OFF! - Learn To Obey 7'' 2014

The right soundtrack to start the new week of fucking work comes from Los Angeles and this 7Inch was released via Vice Records and is limited to 2000 copies. OFF! means: short, intense, pissed off Hardcore blasts. And why I chose them today is partly because their sound suits every Monday, and I want to discreetly point out their third record Free LSD, which has just been released. Let me quote you a brilliant review that cannot make this wonderful slab any more appetizing:

"Not only does it have two absolutely killer tracks, but even renowned street artist Shepard Fairey made the cover art for this 7Inch. The title track was apparently inspired by the cover art. It has to be one of OFF!'s most hard-hitting tracks that the band has come out with so far. "Learn To Obey" has OFF!'s classic speed and some very well-worked dissonance in the chorus. Of course, Keith and the rest of the band are awesome on this track, but Dimitri's guitar work is especially great here. This song has probably one of the best guitar solos that he's ever recorded with this band. Not to mention that "Learn To Obey" has a great "think for yourself" and "anti-conformity" message in the lyrics that does not come off as a cliché or corny at all. OFF! did a great job matching this song up to the album art. On the B-side is a song called "I See Through You," which believe it or not, is faster than the title track. And to be quite frank, this song is just about calling people out on their bullshit and it's absolutely fantastic because the lyrics perfectly illustrate how it feels to do that: "You made it happen/Take life for what it is/Sugar-coated action!" (Ricky Frankel)

I just really hope that someday they will come again to Europe and have a gig near me. And now dear friends, have a pleasant Monday 😎

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OFF! @ Annandale Hotel/Sydney 2013

Let's spend some fuckin' great US Hardcore with this delicacy. Black Flag, Circle Jerks, OFF! The stations of frontman Mr. Keith Morris, the one with the best punk voice and as Jello Biafra, one of the pillars of american punkrock. I have all the records from his old bands and with OFF! he kicks another excellent example out what's inside him and I think the songs give us all a strong impression of living in the U.S.A., the land of the free. This bootleg is a highlight of 29 energtic songs in a brilliant quality with nice greetings to the audience and the band is hot. You can really feel the gig and I like every minute of this 30 minute H-bomb. In 2011 we had the chance to visit a concert in Wiesbaden and we both were just thrilled. I can really recommend anyone to join a OFF! concert, you will never forget it. OFF! are Keith Morris (vox), Dimitri Coats (guitar), Steven Shane McDonald (bass), Mario Rubalcaba (drums).

Intro-Panic Attack/I Got News For You/I Don't Belong/Poisen City/Now I'm Pissed/Monologue 1/Jeffrey Lee Pierce/Blast/Feelings Are Meant To Be Hurt/Wrong/King Kong Brigade/Monologue 2/Borrow & Bomb/Vaporized/Crawl/Rat Trap/Wiped Out/Monologue 3/Peace In Hermosa/Zero For Conduct/Cracked/Fuck People/Toxic Box/Monologue 4/Elimination/Full Of Shit/Black Thoughts/Darkness/Upside Down

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OFF! - Live @ 9.30 Club 25.06.2011

Let's come to a phenomenon from the American west coast and this band is exactly what I associate with Punk: OFF! A four piece from L.A. (not Langsdorf) and this bloody valentine came via Outer Battery Records in limited edtitions with different colours, stickers and on this blast the band were Keith (vocals), Dimitri (guitars), Steven (bass), Mario (drums) and as you can see, even Farrah loves the sound of the fantastic Four. The idea to form the band came after Dimitri had worked as producer on a prospective Circle Jerks album which ultimately fell apart. During that time, Dimitri and Keith had written several songs together which they used to start Off!. Oh what can I tell you, Keith is the ultimate singer with the perfect voice and the songs from Off! are direct and each one a hit to the dull society which is even more stupid in the States than in Europe, and that's what I love about this band, they are authentic, honest and real. Live a treat and they reflect impressively the true quality of life in the so-called 'land of the free' and show us how things really work in the United Fucking States, they angry and shout out its lyrics with pure fervor. Intense, energetic and their sound is built for a climate of frustration and impotence, and its hard-hitting slap in the face is a long-awaited wake-up call for nostalgic escapism. Enjoy this damn good band and get angry!!

