RATTUS - Uskonto On Vaara 1984

Third "mini" album by Rattus, legendary Finnish hardcore punx which were formed 1978 in Vilppulaon, on Poko Records with nine short killers. Who could give a better review than Pushead himself, who also provided his art for the cover: "Rattus combustion, startling adrenaline speed and hammerhead blows of power. Featuring the new high-velocity rasping vocals of Annikki, they virtually sweep forth with sharp-edged earloads of riveting force and disorderly rapidity. Brilliant Finnish hardcore, unhesitant and explosive assaults of raw nitro energy." Pushead (MRR #7 • July/August 1983) - And that's exactly what it is, a furious album with little playing time. Numerous albums and singles also prove their creative passion in songwriting, let's generously ignore contributions to compilations, there are too many... and now: POGO!

here

E.A.T.E.R. - Doomsday Troops EP 1983

Ernst And The Edsholm Rebels – E.A.T.E.R. were formed in the summer of 1982 in Grums/Kil, Värmland, Sweden by Mikael “Gröten” Karlsson (guit/vox), Anders Brännström (bass), Peter “Pelle” Forsman (drums) and Hans “Hasse” Dahlgren (vox). and this first line-up of E.A.T.E.R. recorded Chaos Cassette vol.1 which was realesed in the fall of 1982. A number of gigs were played by this first line-up, among them the chaotic and by media well documented gig at Segmons Folkets hus in february of 1983. By the release of the bands debut EP Doomsday Troops (Ernst Records) Hasse was replaced by Mikael “Micke” Larsson as the leadsinger. Micke had earlier played in Psykjouren together with infamous and by now nationwidely known Buddha. Doomsday Troops EP was recorded and produced In KAAS by the band & Micke Blomqvist, and released in the summer of 1983. The record was sold all over the world, and E.A.T.E.R. recived recognition from people like Jello Biafra of Dead Kennedys and Pushead, the artist that made Metallicas and the Misfits cartoons. With the new line-up and a sucessfull record-realese the band went on the road and toured Sweden. A review: "Not to be confused with the '77 U.K. punk band Eater, this Swedish group (Ernst And The Edsholm Rebels) floor down on the acceleration and rapidly hit fast, lightning doses of 1000-m.p.h. thrash mayhem. An outrageous display of burning speed and mind-boggling turbulence, combined with chaotic chops of lyrical expression. Don't be fooled by the hilarious intro to the title cut--this EP hauls its load fast and furious in the new Swedish tradition." - Pushead (from Maximum Rock'n'Roll #13, April/May 1984) - The band is still active and I recommend this five piece of classic swedish hardcore tunes and the compilations Really Fast #1 and Killed By Hardcore #2.

here

SNFU - ...And No One Else Wanted To Play 1987

Slept long today, had a fucking night so it's time for a Jever - Now we move westwards to Edmonton where we meet SNFU with their brilliant debut album on Better Youth Organization which has remained influential in underground circuits. They grew in popularity following two further studio albums, but disbanded in 1989 due to internal tensions. The album made an immediate impact in the underground punk scene, with noted artist Pushead writing in Maximumrocknroll that the album's "[r]igorous energy push[es] the limits of power with knocking flurry and extreme excitement." Pushead concluded that the album was "A Scorcher." I had this vinyl with the Europe cover but I can't find them anywhere. I know, I loaned and borrowed many records and today I miss a few.... Assholes! Howsoever, there is nothing you can't not find in the modern world. Well, fourteen Muntermacher and grap the She's Not On The Menu EP too.

here

NEGATIVE GAIN - Back From The Dead 1986

Before I enjoy myself with soccer tonight this Killer debut album by Negative Gain from Toronto. A short Band History (by Grant Slavin): Negative Gain was founded in Toronto, Ontario by Peter Warner who wrote all of the lyrics and provided rehearsal space in his basement. Filling out the lineup was Grant C. Slavin on guitar, Steve Currie on bass, and Andrew Mosely on drums. All members were in their mid-teens at the time. Their influences included Minor Threat, Millions Of Dead Cops, the Misfits, and the Dead Kennedys, as well as local TO bands Direct Action and Sudden Impact. Negative Gain got their first break in '83 when we were asked by local Toronto promoter Jill Heath to open for Jodie Fosters Army at the city's legendary punk club The Turning Point. After the show Pete and Grant went skateboarding with JFA. The evening was documented in a subsequent issue of Thrasher as JFA's guitarist Don Pendelton was writing a column for the rag documenting their tour. Other memorable Negative Gain gigs around this time include warming up for bands like the Circle Jerks, Gang Green, the Descendents and 7 Seconds. The young thrash band soon went from listening to their favorite bands' records on a daily basis to hanging out with them backstage and stealing their beer rider! More help from Jill Heath came when the promoter sent Negative Gain's 1985 demo tape, Attack Of The Killer Bears, to Pushead for review. Pushead evidently like the tape so much that he offered to release a full-length LP for the band on his Pusmort label. Negative Gain recorded their album in Oakville, Ontario in about five hours on a Saturday afternoon, as studio time was limited to what the young band could afford to spend on the recording. The session was produced by Brian Taylor of the Toronto band Youth Youth Youth.

