V/A - A Small Retrosperspective (Live!) 2019

Ein neues Produkt aus dem Hause WDM Records und da April ausschließlich Live Postis gewidmet ist wuchs die Idee einer superben compilation mit solchen Aufnahmen die ich hier und da fand oder auf meiner Festplatte schlummerten. Bevorzugt mit Bands die ich teilweise erlebt habe und ich besonders gern auflege. Ich glaube das Ergebnis kann sich hören und sehen lassen und besonders das Artwork alter Eintrittskarten schwirrte mir seit langem im Kopf herum, das hat eine Menge fantastischer Erinnerungen hervor gerufen, schön war's! Ich wünsche Euch jetzt abwechslungsreichen Hörgenuß mit diesem kleinen Rückblick.

    A new product from WDM Records and because April is dedicated to Live posts grew the idea of a superb compilation with recordings that I found here and there or slumbered on my hard disk. Preferably with bands that I have partially experienced and I often put on my turntable. I think the result can be heard and seen, and especially the artwork of old tickets has been buzzing in my mind for a long time, it has brought back a lot of fantastic memories, it was nice! I wish you a varied listening pleasure with this small retrosperspective.

1.Burn The Kings Road - WARFARE

2.Dig Up Her Bones - THE MISFITS

3.Vita - DECLINO

4.Geschwisterliebe - DIE ÄRZTE

5.Fuck The USA - THE EXPLOITED

6.Ja Se Ne Vraćam - PARTIBREJKERS

7.Paris Maquis - MÉTAL URBAIN

8.My Wall - THE KELPIES

9.Greeks - PANX ROMANA

10.Demon - SEPTIC DEATH

11.Etsin Ja Tuhoan - VANDAALIT

12.Johnny Coge El Subfusil - COMMANDO 9MM

13.Tomorrow Started - TALK TALK

14.Belsen - SID VICIOUS

15.What Gives? - RADIO BIRDMAN

16.Riot - DEAD KENNEDYS

17.Heart On Fire - WIPERS

18.Police Oppression - ANGELIC UPSTARTS

19.Golden Girl - DESERTED

20.Freedom Of Choice - KLOTZS

21.Restos De Nada - RESTOS DE NADA

22.Buried Alive - VENOM

23.Otok Goli - PARAF

24.Szara Rzeczywistość - DEZERTER

25.Jump For Joy - WARRIOR SOUL

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V/A - Can You Hear Me? Music From The Deaf Club 1980

A decent live compilation by PVC Records/Gammon Records is this little record which was recorded at the legendary Deaf Club in San Francisco with local bands. The Deaf Club was a notable music venue located on Valencia Street for two years until closure in december 1980 and many cool bands performed there as you can see on the insert. Recorded on a mobile 8 track during early 1979 and it's a testament to the authentic underground punk and "new wave" scene during that period in San Francisco's music history.

1.Police Truck - DEAD KENNEDYS

2.Short Songs - DEAD KENNEDYS

3.Straight A's - DEAD KENNEDYS

4.Dying In The U.S.A. - K.G.B.

5.Picture Frame Seduction - K.G.B.

6.Hundred Dollar Limo - OFFS

7.Die Babylon - OFFS

8.I've Got The Handle - OFFS

9.Tribute To Russ Meyer - MUTANTS

10.Monster Of Love - MUTANTS

11.Jane Blank - PINK SECTION

12.Francine's List - PINK SECTION

13.Been In The Basement 30 Years - PINK SECTION

14.19th Nervous Breakdown - TUXEDO MOON

15.Heaven - TUXEDO MOON

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DEAD KENNEDYS - The World Has Gone Down The Toilet 1984

A few re-upps are done so we come to today's post  with one more fine live stuff by the Dead Kennedys and this time recorded @ the W.O.W. Hall, Eugene/Oregon 17.11.1984 and comes via Dungeon Records, limited to 150 copies in red and transparent vinyl and the tracklist on the back is wrong the correct one below. I think I do not have to say more words and if it's a broadcast recording I don't know but the sound quality is relatively good. Of course, as usual with enchanting announcement of Jello and great stereo effects. A top start into tne new week, or?

