ONE WAY SYSTEM - This Is The Age 7'' 1983

Hmmm, I thought I'd posted something about the following combo, but apparently in my old Blog, well.... I'll catch up on this immediately, because they are among the heroes of early, typical trembling UK Hardcore/Punk sound. One Way System were formed 1979 in the Fleetwood area of Lancashire and shuffled through several different line-ups before settling into a quartet that would make the band's first life possible: Gavin (vocals), Craig (guitar), Gaz (bass), Tez (drums). They made their first mark on the Country Fit For Heroes compilation on No Future Records in 1982 which helped launch the debut EP Stab The Judge on Beat The System!! Records. They didn't release an album until 1983, when they switched to Anagram Records where consequently the debut All Systems Go appeared, based on the single Give Us A Future followed by the second album, The Writing On The Wall. 1984 came the next EP entitled Visions Of Angels, which raised hopes of a US tour as opener for the legendary Circle Jerks. Unfortunately Keith Morris (leader) broke his neck just before the start of the planned tour and the dream was over. One Way System played two shows in the States in lieu of the unrealized tour before deciding to go home and quit. Ten years later, in 1994, punk rock reissue specialists Captain Oi! re-released their two albums, followed by Anagram releasing a best-of in 1995, leading to a reunion. After that, Gavin and Gaz decided to continue and were replaced by Andy (bass) & Lee (vocals) respectively. New material were recorded for a few different labels and they've been rockin' & rollin' to heart attack ever since.

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CH3 - I've Got A Gun/After The Lights Go Out 1991

Once again Anagram Records, today with a Compliation CD from their The Punk Collectors Series and on stage are Channel 3 from Cerritos/CA, formed 1980 by Mike (vocals/guitar), Kimm (guitar), Larry (bass) and Mike (drums). Info: the bands first release was the CH3 7Inch via Posh Boy Records and the slab received good critical notices, but the band’s limited exposure kept it a modest success. This began a campaign to play every show possible, in any location that would have the band. Interest began growing, the band got better, and by the time Fear Of Life was released Summer 1982, the band was ready for its first extensive US tour. At the time, touring the punk club circuit was a shaky proposition at best. There were lots of cancellations, lots of fights and the band’s constant travel probably contributed to its healthy turnover rate, and the 1983 tour in support of After The Lights Go Out saw Posh Boy Veteran Jay Lansford joining the band. Jay, a former member of the Simpletones and Stepmothers brought a new professionalism to them.  Channel 3 was at the peak of its popularity, playing to large crowds, and enjoying chart success in Europe with the I Got A Gun UK release. By the mid eighties, the band was spending more time in the rehearsal studio, experimenting with a five man lineup and stretching out creatively. Airborne , the first release on Enigma records, was a stylistic departure for CH3. Many fans refer to this as the definitive dawn of the “You Guys Suck!” phase in the band’s history. That record’s emphasis on song over speed alienated some fans, but allowed the band to begin playing more high profile shows. Empowered by a new sense of artistic freedom, Channel 3 then delivered Last Time I Drank in 1985, a record that many HardcorePunk fans found not only a shocking display of musicianship, but also a blatant display of disrespect of all things bald, broke, and smelling of clove cigarettes. Never fond of the strict conformity of Punk Rock’s non-conformist manifesto, the band continued to explore musically. The final release of the Eighties was the aptly named Rejected, a curious mix of studio projects that sounds like a weary Amen! after a long and desperate prayer...

The band kept a low profile through the Nineties. Besides the annual Doll Hut benefit show and the rare late night television appearance, the band had all but vanished. But CH3 was not done, they had simply retreated to the basement lab, plotting for the inevitable return with a maniacal laugh! Early 2000’s, CH3 found itself back on the road, and with a new record on Dr Strange Records, the band was back on track and curiously playing to bigger crowds than ever. The last sign of life on vinyl was the Put 'Em Up album (2017) and there will certainly something new, because the band are far from finished!