Sadly, Pete Warner committed suicide not too long after the recording was completed, and never lived to see its release. His last gig with the band was with Toronto's Bunchofuckingoofs. Negative Gain continued on as a three-piece for about two more years, before splitting in the late 1980s.

I recommend you visit Stormy's Blogged & Quartered blog where the full Discography 1985-1986 is waiting for you. Great Record!

here

SÖTLIMPA - A Non Fitting Generation 12'' 1984

It's a bit chilly this morning so it takes some heated music to warm you up and the following slab from Skvaller Records does that perfectly. Sötlimpa was a Swedish combo from Mölndal outside Gothenburg and consisted of Jesus (vocals), Martin (guitars), Raimo (bass), Hans (drums). The band was formed 1981 in the beginning of the second wave of Punk, influenced by bands like the Exploited and developed from Punk with Oi!-influences to a raw Hardcore quartet. In total they released a Single, a 12Inch and two cassettes and represented on numerous compilations. They disbanded in 1984, before re-emerging in 1992, 1996 and 2017. In their relative short time if existence the gang is claimed to have made around 100 gigs and earned a reputation as a great live band. A useful review: "Up-tempo Hardcore with catchy rhythms from Sweden’s Sötlimpa. Driving pace but it keeps the harmony and beat. Fun, danceable stuff. Too bad it’s a muddy mix; still, you’ll never know as you fly with the music." (Pushead, MRR #20 • Dec. 1984) - Brilliant Stuff!

here

EXIT CONDITION - Bite Down Hard EP 1988

From the West Midlands town of Stoke On Trent, Exit Condition (1988-1994) were part of the mid 80’s UK melodic punk/hardcore scene in vein of Snuff, Leatherface, etc... This six song record marks their vinyl debut and the band play a straight decent lively hardcore beat with a thundering guitar sound reminicent of British punk at the time it first began competing with the US in the speed trials. Credit for this excellent fusin of style certainly must go to the bands producer, former Discharge and Broken Bones guitarist Bones. Finished off nicely with the cool artwork by Squeal and Pushead this makes for a pretty nifty entrance, highly recommended. One more 7Inch can be listen at 8th Sin.

here

V/A - Lung Cookies (A National Collection) 1983

All right friends, today one of the rarest records that exist on this planet and how many copies were pressed is unknown. What is certain is that it was never re-released and acquiring it in mint quality with the 12-page (photocopied) insert with full page from each band will cost you a few euros. This awesome compilation features eleven bands from the States and was made via Amphetamine Reptile record label owner Tom Hazelmyer and is a joint release between Smoked Seven Records (California) and 'Your Flesh' fanzine (Minnesota), 'Lung Cookies' logo created by Pushead. This babe is a find on my hard drive and how I come to this now, well... while searching for the perfect wave I would say. This sweetheart wants to be discovered and I wish you a pleasant listening pleasure with much early Punk history & pre-grunge roots on this record.

