Ernst And The Edsholm Rebels – E.A.T.E.R. were formed in the summer of 1982 in Grums/Kil, Värmland, Sweden by Mikael “Gröten” Karlsson (guit/vox), Anders Brännström (bass), Peter “Pelle” Forsman (drums) and Hans “Hasse” Dahlgren (vox). and this first line-up of E.A.T.E.R. recorded Chaos Cassette vol.1 which was realesed in the fall of 1982. A number of gigs were played by this first line-up, among them the chaotic and by media well documented gig at Segmons Folkets hus in february of 1983. By the release of the bands debut EP Doomsday Troops (Ernst Records) Hasse was replaced by Mikael “Micke” Larsson as the leadsinger. Micke had earlier played in Psykjouren together with infamous and by now nationwidely known Buddha. Doomsday Troops EP was recorded and produced In KAAS by the band & Micke Blomqvist, and released in the summer of 1983. The record was sold all over the world, and E.A.T.E.R. recived recognition from people like Jello Biafra of Dead Kennedys and Pushead, the artist that made Metallicas and the Misfits cartoons. With the new line-up and a sucessfull record-realese the band went on the road and toured Sweden. A review: "Not to be confused with the '77 U.K. punk band Eater, this Swedish group (Ernst And The Edsholm Rebels) floor down on the acceleration and rapidly hit fast, lightning doses of 1000-m.p.h. thrash mayhem. An outrageous display of burning speed and mind-boggling turbulence, combined with chaotic chops of lyrical expression. Don't be fooled by the hilarious intro to the title cut--this EP hauls its load fast and furious in the new Swedish tradition." - Pushead (from Maximum Rock'n'Roll #13, April/May 1984) - The band is still active and I recommend this five piece of classic swedish hardcore tunes and the compilations Really Fast #1 and Killed By Hardcore #2.
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Friday, November 03, 2017
Wednesday, May 13, 2015
V/A - The Label SoFar! 1979
This record is a request of mine and I'm glad I can listen now to it. Released by 'The Label' with bands that were there under contract and bring some good records in the grey world. A fine mix of nice songs and when you search for the solo records you realize that these things are rare and expensive, logically after 35 years. Fuck long drivel, so it's slowly time for the Chameleons concert here and now at 20:00 in Nachtleben and I cannot tell you how much I'm look forward for this damn cool gig....hhuuuuuuuuuuu!!!!! and tomorrow no work because it's Feiertag!!! - Have a nice evening :)
1.Hospital Case - FRONT
2.Outside View - EATER
3.Justifiable Homicide - DAVE GOODMAN & FRIENDS
4.Typewriter Babies - EATER
5.I'm A Liar Babe - THE BOMBERS
6.99% Is Shit - CASH PUSSIES
7.Point Of View - EATER
8.Queens Mafia - FRONT
9.Cold War - FRONT
10.Rockin' Time Dub - TRIBESMAN
- Special Thx to Nolti -
Monday, March 28, 2022
E.A.T.E.R. - System Failure... Abort And Retry 2010
The word for Monday comes today from Distortion Records with this superb compilation by E.A.T.E.R. (Ernst And The Edsholm Rebels). Originally formed 1982 in Grums, they released four EPs and the legendary split tape together with Incharge. Eighteen decent hardcore smasher from the Eighties (including the EP, the split tape & the Really Fast compi goodies). In the mid 80's Ernst & the Rebels dissolved after tremendous turbulence but reunited 1985 with new members, Snake (bass) and Jerker (drums). Some gigs were made with this setting. In 1986, the band was reunited once again with Pelle back on the drums, when they, among other things, did a European Tour and in 1989 they split up finally. - They reunited in spring 2010 again with new members and played at Punk Illegal, their first gig in twenty-four years. During the summer more gigs followed and in September they recorded their second EP If Nothing's Right...Go Left! with five newly written songs, released in 500 copies with a deluxe folding cover and splatter-colored vinyl. In October came this little fucker on vinyl in a limited edition of 300 copies in transparent vinyl, 700 in black. More touring through the States (2011) & Japan (2013). A fourth 7Inch Projectiles For The People came in 2015 with five more songs on Ernst Records. In January 2017 EATER decides to close down all operations after two years of inactivity. And now.... enjoy loud, shrill, upbeat melodies.
