WHITE SS - Mercy Killing EP 1978

200 copies were pressed by this only output from White SS and how they came to this atrocious name can only be explained with a lot of alcohol or drugs. Punk is supposed to provoke and with this name it works very well. Musically, three pieces are offered and they range from amateur low-fi sound to snotty scraping, in one word, fantastic! Released by the bands own label and I am sure that no further inquiries have been made about repressing. I want give you a short info (all on punk77 above) about the tracks from the band itself: The tracks were (believe it or not) professionally recorded - but the limiters clipped the volume, which is why they sound so dreadful. The 'live' track was not live at all - it just sounded worse than the others. I remember sticking those dreadful covers on the record sleeves - took a whole weekend - also wrote the lyric sheets. The NME saw through it - they said "as concentration camp guards, this lot would make good poodle breeders." So Ladies & Gentlemen, get your own picture about this rare EP, I’m amused anyway. 

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ÄPPELKARTERS - Skjut Lill-Babs 7'' 2014

Äppelkarters was a short-lived combo from Uppsala and active between 1986-1991 and consisted of David (vocals), Per & Meshesha (guitars), Yawn (bass) and Bartolomeus (drums). In their active phase some songs were recorded but no record was released. A real shame because what I hear on this single (via Re-Ken Records, limited to 200 copies) is damn cool trashy rough forward ass-kickin' two sides killer and I can be wrong, but the A-side seems familiar to me somehow ... but from where? My memory leaves a lot to be desired, jaja... In 1993 Kart-Records released a mini CD, På Svenska, with nine tracks, all presumably recorded in the second half of the 80s, with these two included. I can only say, listen to the five, great kino!

- Great Thx to Fredrik -

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V/A - Doobie Do Disc 1982

Pioneering New Zealand independent label Propeller, active 1980-1983, is regarded as the first of the wave of post-punk NZ indies and lots of great records were released. Another witness is this compilation, a label retrospective and brings Propeller’s early releases and two unreleased songs from the Features into the light. This shows that at that time the original singles were hard to get (especially outside of the Kiwi region), most were published in small editions, so this slab was probably due to the high demand, and was not easy to get as well, nor cheap. Anyway, all excellent songs from great bands and a timeless sound document of the oceania underground scene, a must have!

1.City Scenes - THE FEATURES

2.Feel So Good - SPELLING MISTAKES

3.First In Line - THE MARCHING GIRLS

4.True Love - THE MARCHING GIRLS

5.Party - THE FEATURES

6.Victim - THE FEATURES

7.Police Wheels (Demo) - THE FEATURES

8.That Girl - TECHTONES

9.There Is No Depression In NZ - BLAM BLAM BLAM

10.See Me Go - SCREAMING MEEMEES

11.Doobie Do Boy - THE NEWMATICS

12.Nick The Stripper - BIRTHDAY PARTY

13.At At - SCREAMING MEEMEES

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RIOT 111 - Subversive Radicals EP 1982

Wellington's Riot 111 were active from 1981-1983 and it consisted of John & Geoff (vocals), Nick (guitars), Mark (bass) & Roger (drums). In their lifespan they released two 7Inches. A bit info: "RIOT 111 appeared during the fractious Springbok tour of 1981 and can lay claim to being one of the first New Zealand punk bands to deal with overtly political content in their music and imagery. With members of the band active in the anti-tour marches Riot 111 was conceived following the infamous Molesworth Street baton charge on July 29. “Here's these people supposed to be protecting what's right and they're hitting old ladies over the heads with batons.” (Roger Allen With Geoff Ludbrooke on vocals as John Void, Riot 111 was formed along with Roger Allen on drums and Mark Crawford on bass. Nick Swan formerly of Life In the Fridge Exists on guitar was the only member recognised as having any serious musical ability and like his former band RIOT 111 was intended as more of a performance happening than a radio friendly unit shifter. Their first single 1981 was recorded in a couple of hours released on 7” as a pressing of 500. The song ‘’1981’’ is based on an English interpretation of Ngati Toa’s Te Rauparaha's haka 'Ka Mate', and made famous by the All Blacks. Shouted by Void over searing guitars and pounding drum beats. It is an anthemic call to arms that Void intended to be played as anti-tour protesters marched into battle with police and pro-tour rugby heads.Following the tour the single was repressed and entered the national charts at number 46. '1981' was recently declared the 12th most important song in New Zealand history by the documentary series, “Rocked The Nation”. The success of '1981' spurred them to play their first gig at an anti-tour party in late September. In keeping with their agit-punk ‘manifesto’ the band's set featured songs about police violence, drugs, state power and impending revolution. The second single, “Subversive Radicals”, released in early 1982 paints a grim picture of New Zealand, under then prime minister Robert Muldoon, as an Orwellian 'East Berlin of the South Pacific' with social freedom progressively eroded by a violent 'police state'. The single charted at 19 and the band's increasing popularity/notoriety saw them open for big overseas acts such as The Birthday Party and Having already shown their interest in creating sensationalist media stories RIOT 111 upped the ante in 1982 when TVNZ refused to play a video for “Writing On The Wall”. The band transported their gear along with a horde of Wellington's punks and skins out to Avalon studios in Lower Hutt. Parked at the front door RIOT 111 played a set off the back of a truck, besieging New Zealand's castle of state broadcasting with an aural barrage and raising the anarchist flag. RIOT 111's confrontational music and style made them a favourite with the boot-boy scene and gigs were often marred by violence in the audience and through police actions to break up shows. By the end of 1982 the Wellington punk scene filmed in Chris Knox's Terrace Scene documentary only a couple of years earlier as a co-operative, playful, avant-garde movement was fast disintegrating into a nihilistic mess. In Easter 1983, RIOT 111 played at Golden Showers, a punk gathering in Newtown, Wellington, featuring bands from around New Zealand. A live recording of the show was released the following year as Capitol Kaos with RIOT 111 contributing three songs to the mix. By October 1983 the band members had had enough, Roger took off to Auckland and Void recast himself as an actor based in Sydney." (source: upthepunks)