Intro/Black Thoughts/Darkness/I Don't Belong/Poison City/Now I'm Pissed/Rant 1/Jeffrey Lee Pierce/Killing Away/Full Of Shit/Sexy Capitalists/Fuck People/Rant 2/Blast/Broken/Crawl/Rat Trap/Rant 3/Panic Attack/Upside Down

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KILLING JOKE - Kings & Queens 12'' 1985

Yes, one more post as part of the 'Pop Classics' but we know Killing Joke differently and their heavy and slow (at least early in their career) quasi-metal sound let many fans dancing to a tune of doom and gloom. They shine with driving songs that beam you into another dimension and initially sound very Punk. The band were formed 1979 in London by Jaz (vocals/keyboards), Geordie (guitats), Youth (bass), Paul (drums) and their style emerged from the PostPunk scene, but were characterized by their harder approach and have been cited as a key influence on industrial rock & with Love Like Blood they landed a real catchy tune and became attractive in the dull society. And since I'm a bad writer, here's a solid review: "It's been a devil of a time convincing some of this band's once-ardent fans that Killing Joke are back on track in a big way with Night Time, but the excellent selections for singles off the LP have been a help. "Kings and Queens" sounds like an air raid, with Geordie's gigantic guitar reverberation thundering in your ears and Jaz Coleman's full-throated hollering taking off like a firework on July 4; in fact, the whole thing feels a little like the sound you hear at the airport as you watch a jet take off, and the chorus feels like you're being led into the planet's final battle. It's great to have them back." (Jack Rabid) - In two hours it's versus RB Leipzig, three points are needed.

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V/A - Killed By Death British D.I.Y. - Vol.1 1998

I think it's the last KBD Compilation that's missing here and this slab isn't that bad as the title suggests. From Lo-Fi to decent songs, the range is amazingly diverse and anyone who likes things a bit easier will get their money's worth with this cutie. Liner Notes: "Hello & welcome to the newest installment of Killed By Death series. There is now so many, who knows for all of them? So we start over with #1 in an offshoot to pay tribute to all great British D.I.Y. bands from the late 70's & early 80's. Sure everyone to have recordings by SWELL MAPS & TVP'S, but how about the SODS & all the rest of most excellent sounds on this record? We start off with LONDON PX & their classic handclap singalong 'Orders' from '81. Next are two cuts from the fantastic EP 'Deadbeat Revival' by HORNSEY AT WAR which came out in 1979. The PETTICOATS do 'Normal', then it's the MUD HUTTERS with 'Water Torture' off their spazzed out 1979 EP, 'The Declaration'. My mother says they are to sound like Punk version of legendary Stardust cowboy. It's true! PURITAN GUITARS '£100 In 15 Minutes' from their 1980 handstamped Riverside label. The DISCO ZOMBIES did three 45ers I know of, all are to kill for. 'Drums Over London" was the 2nd one I found & was in amazing silscreened wraparound sleeve. The SODS end side one with their organ driven classic 'No Pictures' from 1979 on Stortbeat. FUN 4 were Scottish & drummer Steven Daly later was to be in Orange Juice. Why is this record dedicated to Simon Weisenthal. To much! Another Stortbeat band SPELLING MISSTEAKS follow with 'Popstar'. Do not confuse them w/New Zealand band of the same name. ONE GANG LOGIC ask the question 'Who Killed Sex'? It wasn't me. Maybe you? The ATOMS do the great & goofy 'Beatlejacket'. The wirdo sounds of 012 are next w/'Fish From Tahiti' which is on the Weird Noise comp on Fuck Off Records. SHOES THIS HIGH were from New Zealand not England but they were great. 'The Nose One' is the best from their rare EP. Were they British, they would have made many records for Step Forward. It's true! Now go out, buy fish & chips & bottles of lager & crank this the fuck up. It's great! Thanks to Spider for all help."  That should be enough to make the vinyl interesting and a second part is possible in the foreseeable future, maybe.

1.Orders - LONDON PX

2.Hornsey At War - HORNSEY AT WAR

3.U.C.2. Much 4 Me - HORNSEY AT WAR

4.Normal - PETTICOATS

5.Water Torture - MUD HUTTERS

6.100£ In 15 Minutes - PURITAN GUITARS

7.Drums Over London - DISCO ZOMBIES

8.No Pictures - THE SODS

9.Singin In The Shower - FUN 4

10.Pop Star - SPELLING MISSTEAKS

11.Who Killed Sex? - ONE GANG LOGIC

12.Beetlejacket - THE ATOMS

13.Fish From Tahiti - 012

14.The Nose One - SHOES THIS HIGH

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V/A - Bored Teenagers Vol.9 2016

And exactly what I described earlier applies to the following compilation; emotional authentic music by bands that perfectly reflect the zeitgeist and with their attitude towards life bought a few instruments and founded a band to express their emotions, some made it to a single and that was it. The baby is called Bored Teenagers and this is the Volume 9 in this highly collectable series that has done for Punk what the Pebbles series did for the obscure gems from the 60s. We have unearthed another batch of Punkrock Gems! This time only five bands but they had so many great tracks we couldn’t leave any off.