Hop With The Jet Set (Fade In)/Dear Abby/Dog Bite/Trust Your Mechanic/Do The Slag/Moral Majority/MTV Get Off The AirLet's Lynch The Landlord/Lie Detector/I Kill Children/Riot/I Fought The Law (And I Won)/Macho-Rama/Terminal Preppie/Too Drunk To Fuck

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THE NAILS - Dangerous Dreams 1986

Before I dedicate myself to football this record and I don't know how I got this? Anyway, fact is that also very good new wave music was created overseas, a bit different from the UK sound but The Nails prove with their second album that they had what it took, ten beautiful melodic songs crown Dangerous Dreams and I listen to it a second time in a row (especially the voice of Marc is fantastic). A bit info from wiki: the Nails were originally a five-piece new wave band that formed in Boulder/Colorado in 1976, originally named as the Ravers, and their roadie, Eric Boucher, later became known as Jello Biafra of the Dead Kennedys. The band members were Marc Campbell (lead vocals, guitar), Dave Kaufman (keyboards), Al Leis (drums), Artie Freeman (lead guitar), and Jon Cormany (bass).

In 1977, the Ravers recorded an EP in Boulder with Screwball Records. The Ravers moved to New York in June 1977 and played the showcase clubs CBGB and Max's Kansas City. Shortly after arriving in NY, The Ravers changed their name to The Nails (there was a local band named Raver). A '45 with the band's original lineup was recorded in New York City in 1978. By mid-1978, Leis (now deceased), Cormany, and Freeman (now a medical school professor) had left the band.

By the late 1970s, The Nails had established themselves on the club circuit and were now composed of vocalist Marc Campbell, bassist George Kaufman, saxophonist Douglas Guthrie, drummer Mike Ratti (Dennis McDermott on Mood Swing), keyboardist Dave Kaufman, and guitarist Steve O'Rourke. Hotel for Women, an EP recorded in 1981, contained an early version of "88 Lines About 44 Women", a song that caught the attention of RCA. The Nails were signed to RCA by Bruce Harris, also known for bringing The Clash to America. In 1984 "88 Lines About 44 Women" was re-recorded for RCA and included on The Nails' full-length debut LP, Mood Swing. The song received regular airplay despite a number of double entendres and lyrical references to masturbation and sadomasochism.

Two years later they released Dangerous Dreams, also on RCA. Both Mood Swing and Dangerous Dreams made the Billboard top 200 album chart and were critically acclaimed. But after the release of Dangerous Dreams The Nails left RCA. RCA did not release either LP on compact disc. "88 Lines About 44 Women" continued to appear on compilations 20 years after its release and was featured in a Mazda television commercial that aired in the late 1990s.

In 1988, the band reconvened (without Guthrie and Dave Kaufman) to record a third album, Corpus Christi, which was not released until 1993 and received little exposure. The Nails deny ever receiving any proceeds from this album, citing a rift with their former producer, claiming that he swindled them of their rights. They posted re-recordings of these songs on the late George Kaufman's site, along with the explanation of the dispute. They strongly discourage fans from purchasing the album, as they will never be compensated.

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WORLD WAR XXIV - No Luck 1995

