BANNLYST - Diskografi 2011

Solid release by Berlin based label Norwegian Leather and this awesome compilation features all their vinyl recordings (we're talking about Bannlyst I should maybe mention, a cool trash Hardcore combo from Molde & Oslo, existed between 1982-1985 and consisted of Finn (vocals), Børre (guitars), Per (bass), Thomas (drums) and some members later went on to play in So Much Hate and Stengte Dører, among other bands. Twenty four goodies in total with a good dose of metal and some pop sensibilities, carefully remastered from the original tapes and vinyl as all the master tapes have been lost over the years and I think they've done very well and it's nice to be able to enjoy those long lost nuggets again, from one of the best hardcore bands from this country. A blast from the past!

- Great Thx to Fredrik -

here

ARSON - White Folks 7'' 1979

Five piece from Toronto hereby invite you to listen to their only great & rare 7Inch on Motor Records, which was released in a limited edition of 900 copies, and since I can't talk about the How’s, Why’s and Wherefore’s, because I wasn’t there at the time, I found a small but shiny & informative anecdote from someone who knows better, here we go: In 1977, at the height of the punk rock pandemic that was effortlessly engulfing the globe, vocalist and composer Rude Tuesdai fortuitously joined forces with guitarist Marcel Lafleur to begin a musical friendship that has spanned more than three and a half decades and spawned the incendiary band ARSON, the rest of the gang were Chic (guitars), Spyke (bass), Mike (drums). Ask anyone who’s ever heard them live and they’ll tell you that ARSON sonically sutures the Detroit destruction of the Stooges and MC5; the New York noise of the Velvet Underground and New York Dolls; and the British brainpower of the Stranglers and Clash. I could go on, so I will. Arson has independently toured all across North America and played countless concerts in a myriad of notorious rock’n’roll breeding grounds like New York, Detroit, and Chicago while sharing stages with (and stealing spotlights from) much influential legendary luminaries as the Dead Boys, Misfits, Suicide, Troggs, Destroy All Monsters, etc…. Meanwhile, Rude and Martin continued to douse the band’s smoldering ashes with new songs until the time was right to finally tap their past and craft a contemporary sound containing the unflinching fury of their earlier incarnation.

Aided and abetted by John Sutton (Weakerthans) on bass and David Quinton (Mods, Dead Boys, Stiv Bators) on drums, Arson recently recorded an in depth profile for Toronto radio station CIUT while recent concerts have garnered a whole new generation of rave reviews. That not hyperbole, that’s a fact and you can take it from me because I actually was there back in 1977 at the height of the punk rock heyday. So who you gonna believe: me or your own ears? (Bio by Jeffrey Morgan)

Two amazing songs and really too little for a talented band like Arson.

here

DIRE STRAITS - Live @ the BBC 22.07.1978

 

New week and I'll start with something completely different, that means no punk rock but just as brilliant and when we talk about solid rock with corresponding soft elements, I can't get past this band and these guys fascinate me with their melodic and playfully impressive music, like the Wipers or EA80. Live @ the BBC is a live album by the Dire Straits which was released in 1995 but the songs were recorded on 22.07.1978 at BBC Studios in London and involved were Mark (vocals/guitars), David & Hal (guitars), John (bass), Pick (drums), Alan (keys), with one track recorded on 31.January 1981 for the BBC TV program The Old Grey Whistle Test. The album features one unreleased song, "What's The Matter Baby?", co-written by Mark and his brother David. The riffs and general structure of that song were largely recycled for the song "Lady Writer" from the band's second album Communiqué, which may explain why it was never re-recorded in the studio. Check out their '82 album Love Over Gold which is also superb.

here

RAT BASTARDS - 6 Song EP 2004

Now folks, it's getting loud and fast and this post is for all Hardcores out there and this fuckin' 6 Song EP is a great example for brilliant screamcore. Rat Bastards are from Chicago and the band started in the mid 90s featuring former Industrialized Autocracy members, along with late 80s scene member Pat Kelly. They are still playing today (after some lineup changes) and on this little noisecracker are Pat (vocals), Jay & Rick (guitars), Al (bass), Mike (drums), they made five 7Inches, this one on Kangaroo Records (Amsterdam label) and one album. For the collector nerds are the two singles on Will E. Survive Records very interesting, "Contaminated Minds" and the split with Dead Drunk. There's definitely been a shift musically since the early years, starting as a 80's style hardcore band which moved into a newer sound, incorporating into that both Swedish and Japanese H/C influences. They've all played in a lot of Chicago bands in the past and continue to do so. Now enjoy this classic hardcore stuff with the highest volume.