1.Is This The Way? - 10 MINUTE WARNING

2.Judgement Day - 10 MINUTE WARNING

3.Buried Alive - 10 MINUTE WARNING

4.Self Defeated - FINAL CONFLICT

5.Why Me/Rage And Frustration - FINAL CONFLICT

6.Ross - FINAL CONFLICT

7.Law & Weather Rut - GROUND ZERO

8.No Marine Recruit - GROUND ZERO

9.Struggle - REJECTORS

10.Anti-Patriot - REJECTORS

11.The End - REJECTORS

12.Velvet Emporer - OTTO'S CHEMICAL LOUNGE

13.Shopping On Heroin - OTTO'S CHEMICAL LOUNGE

14.Reggae For The Rich - BOY ELROY

15.Not Now Generation - RF7

16.Submit To Them Freely - RF7

17.Deprogramed - WILLFUL NEGLECT

18.I Was Drunk - WILLFUL NEGLECT

19.Social Fuck - RED MEAT

20.Power Of The Minds - RED MEAT

21.Another Day - RED MEAT

22.White World - RED MEAT

23.Icky Bitch - SACRED ORDER

24.She Kills Me - SACRED ORDER

25.The Right To Be Poor And Radical - SACRED ORDER

26.Parties' Over Now - NO THANKS

here

V/A - Pusmort View 1991

That the Japanese love extreme rough fast hardcore prove the numerous bands whose plates are hard to get in Europe, I guess the other way around it is the same. So it is not surprising that a Japanese label, Toy's Factory, got down to work and focused on Pusmort Records, Pushead's label, and put out this great compilation with bands of it. I had numerous records because this sound hit exactly my taste, today I have only one left. Annoys me really, but the times were different and I had to sell a lot because I needed money. Well, in the end it doesn't matter, I'm sure they're in good hands. Enough blah blah, be ready for the unattainable hardcore blasts of the 80's.

1.Monster Zoo - COPASS GRINDERZ

2.Cut It Loose - ROCKET FROM THE CRYPT

3.Glazed - ROCKET FROM THE CRYPT

4.Sad But True - SIEGE

5.Cold War - SIEGE

6.Walls - SIEGE

7.Crucifixion - FINAL CONFLICT

8.Constant Fear - FINAL CONFLICT

9.Central America - FINAL CONFLICT

10.Apocalyse Now - FINAL CONFLICT

11.Bleeding Children - CORRUPTION OF PEACE

12.Grey World - ATTITUDE ADJUSTMENT

13.Working Class Pride - ATTITUDE ADJUSTMENT

14.Dead Serious - ATTITUDE ADJUSTMENT

15.Warfear - ATTITUDE ADJUSTMENT

16.Attitude Adjustment - ATTITUDE ADJUSTMENT

17.Landlord Song - CHRIST ON PARADE

18.America The Myth - CHRIST ON PARADE

19.Drop Out - CHRIST ON PARADE

20.Bite Down Hard - EXIT CONDITION

21.Fear For Tomorrow - EXIT CONDITION

22.Blind Faith - FRATRICIDE

23.Final Solution - FRATRICIDE

24.Little Wolves - GHOUL SQUAD

25.Necro Doll - GHOUL SQUAD

26.Loss Of Self - NEGATIVE GAIN

27.Psychic Hours - NEGATIVE GAIN

28.Change - SEPTIC DEATH

29.Kichigai - SEPTIC DEATH

30.Child - SEPTIC DEATH

31.Glue Step - SEPTIC DEATH

32.Black Mass - PART 1

here

INSTIGATORS - Nobody Listens Anymore 1985

Today there is not much to tell coz I'm knocked from yesterday. Much gin and beer, plus delicious wild roast with dumplings and red cabbage and then a round of Risiko, Walking Dead Edition and this awesome record turned their rounds, the debut album, released on Bluurg Records, by the fantastic Instigators, great harmonious melodic Punkrock from Huddersfield, England. Short onfo: the band was formed in 1980 by drummer Paul "Hammy" Halmshaw and guitarist Simon Mooney, both students at Thornhill High School, and the line-up was completed by Simon "Semi" Bridgewater (vocals) and Nicky Djorjevic (bass Guitar). They took the name Instigators on the suggestion of Ritchie Calvert of the band Disintegrated. The band's first live performance was in summer 1982. Influences on the band included Crass and Flux of Pink Indians. - You can read a review from Pushead on cool kfth site but I think this is superfluous, their music is with distance one of the best from the British Island.... magic!

here

INFERNO - The Son Of God EP 1985

This first 7Inch by Inferno was first released only in the USA because the four were very popular (read this review: "fast, ferocious, and fun in the Inferno tradition. These German maniacs tear it up and spit it out in a furious thrash slaughter. Crazed guitar bitings with forceful vocals make this another unique platter." (Pushead, MRR #28 • September 1985) there with their aggressive Hardcore/Punk and the crowd needed food. This is the second pressing on Campary Records (1989) with a different cover and two songs from it appeared on the refreshing Compilation What Doesn't Hurt Us Makes Us Stronger from the Berlin based label Destiny Records and as far as I know the third track can be only found on this sucker but I could be wrong. The lyrics are all fantastic, clear and unambiguous, and anyone with sense and clarity in their hearts can only agree with this, to that their excellent sound makes clear why the band were so loved overseas, and that's saying something. Inferno is always a good choice to push your troubles far far away. Splendid!