Info: First off is a band called the Crabs that most people are aware of as they appeared on the decent Farewell To The Roxy compilation back in 1978 with their ultra catchy track Lullabies Lie. Sadly no further recordings were released as the band folded in 1978 and became the backing band for Max Splodge but little did we know, the band did record four studio tracks for the highly collectable Lightning label and were scheduled for a release in March 1978. One thing led to another and the band never signed the contract and the tracks were shelved. Rough cassette copies circulated over the years but Tony the singer still had the master tape. This band should of made it and is criminal they are not up there with the likes of some of the bigger bands!

The second band to feature is FU-2 from Southend-On-Sea. Their roots can be traced back to late ’77. After years and years of trying to track this band down after seeing some Youtube footage, we hit lucky and found the singer. He had moved so many times and to our astonishment, he still had in his possession the original five trackmaster tape. The really interesting thing about these tracks is that all the recordings feature a certain lady who was made famous by appearing in the Sex Pistols film The Great Rock'N'Roll Swindle, Yes…. Helen Of Troy. Her vocals are so unique and some might say out of tune but blend perfectly with the opposing vocals of Terry Piper. All five tracks can be heard here! Be warned!!!! These tracks are catchy and you will be singing them all day! Once again, three out of these five tracks have never been heard before!

Next up is a band from Caterham in Surrey called Nuffin’ who were mates with The Damned & Johnny Moped. Their claim to fame so to speak of is that they had Roger Bullen (aka Dee Generate) as their drummer before being head hunted by Eater. Things were looking good for Nuffin’ as in November 1976 London Weekend Television broadcast a documentary by Janet Street Porter on a new youth cult called punk rock that was sweeping the nation. You can hear one of their tracks being played in that program. Here we have all four of their studio tracks that have never been heard before and are direct off the original reel to reel master tape.

The next band are Norwich’s first Punk band the Toads. These tracks that are featured are the essence of Punk, no messing about, straight in with 1234.. Bang! Short and sweet! After only a year or so theywere gone but the nucleus of the band re-appearing as Silent Noise.The last band are the Coils from out of Morpeth in Northumberland of all places… Once again, no  messing about, 1234 and singing about what was happening around them! Just take a listen to Fascist and Smash The Front! - Once again, a fucking ass kick on vinyl!

Enough for today, I'm tired and drunk, I only chilling now and I'm hungry...

1.Victim - THE CRABS

2.Save My Skin - THE CRABS

3.Lullabies Lie - THE CRABS

4.Blue Unction - THE CRABS

5.PG Tips - FU-2

6.Maybe - FU-2

7.Sorry - FU-2

8.Soho - FU-2

9.Sindy Michelle - FU-2

10.Centre Point Anywhere - NUFFIN'

11.Red Day Blues - NUFFIN'

12.We're Plastic - NUFFIN'

13.Pigs Can't Fly - NUFFIN'

14.All I Wanna Be Is A Star - THE TOADS

15.Suppression/Oppression - THE TOADS

16.I Don't Care About You - THE TOADS

17.In The Subway - THE TOADS

18.Nowhere To Go - THE TOADS

19.Bank Job - THE TOADS

20.Eyes - THE TOADS

21.Mixed Up Kid - THE TOADS

22.Blood On My Wheels - THE TOADS

23.Supermousse - THE COILS

24.Fascist - THE COILS

25.Upper Class Cretin - THE COILS

26.Land Of The Dead - THE COILS

27.Smash The Front - THE COILS

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LES LORDS - 1979-1980

 

The working year 2020 is over and four days off are comin'. Let's see, how I will end it musically and the opener is a treat, and this slab was released by Vidi Vici Records 2013 in edition of 300 copies. The Les Lords were Britz (vocals), Richard & Fifi (guitars), Laurent (bass), Lelett' (drums) and founded 1979 in Caen. And since nobody knows these guys until now, it is time for detailed information from the great creators of 45vinylvidivici which I would like to quote at this point:

1979: The musicians of the Caen punk group R.A.S. are orphans of a decaying movement. Britz, the singer-songwriter, mourns Sid Vicious. The others are starting to clearly prefer the power-pop energy of Jam, Skids, XTC or 999 to the neo-baba wanderings of the Cure or other Simple Minds.