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ANTI-NOWHERE LEAGUE - Complete 7Inches Collection 1995

The Anti-Nowhere League is an essential staple of the English Punkrock movement and one of my favourite bands because I like their provocative attitude and since 1980 they've made it clear live and with every album that you shouldn't piss on them. And the debut from 1982 We Are...The League is one of the best UK Punk Records in my opinion. This Compilation from Anagram Records features all their A and B sides from the early days and includes all their hit singles and is an ingenious journey through time and reflects the energy and hardness of the four in all pores of vitality and the Anti-Nowhere League is a band committed to offending people. '[We Won't] Remember You' is a strong statement and I don't know any band that such words interpreted, they don't give a shit if you like them or not and that feeling turns me on and exactly such bands are needed to kick the ass of lame new monotonous combos, Hell Yeah! and if you rediscover the gents, this CD is a good start and I recommend you: buy their fucking records and pogo until the shit squirts out of your brain and I promise, you'll feeling the 100% perfect mood!  - And now I'm going out with my girl into the sun. 🌞 🍺 👽

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V/A - Flicknife Records Punk Collection 1995

Let's move on to another compilation from the Punk Collectors Series from Anagram Records and this Volume is full with cool stuff. In addition to well-known bands, there are a few others represented here that put little on vinyl, but that makes this series so interesting. Flicknife Records started in October 1980 by Frenchy and Gina and the first release was the Mystere Fives No Message 7Inch in 1980 and the label is still active and holds on to the attitudes and beliefs that spurred Frenchy to start it. On this CD are the first songs from singles gathered that gave their best in the early days. Absolutely brilliant material and in two hours the SGE will follow versus Marseille, hope they win!

1.Shake Some Action - THE MYSTERE FIVES

2.Total Control - RED RAGE

3.Shell Shock - ERAZERHEAD

4.Waiting For The Man - CHARLIE HARPER

5.Teenager In Love - ERAZERHEAD

6.Do The Geek (Live) - ERAZERHEAD

7.Thatcher - AD NAUSEAM

8.Follow The Leader - THE SAINTS

9.Fight To Win - MAJOR ACCIDENT

10.Let's Get Crazy - LONDON COWBOYS

11.Werewolf - ERAZERHEAD

12.We Don't Care - LAST RITES

13.Wanna World - URBAN DOGS

14.No Romance - THE GENOCIDES

15.No Sign Of Life - INSTANT AGONY

16.Leaders Of Tomorrow - MAJOR ACCIDENT

17.Respectable - MAJOR ACCIDENT

18.Playing Cards With Dead Men - RURFREX

19.Summertime Now - ERAZERHEAD

20.Nicely Does It - INSTANT AGONY

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EXTERNAL MENACE - Youth Of Today EP 1982 & No Views EP 1983 & Seize The Day EP 1997

Triple pack for the weekend start by this awesome band from the suburbs of Glasgow. Their debut from 1982 Youth Of Today is a classic record and one year later it was followed by their second EP called No Views. Again four smash hits and you get what you're lookin' for. The band went through a few alter ego moments over the following years - playing External Menace songs at gigs but under different names. Beat The System!! had folded and the band released a few compilation tracks on Rot Records. In 1987 Wullie (vocals) was taking a short cut across the M8 when he was hit by a car and killed. A decade on, the band were revived when Captain Oi! records began to show an interest in releasing a compilation album of all the bands previous releases. The band continued to chop and change over the following two years. In 1997 the Seize The Day EP was released. They toured Europe three times, toured the UK, played countless festivals and recorded the Process Of Elimination LP. Again many line-up changes but the band is still active and with their good basic Britpunk sound always a pleasure guest in my house.