here

D.N.A. - Retrospective 2018

I remember, that the Swedish combo D.N.A. was long on the Wanted list, many years ago, and the response has been astonishingly high. This is proven by the functional link to their first EP A Trip To The Land Of The Dead.... And Back, from 1985. Black Konflik Records, a malay label, released this limited compilation with a red Obi strip gatefold CD in 2018, 500 copies, with more recordings of this wild and versatile band from Skövde. Unfortunately with no infos about the recordings (except who was playing), but I guess they were all made around the mid-eighties. But apparently all of the band's remaining songs are immortalized here, including those of their two EPs plus two live goodies. The quality is not the best, but enough for a purchase in your city or in the train. Mega interesting in any case and very difficult to get. It’s good that these classics can see the light of day after so many years. Despite the rough edges and shit-fi quality, the anger in those releases is unconquerable. Real punk blast from the past. A solid retrospective of an era that marked the birth of the raw punk and d-beat genre.

- Great Thx to Fredrik -

here

THE MEDIA - Bright New Future 2020

Return of The Media: From Polaroids to Instagram, from vinyl singles to SoundCloud, from printing presses to the internet - a lot has changed with our media in the past fourty years. But, late 1970s Portsmouth band The Media are hoping that some things don't change; that a great tune is a great tune and that a band with an enviable live reputation still have the chops. Love Child Records certainly think The Media still have it!

In 2019 we set about tracking the band down and launched a double A-side 7" single Jump Down/How Could You Lie in April that year. Now, after some fantastic mastering work by North London Bombing, Love Child can finally release a whole album!! The Media were a Portsmouth band formed in 1978, influenced by the UK punk explosion of 1977 and consisted of Martin Jacks (vocals), Brian Lee (drums), Pete Rossie (guitar) and Michael 'Chello' Whichello (bass). In a short space of time back in the days of the punk rock explosion (and everything moved very quickly in the late 1970s) The Media played loads of shows, honed their 60s beat meets 70s street/seminal suburban songs, got a bit good, built a large following, released two singles and by 1980 were featured in an early Phil Redmond (the producer of Grange Hill, Brookside, Hollyoaks, etc.) youth TV series Going Out. What could possibly go wrong? Their debut No Darling I Love The Media EP appeared in 1978 on their own Tearaway Records (Cherry Red Records distributed it). It featured live favourites T.V. Kids, Don't Sit Back, Getting High and Rose and Crown. It was a bit good and sold out. A second single, Southcoast City Rockers came out the following year on the Portsmouth collective Brain Booster Records, again it sold out. A video was shot for Southcoast City Rockers, heady stuff at a time when very few bands recorded videos. The single showed the band moving on musically, taking in elements of the UK's emerging Ska scene (led by The Specials' Two Tone label) and the Mod revival inspired by The Jam (they secured support slots with The Vapors and Secret Affair). On the back of the money they were paid for the Going Out TV series (The Media's scene featured a packed gig, with a young Peter-Hugo Daly careering around causing mayhem) the band went in the studio with the aim of recording songs for an album, nine songs were completed.

But, trouble at one of their support slots (lets be honest, there was loads of bother at shows in the late 1970s/early 1980s) led to the cancellation of a series of gigs, including a prominent London show, and the band split in 1981. Fast forward thirty-seven years and the master tapes from that album session were found by a band member in their loft. 

On the advice of Acid Attack's Dave Clarke the tape is sent to Paul Orwell at Love Child Records, who in turn played it to Adam Cooper of parent company Heavy Soul Records, both of these uber music fans gave it a massive thumbs up. Love Child Records set about restoring the nine track tapes and transferring them to files. Talk immediately turned to releasing a single and album... and then a possible reunion show. The first 7" vinyl single from this session, Jump Down/How Could You Lie, was released in April 2019, fourty years after release of first Media EP! Bright New Future is available in 100 copies yellow vinyl, 150 copies black vinyl, so better be quick!