The 60’s aesthetic and winks of the Who are already very present in punk, from black suits and string ties to the T-shirt with cockade of Billy Idol (Your Generation). Not to mention the Jam, of course. But when some members of R.S. land in Britain, it’s the shock. This one lives at the hour of "Mod Maydays", powerful revival which creates its own underground scene (Merton Parkas, Chords, Mo-Dettes, Squire...) in reaction to a punk now in the process of integration. "We hate the punk elite" sings Ian Page of Secret Affair. The musicians of R.A.S. are conquered, shop at Carnaby Street and return to Caen to tell friends about London news. The group is prompt renamed Les Lords.

As a result of this radical turn on the aesthetic level (because the songs remain the same) it appears fairly quickly that everyone gets into the idea of breaking their mouths, starting with the hard core of punks, more and more more influenced by the skinhead renewal and the “OI” wave. During the Lords' second concert in Lisieux, the skins came in force and have every intention of pissing off as much as possible. The chairs fly and the fans fall back on stage, somehow trying to send them away while the group continues to play. Arrival of the constabulary and relighting of the lights. We resume all the same and the Lords end in apotheosis by a resumption of "My Generation" of Who respecting to the letter the spirit of the original, that is to say accompanied by a methodical destruction of the material and the overturning of the columns sound system. Lying on the ground, arms outstretched to hold the

sound system lying on him and not to perish crushed, its owner, an old baba, manages to whisper "it's great, it's great...".

Great it is. The Lords continue the momentum of the most fit but harmonically rich punk, say Generation X to locate, incorporating 60’s influences, pre-psychedelic reminiscences (Creation, Move) and especially by tracing a new road, theirs. The group does quite a few covers: the instrumental The Persuaders ("Amically Your") as a concert intro, "For Your Love" by the Yardbirds mid-set and "My Generation" as a reminder. For the rest, it's a slaughter: slamming drums, metallic and melodic Rickenbacker bass, rhythmic Gibson "sound wall", dazzling escapades from the soloist on Telecaster. And there is the front man, with limited vocal capacities but remarkable texts and unparalleled charisma. It was obvious to who had once seen these kids in concert that they had fantastic potential. Because these are kids we are talking about, 17 years old at the time of history and just over 18 when it ended. Not really a "sex, drugs and rock n’roll" story, shot by the punk generation. No, just another story of tormented and rebellious teenagers. A story of music lovers who convert Gérald, the full barter shop of Throbbing Gristle to boots and frilled shirts. In return, he introduces them to Kinks and Small Faces, but also Real Kids, Charlie Mingus, Faust or Mother’s Finest. It is a story of rain (Normandy...), at night, of endless walking. Mopeds were rare, so scooters... It’s a story of cavalcades and frantic leaks, in the sad France of the end of the seventies whose "peripheral rascals" were so well sung by Renaud at the time.

On this front the Lords take radical measures by weaving an alliance with the gypsies, which allows to calm quickly done well the skins and to bring them back to feelings of healthy camaraderie. As for the neo-Mod movement, it is developing like wildfire. In two strokes of a pot spoon, there are more than 200 Mods in Caen. Punks converted after concerts, fans of the Specials or Joe Jackson, high school students who wanted to piss off their parents. Barely 16 years old, Laurence gives up everything to join Fifi, the rhythm guitarist of the Lords and returns on a scooter at the end of the hutch to give the teachers honor by shouting "We Are Mods", as in Quadrophenia. Britz, Laurent and I are going to see the film dozens of times at the cinema of the Carrefour shopping center, in Hérouville, one of the working-class suburbs of Caen. So we pass and we pass again in front of a band of thugs, "Arabs" as they said at the time, who stagnate on the benches of the shopping center and do not take long to look for the fight. It degenerates for good and ends with a punch outside. "We are the Mods"! Impressed, the most devious of the so-called "Arabs" quickly bought a costume and asked to join the mods.

In Caen, these are a mass movement from the proletariat, the working masses. With guys who in case of confusion are more quick to fight than to parley... There is José who fights after the group has won the French flags in a party on July 14, Franck says "Barjot" the former rocker and fisherman, "Clash" who crushes my parents' flowers in a Vespa and shoots the rockies on Saturday afternoon in the middle of traffic jams, with a WWII Luger. And then other groups that are formed: Dandys, Holly Boys and Neckties. These are 13-14 year olds who have had little time to learn English. Suddenly they proudly adapt the Who in French, "I Can’t Explain" becoming "the Caennais complain."

The Lords play in Paris at Golf Drouot. They finish well last of the "springboard rock" but fuck a happy mess and meet that evening the fabulous Stunners. A core of Parisian fans of the Lords is formed around Laurent ("Stax"), Denis, Thierry and soon Patrice Bertrand, former Hells Angel turned Mod who sells US garage rock records in the Scooter shop in Les Halles. The Lords don't pretend. They provide the first part of the Olivensteins whose equipment they demolish ("My Generation"), the Dogs from which they steal the show and a whole bunch of others. They make all the fire, open for Valérie Lagrange and even go on tour for a few dates opening for Caravan, an old British progressive rock band.