Details: External Menace formed from the same youthful energy that gave birth to many of the "second wave"of British punk bands. Put together by vocalist Wullie Hammill and John Sneddon in the summer of 1979, the band were typical of the 1979/1980 punk bands, faster and rougher than the class of 77, but not an all out UK82-style attack. The band played out as often as they could, evolving fully into the UK82 mold, and released two singles and also putting in an appearance on the Total Anarchy compilation (1982). Their sound was typical of the era, kinda speedy punk with gruff vocals and anarcho-inspired lyrics abour war, the evil governments and nonconformism. That was the side of External Menace that most people knew best, but towards the middle of the 80's they branched out in a more melodic (but still hardcore) direction, playing reggae inspired tunes like "Rude Awakening" and "Killing Me Asylum". While the band recorded two or three more demos, putting some of their new tracks down, they didn't manage to get any more vinyl out, and finally broke up in 1985. Fast forward to 1994 Ian Welsh of Swine Flu harassed John Sneddon to get External Menace back together, and start kicking some more punk rock ass. Sneddy agreed, but only if Welshy (what is it with Scots and diminutive names ending in Y?) joined the band as vocalist, since Wullie Hamill had died in 1987. Swine Flu disappeared shortly after their first single was released, and re-emerged with a new name and a new guitarist. External Menace was back.

Their first new release was Pure Punkrock on Captain Oi! in 1995, which featured all the band's Beat The System!! recordings, plus a handful of early demos, and re-recorded versions of some old songs, the release didn't attract the interest of anyone except the UK82 completists. The band were invited to play the first Holidays In The Sun festival in August of 1996, and accepted. The entire festival was recorded (very poorly) and released on video by Barn End, and selections were released on two CDs by Anagram records. The band were invited back for HITS 1997, and (again) accepted. Around the same time the first of the HITS compilations appeared (early to mid 1997), External Menace finally released their first new single, the Process Of Elimination EP. The five track single was a completely unexpected, it featured some serious punk rock/reggae fusion, in the shape of "Rude Awakening", and was a drastic step AWAY from their UK82 roots. Later that year they also released a split 7" with Rectify, and their first album. The songs were a mix of old and new Ex Menace songs, with a few hold-overs from Swine Flu. It was a refreshing blend of UK82 hardcore and more straightforward midtempo punk, with a healthy dose of reggae thrown in for good measure. The album really made people sit up and pay attention, these guys weren't just another 80's punk band back for a few quick bucks, they were talented musicians with something interesting to offer the punk community. Unfortunately they only managed to release on more 7" (a split w/Recharge) before breaking up again in 1999. Puhh, a lot of words again but good infos are part of it!

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V/A - Rondelet Records (Punk Singles Collection) 1995

With the emerging punk movement and the numerous new bands, of course, labels had to be founded that brought their music to the people. In England for example, some well-known labels get established and published a few singles, mostly in small editions and nowadays very sought by collectors, and made it possible for some bands to expand their radius and the opportunity to play gigs in other regions, partly over to the mainland. Anagram Records had the idea of creating a series called The Punk Collectors Series in the mid-90s and pressed the singles from these small labels onto CD and brought thus the old classics back to life with these chirping compilations. Today a small selection from Rondelet Records with bands which made more than one single in their lifespan and many of you probably know & partly waiting in the blog.

1.No Government - ANTI-PASTI

2.Two Years Too Late - ANTI-PASTI

3.Another Dead Soldier - ANTI-PASTI

4.Six Guns - ANTI-PASTI

5.Burial - THE FITS

6.Violent Society - SPECIAL DUTIES

7.Colchester Council - SPECIAL DUTIES

8.Bomb Scare - DEAD MAN'S SHADOW

9.Another Hiroshima - DEAD MAN'S SHADOW

10.East To The West - ANTI-PASTI

11.Muscles - THE MEMBRANES

12.Police State - SPECIAL DUTIES

13.Go To Hell - THREATS

14.Fuck The Tories - RIOT SQUAD

15.We Are The Riot Squad - RIOT SQUAD

16.Bullshit Crass - SPECIAL DUTIES

17.Riot In The City - RIOT SQUAD

18.Caution In The Wind - ANTI-PASTI

19.Flower In The Gun - DEAD MAN'S SHADOW

20.High Street Yanks - THE MEMBRANES

21.Politicians & Ministers - THREATS

22.Last Laugh - THE FITS

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ACME ATTRACTIONS - Anyway 7'' 1980

This rare piece is a smiley and again 'many words for your further education which all from the booklet of the CD compilatin 'Terelene Boys from 2013 on Only Fit For The Bin Records: Acme Attractions released one great single in 1980 called "Anyway" and listen to the lyrics of this song, it is all about the late great 'Keith Moon'. The band did follow up this debut release and backed another local artist Bonnie Parker a year later. After watching the Damned in a local pub in Luton back in 1976, members of this band were mesmerized with their performance and one stand-out moment was when the Damned were being heckled by members of another local band THE Q-TIPS about their ability of playing, Dave Vanian jumped off the stage and poured a pint of beer over their heads. Then a month later they witness the Sex Pistols @ the Queensway Hall in Dunstable. THAT WAS IT! The seed was sowed and Jim and Dave knew they had to be part of this new vibrant scene and Acme Attractions were born (even though at this point it was only a dream).