Sunday, April 04, 2021
V/A - Punk Rock/New Wave '77 1978
I hope you have a pleasant Easter days and time for good music. Today a obscure release with mostly bands from the UK and on this compilation, which came out in Portugal via Pirate Dream Records in an edition of 400 copies, are only classics that saw the light of day as 7Inch at the end of the 70s. I bought the slab on my Antarctic vacation thirty years ago from a penguin near the Amundsen-Scott South Pole Station, after long haggling, for a few dollars. You can surely imagine how amazed I was when I found such a rare record, nowadays only available at high prices, in this region and of course didn't hesitate for long. Well, sometimes I'm lucky too and today I present you the little anecdote and I'm sure you will like the stuff as well. Even though we exchanged addresses, I never met the penguin again, but it will stay in my memory forever. So friends, enjoy the good ole sound that still towers over many current records and I know that won't change.
1.I Wanna Be Free - THE RINGS
2.Friday On My Mind - LONDON
3.Siouxie Sue - LONDON
4.Your Generation - GENERATION X
5.In The City - THE JAM
6.Non Stop Dancing - THE JAM
7.Taking My Love - THE JAM
8.Art School - THE JAM
9.Slow Down - THE JAM
10.Batman (There) The Me - THE JAM
11.Outside View - EATER
12.Thinking Of The USA - EATER
13.Broken Windows - WARM GUN
14.They Call Me Energy - HIDEOUS STRENGTH
15.Motörhead - MOTÖRHEAD
16.City Kids - MOTÖRHEAD
17.You're So Dumb - SKREWDRIVER
18.Love Detective - THE RADIATORS FROM SPACE
19.God Save The Queen - SEX PISTOLS
Wednesday, September 27, 2017
V/A - Really Fast Vol.1 1983
Further with an another essential compilation and I think from this serie exist ten volumes and of course we start with Volume Number One. Solid Swedish Hardcore, raw and sometimes live recordings, shows this double album the diversity of the musical underground scene in the iron ore land. Spoiled by the many KBD smashers here in this Blog goes this out to all speedy hardcore punks worldwide and it's hard to pick a favorite band. All tunes are great, no fuss it's pure impact. Released on Really Fast Records, 1600 copies pressed. Don't be afraid of Pogo and more Volumes will follow.
1.Den Ömsesidiga Garanterade Förintelsen - MISSBRUKARNA
2.Mutera - MISSBRUKARNA
3.Tredje Rikets Sal - MISSBRUKARNA
4.Progeria Power - ANTI-CIMEX
5.I Skuggan Av Ett Krig - ANTI-CIMEX
6.Krossa NRP - ANTI-CIMEX
7.No Religion - KURT I KUVÖS
8.Arne Weise - KURT KUVÖS
9.Regeringen - PRODUCT ASSAR
10.Livet Är En Plåga - PRODUCT ASSAR
11.Ögon - HIDDEN INDUSTRIALS
12.Du Är Död - TERROR POP
13.Dom Tar Allt Jag Har - TERROR POP
14.Ditt Liv - ASTA KASK
15.Fänrik Fjun - ASTA KASK
16.Diskad - HUVUDTVÄTT
17.Kalldusch - HUVUDTVÄTT
18.(Enstaka) Skurar - HUVUDTVÄTT
19.Cancer - NASTY BOYS
20.Jag Hatar (Discofreaks) - NASTY BOYS
21.Heureka - D.N.A.
22.Döda Hjärnor - D.N.A.
23.Diciplin - D.N.A.
24.Snutstat-82 - DESTROY
25.Jag Är En Soldat - DESTROY
26.U.S. Army - DESTROY
27.Våld - SUNE STUDS & GRÖNLANDSROCKARNA
28.Krigets Vansinne - E.A.T.E.R.
29.Doomsday Troops - E.A.T.E.R.
30.Fred & Anarki - P-NISSARNA
31.En Polismans Ord - P-NISSARNA
- Special Thx to Fredrik -
Tuesday, October 02, 2018
THE NIPS - Only The End Of The Beginning 1980
The Nips (better known as The Nipple Erectors) were an English punk band formed in London in 1976 by female punk artist Shanne Bradley and are notable as having been Pogues frontman Shane MacGowan's first musical group. Initially consisting of vocalist/songwriter Shane MacGowan (known at the time as 'Shane O'Hooligan'), bassist/songwriter/original punk artist Shanne Bradley, guitarist/artist Roger Towndrow and drummer Arcane Vendetta; The Nipple Erectors performed their first gig at The Roxy Club Covent Garden. London in 1977. The band later released four singles and there was one bootleg live album between 1978 and 1981. Inspired by The Stooges, The Nipple Erectors incorporated elements of rockabilly and '60s garage rock into their music.