Soon the mod-revival spreads in Paris then in the provinces. Lords are heroes and kings, but there is a misunderstanding. Basically they have little to do with twinks disguising themselves as twist dancers, petty bourgeois in polka dot dresses and groups making desperate efforts to sound "garage". In fact, while the Parisian skins led by Farid - a ringworm - are having fun persecuting this bunch of little wankers from fine neighborhoods, they carefully avoid attacking anyone who wears a "Caen" patch on their jacket. Britz and the hard wing of the Caennais accentuate the demarcation with the installers by calling themselves "Glory Boys" and adopting black shirts and white ties. But hey, it's all starting to go around in circles. Especially since despite their multiple trips back and forth in the capital, where I settle as a manager, the Lords are still out of recording contract. There are indeed some contacts with Antoine De Caunes, Marc Zermati or Patrick Eudeline, the tour of record companies, a photo in the monthly Best, but nothing comes out. Meanwhile, the sken-mod conglomerate of Caen feels winged. After two years of intensive fights against rockers (very bad in those distant times) and all that hung around as thugs in the Normandy countryside, these became real terrors. Wounds that set everything on fire and blood during the Jam concert in Rouen. The Lords are victims of Sham 69 syndrome: overwhelmed by the movement they have instigated and the excesses of their audience.

The tension rises with the rhythm, Fifi, a simple heart. Then with the bass player who stands in solidarity with him. Finally with Britz Notre Dame, icon of mods, always so frosty and uncontrollable who does not want to understand that such a radical trip cuts the group from a wider audience. In a few weeks everything crumbles. Fifi and Laurent will try their luck with another group. Britz moved to Paris where he succeeded in a few months in transforming a gang of Daddy's sons into a respected gang. Richard and Denis recruit a bass player and pursue the Lords in the form of a blazing power trio.

In the end, there will be nothing but wonderful memories and rehearsal recordings from this brief epic, in mini-cassette. Despite their obvious limitations, they will no doubt give a better idea of what the Lords were than the album they would have done at the time on a major, under the guidance of a survivor of the yéyé who was converted into a producer. And the fact that more than thirty years later RAS or Les Lords are arousing interest shows that at least the flame has been transmitted. So all is well that ends well. Raymond Debord (Summer 2013)

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V/A - Skloom Al Komul! 2021

Well, as you can see, my old schoolmate Teddy is more than happy with his new girlfriend and he asked me to put some of his favorite songs together and share them with you. Of course, I would like to comply his request, even if I hardly find time and my computer soon crackes off, I have taken the trouble to create the following compilation from the extensive repertoire of his hard drive and now finally present it as the ninth release on WDM Records. He chose a healthy mix of old and new classics and I am very satisfied with his selection. I'm responsible for the artwork, which I think is excellent, and all this together makes this little musical composition another highlight on this damn uninteresting Blog. Wherever you are now, enjoy the days off, make the most of it and always remember, You're Not Alone!

1.Dream Within A Dream - PROPAGANDA

2.Tangled Up - CRANES

3.Alle Tage Sind Kein Sonntag - LINDEMANN & GARRETT

4.Fascination Street - THE CURE

5.Everything In Its Right Place - RADIOHEAD

6.Too Drunk To Fuck - NOUVELLE VAGUE

7.River - NATALIE MERCHANT

8.Young Folks - PETER, BJÖRN & PAUL

9.When It Rains - PINK TURNS BLUE

10.Last Caress - METALLICA

11.Strenges Mädchen - JOACHIM WITT

12.Johnny & Mary - PLACEBO

13.Coming Down - EA80

14.Los Paul - TRIO

15.White Rabbit - JEFFERSON AIRPLANE

16.Die With Your Boots On - IRON MAIDEN

17.Crystal - NEW ORDER

18.In My Life - THE BEATLES

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COMPOS MENTIS - From Behind The Wall EP 1986