here

WASTE - History Repeats EP 1982

Einer geht noch und wir besuchen unsere Nachbarn im Westen und finden Waste with their sole record and this four piece consisted of Nonkel RR (vocals), Hans (guitars), Klaus (bass), Fred (drums), released via Miranda Records and it's a real nugget. It's really amazing that they are nowhere present on one of the relevant compilations, you know which one I mean. A short review by Pushead: "Swirling guitars, spinning fast psychotic grinds of explosive vigor. Enter Waste from Holland, yet another approach to quick demanding hardcore and punk, completely different than Agent Orange or BGK. Waste is aggressive; an onslaught of butchering mayhem bolts you to the electric chair with schizoid charges of outrageous fury." Well, I say the boys recorded four excellent songs and they sound more like early UK punk. Cool one 👍

here

JERRY'S KIDS - Is This My World? 1983

This Hardcore classic belongs in every damn record collection! Jerry's Kids is one of the earliest Boston Hardcore/Punk combos which formed 1981 by Bryan (vocals), Dave & Bob (guitars), Rick (bass), Brian (drums) and the band was named after a long-running fund-raising organization that comedian Jerry Lewis formed for children with cerebral palsy. Their first recorded output was on the This Is Boston, Not L.A. compilation on Modern Method Records in 1982. Frontman Bryan & Dave left the band early on, so Rick (Bryan's brother) switched to vocals and Chris of Gang Green took over on rhythm guitar and this line-up recorded this classic twelve song debut which came out via X-Claim in 1983. An excellent, powerful start into the weekend is guaranteed and an excellent review brings the right words to it, which I like to quote: "An adventure into hyperactive, full-tilt, bulldozing quickness and thundering power. This overwhelming supply of burning rapid-fire speed destroys the mold, exploding into maniac doses of invincible strength and energy. Bolting drums, high-velocity crooning, and hysterically blistering wild guitars (featuring ex-GANG GREEN axeman Chris Doherty). JERRY’S KIDS totally shred the eardrums to mincemeat. For the fast fanatic’s cravings; the essence of what other will try to duplicate." (Pushead, MRR #10 • December 1983) They broke up in 1985, but reformed in 1987 with a more speed metal sound and released a second LP on Taang! Records entitled Kill Kill Kill, they reunited again 2004 and been playing several shows (mostly the Boston area) since then, so keep your eyes open.

here

SVART FRAMTID - 1984 EP

Svart Framtid (Black Future) is regarded as the first one-piece band out of the Blitz-House and they were pioneers because they were the first Norwegian hardcore band that went on international tour. The Band had no bandbil so they bought instead interrail tickets and took the train around Germany from city to city and almost booked gigs along the way. Svart Framtid released only this awesome six-track EP which came out as the first release on vocalist Gunnar Nuven its newly established label Plateselskap and a live tape called "Live Blitz" which was recorded live at Blitz Oslo on 23.12.84. Gunnar Nuven was from the first era of punks in Oslo, he had among others and made his mark as a vocalist in the band Rush. The band dissolved in 1984 and Gunnar Nuven continued in bands like Kafka Process and So Much Hate. Harald Tredal continued in the band Locked Doors and Behind Bars and has also tried acting with a small role in the Norwegian film Schpaaa 1998. Nils Aune continued in the band Four Fæle guys, Kafka Process and Raga Rockers. Anders Eide continued in Behind Bars. This EP has high aggregate value and traded a few times a year for well over a thousand tag on eBay. "Scorching those decibels with an uproarious thrash barrage is Norway's Svart Framtid, jumping from chord to chord with different paces and plucks. Six exciting numbers that focus on major world wide problems, as the crude vocalist screams out in agony, like the people who feel it day after day. Speedy guitar with rapid drum splashings lead Svart Framtid into a hectic dose of creative, yet alarming piledrivers. Great active stuff, the tip of the iceburg in Norway. On X-Port Plater." - Pushead, from Puszone, January 1985

here

FINAL CONFLICT - Ashes To Ashes 1987

Wild spirit and rage, these two characteristics are distinctive for the furious sound of Final Conflict, a southern California Hardcore combo which were founded 1985 by Ron (vocals), Jeff (guitars), Warren (bass), Dave (drums) and their first demo War?War?War? is considered an important artifact and they produced a cassette containing the kind of blazing riffs and politically-charged lyrics many punks thought were over and done after being abandoned by the previous, spiky-haired generation. No wonder, a certain gentleman named Pushead wanted the band for his little label and so it happened that in 1987 their crushing debut Ashes To Ashes was released on Pusmort. Their perseverance and dedicated fan base helped spark a Los Angeles and Orange County Punkrock revival of sorts during the late 1980s and early 1990s. Unfortunately it is one of the records that are no longer in my closet and so you have to use this rip, but I guarantee unlimited listening pleasure. The band has released two more albums and as far as I know are still on the road.