Following the release of their first single, King Of The Bop, in June 1978 on Soho Records, the band renamed themselves The Nips and released the garage punk song "All The Time in the World"/"Private Eye" with Phil Rowland of Eater on drums. By May 1979, the band's line up had changed to include Gavin "Fritz" Douglas, on guitar. The Power pop anthem, Gabrielle was released in November 1979, first on Soho Records, and then reissued on Chiswick Records. with John ("Grinny") Grinton (ex Skrewdriver) on drums. By the time of its release, Grinny had been replaced by Roger Travis Williams. Gavin Douglas' guitar playing on this record marked a change in the band's sound to a more melodic style. A live album, Only the End of the Beginning was released on Soho Records in 1980, from a recording made whilst on tour with the Purple Hearts. Two other live bootlegs have recently appeared, Live @ The 101 Club and Live @ the Hope & Anchor both recorded in late 1979.
In 1980, the Nips recorded a demo for Polydor Records at their studio in Bond Street. It was produced by Paul Weller. There were four songs recorded for this session, including "Happy Song" "Nobody To Love", "Ghost Town" and "Love To Make You Cry". The Line up for this recording was, Shane MacGowan-vocals, Shanne Bradley-bass, Gavin Douglas-guitar and Mark Harrison (ex Bernie Tormé)-drums. "Happy Song"/"Nobody To Love" was released as a single in October 1981, on Test Pressing Records. The Nips announced to the press that they were quitting after a last gig @ London's Covent Garden Rock Garden on 10 March 1980. MacGowan and Bradley did reform the band later that year, albeit briefly. The line up included James Fearnley on guitar and Jon Moss on drums. This line up played a final gig at London's Music Machine with The Jam in December 1980. In 1981 Jon Moss joined up with Boy George to form Culture Club. During 1981, Bradley took the band in another direction away from the traditional rock band format to incorporate Greek, Cretan and Irish Roots/Folk music. The popular Irish folk and America folk song "Poor Paddy Works on the Railway" had previously formed part of their early live set with Guitarist Roger Towndrow. This line up included Macgowan and Bradley plus John Hasler (ex Madness) on standup snare drum and Scots/Irish Folk Fiddler David Rattray. Later that year Bradley decided to take a break from music. Shane Macgowan and John Hasler went on to play in Pogue Mahone, later shortened to The Pogues. In 1984 Shanne Bradley co-founded The Men They Couldn't Hang to play "The Alternative Country and Western Festival" on March 1984 @ The Electric Ballroom in Camden. (source: wiki)
- Great Thx to Fredrik -
here
Following the release of their first single, King Of The Bop, in June 1978 on Soho Records, the band renamed themselves The Nips and released the garage punk song "All The Time in the World"/"Private Eye" with Phil Rowland of Eater on drums. By May 1979, the band's line up had changed to include Gavin "Fritz" Douglas, on guitar. The Power pop anthem, Gabrielle was released in November 1979, first on Soho Records, and then reissued on Chiswick Records. with John ("Grinny") Grinton (ex Skrewdriver) on drums. By the time of its release, Grinny had been replaced by Roger Travis Williams. Gavin Douglas' guitar playing on this record marked a change in the band's sound to a more melodic style. A live album, Only the End of the Beginning was released on Soho Records in 1980, from a recording made whilst on tour with the Purple Hearts. Two other live bootlegs have recently appeared, Live @ The 101 Club and Live @ the Hope & Anchor both recorded in late 1979.