Well, the game yesterday was boring and I fell asleep in part enough of it and before I use the sunshine day a short trip to New Zealand. First record by Compos Mentis from Wellington, active 1983-1987, on Sound Mind Records and they were influenced by overseas bands and wrote politically charged songs that critiqued both mainstream New Zealand and the cliquey factions within the alternative music scene. Described by Simon Cottle of Anti-System zine as “New Zealand's ultimate political thrash band” Compos Mentis lasted for a good half of the 1980s at a time when a more politicised punk scene was emerging in Wellington. "Compos Mentis had no support band, so the gigs started quite late, by which time reasonable crowds had turned up, consisting mainly of “hard-cores” and skins. Compos Mentis' songs may sound fast on tape, but live they were even faster, sparking off some wild dancing, which was slightly rough, but fun all the same. With such excellent lyrics, it's a pity the vocals weren't clear ( better the second night), still, the sheer energy made up for that. The band played amazing long sets, including material off their new EP and even a Crass cover. They were sweating like crazy, but managed to continue by rotating drummers, singers and guitarists. Low points were the filth sniffing around, some jerk yelling at Heather, and someone being knocked over by a grapple, but over-all it was two excellent nights of NZ punk thrash." Simon Cottle, Anti-System #3 - Enjoy!

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BITCH BAND NO 1 - Zirrppppp! 1981

Let's come to a record at the weekend that doesn't have much to do with punk but is rare and somehow interesting, at least for some. Founded 1979 in Hamburg, Bitch Band No 1 were an international female band with singer Betsy (vocals), Barbara (guitars), Claude (bass), Poppy (keys), Lottie (drums) and they toured in the Netherlands, Denmark, Austria and Germany. In 1981 they played at the first women's rock festival Venus Weltklang in the Berlin Tempodrom and released their only album on GeeBeeDee Rekords. Not all fifteen songs can thrill me, some are too long and splash senseless and emotionless off, but musically the ladies can play but unfortunately nothing earth-shattering, even my fleas in the carpet look at me questioningly. Why post? Reason is, that some out there are looking for the record and couldn't go out of the house, others ran amok, even splitting the tongue is handed down, jaja, and before you get rid of a lot of money make sure if the record is worth it. Now I'm riding relaxed to the train and enjoying two days off.

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V/A - Powerpearls Vol.4 1999

You certainly weren't waiting for this compi, because it's no longer a rarity in Blogland, but I almost forgot that I have a few of my own rips from this great Powerpearls series, which I wouldn't want to withhold from you. Part IV is again full with rarities of the years 1977-1981 from around planet earth and as always, the bar is set decently high because the originals are as rare as snow in July (North & South Pole area not considered). What should I write next? It's great, that are people who probably have enormous costs associated with such projects and share their collection with us mortal music freaks and therefore have the will and consistency to implement this, pull it through and let us be part of this undiscovered music & bands. I take my hat off and I share a beer or two with those, cheers! Song selection is superb and I'm going off to the weekend and look what comes next.

1.Words - TUNNELRUNNERS

2.Playing Bogart - 23 JEWELS

3.Your I's Are Too Close Together - THE ELEVATORS

4.Downtown - CUBAN HEELS

5.Isolation - THE FINGERS

6.That's Just...Someone That I Knew - THE SINGLES

7.Living In The 80's - BLUE PETER

8.Ett Gevär I Min Hand - DIESTINCT

9.One Way Love - THE INNOCENTS

10.I Don't Wanna Cry - THE KEYS

11.Do Dead People Tan? - X-CONZ

12.Geneva Street - GENEVA

13.Ice Age - BABIJ JAR

14.Gimme Cigarettes - CIGARETTES

15.Won't You Be My Girl - VICE CREEMS

16.X-Ray Proofed - PRINCES OF PEACE

17.Takeaway Love - THE RESISTORS

18.You're A Hit - STRATE JACKET

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NOCTURNAL PROJECTIONS - Studio Recordings 2018

All right friends, for the weekend a band that I appreciate very much and whose music is extra class, a few basics: Formed in Stratford, near New Plymouth, New Zealand in 1981, Nocturnal Projections was the explosive project of legendary and prolific brothers Graeme and Peter Jefferies (who would later form This Kind of Punishment before launching their solo careers), who along with friends Brett Jones and Gordon Rutherford, created some of the most energetic and influential avant-garde punk rock to emerge from the country.

Largely ignored during their tenure (but revered and referenced in the years after their breakup) and often compared to UK contemporaries like Joy Division, Comsat Angels, The Fall, or Wire, Nocturnal Projections stood well apart - never enjoying the luxuries of unlimited studio time, music videos or international fame, the NPs possessed a driven, rough-hewn serrated edge that cut through the lot comparisons to the UK post-punk exports of the era. They were ahead of their time, completely singular, and for those that had the benefit of seeing Nocturnal Projections play live – formative, with a dedicated cult following to this day.