World War XXXIV are a high energy punk outfit that have been together since early 2013 and are a rehashed version of WWXXIV "one of the best punk bands to come out of Sydney in the early 80's". The current line up comprises local lads from the far north coast of NSW and the original lead singer Mark "Bird" Nowane fronting the band. Bird recalls having seen a flier at a local music store which said "looking for people to jam, punk, no brown eyed girls" (relates to requests for the song!) and thought he must ring. A month later he responded and never looked back. The original World War XXIV formed in the 1980's and were getting into some fast energetic punk music. In 1983 the band did the excellent Azaria/Why Bother single which was one of the best Aussie punk releases of the 80's. The band plays a fast style of punk that combines Dead Kennedys style hardcore, Peter & the Test Tube Babies Oi!sound, and tough Radio Birdman riffs which creates a powerful non generic sound. When asked, Bird recalls that no one could agree on a name, so at the last minute Bird spat out WWXXIV so that the promoters would have a name to go with. "Although we had played a party before under the name of Discharge not knowing until we finished that there was an English punk band with that name already. Everybody agreed on the name (WWXXIV) because it rhymed and perhaps we could change it later if we felt like it", but it stuck like glue. Since the original line up there’s been a couple of changes and many other players have gone through. Bird felt like it wasn't quite right when he reformed the second line up to use the same name but consensus at the time was to go with it. This time around the band decided to stay with the “world war” vein but move forward. Bird says XXX is bit of an eye catcher so WWXXXIV was born. Looking forward to some high energy music, which was lost in the pop punk era; on these both compilatons.

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THE LEWD - American Wino 1982

Anyone who has heard the Lewd's great late '70s single "Kill Yourself" can vouch for the raw, crazed energy of this young Seattle punk combo. Their self-released single has commanded high prices based on its rarity, not to mention the fact that it kicks ass. The Lewd were an outgrowth of an earlier band called the Sixteen Year Old Virgins, who changed their name to the Knobs. Lead singer J. Satz Baret was formerly as "Satin Sheets," and played in the later, non-cabaret version of Ze Whiz Kids, circa1975. Ze Whiz Kids, primarily a theater group, also included the late Tomata Du Plenty, of the Screamers. According to Satz, The Knobs "never really played. We were going to play, had publicity ahead of us, photo sessions and a flyer that announced that we were coming soon!" Yet the Knobs never played an official show, because as Satz says "we had no songs." Like that's stopped anyone else? 

However, the Knobs did play one intimate "performance" at a Fremont rehearsal space called The Funhole. This A-list evening was written up in a Seattle punk fanzine Twisted. Satz chainsawed a stage monitor during "Chain Saw Sex." 'Nuff said. The Lewd's first show was in the Northwest punk Bethlehem, Vancouver, B.C. The Lewd opened for the Ramones on June 8, 1977 for an evening of pure insanitainment. Johnny Vinyl, a member of a local band that used an unpronounceable symbol for their name (it's commonly pronounced "Aaiieee!") remembers the Lewd opening up for the Ramones at Seattle's 

They released a great three-song EP on Scratched Records in 1979. The record was a home studio recording, and included the insane "Kill Yourself." The B-side numbers, "Trash Can Baby" and "Pay Or Die" are equally great crash 'n' burn punk tunes, all with Blobbo (Kurdt Vanderhoof of Metal Church) playing bass. 

In late 1979, Satz and Blobbo moved The Lewd to San Francisco and Blobbo switched over to guitar, adding Bob Clic on bass. This band recorded some demos and played SF for nearly a year until Blobbo quit to form his new venture Metal Church, who released quite a few heavy metal albums. Bob Clic moved to guitar, and part-time model Olga de Volga came in on bass. Olga had played with other bands, including one called VS and often played Lewd shows wearing outrageous black leather outfits. The band appeared on the 1980 seven-inch, four-band EP S.F. Underground 2 (Subterranean Records) doing the fast-paced punker "Mobile Home." With Christopher Reece in as drummer, they released their only LP, "American Wino," on ICI Records in 1982. Having fully absorbed the emerging faster hardcore punk sound, this blistering document features one side of studio recordings done in Hollywood, and another side culled from a live performance at Target Video Studios. This album is a crucial document of the San Francisco early '80s hardcore scene, right up there with releases by Flipper, VKTMs, No Alternative, Dead Kennedys, etc. 

