Enjoy!

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JAWOLL - s/t LP 1982

Sexy slab by Jawoll from Kassel and it's their only full length on Mercury. Founded 1981 by Kornelia (vocals), Robert (guitars), Jochen (bass), Matthias (drums), Richard (keys/vocals) and their first 7Inch Taxi from 1982 was (and remains) their most successful hit and suddenly made Jawoll known about Kassel's borders after a television appearance on the music program Bananas. Unfortunately, little attention was paid to the band and I think the reasen is they had a lot more to say with their lyrics, more offensive, more direct and had nothing to do with the plastic ideal world which most of the other NDW bands deal and therefore became boring. You won't find any in this theater and I wouldn't count them among. On the contrary, thirteen sympathetic and interesting songs with a solid, tingling punk spirit/feeling are gathered here, all excellent performed. To that; Kornelia's refreshingly authentically and unmistakable charming voice. Rendezvous was their third 7inch from 1983, which I like even better because the lyrics somehow has something longing about it. - Underrated album! -

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V/A - When Men Were Men... And Sheep Were Scared 1985

 Saturday morning, two coffees intus and after a good night's sleep we come to the following musical highlight. It invite you eight bands, mostly hailing from the Long Beach area and each with two exclusive tracks, to share their emotions on this decent compilation from Bemisbrain Records with a outrageously funny cover and like a fresh beer after getting up, their fresh mid-tempo sound hisses into your veins and provides positive vibrations, ideal for an exciting day without stress. A short useless note: some copies had two stickers on the shrink that were actually placed over the center of Mad Marc Rude's cover art to preserve John Wayne's dignity.... If anyone is interested in the record, I have an auction on ebay. But now have fun with it at breakfast, Cheers!

1.Hurry Up And Waite - RHINO 39

2.Sleep Walking - RHINO 39

3.The Dachau Cabana - THE VANDALS

4.Frog Stomp - THE VANDALS

5.Look Behind - RED BERET

6.Roller Coaster Ride - RED BERET

7.Audubon Baby - THE CREWD

8.Lady Of The Night - THE CREWD

9.Defeat The Purpose - FALLING IDOLS

10.Cut It Out - FALLING IDOLS

11.Bomb Chic - SECRET HATE

12.Death In The Desert - SECRET HATE

13.Rio - NIP DRIVERS

14.E.Y.O.B. - NIP DRIVERS

15.Air Head - TARGET OF DEMAND

16.Target Of Demand - TARGET OF DEMAND

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SPORTEN ÄR DÖD - s/t LP 2019

Good morning dear folks, today we start for breakfast with fresh girl power and I promise you, your bread will taste particularly good. Sporten Är Död (translated as Sport Is Dead) were an all female Swedish new wave/punk band between 1980 and 1982 formed in Kungälv. The group consisted of Ulla Åkerström (vocals & guitar), Åsa "Paste" Wassberg (bass) and Eva Herngren (drums). The band were named after the words of a Swedish broadcaster, who would proclaim the sport is dead, when there was a cancellation of a sporting event. This record was released via Fördämning Arkiv, 300 copies and side A was recorded at Studio Nigaf on 11th April 1981 and released as the Sporten Är Död cassette, side B was recorded live @ Sprängkullen on 23rd May 1982. An excellent review which I can only underline: "This looks exactly as it sounds: three cool teenage punk girls making tremulous punk rock with songs dedicated to John Peel, Bruce from the JAM, and their favorite chocolate bar! This isn’t wild screaming KBD mania, they have a nervous restrained quality, which is not to say this sounds inept, just that it isn’t the manic punk insanity you might expect from a teenage Swedish band circa 1981. They called their band Sport Is Dead, and formed as a result of being fans of the Buzzcocks and the Undertones, and you can hear the nervous pop sensibility! I’ve seen comparisons to Dolly Mixture and Lilliput, but I would say that is not the case here, they are not as polished as the former and not as wild as the latter. They have their own contained punk concept and identity that doesn’t sound like a collage of other ideas. This is a reissue of their demo tape with a live performance on the B-side. It sounds great and is definitely worth picking up for all fans of that underground girl sound, the sound of youth inspired by the DIY ideal…" (LAYLA GIBBON, MMR) - Seventeen minimalistic smasher with a great booklet, solid release!