here

RÖVSVETT - Hunden Beskyddar Människan Men Vem Beskyddar Hunden 1984

Now a decent tape rip with the Demo from the Swedish Hardcore combo Rövsvett. Born on a hot summerday in 1983 in the little town Tranås in Småland. Frank and Jerker decided to ask Rylle and Löken if they wanted to form a brutal hardcoreband. The name felt natural since Motörhead, Ramones and Baccara already was taken. After many sweaty gigs with Rylle on guitar, Löken bass, Frank drums and Jerker on something that was supposed to resemble song, came their first democassette “Hunden Beskyddar...” in 1984. This CO² band is full with eleven ass-kickin' hardcore tracks and they sound much better than on their 7inches which can you get here. Rövsvett show that they were one of the best Swedish hardcore band ever and I like this sound a lot. A review from Septic Death singer Pushead: "Summoning Swedish insurgence that discharges a quick spasm of invasioning disorder and brawling vigor. Jerker's throat vibrates in growling wails as he wrings out a forceful vocal assault. Compelling guitar structures keep the action alive with hammering drum exertions, as these reels spin off alerting mayhem in that Swedish acceleration tradition. Good stuff to watch for. (Maximum Rocknroll #16, August 1984) - So enjoy this awesome Hardcore lollies and have a nice start into the weekend. 

- Special Thx to Fredrik -

here

INFERNO - Tod & Wahnsinn 1984

Bad news folks, I think my computer fucked up because all I see is pink and it makes really no fun to work with this shit so this willbe for now the last post and after Crete I see how it goes on. Inferno is a great german hardcore band from Augsburg/Bavaria and formed in the early years of 1982. This is their debut album on Mülleimer Records and the music is a sheer pleasure. Most of the songs are fast, thrash-speed punk rock, although Inferno slow it down for mid-tempo songs and often add a melodic element as well. Lyrically the band seems to have good intentions, but don't really break any new ground. "Ram It Up" is kind of dumb, but really just seems to be German teenagers trying to be "punk" & singing in English a second language. Overall it's nicely done, but suffers a little bit from not really standing out in any area. Anyway, with twenty tracks is this a solid record and even Pushead was very pleased. Check them on these Compilations.

here

POISEN IDEA - Official Bootleg EP 1991

Proper release by Vinyl Solution/American Leather Records and this four track EP is damn cool and I think most of you know this combo because they released a couple of awesome records. I take over the bio from discogs: Poison Idea was started in 1980 in Portland, Oregon, by vocalist Jerry A. (Lang). Within a year, the band had a solid line-up with drummer Dean Johnson, guitarist Tom Roberts (aka Pig Champion), and bassist Glen Estes. The band was motivated by the Germs and Black Flag, and took their musical cues from bands such as Discharge and SOA. Pushing the speed limits of contemporary punk rock, they played raw and angry hardcore the likes of which had rarely been heard before (or since). Their 1983 debut EP, Pick Your King, is a classic and arguably the best hardcore record ever released. Its subsequent followup, Record Collectors are Pretentious Assholes (featuring Pig Champion's substantial collection on the cover), saw Chris "Tense" replacing Glen on bass. Both were put out on the Fatal Erection label, run by Pig Champion and Malcom Conover from Eugene, Oregon. 

In 1986, Poison Idea released the aptly titled Kings Of Punk album on Pushead's Pusmort label. By this time, the band's sound had changed from manic, breakneck thrash, to a more driving, Motörhead-influenced attack - losing none of their intensity, anger, or nihilism. In the next few years, Poison Idea's lineup (mainly the rhythm section) changed several times. 1987's War All the Time was somewhat of a misstep - nowhere near as powerful as their previous output - although the two EPs released the next year both had good material. 

