V/A - Trotzdem Süß! 2018

Und jetzt wieder ein weiterer selbstgemachter sampler mit reichlich rarem deutschen PUNK Zeugs der sich sehen lassen kann, emotional & wütend, direkt aus dem Herz gehaun. Zusammengeschnipselt von 7Inches, tapes, vinyl und anderen Quellen die sich auf meiner Festplatte finden, benannt nach einem Ausspruch meiner geliebten Perle, selbstgezimmerten Artwork und in den Jahren 2015 - 2017 entstanden, jetzt erst fertig weil das cover stets dauert. Keine Danksagungen weil es sind eh immer die, die es immer sind! Das Dingens ist jetzt der vierte Teil in dieser Form und all diejenigen unter Euch die hier am Ball sind werden die anderen drei finden. Ich denke, die Auswahl kann sich sehen lassen, gesunde Mischung sowieso und solltet ihr was zu sagen haben, nur zu. - Part IV of the series 'Rare German Underground', everything's planted by myself and my true followers will find the previous three, much taken from rare 7Inches, tapes & vinyl which slumbered deep on my hard disk... enjoy the music!

1.Von Leeren Herzen - EKG

2.Dr. Mabuse - KASPERLE EINGEWECKT

3.Wahl/Qual (Live) - NEUROTIC ARSEHOLES

4.The Only Way - WOMBELS

5.Roxy - SPOONS

6.I Want To Be A Kid Forever - ERIC HYSTERIC

7.Alles Wird Gut - ESKALIERENDE VERNUFT

8.G.A.S.P. - KIDBOX

9.Absoluter Stillstand (Live) - NOTDURFT

10.Sexstar - RHYTHMUS RADIKAL

11.Hey You - STAIRS

12.Der Mod - KEROSIN

13.Tief - DUESENJAEGER

14.Hundepogo - SKORBUT

15.Freundliche Terroristen (Live) - FRAUEN & TECHNIK

16.EinwegLeben - CHAOTENCOMBO

17.Es - FLIEHENDE STÜRME

18.Heute Noch - HERMANN'S ORGIE

19.I Love You - KIDBOX

20.Die Bullen - ABGAS

21.Das Tier In Mir - BÖHSE ONKELZ

22.Sweet Jesus - LOVE A

23.Thinking Of You - MONOCHORDS

24.Cool Me - TEMPO

25.Es Gibt Etwas (Live) - MESSER

26.Essen, Ficken, Fernsehgucken - LULU & DIE EINHORNFARM

27.Stacheldraht Sinfonie - ABFALLBESEITIGUNG

28.Chaos - LENINGRAD SANDWICH

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BILLY SYNTH & THE TURN UPS - Disorderly Conduct 1983

Good Morning Maniacs!, I hope you have a day off today and enjoy it with good weather. First, I need cigarettes so I'm going to get some... wait... back with Jever and now Mr. Pennsylvania Punk legend Billy Synth with the Turn Ups and their second album on Tragik Records and we listen to thirteen great synth-punk smashers and I wonder why they were not taken for the essential great fucking Killed By Synth compilation, maybe too snotty. Anyway... Billy (vocals + synths), Demo (bass), Stevinyl (guitars) and Joe (drums) have recorded a cool album that kicks and if you wanna know more read an interview on Attacking The Beat. Stay tuned for more nuggets but next I want to rip another record.

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GUILTY RAZORS - Guilty! 2006