- Great Thx to Fredrik -

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SONS OF ISHMAEL - Pariah Martyr Demands A Sacrifice 1987

Today will be a gray rainy day, ideal for activities at home, let's see how much lust & time I have for postin'. Let's start with a "pick-me-up": Sons Of Ishmael were Punx from Toronto and active 1985-1992 and their first vinyl appearance was the thirteen track EP Hayseed Hardcore on Death Enema Records. After some line-up changes, in May 1987 were fourteen fast trashy songs recorded by Tim (vocals), Glenn & Paul (guitars), Mike (bass), Chris (drums) and released by Over The Top Records (in Europe via Manic Ears Records). Two more albums and a 7Inch plus further line-up changes followed until the steam was out at some point, found on numerous compilations as well. Good stuff!

- Great Thx to Fredrik -

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DER EISERNE VORHANG - Franzi 7'' 1982

Here's a little 7inch from Austria with two "nervous" wave goodies. Released as a appetizer from their only album which came out on Ariola. Der Eiserne Vorhang was such an art "All Star Group" around the O. Tannenbaum operator (clothing shop in Vienna's Jewish quarter) Ronald Fleischmann (he was such an art Malcolm McLaren of Vienna and co-founder of 'Panza Platte'). The a-side has with Franzi a nice cover-version of XTC’s 'Making Plans For Nigel' and is a superb one. The b-side is the title track of their album and has good critical lyrics, sung in the melancholy Austrian dialect how I like it. Real cheerful natures this people. Musically, the song's a monotonic electric driving one, ideal for excessive four-person activity in bed with lots of in/out...ahhh...oooooh.. and so on... Let's stay factual again, check them out worth a listen in any case. - They're also members of Heimat Bist Du Großer Söhne compilation + the essential De Guade Oide Zeit 3LP compilation.

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DIE LASSIE SINGERS - Helfen Dir 1991

June, summer, sun, beautiful music and since I had the pleasure to spend eight hours in the office today, I need cheerful music now and that's what the Lassie Singers do. Founded 1988 in Berlin-Kreuzberg and parted again ten years later. With their mixture of creative brilliance and technical dilettance, the band musically fit into the tension between late NDW aftermath and the burgeoning indie self-confidence of the early Hamburger Schule. On the one hand, the lyrics celebrated an offensive naivety and playfulness, but often played with a mischievous and charming hostility towards men. Thanks to legendary song titles such as freedom from a man's mouth (Puke), The couple's lie or How a narrow-minded taxi driver has just destroyed a burgeoning young love (Cologne), the Lassie Singers were at times as "female response to die Ärzte". Core of the group were Christiane Rösinger (aka Christiane Hügelsheim) and Almut Klotz (aka Almut Schummel), the rest of the cast varied. The founding member Funny Van Dannen left the Lassie Singers before the first album, but continued to contribute songs for the band. With Kathrin von Witzleben, Herman Herman and Heiner Weiß the band was completed and the first concerts were played at the legendary Kreuzberg SO36. Pretty soon amn got to the major sony, so that in 1991 the debut album "The Lassie Singers Help You" varied. Commercially, it was not very successful, as well as the Moodier successors "Sei A Go Go" 1992. Three years later, Klotz and Rösinger returned with a completely new line-up, including former Ideal guitarist Eff Jott Krüger. With "City Land Crime" and the accompanying single "Schade" the band reached the pinnacle of their success and also convinced the critics. Although the Lassie Singers sounded as pop and professional as never before, but by no means renounce the snappy-grotesque lyrics. However, the cooperation with Krüger was not consistently harmonious, so that the work was completed quickly. Instead, they tried one last time as a "real band". In 1995, the band recorded the album "Hotel, Hotel" with Britta Neander from Ton Steine ​​Scherben on drums and bassist Dodo Herting. Klotz and Rösinger recorded their first guitar themselves and was produced by Thomas Meinecke in Hamburg.