After the LP was released, Bob Clic left and the band fizzled out soon afterwards. Olga moved to Hawaii, and Chris Reece became a member of Social Distortion. In 1999 Sats and Clic played with The Loudmouths for two live shows in San Francisco, billed as The Lewdmouths. Both shows were insane and the band sounded great. These shows were so much fun it prompted the pair to reform The Lewd, although not as a career minded working band, this time it's only for the kicks they get out of playing these songs again. (source: The Lewd)

- Great Thx to Fredrik -

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THE UNDERDOGS - The Punk Demos Collection 2015

Fine tidbit by Common People Records which remastered the demos of the Underdogs and brings this as limited edition finally for us available. All tracks taken from their first demo “Riot In Rothwell” that was recorded 1982 and from their second demo “East Of Dachau”, recorded 1983 and it's a terrific revelation, pure impact. Info from Backcover:

The Underdogs from Leeds, were a prolific band of the second batch of UK Punk. They recorded two brilliant demos between 1982 & 1983. The band were formed in 1981, and their name was inspired by the song of the Mancunian legends The Drones. Although some pundits likened them to the The Clash, SLF and Dead Kennedys their own preferences were varied. That said, all four members were fans of The Clash. They rehearsed at the Windmill Youth Club in Rothwell (Leeds), which was also the launching pad of fellow Riot City Punksters, The Expelled.

They recorded their first demo in 1981, which included the songs 'Big Brother' and 'Make It Last'. However, it was their second visit to the studio in 82/83 (this time funded by Riot City, that saw their finest hour), the production of 'East of Dachau' EP, which, with 'Johnny Go Home' and 'Dead Soldier' announced their arrival on the Punk scene.

Despite limited success, mainly due to lack of gigs, Riot City persevered with the band and an 8' track Mini-Album was planned for the following year. Sadly, Riot City fell into financial difficulties at this time and so those 8' tracks, which included 'Never Gonna Give Up', 'Hate Bomb' and 'Paint It Red' never saw daylight. During the following year they managed to do a few gigs, supporting The Toy Dolls, Angelic Upstarts and Subhumans among others but they never got the chance to play outside the UK. The very last line-up was: Bill and UG (The Underdogs) and Macca and Tim (The Expelled). By this time they had changed their name to Paradise West. They played one gig supporting the Upstarts then disbanded, permanently. 'Riot In Rothwell' was released posthumously... Using the tracks from the 8" track EP that never was. (UG 2015)

Fifteen solid punk dutties, still fresh and without a best before date - TOP!!!

- Great Thx to Fredrik -

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E.A.T.E.R. - Doomsday Troops EP 1983

Ernst And The Edsholm Rebels – E.A.T.E.R. were formed in the summer of 1982 in Grums/Kil, Värmland, Sweden by Mikael “Gröten” Karlsson (guit/vox), Anders Brännström (bass), Peter “Pelle” Forsman (drums) and Hans “Hasse” Dahlgren (vox). and this first line-up of E.A.T.E.R. recorded Chaos Cassette vol.1 which was realesed in the fall of 1982. A number of gigs were played by this first line-up, among them the chaotic and by media well documented gig at Segmons Folkets hus in february of 1983. By the release of the bands debut EP Doomsday Troops (Ernst Records) Hasse was replaced by Mikael “Micke” Larsson as the leadsinger. Micke had earlier played in Psykjouren together with infamous and by now nationwidely known Buddha. Doomsday Troops EP was recorded and produced In KAAS by the band & Micke Blomqvist, and released in the summer of 1983. The record was sold all over the world, and E.A.T.E.R. recived recognition from people like Jello Biafra of Dead Kennedys and Pushead, the artist that made Metallicas and the Misfits cartoons. With the new line-up and a sucessfull record-realese the band went on the road and toured Sweden. A review: "Not to be confused with the '77 U.K. punk band Eater, this Swedish group (Ernst And The Edsholm Rebels) floor down on the acceleration and rapidly hit fast, lightning doses of 1000-m.p.h. thrash mayhem. An outrageous display of burning speed and mind-boggling turbulence, combined with chaotic chops of lyrical expression. Don't be fooled by the hilarious intro to the title cut--this EP hauls its load fast and furious in the new Swedish tradition." - Pushead (from Maximum Rock'n'Roll #13, April/May 1984) - The band is still active and I recommend this five piece of classic swedish hardcore tunes and the compilations Really Fast #1 and Killed By Hardcore #2.