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VEDA BROZK - Lucia 7'' 1982

Not easy to post something appropriate after a milestone and I decided on something adequate in form of a rather unknown band from Sweden with their first single. Veda Brozk was a five piece from Örsköldsvik and they won a local Rock competition in their home town, Rockforum 1982, and the price was to recording the winning song on a single and it was "Lucia", the a-side on this record, released via Try Musikproduktion. The lyrics is about the bad behavior of people in Lucia (a big Swedish party holiday) when they been drinking too much (info by lalind). In 1983 a second 7Inch Vill Bara Vara Barn was released and then it was Schicht. No compilation tracks and no further info. Well, two nice New Wave goodies with a Bontempi organ round off the presence of these five, and as classics neither go down in the annals of the glorious songs. Certainly interesting for all Swedish lovers among you. Now off to town, need new shoes and a jacket.

- Great Thx to Fredrik -

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CHAOS Z - Ohne Gnade 1982

RRR.13 is by far the best record of the Brühler label Rock-O-Rama and if the three, Thomas (vocals/guitars), Andreas (bass), Michael (drums), would have known at the time that Egoldt is a damn profit-oriented bastard and is not a niche for underground bands in the DIY sense, they would certainly choose another label, but the times were different and labels were rare. Chaos Z were founded in summer 1980 by the three above as the Zeroes. In October of the same year they renamed their band Chaos Z. At the same time, they started to write their lyrics in German. Their first vinyl appearance is the awesome Abmarsch EP on Mülleimer Records 1981. They rarely play gigs and there was no indication of the line-up on the records. Only with releases on samplers did it become known that the brothers Thomas & Andreas Löhr were the main members of the band. They existed from 1980 to 1983 and then merged into the band Fliehende Stürme with the same line-up. In 1995 Andreas recorded in single-handedly (Michael had left the band and Thomas died after the recordings for third Stürme CD Fallen) another Chaos Z album. 45 Jahre Ohne Bewährung took up the hardcore of the early 80s. In 2002, Weird System released the double LP Dunkle Strassen (1981-1995 complete), a compilation of all Chaos Z pieces that had been released so far, which contained all the lyrics (apart from that to Rocker Billy) and a summary of the band's history by Andreas. However, as with the sampler Schlachtrufe BRD, the intro for war is missing (however, it was cut out incorrectly on Dunkle Strassen), which was originally included on this album. Chaos Z's music is initially pure hardcore punk that may have been influenced by bands like Discharge. According to their own statements, they also felt inspired by New Wave groups and so more and more elements from the Dark Wave were used which then ushered in the change. With this album the three have produced a real universal classic and in my opinion, the best German HardcorePunk record ever and the original (appeared with a lyricsheet, which was rather unusual for the shitty label) is every damn price worth. Unequaled, still topical and great after almost forty years!!