As residents of New Plymouth’s Lion Tavern during their first year as a band, they perfected their soaring, impactful live set locally (often as the only band, without an opener and 3 hours to fill!) before heading off to Auckland in January of 1982, performing with bands like The Fall, John Cooper Clarke, and New Order at venues like The Mainstreet Cabaret, The Rumba Bar and Reverb Room. *The band recorded three EPs at Stebbing Studios in Auckland: The self-titled and self-released 7” single released April 1st of 1982, with the “Another Year” 12Inch following later that year. Their self-titled three song 12” was recorded in 1983, and released by the band posthumously that June, after the band called it quits. The Jefferies would move on and regroup with Rutherford and sound engineer Andrew Frengley shortly after the NPs fell apart to work under the This Kind of Punishment banner.

“Complete Studio Recordings” comprises the three original Nocturnal Projections studio records, direct to board recordings on a 24 track and not a synthesizer to be found! This release is a crucial part of New Zealand’s punk history, remastered and collected for existing fans and new audiences. Frantic and fast punk anthems like Nerve Ends In Power Lines, Isn’t That Strange, and In Purgatory are a shot in the gut, while slower, more introspective tracks like Difficult Days and You’ll Never Know reveal what the band had in store later with TKP. Nocturnal Projections are hard to pin down: bright, slashing, and prominent guitars with driving solid basslines and drums in tight lockstep, all with Peter Jefferies’ urgent signature baritone vocals soaring alongside – the result is still perhaps the most energetic, unique, and fresh music to ever emerge from the post-punk scene. 

One more great album Inmates In Images was released in 2018 and comprises the band’s best and rare material recorded right off the board at key gigs, capturing the unique and unbridled energy of Nocturnal Projections. And now: ENJOY!!

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V/A - Belgique Putain Frigide 1996

Seventh homemade compilation in this theater from the CD-R bootleg label Get Baque Records. And in this episode they take a trip to Belgium and present us twenty five rare Punk/New Wave/PowerPop highlights from 1977-1982. Well, seventy-five percent of the protagonists are already known and represented on numerous compilations, the remaining twenty-five are worthwhile and interesting. That speaks once more for the variety of bands from the Euroheadquarters state. Of course you can say, "Oh no, not Belgium again" and do I need that at all? The answer is an unequivocal YES! Here we go...

1.Job In Town - THE BASTARDS

2.Nuclear Apocalypse - CHAINSAW

3.Working Man - STAGEBEAST

4.Just Like A Rainbow - ABLAZE

5.Le Prof À Mac Off - D.D.MAC OFF

6.Punk - DE STRANGERS

7.Flash - DOUCE VIOLENCE

8.You'll Be The One - HUBBLE BUBBLE

9.Saturday Night - JOHNNY PALERMO

10.No Monarchy - THE KIDS

11.The Fuzz On My Bag - KING LOUIS & THE MEMPHIS MAFFIA

12.I Am A Computer - MAD VIRGINS

13.Stooges - P.I.G.Z

14.Ça Gaze Pour Moi - PLASTICHKE

15.Heaven Only Knows - X-PULSION

16.Hot Love - ONION DOLLS

17.Life Addict - ACETYLENE

18.Tears - CHARTS

19.Violence - CONTINGENT

20.Don't Play Around - THE CROWS

21.Astronauts - GENOCID

22.Night Fever - STRUGGLER

23.The Modern Dance - DEFINITIVOS

24.Life It's A Joke - KEBAB

25.LSD - LOST LEGION

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V/A - Bloody Belgium 1997

Another unofficial release is comin' up now and I hesitated to post it because it's present in the net. But who cares, so I ripped my copy (besides, my rips are the best anyway, hähä) and it was the right choice. Let me give you some info from the back cover: "Being a very small country, Belgium's never had a lot punkbands around, but the ones that existed and made it onto vinyl are very much worth checking out. If you're not familiar with the original belgian punk stuff you'll get the picture after hearing this record." And so it is. Fantastic noises here and I have nothin' to add, except look around the net for the excellent Bloodstains compilations with tons of more rare Belgium stuff. Bloody Belgium is a great piece of vinyl, only hits, cool cover and lots of infos to every band/record. Merci!!

1.84's Man - RAXOLA

2.Chaos In Belgium - CELL 609

3.Sweet Rot - HUBBLE BUBBLE

4.Moneygrubber - VEEL

5.Do You Love The Nazis - THE KIDS

6.Le Prof A Mac/Off - D.D.MAC OFF

7.Schmucks/Castration - X-PULSION

8.Belgium - STAGEBEAST

9.School - P.I.G.Z.