In 1980, the Nips recorded a demo for Polydor Records at their studio in Bond Street. It was produced by Paul Weller. There were four songs recorded for this session, including "Happy Song" "Nobody To Love", "Ghost Town" and "Love To Make You Cry". The Line up for this recording was, Shane MacGowan-vocals, Shanne Bradley-bass, Gavin Douglas-guitar and Mark Harrison (ex Bernie Tormé)-drums. "Happy Song"/"Nobody To Love" was released as a single in October 1981, on Test Pressing Records. The Nips announced to the press that they were quitting after a last gig @ London's Covent Garden Rock Garden on 10 March 1980. MacGowan and Bradley did reform the band later that year, albeit briefly. The line up included James Fearnley on guitar and Jon Moss on drums. This line up played a final gig at London's Music Machine with The Jam in December 1980. In 1981 Jon Moss joined up with Boy George to form Culture Club. During 1981, Bradley took the band in another direction away from the traditional rock band format to incorporate Greek, Cretan and Irish Roots/Folk music. The popular Irish folk and America folk song "Poor Paddy Works on the Railway" had previously formed part of their early live set with Guitarist Roger Towndrow. This line up included Macgowan and Bradley plus John Hasler (ex Madness) on standup snare drum and Scots/Irish Folk Fiddler David Rattray. Later that year Bradley decided to take a break from music. Shane Macgowan and John Hasler went on to play in Pogue Mahone, later shortened to The Pogues. In 1984 Shanne Bradley co-founded The Men They Couldn't Hang to play "The Alternative Country and Western Festival" on March 1984 @ The Electric Ballroom in Camden. (source: wiki)
- Great Thx to Fredrik -
here
Saturday, May 04, 2024
SUBURBAN STUDS - Slam 1978
Formed in 1976 and hailing from Birmingham, the Suburban Studs consisted of Eddy Zipps (vocals/guitar), Keith Owen (guitar), Paul Morton (bass), Steve Pool (drums) and with their already punky sounding name were one of the first bands to be signed to an independent, the equally punky sounding Pogo Records, and marketed through the major label WEA Records. In their time they released two 7Inches and even an album within a year, a feat not reached by many a Punk band of the time. Originally featuring the sax antics of Steve Heart the instrument was felt to be inappropriate to their sound and he left to start the Neon Hearts.
The Suburban Studs were active live throughout 1976 but were a different looking proposition then with a more glam look. Supports at the time included The Runaways. They played their first London gig at the 100 Club on the 31st August '76 supporting the Sex Pistols and The Clash. A quote from a Sounds review by John Ingham appears The Clash book "Last Gang In Town" where he describes their set as 'a laughable mixture of tacky jumpsuits, tacky make-up, tacky props and tacky music'. The Studs also headlined over the Clash on the 27th of October '76 at Barbarellas in Birmingham, this time complete with haircuts and a more Punk image, though still playing the same dated glam set as they did at the 100 Club. Gigs at the usual suspects like the Marquee, Vortex, Roxy Club and Barbarellas and tours even supporting the likes of AC/DC and The Runaways did nothing to break the band. Not even a John Peel session broadcast in December 1977 or appearing in a Punkrock special on ATV helped.
WEA supported with marketing and also helped land them on the double Live At The Hope And Anchor album with a live version of 'I Hate School' along with The Stranglers, 999, X-Ray Spex & The Saints among others. Their WEA Press release which accompanied their album Slam l is suitably hyperbolic and manages to sadly spell the bands name wrong in the first sentence! WEA Press Release Born in the slums of the Midlands and educated with street level certificates, the Surburban Studs are deeply involved with their music. "We're fed up with rock superstars", said lead vocalist Eddie Zipps. Their music has got fuck all to do with living on the street today. We live in a slum... You've got to play music, that's life, that creates a situation. Their debut album 'Slam' reflects the seamier side of life and focuses on Suburban Studs instinct. Unfortunately the music didn't live up to the hype. Mediocre album reviews in the music weeklies didn't help either. PR was reduced to occasional gossip including the singer being subject to random Punk violence which was prevalent at the time and the shenanigans of their fans when two girls at their Thames Poly gig flashed their breasts on stage, daubed graffiti & set off fire extinguishers. With no sales the band who were astute enough to jump on the Punk bandwagon couldn't progress further and just fell off the Punk map.
Having said that however, the single Questions/No Faith (1977 Pogo Records) is a peach as good as any. Classic driving overdriven punk at a frenetic and heart attack inducing pace. Steve Harrington (sax) who was later in the Neon Hearts played on the first version of Questions/No Faith (July 1977) which was withdrawn, both tracks were re-recorded when Harrington left to start the New Hearts and e-released in November 1977, this time with "No Faith" as the A-side. Slam their album feels like Punk by numbers. All the ingredients are there but there's something missing and that's a spark. For once I think the reviews of the time got it right. Like the art work on Slam below? They couldn't get straight jackets from anywhere and in the end had to have them tailor made. Their only other single was I Hate School/Young Power (1978 Pogo Records) pulled from their album and this time reusing the album over in monochrome. They are also on the Live at the Hope & Anchor Compilation (March 1978) again singing I Hate School in the company of The Stranglers, 999 and X Ray Spex. Ironic as one of them went on to become a teacher.