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RAMONES - @ The Palladium, NYC 7.1.1978

"Hey Ho Let's Go" - Yes, you know what comes... Yeah, the Ramones and I must tell you not much. In the World Wide Web there is sufficient information available. Like the Sex Pistols, the Ramones stands for punkrock of the first hour. Every punk has their records in the shelf, of course even me. Unlike the British with their snotty anarchic style the Ramones playing short, melodic, snotty 1-2-3-4 hymns and influenced a lot of bands. They were also different from the outfit; leather jackets, worn jeans, sneakers and long hairstyles (like the Beatles), almost in uni-look, the Ramones outfit was born. For me in addition to the Dead Kennedys the best band from the U.S. - This bootleg was recorded at the Palladium in New York City on January 7, 1978 in an amazing sound quality. Tommy Ramone is the drummer on this recording. He left the band soon afterwards, although he continued to work with them as a producer and manager, this is his last album as drummer. Hard to believe that all members are dead. I will listen to the Ramones till my death because this feelin' is etched in me. Have fun with this sound and "Gabba Gabba Hey" my true followers.

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V/A - Wargasm 1982

This record is one more nugget in my opinion. Thirteen songs against war. I think it was the first release about this theme. Except the Dead Kennedys are all bands from the UK. The music here is a special mix of punkrock with keys, orchestra & old school. To me the Poisen Girls track is fuckin' brilliant, the strings intro, the slowly driving up to the proper rhythm is famously, I get goosebumps...huh. Also Captain Sensible's "Hey Jo" is a killer too. After The System on the 1st pressing of this record is a hidden track by The Insane. It wasn't supposed to be included & was deleted on later pressings. A great sampler which is unequaled on Pax Records.

1.Continent - THE DANSE SOCIETY

2.Tapioca Sunrise - FLUX OF PINK INDIANS

3.White Coffins - CANKER OPERA

4.Kinky Sex Makes The World Go Round - DEAD KENNEDYS

5.I Hate War - RAT SCABIES

6.Statement - POISEN GIRLS

7.Hey Jo - CAPTAIN SENSIBLE

8.The Kill - MAU MAUS

9.Victory For Poland - ANGELIC UPSTARTS

10.Their Decisions - THE SYSTEM

11.Fight Their Wars - THE INSANE

12.Power - INFA RIOT

13.Wargasm - QUITE UNNERVING

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SHOTGUN SOLUTION - Shotgun EP 1983

Nice little 7Inch by this band from Rome with four wild & angry shotguns, released via High Rise and this record is all they made on vinyl. Singer Valter is in my opinion a 'softer' type of Raw Power's Mauro but don't worry, hier wird ordentlich aufgedreht. Shotgun Solution opened for the Dead Kennedys in their show in Rome in 1982 and were Valter (vox), Stefano (guitar), Alberto (drums) and Pierpaolo (bass). RaveUp Records released in 2016 a repro (350 copies) called "1983" with one unreleased track. That's it, I'm tired again and in four hours the night's over.

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DEAD KENNEDYS - Frankenchrist 1985

A perennial favorite in recent days is the third album (only genuine with the Giger poster) of the Dead Kennedys, inspired by the book by Alex Ogg DK, The Early Years that I have read during my vacation, I had to rip the album immediately and put it on my phone and have it with me. The book is great and I recommend anyone to read it. Why I chose Frankenchrist, well I like it therefore so much because the songs are extremely snappy, lyrically stunning sarcastic and Ray's guitar playing is exceptionally strong, the drums had little more power needed but fuck it. I must confess it's a long time since I last heard the DK's, and even after thirty years this sound is still fresh and the best from the states. Check the blog for further stuff and enjoy this happy music.