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LA PESTILENCIA - La Muerte... Un Compromiso De Todos 1989

A really fantastic album is the debut album of this band and I'm not really a connoisseur of South American punk, few bands come from there and you don't even get records quick in the next record store, my focus is more in Europe or Oceania, much more was produced in Brazil by excellent bands. But what the four gentlemen, Dilson (vocals), Francisco (guitar), Héctor (bass) and Jorge (drums), deliver here is worth all honors, eighteen splendid tracks as I'm used to from this continent; catchy, squeezed, fast and an outstanding singer. Packed in an elaborate artwork and via Mort-Discos released. On the back stands "limited edition" but I don't know how many... anyway... a bit wiki-info about them: La Pestilencia were founded 1986 in the capital Bogotá by Héctor and Dilson, the latter being the only permanent member of the group since its inception. The group is recognised as Colombia's first punk band and have been acclaimed for their influence on Colombia's alternative music scene, with critics noting Díaz's lyrics concerning social injustice, the violence perpetrated during Colombia's civil war, political corruption, the influence of foreign governments, and environmental concerns. To date they made six albums and the band is apparently still active.

- Great Thx to Fredrik -

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SONS OF ISHMAEL - Pariah Martyr Demands A Sacrifice 1987

Today will be a gray rainy day, ideal for activities at home, let's see how much lust & time I have for postin'. Let's start with a "pick-me-up": Sons Of Ishmael were Punx from Toronto and active 1985-1992 and their first vinyl appearance was the thirteen track EP Hayseed Hardcore on Death Enema Records. After some line-up changes, in May 1987 were fourteen fast trashy songs recorded by Tim (vocals), Glenn & Paul (guitars), Mike (bass), Chris (drums) and released by Over The Top Records (in Europe via Manic Ears Records). Two more albums and a 7Inch plus further line-up changes followed until the steam was out at some point, found on numerous compilations as well. Good stuff!

- Great Thx to Fredrik -

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V/A - Bakverk 80 1979

Friday, weekend and I say "Hello folks" with another rare record from Sweden and I'm sure you'll like it. Released via Musiknätet Waxholm (MNW) Records and three bands from Stockholm are represented here. First Kurt Sune Med Berits, better known as KSMB, with seven solide '77 crackers which require no further words, simply delicate. The Travolta Kids celebrate a dose of powerpop and they for me set, game & match. Catchy tunes with a high addiction factor. They made two 7Inches and I recommend to listen at their album which they released in 1980, a real masterpiece. Last but not least the Incest Brothers, their only release is a mini 12'' called Tre Ar Försent on Rosa Honung Records and a lot of compilation songs. Overall, a very successful Platte with plenty songs plus one of the most creative covers I think, and with this cake I leave the stage for breakfast.

1.Bohman - KSMB

2.Abab - KSMB

3.Hårding - KSMB

4.Miltärlåten - KSMB

5.Förortsbarn - KSMB

6.Jag Vill Dö - KSMB

7.Muf - KSMB

8.Sune - TRAVOLTA KIDS

9.Tryck På Knappen - TRAVOLTA KIDS

10.Tunnbrödsrulle - TRAVOLTA KIDS

11.Nick Carter - TRAVOLTA KIDS

12.Bli Polis - TRAVOLTA KIDS

13.Bill Å Bull - TRAVOLTA KIDS

14.Titta På Den Här - TRAVOLTA KIDS

15.Lördagspunk - INCEST BROTHERS

16.Discofnask - INCEST BROTHERS

17.Oskyldig - INCEST BROTHERS

18.Pubertetsproblem - INCEST BROTHERS

19.Svensson - INCEST BROTHERS

20.Arbetslös - INCEST BROTHERS

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DEMON - The Plague 1983

Another fresh rip by a record which I grew up with, the third album by Demon from Leek, Staffordshire and this fantastic plague with eight brilliant rock goodies was recorded by Dave (vocals), Mal & Les (guitars), Chris (bass) and John (drums). Before I delight you with useless information from wiki, I will give you a short review: "The Plague" and its emotional and gripping songs are just one of many examples and if one or the other of you have actually overlooked it, now would be the perfect time to fill this "gap"...I can't express it better! - "The band were signed by Mike Stone's Clay Records in 1980 and licensed to Carrere Records to join their stable of metal bands. Their debut album, Night Of The Demon, was released in 1981. After their 1982 follow-up album, The Unexpected Guest, the band experimented beyond the NWOBHM sound and moved the band in a more melodic direction whilst still retaining the more traditional heavy metal black magic lyrical style. In 1983, Demon took a change in direction. The Plague marked a swing towards a more progressive sound, adding the keyboards of session musician Andy Richards to the album's sound. Lyrically the band also changed direction, switching to a more overtly political style that was to characterise their albums for the rest of their career. The following album, Pink Floyd influenced British Standard Approved (1984), released on the small independent Clay label, was not a huge commercial success, and with the death of Mal Spooner later that year, it appeared that the band would soon fold. At this point, the band had recruited a permanent keyboard player and co-songwriter in Steven Watts." A really good album with varied songs and critical lyrics that I always enjoy listening to and the plague is more topical than ever... and all in 320kBit/s

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