Now in the bands own words: "Born from an after pub party, while miming in a front room to whatever song was on The threat of "Now let’s see if you can go out and form your own band" Was the only challenge we needed! Within six months of that night the guitarist had self-taught himself and the bass player the basic skills required to form the band (three chords). (I got my first real six strings, played it till my fingers bled). It was happening! (Me and some guys from school we got a band and we tried real hard). After months of rehearsing, it was time to show the local pub that we didn’t want to listen to 'Smoke On The Water' or 'Johnny B. Goode' anymore. It was our time. Having been influenced by the attitude of the Pistols, Clash, with undercurrents of the Who, Mott the Hoople and some self-penned songs thrown in as well Acme Attractions played their first gig. The local interest had drawn big crowds which lead to the band being banned from their first three gigs. This was not caused by violence, but due to over crowding resulting in damage caused to chairs, tables & beer glasses. The band were forced to seek bigger venues and halls this resulted in Acme Attractions being the only local band being able to fill "The Royal Hotel", the biggest of all the venues, not once but twice.

Not all gigs were as successful as that though as the landlord of The Kingsway Tavern Would tell you.  After refusing to leave the stage one night until their set was finished, The landlord locked the band in the dressing room with his Alsatian dog. Threatening not to pay them as they had played over the permitted time. His error had been locking the door, as he had no escape himself When we threatened to break his legs. The bands popularity and reputation was growing and growing and after progressing through a Battle of the Bands competition at the expense of the singer losing a front tooth, the band was making their name. Local newspapers were wanting to know the story behind the band and local promoters were asking them to headline the local festivals such as The Luton Carnival and the Marsh Farm Festival. The money gained through gigging went towards hiring a studio and the costs of producing 1.000 copies of their first single "Anyway"/"Never Again". EMI had tried to claim a percentage of the copy rights through a distribution deal that did not suit the band, so the band decided to distribute it themselves. This is why most copies of the single have tipex on the label over the line that mentions EMI. After continuous gigging and some radio air time, The band had reached a point that required more commitment To take them to the next level.

They had travelled as far as they could have on the local scene. A meeting had been called to discuss the next stage of progression and It was decided it was time for Acme Attractions to come to an end. It was not the end of the band however as the remaining members continued under various names such as 'English Dream' and 'Pressure'. With the new name of 'Pressure', it wasn't long before being signed to Anagram Records a division of Cherry Red Records. Releasing a further two 12Inches and touring the country before finally calling it a day back in 1983.

You can find the band on two splendid compilations, Raw And Rare British Punk Volume 4 (coming soon) & Bored Teenagers #11, as well. Great Stuff!

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NOTSENSIBLES - Instant Classic 1980

Classic record from a band which I did't knew until now and I promise this is quite awesome. I use the info here from wiki: Notsensibles are a punk rock band from Burnley, England, who had their greatest success with their second single, the tongue-in-cheek "I'm in Love with Margaret Thatcher". The band was formed in 1978 by Michael "Haggis" Hargreaves (vox), Steven "Sage" Hartley (guitar), Roger "Rog Sensible" Rawlinson (keyboards), Gary Brown (bass), and Kevin "Ploppy" Hemingway (drums).