A decent re-release is the next album with original recordings from the late 70's. The Guilty Razors had a singular history. During the 1970s, marked in Paris by the many manifestations of leftist movements, five young musicians influenced from the late 60s atmosphere by their favorite groups (Stooges, Kinks or Velvet Underground) decide to form a rock group. A live band especially, which expresses their rage through a wild rock and uncompromising. So naturally they just incorporate the emerging punk scene in Paris next to Metal Urbain and Asphalt Jungle. They play @ the Gibus in the first part of Jam (not without daring to take on the English Rickenbacker stars!) and also provide the latest delivery punk festival at Olympia in 1978 before the public destroys dozens of chairs. But their working-class reputation and bad boys expertly maintained by their manager Alexis Quinlin very influential character of the rock scene, will soon catch up. In March 1978, following their many escapades, the Polydor label terminates the contract, makes removing the trays 5000 copies of their first EP called 'I Don't Wanna Be A Rich', which eventually almost all pestle. Only a hundred records sent to the press escape destruction. The Guilty Razors still continue to record other tracks including some at a chaotic time in Madrid. The group finally separates early 1979. Their songs will be released on LP/CD in 2006, thx to Seventeen Records. A track appears on the compilation KBD #7 and the complete 7Inch is banned on KBD #77 (click the orange letters above) together with more essential rare goodies.

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STILMORD - Det Spelar Ingen Roll Rock'N'Roll 7'' 1982

Released on Polar Records in 1982 and we have two catchy pop-punk tunes. A short bio I found: "Stilmord was a Swedish power-pop band formed in Täby near Stockholm in the early 80s. They got their band name from the album Talmannen by the Swedish comedian Kalle Sändare, who was well known for recording his telephone jokes with unknown people. On this album he mentioned the name Armand Stilmord (Armand Stylemurder), and the group liked it so much that they took it as their own name. Stilmord got their recording contract when they were competing in a rock contest at the club Underground in Stockholm with the artists Yngwie Malmsteen and Orup. The first single "Det Spelar Ingen Roll Rock'N'Roll" was a hit and it even was used as a jingle for the Swedish rock radio show Eldorado. Later the same year, 1982, Stilmord released a second single "Förbjuden Kärlek" for the same label. After this they changed record labels to Gazell and at the same time changed their name to Rabalder. The third single release "Dina Ögon" was no success and sold only seventeen copies. They continued as a band for a year longer but changed style to funk music inspired by Level 42." Nice little gem!

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EXTREM - Wir Sind So Frei EP 1987

Solid four track EP by Extrem from Vienna on Durchbruch Records. In 1983 they released a split called Vorheilen Ist Besser Als Beugen together with Mickeyman, recorded in June 1983 and the result is probably the sharpest and hardest punk rock publication of the "Schnitzel Paradise". 'Oaschloch' rhetoric in grossly Viennese, jagged hardcore punk guitars and high-speed drums knock on the door to insanity and say "Servas, I'm ahead of my time." - In other words from Luziprak: "EXTREM is the (international) most famous early HC band from Austria. The formation began in the summer of 1979, and in 1980 the lineup was complete, Helmut "Heiland"[saviour] Hejtmanek, Dieter Hauptmann and Peter Zinner. After some gigs in Vienna and one in Munich, Daniela Delise on the bass was added in 1983. In the same year Michael "Mickey Kodak" Snoj aka. MICKEYMAN recorded with them a limited (200 pieces) split-LP, and after a contribution on an international hardcore compilation in 1985, there was no chance to find this record anymore, as the interests grew world wide. The lyrics where socio-critical, sung in a viennese slang and the sound was very rough and speed-up, a perfect DIY-HC product. In 1984 they also recorded a demo, from which the song "Haus Im 2.Bezirk" [house in the second district] (a brothel) is taken. After Heiland left the band for a solo career, they recorded a 7inch in 1987 and a solo-LP in 1990, both records where much faster an more metal like, but still hardcore." You have to be satisfied with that!

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TOXIC REASONS - God Bless America EP 1984

Toxic Reasons were a prolific band that went through many changes in both personel and musical direction over the years. The core group consisted of Bruce Stuckley (lead guitar/vocals), Bertram "Tufty" Clough (bass/vocals), Jimmy "JJ" Pearson (drums/vocals), and Rob Lucjak (guitar/vocals). None of the latter three were present when Stuckley started the band in Dayton, Ohio 1979. At that point he was playing bass, Joel Agne was on guitar, Mike Patteson played drums, and Ed Pittman was the lead singer. This line-up only stuck around long enough to record a two-song single, 1980's War Hero 7". After a second 7" recorded with East Bay Ray, Toxic Reasons began work on their first full-length album Independence (more info in the file) - This is the third 7Inch on their own label T-Reason with three thrillers; furthermore on numerous compilations, for example: We Don't Need Nuclear Force & The Power Of Love and sometime in 1995 the band broke up.