10.Pogo Pogo - HUBBLE BUBBLE

11.Mister C. - DEFINITIVOS

12.The Kids - ONION DOLLS

13.Bloody Belgium - THE KIDS

14.Old Rat - RAXOLA

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DEAD KENNEDYS - Forward To Death 1981

Fantastic bootleg from the best American punk band all the time. Some releases have on the back cover a sticker with -Live In USA-, but I think that these recordings are from a gig in Stuttgart. Proof of this is that I once had a tape with the same songs and there stood: Live in Stuttgart, 14.November 1981, next Jello use the word Stuttgart in the song 'Bleed For Me' and why he should mention in the U.S. the word Stuttgart? And last but not least, the audience screams really 'Zugabe' and Heino is coming along and that can only be in Germany, right? The recordings are quite excellent and Jello's announcements about the songs is on world's top. This bootleg is by far the best of the Dead Kennedys (apart from the fact that the last song unfortunately breaks off in the middle...but Fuck!, that's the deal with bootlegs). As a small little bonus, I've packed the two songs from the flexi 'Give Me Convencience Or Give Me Death' LP in it. You must be satisfied.

Man With The Dogs/Forward To Death/Kepone Factory/Life Sentence/Trust Your Mechanic Moral Majority/Forest Fire/Winnebago Warrior/Police Jerk/Bleed For Me/Holiday In Cambodia Let's Lynch The Landlord/Chemical Warfare/Nazi Punks Fuck Off/Bigger Problem Now/Too Drunk To Fuck

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V/A - Clay Records Punk Singles Collection 1996

Well, Christmas is just around the corner and you might know this is not my time and I'm just only enjoying the days off before going back to servitude on Tuesday. But first we relax and the freedom kicks off with Receiver Records, who released this little compilation by the Clay Records label and this Punk Singles Collection "captures some of the prime material released on one of the most important labels in Britain's transition from Punk to Hardcore. The collection is naturally dominated by Discharge, who have eight of the twenty-two songs here; there are also multiple selections from G.B.H, the Abrasive Wheels, and the Lurkers, plus one track apiece by the Killjoys and future goth mainstays the Sex Gang Children. While it might be better for some fans to simply pick up compilations by the individual artists for a more detailed look, this will serve those who simply want a more concise overview." (Steve Huey) - Now you know what to expect: rough, trashy, and urgent sound, that pleases even the innocent Christ Child. 💀

1.Reality Of Wars - DISCHARGE

2.Fight Back - DISCHARGE

3.Decontrol - DISCHARGE

4.Never Again - DISCHARGE

5.No Survivors - G.B.H.

6.Sick Boy - G.B.H.

7.This Dirty Town - THE LURKERS

8.State Violence State Control - DISCHARGE

9.Give Me Fire - G.B.H.

10.Drag You Out - THE LURKERS

11.This Is Not Love - THE KILLJOYS

12.Frankenstein Again - THE LURKERS

13.Catch 23 - G.B.H.

14.Jailhouse Rock - ABRASIVE WHEELS

15.Mauritia Mayer - SEX GANG CHILDREN

16.Banner Of Hope - ABRASIVE WHEELS

17.The Price Of Silence - DISCHARGE

18.Let's Dance Now - THE LURKERS

19.The Prisoner - ABRASIVE WHEELS

20.The More I See - DISCHARGE

21.Do What You Do - G.B.H.

22.Ignorance - DISCHARGE

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V/A - Rip Off Records Compilation 2010

Finally weekend and you already know that I always greet it with refreshing music and today I open it with a fantastic compilation with combos from the legendary short lived Belfast based label Rip Off Records (specialized mainly on PowerPop) which at the end of the Seventies a bunch of great 7Inches released that are very popular today and it's amazing that an american label named Sing Sing Records brought us this divine record in 2010. It goes without saying that the original records were released in very small editions, so this little compi is an excellent idea to keep all those great bands/songs from being forgotten in the dark oblivion of the ocean. Certainly an excellent addition to the two Bloodstains Across Northern Ireland goodies. And now I'm thirsty and I'm hissing a beer...

1.Friends - THE ZIPPS

2.Suzy 'D' - LENNY & THE LAWBREAKERS

3.You'll Never Find Love - MINOR CLASSICS

4.Sharon - PRETTY BOY FLOYD & THE GEMS

5.I Want You - TINOPENERS

6.It For The Kicks - THE FADERS

7.I Don't Like Girls - MINOR CLASSICS

8.Start All Over Again - NO SWEAT

9.Me And Bobby McGee - LENNY & THE LAWBREAKERS

10.Time To Kill - CLIVE CULBERTSON

11.She Doesn't Love Me - CRAMP

12.I Don't Wanna Be - TINOPENERS

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