The band explained their approach: "all we want to do is make silly records and play silly gigs". After releasing the "Death to Disco" single in April 1979, they "celebrated" the election of Margaret Thatcher as Prime Minister later that year with the single "I'm in Love with Margaret Thatcher". Initially self-released in a pressing of 1.000, but reissued on the Snotty Snail label due to continuing demand, the release gave them a No. 8 UK Indie Chart hit at the start of 1980, and the band also recorded a session for John Peel's BBC Radio 1 show. According to one review, the song was: "Meant as neither a pro- nor anti-Thatcher song. It revolved around the idea that no-one was too sacred to get the piss taken out of." Writer Simon Reynolds stated that it "...taps into the side of punk all about not taking anything seriously..." At one performance in 2012 Hargreaves claimed that he had "great reverence for Thatcher". The single's B-side included "Gary Bushell's Band of the Week", which poked fun at the journalist.

In March 1980, the band's only studio album, Instant Classic, was released, reaching #16 on the UK Indie Chart, and two singles followed, both indie hits, but not selling as well as their earlier single, before the band split up in March 1982. Cherry Red subsidiary Anagram Records issued a compilation of the band's output, Instant Punk Classics, in 1994. The band reformed for a performance at the first Wasted/Holidays in the Sun festival in 1996, and reformed more permanently in 2005 with the original line-up. The song "I'm In Love with Margaret Thatcher" was featured in the 2011 film The Iron Lady starring Meryl Streep. The single was re-released on vinyl and download to celebrate its appearance in the film.

In 2013, after Baroness Thatcher's death, "I'm in Love with Margaret Thatcher" received additional publicity when there was an online campaign by Thatcher supporters to boost the record's re-entry into the charts as a download, to counter the promotion of the song "Ding-Dong! The Witch Is Dead" by anti-Thatcher activists. Although the Notsensibles' song was reportedly considered "more favourable to Baroness Thatcher", band member Steven Hartley commented that it had been written as a satirical swipe at her. Hargreaves said: "I find it hilarious that Tories have adopted it. The song is a sort-of tribute and sort-of not." The song charted at number 35 on the UK Singles Chart on April 12, 2013.

So this album has great songs "Sick Of Being Normal", "Death To Disco", I Am A Clone" and "Freedom" must have heard. Unique legacy of this extraordinary band. TOP!!!

- Extra Special Thx to Fredrik -

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THE ADVERTS - The Punk 7Inches Collection 1997

One more from the Punk Collectors Series by Anagram Records and today the edition of the Adverts who formed in 1976 and broke up in late 1979, and this little sucker round up every A & B side (seven singles/fourteen songs) by one of the Punk's founding fathers and this fantastic package contains excellent liner notes from singer/songwriter TV Smith. Info: "With their raw, enthusiastic immaturity, the Adverts were a bright, though short-lived, light of the Punk era, distinguished by the fact that their bassist, Gaye Advert, was one of the first female stars of Punkrock. After they (barely) mastered one chord, the Adverts began playing at London's Roxy Club in 1976, where they quickly came to the attention of the Damned's guitarist Brian James. James offered the band an opening spot on the Damned's tour and directed them toward Stiff Records. Stiff released their self-deprecating debut single, "One Chord Wonders," in 1977, when the band could still barely play, but when they released their second single, the disturbingly funny "Gary Gilmore's Eyes," the group rocketed into the U.K. Top 20 in a storm of controversy. The Adverts' first album, Crossing the Red Sea With The Adverts, fulfilled the single's promise, but the second, 1979's Cast Of Thousands, sounded like they poured all of their musical ideas into their first album; the group broke up the following year." (Stephen Thomas Erlewine)

Great music from a band that unfortunately had a much too short lifespan, but still brilliant nowadays!

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THE LURKERS - Beggars Banquet 7Inch Collection 1997

Old acquaintances and always welcome guests in my theater and this is an excellent Compilation which features eighteen tracks by the Lurkers' early classic Singles, compiled by Anagram Records for their Punk Collectors Series, one of the best around this planet in my opinion. The Lurkers released a lot of 7Inches, and all A and B sides are immortalized here, I don't have to go into more detail to make this material appetizing for you because I think many of you have one or two records and you know exactly how hot the band is. This CD exudes energy and pure catchiness and the gents have been active since 1976, including some long breaks, and I think, it's time for another tour. So dear ones, now I'm going to do a little housework, and maybe I'll come back with more cool stuff. Stay tuned!