While bands like Eater and Menace never got a John Peel radio show, the Suburban Studs did which aired on 22.11.77 and which featured "Suburban Stud, I Hate School, Necro, No Faith" and that was it! (source: punk77)
Sunday, December 07, 2014
V/A - Burning Ambitions (A History Of Punk) 1982
Burning Ambition: The History of Punk, attempts to be a definitive overview of the British (except DK) wave/punk scene in the late 70s/early 80s and while it falls short of its goals, it's nevertheless an admirable effort. The Crème de la Crème are here to honor, only classics on it. Surely some of you, like me, have the original records at home but this double album should become a favorite of yours, because this record is one of the finest punk compilations which is ever released. Love to hear all these classic songs in this order and believe me.... you will enjoy it as a good fuck.
1.Boredom - BUZZCOCKS
2.Bingo Masters Breakout - THE FALL
3.12XU - WIRE
4.Life - ALTERNATIVE TV
5.Keys To Your Heart - THE 101'ERS
6.I'm Alive - 999
7.Gary Gilmore's Eyes - THE ADVERTS
8.Justifiable Homicide - DAVE GOODMAN & FRIENDS
9.Where Have All The Boot Boys Gone - SLAUGHTER & THE DOGS
10.(Get A) Grip On (Yourself) - THE STRANGLERS
11.Your Generation - GENERATION X
12.Baby, Baby - THE VIBRATORS
13.Identity - X-RAY SPEX
14.Read About Seymour - SWELL MAPS
15.I'm Stranded - THE SAINTS
16.Chinese Rocks - HEARTBREAKERS
17.Lock It Up - EATER
18.Ain't Got A Clue - THE LURKERS
19.Lady - ADAM & THE ANTS
20.Love Song - THE DAMNED
21.Looking After No. 1 - BOOMTOWN RATS
22.Where's Captain Kirk? - SPIZZ ENERGI
23.In A Rut - THE RUTS
24.Angels With Dirty Faces - SHAM 69
25.Stranglehold - U.K.SUBS
26.Flares & Slippers - COCKNEY REJECTS
27.The Wait - KILLING JOKE
28.No Goverment - ANTI-PASTI
29.Holiday In Cambodia - DEAD KENNEDYS
30.Dead Cities - THE EXPLOITED
31.Last Rockers - VICE SQUAD
32.Harry May - THE BUSINESS
33.Police Story - THE PARTISANS
34.Someone's Gonna Die - BLITZ
35.City Baby Attacked By Rats - G.B.H
36.Complete Disorder - DISORDER
37.Russians In The DHSS - ATTILA THE STOCKBROKER
38.Lust For Glory - ANGELIC UPSTARTS
- Huge Thx to Fredrik -
Sunday, August 06, 2017
V/A - Killed By Hardcore #2 2002
Redrum Records, you know what this means? Genau, massive rare punk stuff from the early days and now we meet the Hardcore section and this compilation is a great example of nasty bands from every angle of this planet. I quote from back cover: "Welcome to the second installment of Killed By Hardcore. Just like that others series by those useless eaters from hell. This one's already going down hill... to the big money at the end of your wants list. Be warned: all anarchy & violence taken from original vinyls. So if it ain't digital enough you can always listen to disco shit. So bummer bitches, you'll find here explosive material of black small round flat 80s and invite your neighbors and enjoy a hearty BBQ with lots of beer." Twenty-three more on Volume 1 - I wish you all a groovy Sunday and enjoy the music.
1.Fame - ZMIV
2.Dying In A Maze - HEADCLEANERS
3.Mai - INDIGESTI
4.Misguided Missile Mouth - E-13
5.Dead You - IKKA SHINJYUU
6.Land Of The Brave - MECHT MENSCH
7.Mad At The World - YDI
8.Elintilaa - RIISTETYT
9.No Explanations - SUBURBAN MUTILATION
10.Miséria E Fome - INOCENTES
11.Det Er Bare Løgn - BETONG HYSTERIA
12.Think Of England - INSTANT AGONY
13.Compromises - NO LABELS
14.Starve To Death - VORKRIEGSPHASE
15.Religiøs Terror - FADER WAR
16.Man's Ruin - TARGET OF DEMAND
17.I'm In Love With Nancy Reagan - TMA
18.Your Mother Sucks Cocks In Hell - AGENT ORANGE
19.Religion - E.A.T.E.R.