- Great Thx to Bristolboy -

here

LIKBAS - Tell Me EP 2021

Now a fine record and let me immediately announce the liner notes from the insert because they make it clear: "Likbas was created as an aftermath of two previous influential Falu punk bands; P-Nissarna and Sloban Sloback, by Matts (vocals/guitars), Larsa (bass), Tomas (drums). Their music was more of a garage rock band with a nudge to NYC and Detroit scene, rather than an angry punk band. On a historical day in 1983, 27th of May, they entered Gävle Ljudstudio to record five tracks. Unfortunately no record was pressed from that session and then they eventually split up and the recording tapes were forgotten and stashed away. Now thirty-eight years later, a label known for its intrepid releases, namely Ken Rock, is keen of letting the world finally enjoy this unique recording. Matts have dug out the old 1/4" Reel-To-Reel recording tapes from the vaults and it has now got the final love and care it so deserve. The tracks can now be enjoyed on this striking 7Inch and the result sounds better than ever. The echoes of the past are here to stay!" And I would like to add; splendid, wild and loud music or in one word: Superb!

- Great Thx to Fredrik -

here

SOUTH OF NO NORTH - Fell Frozen 1986

South Of No North was one of the first true darkwave bands to emerge in Greece and consisted of Andreas (vocals), Michalis (guitars), George (bass), Fivos (drums), George (keyboard) and when Charles Bukowski wrote South Of No North, he didn’t know that an Athenian dark wave band would use his title as their band name in November 1983. They had their first gig at Grava’s High School in 1984 with the bands Metro Decay, Villa 21, Yell-O-Yell and Art Of Parties, all label-mates in Creep Records. Mostly influenced by bands such as Japan, Bauhaus and Joy Division, they covered a dark music spectre which was made obvious by their only video shot in their rehearsing studio (check “Baby Steps To A New Era, Vol.II”).

 Their gigs were very rare, considering the existing live clubs of those years, but this didn’t stop Creep Records from signing them up to release the first Greek dark wave album in history. “Lacrimae Christi”, their debut, was recorded during September 1984 and was released April 1985. New wave and dark wave took over in the Greek underground. It was easy to attend to some small gig and see the Headleaders in a bar called “Blue Note” (later called “Masswell”) near Kipseli Square, which was territorial South Of No North’s area. This bar had one of the first VCRs in Athens, playing music vids of foreign new wave bands. Punks like the band Ex-Humans were also hanging around. Actually, Fivos, Ex-Human’s drummer, was also playing with South Of No North, as well. The band used Edgar Alan Poe’s poem “Anabell Lee” for one of their songs in their second album, “Fell Frozen” (which was the last release of Creep Records). During the following years there were a few changes in their line up as two keyboard players were added, which pushed their style away from the guitar-oriented sound. In 1989 they opened for Nick Cave & The Bad Seeds at Rodon Club and released the album “South Of No North” reaching the peak of their career with their most successful song, “Sha La La”. One year later they parted ways after a concert with Last Drive and Villa 21. Their last album, a compilation called “Rajah”, was released in 1992 featuring material taken from their past albums. Rumor has it that the band had a new album recorded, which was never released. Later, some of them formed the band Rock Xerox. In 2003 they had a reunion show for the Elfentanz Festival, in Gagarin 205 Club.

here

GERMS - (GI) 1979

Another classic that needs to be heard is the debut by the Germs, punk from Los Angeles and originally active from 1976 to 1980. The band's main early lineup consisted of singer Darby Crash, guitarist Pat Smear, bassist Lorna Doom, and drummer Don Bolles. They released only one album (GI) on Slash Records, produced by Joan Jett, and were featured the following year in Penelope Spheeris' documentary film The Decline Of Western Civilization, which chronicled the Los Angeles punk movement. Germs disbanded following Crash's suicide on December 7, 1980. Info from wiki which says everything:

Crash (born Jan Paul Beahm) and Smear (born Georg Ruthenberg) decided to start a band after being kicked out of University High School for antisocial behavior, allegedly for using "mind control" on fellow students. Their original name was "Sophistifuck and the Revlon Spam Queens", but they had to shorten the name as they could not afford that many letters on a T-shirt. The (initially hypothetical) first lineup consisted of Beahm (then known as Bobby Pyn, and later as Darby Crash) on vocals, Ruthenberg (under the name Pat Smear) on guitar, an early member named "Dinky" (Diana Grant) on bass, and Michelle Baer playing drums. This lineup never played in front of a live audience.In April 1976, the band added Lorna Doom (born Teresa Ryan) on bass, with transitional member Dottie Danger (later famous as Belinda Carlisle of the Go-Go's) on drums. Carlisle never actually played with the band, as she was sidelined by a bout of mononucleosis for an extended period. She was replaced by her friend Donna Rhia (Becky Barton), who played three gigs and performed on their first single. Carlisle remained a friend and helper of the band (she can be heard introducing the band on the Germicide: Live @ the Whiskey recording, produced by Kim Fowley), only leaving because her new band, the Go-Go's, were becoming popular and, as she put it, "I was really disturbed by the heroin that was going on". Nickey Beat, of various noteworthy Los Angeles bands including the Weirdos, also sat in on drums for a time.

The band's first live performance was at the Orpheum Theater. Smear recalled: "We made noise. Darby stuck the mic in a jar of peanut butter. It was a dare, we had no songs or anything! Lorna wore her pants inside out, and Darby covered himself in red licorice...we made noise for five minutes until they threw us off". The Germs initially drew musical influences from Iggy Pop, David Bowie, Ramones, the Runaways, Sex Pistols, and New York Dolls. Early on, Smear was the only musically experienced member; Doom survived early performances by sliding a finger up and down the fretboard of her bass while Rhia generally kept a minimal beat on the bass drum, periodically bashing a cymbal. Early performances were usually marked by raucous crowds made up of the band's friends. As a result, their gigs became notorious for being rowdy and usually verged on a riot.

The end of the band came when Crash, who had become increasingly impatient with drummer Bolles' antics, fired him and replaced him with his friend Rob Henley. Shortly after the Germs split, Crash and Smear formed the short-lived Darby Crash Band. Circle Jerks drummer Lucky Lehrer joined the band on the eve of their first (sold-out) live performance, when during soundcheck, Darby kicked out the drummer they'd rehearsed with. The band, described by Smear as "like the Germs, but with worse players", played only a few gigs to lukewarm reaction before splitting up. Shortly after that, Crash contacted Smear about a Germs "reunion" show, claiming it was necessary to "put punk into perspective" for the punks on the scene. However, Smear has said Crash told him privately he wanted to earn money for heroin with which to commit suicide. Since Crash had described this scenario many times in the past, Smear did not take him seriously. On December 3, 1980, an over-sold Starwood hosted a final live show of the reunited Germs, including Bolles. At one point, Crash told the amazed kids in the audience, "We did this show so you new people could see what it was like when we were around. You're not going to see it again".

Crash committed suicide on December 7, 1980, at age 22. Unreported at the time, Crash had overdosed on heroin in a suicide pact with close friend Casey "Cola" Hopkins, who ended up surviving. She later insisted that he did not intend for her to live, nor did he change his mind at the last minute and intend for himself to live. According to Spin, apocryphal lore has Crash attempting to write "Here lies Darby Crash" on the wall as he lay dying, but not finishing. In reality, he wrote a short note to David "Bosco" Danford that stated, "My life, my leather, my love goes to Bosco". Outside the world of the Germs' fans, news of Crash's death was largely overshadowed by the murder of John Lennon the next day. A local news station mistakenly reported that Crash had died from taking too many sleeping pills.

here

DEAD CAN DANCE - s/t LP 1984

Today to a band that I appreciate very much and always enjoy playing: Dead Can Dance, formed 1981 in Melbourne by Brendan Perry (The Scavengers/The Marching Girls) & Lisa Gerrard. Excllent info from their 4AD label for you: "Their music began as collages made from musical lineages, lost tribes and cultures long since forgotten - and by giving new life to so much from the past, they created a genuinely timeless body of work. They shared vocal responsibilities, and while Perry was certainly capable of haunting subtleties and real sonority as a singer, it was more often Gerrard's rhapsodic vocalising that drew the attention of critics and fans. In a sense, Gerrard didn't simply sing for Dead Can Dance: she made sounds with her voice, and turned that experience into something much larger and more far-ranging than mere singing. Perry's soundscapes blur distinctions between organic and sampled, old and new, drawing on disparate traditions (neo–classical, choral, baroque, troubadour) and weaving together influences from Eastern Europe, the Middle East, Asia, North Africa, the Mediterranean and beyond..." I was lucky to see this fantastic band live in the old opera house in Frankfurt and the almost three-hour performance is one of the best I've ever seen live. With around twenty artists on stage and the appropriate equipment, they filled the hall with their spherical music and sent you into other worlds, far away from reality and I can tell you, my pearl and I are went home very impressed & flashed. "...having finally secured their contract in 1983, it wasn't until March the following year that 4AD released their eponymous first album, a collection of the songs they had written over the previous four years. Also 1984 they released a 12'' "Garden Of The Arcane Delights" which is included here as bonus." Though the band split in 1998, they reformed briefly for a world tour in 2005. In winter 2011, they reunited once again to record a new album and completed a world tour promoting its release in 2012 and they're still alive. I recommend you get to know this band, no matter what album you start with, there is no bad one.