By 1989, Poison Idea seemed to pull it together; after trouble with record companies and distributors in the past, they started their own label, American Leather, and began by reissuing their 1982 demo. The band recorded the excellent Discontent 7" and also found their most stable lineup in years: Jerry A., Pig Champion, Myrtle Tickner, and Thee Slayer Hippie (although the second guitarist seemed to switch between "Mondo" and Aldine Strichnine). In 1990 they released the classic Feel The Darkness album, successfully combining (where so, so many others had failed) the best elements of hardcore and hard rock for a dark, powerful sound. In the next three years they put out several more records - two more full-lengths, a string of 7"s, and an LP collection of all covers. When Pig Champion decided to leave the band in 1993, Poison Idea called it quits. However, a few years later in 1996, the band briefly reformed and recorded a 7" for Taang!, who also reissued (again) most of their early catalog. An aborted tour in 1997 saw another breakup, but the band is currently back together again playing local shows, and has recently toured the US and Europe. 

Song facts: Tracks 1 and 2 recorded and mixed 5-6-89, both previously released as the 'Plastic Bomb/We Got The Beat' cassette single in 1989.  Tracks 3 and 4 recorded 6-15-90. Mixed 12-4-90.

here

ATTITUDE - No Sleep Through The 80s 1986-1988

A long weekend's coming and we start with one post because I'm not in FFM: Attitude is a Punk/Thrash/Crossover band from Oakland California that was founded in 1984 and went till 1995. Then reforming again in 2007 and are still active to this day. They released their debut and arguably their best know album 'American Paranoia' on Pusmort Records (Pusmort was a label done by the famous artist Pushead, lead singer of Septic Death) as Attitude Adjustment and in the early 80's they shortly went into the studio to record the Dead Serious Demo in 1985 and finally releasing the debut record and this fucker is a classic Hardcore one and for me the best AA release. In the middle of 1986 they changed their name into Attitude and released two pretty 12Inches and an EP, all togehter here and the music goes more into a thrash metal direction which really turns me on. That's all my true followers, have a great weekend!

here

ZYNTHSLAKT - Hit Med Stålarna! EP 1986

For all who came late to this nice combo the band were merciful and with this self-produced single they threw out their entertaining anecdotes among the people for the last time. Zynthslakt were Punx from Köping and this last pig features all six songs from the split EPs they released in the early Eighties. A short review: "This Swedish ensemble hits with some hard-hitting blows, using raw guitar and drum mixtures with harmonious vocals, a little say, and just pure driving energy." Pushead (MRR #20 • December 1984) - Well, not really to this record, but his words can confidently apply to this one in my opinion. One's for sure, is worth downloading and since it's Monday today, it's an ideal enrichment for the six o'clock tea, enjoy!

here

MICKEYMAN & EXTREM - Split LP 1983

The first release of this ultra-rare original Austrian pressing from 1983 shows the debut of two bands from Vienna. Now an extremely cool song from an extremely cool band: "Fress'n, Sauf'n, Scheiss'n, Prunz'n" is the ultimate rejection to the Austrian philistines with their 40-hour week, the obligatory television evening after work and the drunkexcesses around the corner. Austria needs to burn, all right? EXTREM founded already in the summer of 1979 in Vienna and went through a short time with some line-up changes, and Mickey Kodak, alias MICKEYMAN took them and recorded a split LP on their label Rebel. Recorded in July 1983 in the Gaga, the result was probably the harshest and toughest punkrock publication, which had until then spit the steak paradise to light. Oaschloch-Rhetoric in crude Viennese, jagged hardcore punk guitars and drums beating high-speed at the door to madness and say Serwas! I'm ahead of my time..' MICKEYMAN took them and recorded a split LP on his label Rebel. The American punk Magazine "Maximum Rock-N-Roll" reviews: The Extrem side is extreme! Raucous cycloning mayhem from Austria, enough driving power and insistent quickness to hurl you into a venture mega-speed craziness. Savage guitar grinds charge out a brutal slaughter of aggression and combustion, crammed into a wild seizure of raw energy. Extrem escalate with each zooming slice. Mickeyman is Austrian reggae done well, and their punk song is basic and humorous. Don't miss this album! - the Extrem stuff is drastic plastic. - Pushead (from Maximum Rocknroll #14, June 1984) - No wonder he invited them to contribute a song to his now legendary Cleanse The Bacteria compilation in 1985 and this was the first time that an Austrian punk band was released in the U.S. - In 1991 they changed their band name in EAT LEAD and disbanded at the end of the year, finally!

- Special Thx to Reinhard -

here