20.No More No - KURO
21.Pressform - EXTREM
22.Acid Casualty - KORO
23.Vägra - DISARM
24.No End In Sight - THE ABUSED
25.Guai A Voi! - CANI
26.Man Rape Blues - CHRONIC SICK
27.Mucho Macho - CHRONIC SICK
Labels:
Austria,
Brazil,
Compilation,
Finland,
Germany,
Italy,
Japan,
Killed By Death,
Netherlands,
Norway,
Sweden,
U.K.,
U.S.
Sunday, August 29, 2021
V/A - Bored Teenagers Vol.9 2016
And exactly what I described earlier applies to the following compilation; emotional authentic music by bands that perfectly reflect the zeitgeist and with their attitude towards life bought a few instruments and founded a band to express their emotions, some made it to a single and that was it. The baby is called Bored Teenagers and this is the Volume 9 in this highly collectable series that has done for Punk what the Pebbles series did for the obscure gems from the 60s. We have unearthed another batch of Punkrock Gems! This time only five bands but they had so many great tracks we couldn’t leave any off.
Info: First off is a band called the Crabs that most people are aware of as they appeared on the decent Farewell To The Roxy compilation back in 1978 with their ultra catchy track Lullabies Lie. Sadly no further recordings were released as the band folded in 1978 and became the backing band for Max Splodge but little did we know, the band did record four studio tracks for the highly collectable Lightning label and were scheduled for a release in March 1978. One thing led to another and the band never signed the contract and the tracks were shelved. Rough cassette copies circulated over the years but Tony the singer still had the master tape. This band should of made it and is criminal they are not up there with the likes of some of the bigger bands!
The second band to feature is FU-2 from Southend-On-Sea. Their roots can be traced back to late ’77. After years and years of trying to track this band down after seeing some Youtube footage, we hit lucky and found the singer. He had moved so many times and to our astonishment, he still had in his possession the original five trackmaster tape. The really interesting thing about these tracks is that all the recordings feature a certain lady who was made famous by appearing in the Sex Pistols film The Great Rock'N'Roll Swindle, Yes…. Helen Of Troy. Her vocals are so unique and some might say out of tune but blend perfectly with the opposing vocals of Terry Piper. All five tracks can be heard here! Be warned!!!! These tracks are catchy and you will be singing them all day! Once again, three out of these five tracks have never been heard before!
Next up is a band from Caterham in Surrey called Nuffin’ who were mates with The Damned & Johnny Moped. Their claim to fame so to speak of is that they had Roger Bullen (aka Dee Generate) as their drummer before being head hunted by Eater. Things were looking good for Nuffin’ as in November 1976 London Weekend Television broadcast a documentary by Janet Street Porter on a new youth cult called punk rock that was sweeping the nation. You can hear one of their tracks being played in that program. Here we have all four of their studio tracks that have never been heard before and are direct off the original reel to reel master tape.
The next band are Norwich’s first Punk band the Toads. These tracks that are featured are the essence of Punk, no messing about, straight in with 1234.. Bang! Short and sweet! After only a year or so theywere gone but the nucleus of the band re-appearing as Silent Noise.The last band are the Coils from out of Morpeth in Northumberland of all places… Once again, no messing about, 1234 and singing about what was happening around them! Just take a listen to Fascist and Smash The Front! - Once again, a fucking ass kick on vinyl!
Enough for today, I'm tired and drunk, I only chilling now and I'm hungry...
1.Victim - THE CRABS
2.Save My Skin - THE CRABS
3.Lullabies Lie - THE CRABS
4.Blue Unction - THE CRABS
5.PG Tips - FU-2
6.Maybe - FU-2
7.Sorry - FU-2
8.Soho - FU-2
9.Sindy Michelle - FU-2
10.Centre Point Anywhere - NUFFIN'
11.Red Day Blues - NUFFIN'
12.We're Plastic - NUFFIN'
13.Pigs Can't Fly - NUFFIN'
14.All I Wanna Be Is A Star - THE TOADS
15.Suppression/Oppression - THE TOADS
16.I Don't Care About You - THE TOADS
17.In The Subway - THE TOADS
18.Nowhere To Go - THE TOADS
19.Bank Job - THE TOADS
20.Eyes - THE TOADS
21.Mixed Up Kid - THE TOADS
22.Blood On My Wheels - THE TOADS
23.Supermousse - THE COILS
24.Fascist - THE COILS
25.Upper Class Cretin - THE COILS
26.Land Of The Dead - THE COILS
27.Smash The Front - THE COILS
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