here

M.I.A. - After The Fact 1987

One of the first punk bands from Las Vegas were M.I.A. and this is their last album which came out via Flipside Records. Before I leave you with an excellent review from their homepage, briefly the note about their debut split 12'' Last Rides together with Genocide that illustrate their musical roots and is a damn big eruption (Vesuvius is kindergarten). "After the Fact is one of the best US punk records of the late 1980s, mostly because it mixes many post-punk influences and innovates where other punks cling totradition. The two guitars rarely play similar parts, there are dynamics & mood settings, contemplative sound and even a Killing Joke inspired tribal backbeat. The production on After the Fact is far superior to M.I.A.'s past efforts, with real bottom, kick, drive and guts. Check out the cover of "California Dreaming" or the effortless “Edge Of Forever” for proof that punk can be a fresh aural pleasure, even at this late date. M.I.A. ultimately paid the same price that the original TSOL and Effigies did when they went against the grain and tried to take punk to its next step: the group split up in early 1988." – Jack Rabid/Trouser Press - I would like to add; in 2001 Alternative Tentacles brought out a cool double record set called 'Lost Boys' (the first 1000 in orange) with thirty-seven rare old blasts, great stuff!

- Great Thx to Fredrik -

here

EASYBEAT - Don't You Know... EP 1981

A lot of rare Swedish stuff has been comin' in the past few days and I have to say: a few real nuggets are underneath. For example the debut EP by Easybeat on Hit-Records, a four piece from Landskrona and the band consisted of Anders (vocals/guitar), Dan (lead guitar), Jonas (bass), Benny (drums) and the songs shine with rich melodies, sweet harmonies and jangly guitars and I'm really excited by their music. The four made it to three singles before they probably disbanded in the mid-80s. So enjoy the four powerpop crusher and invite one of them on your next self-made compilation.

- Great Thx to Fredrik again -

here

D.N.A. - A Trip To The Land Of The Dead...And Back 12'' 1984

Released via Hardcore Horror Records this is D.N.A.'s first and only record. Swedish exhiliration, wild and chaotic delivering speedy punches with gruff, raunched-out vocals. In the tradition of the Shitlickers and Anti-Cimex, D.N.A. pushes a rapid pace with enough energy to keep it all together, odd guitar leads and strong bass surges are the prominent highlights as this outfit terrorizes in mayhemic melodies. D.N.A. were from Skövde and founded in the 80s by Nillen (vocals), Petri (guitars), Dan (bass), Henke (drums) and they were among the pioneers of the classic Swedish sound at the time that marked the birth of raw punk and d-beat genre. The singer, Nillen, was actually an original member of Anti Cimex. After 1982’s “Anarkist Attack” EP they all moved to Gothenburg, except Nillen who formed D.N.A. - This 12Inch contains four raw and chaotic bangers, all songs sung in Swedish, a real punk blast from the past.

here

CHAIN CULT - Demo 2018

Something exciting new is coming from Athens and the three members; Jason (vocals/bass), Dino (guitars) and Vangelis (drums) are Chain Cult. These guys released their powerful demo as tape and also as 10'' via the London label La Vida Es Un Mus. Their post punk is anthemic, militant and idealistic, putting music to a very dark and bleak time and place with a lot of groove and interesting lyrics. Another single followed and recently their passionate first album Shallow Grave was released. I am extreme impressed of their sound and it is by far the best new combo that I have heard in the past two years. I strongly advise you to keep an eye out for gigs and other records and I hope, they stay in the music world for a long time. You can find out more about the boys in a short interview by Obsessionist.

here

Impressions XVI

A few small impressions of the past six months that I had to capture.