- Great Thx to Nolti -

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ALIEN SEX FIEND - The Singles 1983-1995

On the road since 1982 and still not tired, Alien Sex Fiend from London signed to the Cherry Red sub-label Anagram Records and releasing their first single 1983 and this nice Compilation features all 7Inches until 1995, and there are quite a few. But let me say this: You won't find all twenty-three songs in this file. The reason for this is, I prefer an audio CD and I can't get used with different mixes of a song either, I find it pointless. So there are fifteen songs left and I don't think more is needed and this selection definitely reflects the band's musical potential. Sounds that doesn't fit into any category and still evoke crazy vibes in me. Fazit: A good start for all newcomers, an entertaining listening pleasure for all connoisseurs! 👍

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V/A - This Is Mod Vol.4 (Modities) 1996

I still have one for the weekend and the sound matches the setting evening sun that I am now enjoying from the balcony. Ladies & Gentlemen!, let's welcome Volume 4 of the This Is Mod series by the brilliant Anagram Records and the last I have. This Compilation feautures the rare 7Inches by these eight Modities which were published in the late Seventies/early Eighties and for some the only record. Like its predecessors, this little nugget is an absolute highlight of good songs by bands that hardly anyone knows anymore and purchasing one of these delicacies is not really cheap. You see, a real collector's item... like the original platten.

1.Blood Spattered With Guitars - THE ACCIDENTS

2.Curtains For You - THE ACCIDENTS

3.Three Bands Tonite - THE DIRECTIONS

4.On The Train - THE DIRECTIONS

5.Go Steady - THE LAMBRETTAS

6.Cortinas - THE LAMBRETTAS

7.Listen Listen Listen - THE LAMBRETTAS

8.I Saw Her With Another Guy - THE NIGHTRIDERS

9.London Town - THE NIGHTRIDERS

10.Flat 19 - MERTON PARKAS

11.Band Of Gold - MERTON PARKAS

12.You And I - THE ONLOOKERS

13.Understand - THE ONLOOKERS

14.Julia - THE ONLOOKERS

15.I Believe You - THE REPUTATIONS

16.Breaking Communication - THE REPUTATIONS

17.All Day & All Of The Night - THE REPUTATIONS

18.They Think I Don't See Them - THE REPUTATIONS

19.Protect Your Love - THE UNTOUCHABLES

20.Sister Salvation - THE UNTOUCHABLES

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V/A - Punk Rock Rarities Vol.1 1995

The Punk Collectors Series by Anagram Records started in 1989 and ran until mid-2005 and were released only on CD, but considering what's packed on it, this format fits perfect in this case. The idea behind was to immortalize old out of print Punkrock 7Inches/Goodies onto one compilation, be it per band, be it per label, in both cases great pieces were pressed and I'm a big fan of this series. A few are already on the blog and more will follow. From the Rarities volumes exist only two outputs, but these have a lot to offer and are dedicated to bands that didn't get much attention and released only one or two singles on small labels during their active time. Many of you, myself included, hardly had a chance to get hold of the originals because they weren't distributed professionally, had small editions, were sold by the bands themselves and were therefore hardly known across borders, real D.I.Y. spirit you know and that's totally okay. And that's why it is important that labels use their possibilities to dig out such Nuggets, so that we, who are interested, can enjoy these forgotten bursts of creative innovation today, or simply: excellent stuff!

1.On Me - THE BEARS

2.Modern Politics - THE PANIK

3.Urban Damnation - THE PANIK

4.Murder - THE PANIK

5.Office Girl - THE STOAT

6.Little Jenny - THE STOAT

7.Crazy Paving - BILLY KARLOFF BAND

8.Back Street Billy - BILLY KARLOFF BAND

9.I'm Different - EMBRYO

10.You Know He Did - EMBRYO

11.Here Comes The Night - THE RIVALS

12.Both Sides - THE RIVALS

13.Sounds So False - MURDER INC.

14.Polythene Dream - MURDER INC.

15.Nobody Cares - MURDER INC.