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ELEMENT OF CRIME - Weißes Papier 1993

Let's open the early Sunday with melancholic chanson-, pop and rockmusic by Berlin's Element Of Crime, founded 1985 and the bandname is borrowed from the title of the movie The Element Of Crime by Lars von Trier. They first sang in English but that was rather moderate and with the sixth album they switched to German which is a lot better for the band and expresses the wonderful words of Sven more clearly. Weißes Papier is the seventh album and I bought it when I was with my pearl from Hamburg and we heard it a lot, nice times were that, and somehow this morning I'm in the mood for calm, tender melodies. Anyway, the band gained lots of attention with this record and I acquired another slab that is equally charming. Dive in and have a good breakfast with it.

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LITTLE BOB STORY - Seaside Bar Song 7'' 1978

Let's meet a long-living band from a rain-battered grey hole called Le Havre who've been playing Rock'n'Roll since 1974: Little Bob Story testify with numerous publications their creativity and the French underground music is characterized with their driving melodic playful sound and I chose this 7Inch because both songs are a perfect example of this. A few own Bob words: "Bob's got the secret magic ingredient which makes all the difference in the heart of their fans: the innocence, the fervor & the ingenuity. Bob pulls it off, never blinks, never winks, they discards the "Camp," easy way-out, gambles on the power of bare emotion and comes out as winner. Their look and tremondous voice make them unique to the audience." Well, let yourself be carried away by Bob and enjoy the first warm sunbeams.

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NECROS - I.Q.32 EP 1981 + Conquest For Death 1983

It follows a special offer from Schrottmix and today im sortiment: Take 2 Pay 1!! And yes folks I present you the very rare EP by Bruno MatschwirNo which he recorded four months after he lost the fight versus KimiKeinHaarAmSacki in the fifth round at the 00 lounge championships in Achselhausen, he could't oppose Kimi's double tongueturner and Bruno was so frustrated and sad. Driven by these feelings the idea grew inside him to tell all his sorrows to the world via music, the language everyone understands and I.Q. 32 was born and pressed by Touch & Go in an edition of 100. Kimi became envious about Bruno's little success so he thought to himself: You Necros, I make an album that rips the world off the chairs and earn lots of money! Said & done. He went to Maumee, Ohio and found some decent musicians and in just five days the album was recorded and Touch & Go again (an American independent record label based in Chicago) released Conquest For Death (so Kimi's album title) in 1983. Also his record was well received and shortly thereafter he was shit dead by an Armada flamingos and Bruno emigrated to Koksheim. Well, two hermits who are much sought by collectors.

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RADIO BIRDMAN - Radios Appear 1977

It seems to me that you don't really like my winter pics, haha ... I understand, enough for me as well. A record now which is in my opinion a blast and celebrates its 41th birthday this year: the debut by Radio Birdman, one of the first Australian independent bands to carry the punk label, along with the Saints. They were formed by Deniz Tek and Rob Younger in Sydney in 1974. Radios Appear is the first full-length studio album by Australian punk rock band Radio Birdman. The album was recorded at Birdman's Trafalgar Studios, Sydney during 1976 and 1977. Trafalgar initially distributed the album via mail order and by sales from the backs of friend's and band members' station wagons. This laid the groundwork for future DIY punk bands in Australia. Radios Appear was hailed by many as a breakthrough album in Australian rock and a decisive change from the uneventful early mid-seventies scene. The album's title was taken from the song "Dominance and Submission" by Blue Öyster Cult, one of the band's most important early influences. More info inside, more music on the way.

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