- - - - - -

V/A - The Thing That Ate Floyd 1988

This huge 1988 compilation is like a history lesson for those uneducated about the world of the Gilman Street and Californian punk scene of the time. Compiled by David Hayes and originally spanning four sides of 12'' vinyl (and later on a remastered double CD) there are few chinks in this musical armor. Unreleased material comes in the form of such Lookout! artists and that’s only scratching the surface. This iconic release, packed with 34 tracks of goodness also has such favorites of the day as, No Use For A Name, Capitol Punishment and The Vagrants. An amazing representation of the fertile California underground scene that went on to define punk into the 90s. Housed in unique packaging wrapped around a huge booklet. This compilation was released to showcase Bay Area punk bands that were playing at Berkeley's Gilman Street Project in the late 1980s. Original first-pressing has Lookout's old Laytonville address on it and a blue jacket. 4000 copies were pressed. The first 50 copies were pressed on orange vinyl. Released with a 24-page newsprint booklet with info on the bands and lyrics. File this release under: Essential!!

1.Straight Edge Song - SKIN FLUTES

2.Win Or Lose - EAST BAY MUD

3.Big Man - CORRUPTED MORALS

4.Gloria - NEIGHBOURHOOD WATCH

5.Not One Of Mine - TOMMY ROT

6.Cottleston Pie - CRINGER

7.Bananas Smell Funny Sonata In G - BOO! HISS! PFFTLB!

8.The Incredibly Blue Moustache Of Mr. Tinselteeth - EYEBALL

9.Happy Now - ISOCRACY

10.29° - KAMALA & THE KARNIVORES

11.On And On - BITCH FIGHT

12.Tied/Tried - PLAID RETINA

13.Common Inconsistencies - NEUROSIS

14.We Must Do Something Now - COMPLETE DISORDER

15.Product Of Misdirection - WELL HUNG MONKS

16.Broken Strings - SWOLLEN BOSS TOAD

17.Life Sucks - VOMIT LAUNCH

18.Abandoned Beer Messiah - RELIEF SOCIETY

19.Boredom Zone - MR.T EXPERIENCE

20.Vagina Envy - SEWER TROUT

21.No Way Back - THE VAGRANTS

22.Andorra - SWEET BABYS

23.Don't Lick My Leg - STIKKY

24.What!?! - NO USE FOR A NAME

25.Extreme Racial Pride - SURROGATE BRAINS

26.Outside - LOOKOUTS

27.Jackknifed Rig - CAPITOL PUNISHMENT

28.Summertime - CRIMPSHRINE

29.In My Past - SPENT

30.Change - RASKUL

31.Contraversy - TRIBE OF RESISTANCE

32.Day Of Sun - NUISANCE

33.Hangin' Out - OPERATION IVY

34.Bee Sting - STEELPOLE BATHTUB

here

POISEN IDEA - Official Bootleg EP 1991

Proper release by Vinyl Solution/American Leather Records and this four track EP is damn cool and I think most of you know this combo because they released a couple of awesome records. I take over the bio from discogs: Poison Idea was started in 1980 in Portland, Oregon, by vocalist Jerry A. (Lang). Within a year, the band had a solid line-up with drummer Dean Johnson, guitarist Tom Roberts (aka Pig Champion), and bassist Glen Estes. The band was motivated by the Germs and Black Flag, and took their musical cues from bands such as Discharge and SOA. Pushing the speed limits of contemporary punk rock, they played raw and angry hardcore the likes of which had rarely been heard before (or since). Their 1983 debut EP, Pick Your King, is a classic and arguably the best hardcore record ever released. Its subsequent followup, Record Collectors are Pretentious Assholes (featuring Pig Champion's substantial collection on the cover), saw Chris "Tense" replacing Glen on bass. Both were put out on the Fatal Erection label, run by Pig Champion and Malcom Conover from Eugene, Oregon. 

In 1986, Poison Idea released the aptly titled Kings Of Punk album on Pushead's Pusmort label. By this time, the band's sound had changed from manic, breakneck thrash, to a more driving, Motörhead-influenced attack - losing none of their intensity, anger, or nihilism. In the next few years, Poison Idea's lineup (mainly the rhythm section) changed several times. 1987's War All the Time was somewhat of a misstep - nowhere near as powerful as their previous output - although the two EPs released the next year both had good material. 