16.Lord Of The Dance - JUMP SQUAD

17.Debt - JUMP SQUAD

18.Kings Cross - CHARGE

19.Brave New World - CHARGE

20.God's Kids - CHARGE

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PRESSURE - You Talk, We Talk 1982 + s/t 12'' 1983

Further goes our journey into the heart of the U.K. and find this awesome band. Until now I had no idea about this band. And in the glorious Internet there is no information. Well, so I tell you something. Pressure were Jimmy Nagle, Geoff Lidyard, Dave Brown & Ivor Llewellyn, and that's it, haha.... They released two 12Inches on Anagram Records and if you now think this is cool U.K. punk stuff then let me tell you: it's not so. But do not worry, Pressure playin' a nice wave sound with a very small punk riff. Comparable to the divine Chameleons, pretty nice guitars which characterize all songs. What can I more say, another great band with five goodies and worth listen to. They are featured on several compilations (UK/DK - The Original Soundtrack, Viva La Revolution!, etc...).

- Extra Special Thx to Fredrik -

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V/A - This Is Mod Vol.3 (A Diamond Collection) 1996

Third part by this excellent series called This Is Mod by Anagram Records and we listen to six bands and twenty-two songs, among them are a lot of well-known cover versions that make this compilation even more interesting in my opinion. I find that always exciting, because sometimes the implementation is much more attractive than the originals, and also own melodies/ideas are thrown in, sometimes totally fucked-up but not in this case.... and we all know, it's all a matter of taste. Well, if you enjoyed the first two volumes and you're open for that kind style/sound, I say: you won't be disappointed, it's definitely FUN!

1.Looking For Love - THE SCENE

2.Let Me Know - THE SCENE

3.On The Streets Again - LONG TALL SHORTY

4.I Fought The Law - LONG TALL SHORTY

5.Promises - LONG TALL SHORTY

6.Something That You Said - THE SCENE

7.Stop-Go (Live) - THE SCENE

8.In This Town - THE MOMENT

9.What's Going On? - LONG TALL SHORTY

10.Steppin' Stone - LONG TALL SHORTY

11.Win Or Lose - LONG TALL SHORTY

12.England - LONG TALL SHORTY

13.One Two They Fly - THE MOMENT

14.Good Lovin' - THE SCENE

15.2 Plus 2 What's Music - THE SCENE

16.All I Ever Wanted - THE B TEAM

17.Bad Day - THE B TEAM

18.This Working Way - THE WAY OUT

19.Just The Girl - THE WAY OUT

20.Looking For You - THE RAGE

21.Come On Now - THE RAGE

22.Hallelujah I Love Her So - THE RAGE

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ALIEN SEX FIEND - Who's Been Sleeping In My Brain? 1983

We stay in the UK and visit Anagram Records and pick up the first Alien Sex Fiend album and they made music without a real bass guitar and they do it fuckin' cool. Yaxi (guitars), Mrs. Fiend (synths), Johnnie (drums) and Nik Fiend (vocals) fuck your brain with ten intoxicating songs and we can hear theit first recordings which are a bit rough and punky and far away from the other upcoming album. Ten goodies here with two single outputs and in this theatre are more to find in form of the I Walk The Line 12'' which was released in 1986. Saw them in the 90's in the legendary Batschkapp and these people are strange and impressively.

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V/A - This Is Mod Vol.1 (Rarities 1979-1981)

Let's round off the small mod phase on wdthtc with the following compilation called This Is Mod, a small series by Anagram Records and a total of six CD's were created in the mid Nineties. The focus is on rare 7Inches, mostly by English bands, which only made it to this format and very sought nowadays. The British mod revival may have been a fad, driven by fashion and most of the time too derivative, but it did produce some cool singles. Musically they move in a decent PowerPop area with smart clothes and the artwork is also impressive, plenty of infos about each band. Consistently interesting and the last post for today, Bundesliga is waiting, Cheers!