After four albums, hundreds of concerts and a lot of spilled pop star blood, 1998 the Lassies are over. "Tours make you old, fat, ugly and sad", they say at some point and enter the last round with the "Time-To-Say-Tschüss" tour. Not without promising to make young musicians into pop stars with their label Flittchen Records - they can never become as big as the original Lassie Singers. In the same year, the two compilations "Best of ..." & "Rest of the Lassie Singers" appeared on the specially for Klotz and Rösinger founded Flutchen Records. Christiane & Britta founded the band Britta with Julie Miess, while Almut Klotz found short-lived projects like Parole Trixi or Maxi played under people and was active in the Popchor Berlin founded by her together with Reverend Chr. Dabeler under the name Klotz + Dabeler. Almut Klotz died in August 2013 of cancer, Britta Neander died at the age of 48 years after a heart surgery in Berlin.

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BILLY & THE WILLIES - Cheese 1989

And on with a great band that is second to none and I'm sure many German followers agree with me. 1983 in Mönchengladbach were founded Billy & The Willies by Ricki & Mick A on guitars, Mario (drums) and bassist/songwriter and vocalist Sonic. The Willies (the name was the product of a pub night) whose musical role models included the Butthole Surfers enriched their punk sound with every imaginable rock style. The lyrics are very special, emotional, partly funny and each a little world. Since their records were also sold in the U.S. and a musician from Surfers took notice and offered them a collaboration. The band declined because they don't want face the stress of the suspend commercial success. In the early 90s, a dark shadow fell on the Willies when guitarist Ricki was killed. The band could, and did not want to continue playing under their old name because without him there were no more Willies. However, they decided to stay together and founded The Devil In Miss Jones (taken from an American porn movie) in 1991, now with Sonic on guitar and newcomer A on bass. Cheese is the third and last album, released via BeriBeri Records and is full with first-class songs, "Kangaroo", "Here Today Gone Tomorrow", "Ideal$", "Inbetween", "Weird Kind Of Place", "Good Man..." and the very nice emotional "Good Night" to name just a few, count among to the Best I have ever heard from German land. This is the CD release with seven bonus cuts, including the rare Charles EP plus three unpublished pieces. Now enjoy the sound from a good band in a bad world!

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NEONBABIES - s/t LP 1981

Ahhh.... fine stuff now from the Neonbabies: they came together at the beginning of 1979 in Berlin. Among its founding members were the sisters Inga Humpe ("DiLemma") and Annette Humpe ("Anita Spinetti"). The group made its first appearance in the spring of 1979 at the Gasthaus an der Havel and the gigs were the highlight of the concert season 1979/80. Later they were able to make their first recordings at the senate's own Beat Studio with Nikolaus (guitar), Conny (bass), Toni (drums) and Reinhard (saxophone). The first EP (I Don't Want To Loose You) came out early 1980 and includes a first version of the later Ideal killer Blaue Augen, in autumn then the 2nd EP Nervös. The band were now an integral part of the Berlin music scene and were worshiped as cult. 

In early 1980, Annette Humpe founded the band Ideal and was replaced by singer Petra (Miko) but she was only heard on the debut album and this was released on the Berlin independent label Good Noise Records in 1981 and sold ca. 16.000 times, Nikolaus said: ''We were never ideologically defined. Good Noise said: we make the record with you - and then we signed a contract for a plate". The music is a cocktail of early german punk (KFC or S.Y.P.H.) and New Wave & Pop. 

In 1982, Dave Hutchins produced the 2nd album (Harmlos) @ Conny Plank Studio which was released on Ariola Records, followed by a tour through Germany. After the quit of Nikolaus, he was replaced by Toni Kambiz, the group engaged Drafi Deutscher as producer of the 3rd 7Inch 'Ich Bin Ein Mann' but the sale was very much less, far far behind expectations. The last album '1983' was recorded with Gareth Jones in Berlin Hansa Studios and also appears at Ariola. A short time later, the group broke up. Conny left and Inga participated around the project DÖF which was produced by her sister and the single Codo became a great fuckin' hit! With Eiskalte Engel the last Neonbabies 7Inch was done and it was a remix of the title Engel from the 3rd album and was considered as farewell gift for the fans. Enjoy now fourteen crunchy poppy bubbles from album #1.

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