By 1989, Poison Idea seemed to pull it together; after trouble with record companies and distributors in the past, they started their own label, American Leather, and began by reissuing their 1982 demo. The band recorded the excellent Discontent 7" and also found their most stable lineup in years: Jerry A., Pig Champion, Myrtle Tickner, and Thee Slayer Hippie (although the second guitarist seemed to switch between "Mondo" and Aldine Strichnine). In 1990 they released the classic Feel The Darkness album, successfully combining (where so, so many others had failed) the best elements of hardcore and hard rock for a dark, powerful sound. In the next three years they put out several more records - two more full-lengths, a string of 7"s, and an LP collection of all covers. When Pig Champion decided to leave the band in 1993, Poison Idea called it quits. However, a few years later in 1996, the band briefly reformed and recorded a 7" for Taang!, who also reissued (again) most of their early catalog. An aborted tour in 1997 saw another breakup, but the band is currently back together again playing local shows, and has recently toured the US and Europe. 

Song facts: Tracks 1 and 2 recorded and mixed 5-6-89, both previously released as the 'Plastic Bomb/We Got The Beat' cassette single in 1989.  Tracks 3 and 4 recorded 6-15-90. Mixed 12-4-90.

here

BIZZMACKEN - Borde Va Död 7'' 2018

Back with a Bang with this cool Single by Bizzmacken on Bizz Records and it's nice to post again after all the hardships of the past few weeks. The bands first EP "Edelweiss" was released in 1987 and members are Ola (vocals), Anders (guitars), Micke (bass), Anders (drums) and the title track was written in 1985 & it took more than thirty years to immortalize this on vinyl. The flip is a new one and both are little dirty catchies and you feel the rough shell of the good ole days. Great stuff!

- Great Thx to Fredrik -

here

AGENT ORANGE - @ The Dive Bar, Las Vegas 26.09.2014

Hmmmm, I hope you enjoy this month with live stuff and for all those who are on Easter holidays I wish carefree relaxation and for us at home as well. Next show shoot us to Las Vegas at the Dive Bar where Agent Orange played on 26.09.2014 a grandiose gig and they are a fantastic live band and one of my favorites. Energetic surf punk from the very best and I can't understand why since 1996 no further album was recorded. I believe that there are enough ideas, but obviously it is not easy to unite all members for a short time because family and everyday life make it difficult. Well, maybe there's something to follow and as long as they go on tour they stay alive. Enjoy!

Miserlou/Everything Turns Grey/Tearing Me Apart/Secret Agent Man/It's All A Blur/America/Whistling Past The Graveyard/Mr.Moto/Voices In The Night/Breakdown/Say It Isn't True/This House Is Haunted/No Such Thing/Cry For Help In A World Gone Mad/I Kill Spies/It's In Your Head/Somebody To Love/Police Truck/El Dorado/Living In Darkness/Wouldn't Last A Day/Too Young To Die/Bloodstains/The Last Goodbye

here

ALLER VÆRSTE! - Materialtretthet 1980

Half-time in Hoffenheim and the fuckin' FCB leads with two goals, it seems the chief floor has stabilized. Well, let's come to the Aller Værste!, a Norwegian new wave/ska band from Bergen of the early 80's, which started out as a hobby project by four members of long-forgotten group Johnny Banan Band, members were Chris Erichsen (vocals/guitar), Ketil Kern (drums), Sverre Knudsen (bass/organ), Lasse Myrvold (vocals/guitar/organ) and Harald Øhrn (bass/vocals/organ). Apparently big with John Peel at the time, their debut Materialtretthet on Den Gode Hensikt won a Spellemannspris (Norwegian grammy) in 1980. The group disbanded after their second record, Disniland I De Tusen Hjem. Not easy to describe their sound because typical Ska sounds different but remarkable is the fiepsende organ that reminds me of the Doors. TAV! was part of the punk boom without playing punk. They kept going for a two-year period and released two albums - yet they have an indisputable and central place in Norwegian rock's history and development over the past twenty-five years. Also on numerous compilations and one plus an EP (listen) are in this theatre, meanwhile 1:2.

- Special Thx to Fredrik -

here