1.Opening Up - THE CIRCLES

2.Billy - THE CIRCLES

3.Can We Go Dancing - THE AMBER SQUAD

4.You Should See What I Do To You In My Dreams - THE AMBER SQUAD

5.Can't Sleep At Night - THE CIGARETTES

6.It's The Only Way To Live - THE CIGARETTES

7.Choose You - DEAD BEATS

8.Julie's New Boyfriend - DEAD BEATS

9.On No - DEAD BEATS

10.Nobody Loves Me - THE LETTERS

11.Don't Want You Back - THE LETTERS

12.Happy Song - THE NIPS

13.Nobody To Love - THE NIPS

14.Saturday Night - THE ODDS

15.Not Another Love Song - THE ODDS

16.Circles - THE CIRCLES

17.Summer Nights - THE CIRCLES

18.They're Back Again - THE CIGARETTES

19.I've Forgot My Number - THE CIGARETTES

20.All I Want Is Your Money - THE CIGARETTES

21.I've Got Me Parka - THE SUSSED

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RIOT SQUAD - Theres No Solution 7'' 1984

Riot Squad were a punk rock band from Mansfield, England and formed 1981 with an initial line-up of Duncan "Dunk" Mason (vocals), Nigel "Nello" Nelson (guitar), and Paul "Pommi" Palmer (drums), Nelson the only one of the three with any musical experienceinitially active till 1984. This 7'' was released in early 1984 but musical differences within the band would cause them to split that year. Their music is quite aggressive with politically lyrics. All of Riot Squad's recordings became highly collectable among Oi! and punk collectors in the ensuing years. A CD collection, appropriately titled Complete Punk Collection, was issued in the '90s by Anagram Records. Two timeless Punk Oysters which would not interfere any tape sampler. Have a great weekend everyone!

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V/A - This Is Mod Vol.2 (More Rarities 1979-1981)

I'll end the spring week with another compilation that's bursting with interesting music and a perfect start to recharge your batteries. A few weeks ago I started Volume 1 of this nice little series by Anagram Records which is brilliantly stocked with rarities, and the second ties in seamlessly with it. Seven more mod revivalists with their 7Inches are gathered here and intensifies this short-lived subculture with impulsive sound. And with this, a sunny weekend.

1.Twisted Wheels - KILLERMETERS

2.SX 225 - KILLERMETERS

3.Plane Crash - PURPLE HEARTS

4.Scooby Doo - PURPLE HEARTS

5.Gun Of Life - PURPLE HEARTS

6.The Fashion Plague - THE EXITS

7.Cheam - THE EXITS

8.Needs Somebody To Love - THE V.I.P's

9.One More Chance - THE V.I.P's

10.Stuttgart Special - THE V.I.P's

11.Who Knows? - THE V.I.P's

12.Janine - THE V.I.P's

13.Modern Boys - THE CROOKS

14.The Beat Goes On - THE CROOKS

15.Wild About You - THE CROOKS

16.Movements - THE CROOKS

17.All The Time In The World - THE CROOKS

18.Banging My Head - THE CROOKS

19.The Odd Man Out - TEENAGE FILMSTARS

20.I Apologise - TEENAGE FILMSTARS

21.Just A Little Mod - TERRY TONIK

22.Smashed & Blocked - TERRY TONIK

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ALIEN SEX FIEND - Liquid Head In Tokyo 1985

The following band is also with me since the mid-80s and is unique in its field in my opinion and the music of Alien Sex Fiend is sonorous dark, electronic industrial-leaning sound, heavy samples and manic vocals. Formed in London 1982 by Nik Fiend (vocals), Mrs. Fiend (synth/vocals), Yaxi (guitars) and Johnny (drums). After a demo (self-titled) they signed to the Cherry Red sub-label Anagram Records and releasing their first single Ignore The Machine in August 1983. The success was surprisingly good and from then on the band went up and to date were thirteen albums released. The Japanese fans made them very popular in their country and as a small gratitude, the first Alien Sex Fiend live album should be recorded there. And that's it now: Live @ the Tsubaki House in Tokyo from two performances and it's a mixture of material from both shows on January 17th 1985 at the end of a sell out Japanese tour, and that this was the right decision shows this fantastic slab unmistakable with the raw vigorous versions of their classics. One deficit: only eight songs, but they kick the dust out of you (I hope so afterwards in Dortmund as well), I promise.

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