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DEAD KENNEDYS - Jello's Revenge [Live '79+'85]

Classic stuff today with the Dead Kennedys, an American punk band formed in San Francisco, California 1978. Pioneers of hardcore punk during the 1980s, the band gained a large underground following in the international punk music scene. This is all I write about them. The Dead Kennedys influenced me total and after my first listening my resolution was fixed to be a punkrocker. Finally I discovered the life style I wanted. Best US punk band ever. Songs 1-10 recorded at the Old Waldorf in San Francisco, California on October 25, 1979 and 11-21 recorded live at The Farm in San Francisco on May 24, 1985. The 1979 tracks are sequenced in a different order than they were actually played. This bootleg omits some of Jello's talking between songs. Both shows were originally mastered and are a must have.

Police Truck/Holiday In Cambodia/Chemical Warfare/Ill In The Head/Short Songs/California Über Alles/Kill The Poor/Funland At The Beach/When Ya Get Drafted/Dread Locks Of The Suburbs/Take This Job & Shove It/Macho Insecurity/Man With The Dogs/Soup Is Good Food/Too Drunk To Fuck/MTV Get Off The Air/A Child And His Lawnmower/One Way Ticket To Pluto/Lie Detector/Goons Of Hazard/Let's Lynch The Landlord

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V/A - Nur So 2016

Nineteen goodies to describe my current feelings...no more, no less - thus it looks. Thx to Sonja for inspiration.

1.Der Kaffee Ist Fertig (Live) - PETER CONELIUS & WERNER SCHMIDBAUER

2.Astradyne - ULTRAVOX

3.Killing An Arab - THE CURE

4.Blister In The Sun - VIOLENT FEMMES

5.Kein Stück - LOVE A

6.The Rain - MORE SONGS ABOUT SEX

7.Zweifel - EA80

8.An Der Bordsteinkante - MUFF POTTER

9.Schwarzer Planet I - KLOTZS

10.Drug Me - DEAD KENNEDYS

11.Spring - RAMMSTEIN

12.Bella Ciao - ANITA LANE

13.Traum Von D. - KARIES

14.Can't Stop Feeling - FRANZ FERDINAND

15.Good Times - PINK TURNS BLUE

16.Ausspucken - BEN RACKEN

17.Eisenmann - TURBOSTAAT

18.Das Sind Geschichten - FEHLFARBEN

19.Nur So - ELEMENT OF CRIME

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D.R.I. - Live @ CBGB'S New York 1984

This brings back a lot of memories. In the early 80s I listen to a lot of Metal stuff because I was a Metaller with all my heart. I leave this style when I came in touch with American Hardcore bands like Black Flag, Circle Jerks, Bad Religion, Dead Kennedys, Warfare (UK) etc.... so also with D.R.I. The Hardcore sound was an integral part in this scene and then more and more concerts took place I rather visited of course those gigs as Megadeth or Anthrax. 1986 then D.R.I. live in my city, together with Holy Moses (ARRGGHHH!) and this show changed my lifestyle completely. I will not say that they made me a punk because I've also heard some German punk bands, EA80, Slime, Daily Terror, OHL for example, but they were rarely present live as the ami bands. I would say my interest in metal was deleted this evening, First-class performance with pogo till the shack crashed, unforgotten. Who ever saw a D.R.I. gig can attest to this. A little info:

D.R.I. (Dirty Rotten Imbeciles) is a crossover thrash band from the United States that formed in Houston, in 1982. The band currently comprises founding members, vocalist Kurt Brecht and guitarist Spike Cassidy, as well as drummer Rob Rampy and bassist Harald Oimoen. D.R.I. never gained a mainstream audience, but the integration of their hardcore punk roots with thrash metal influences was a stylistic catalyst for their contemporaries - most notably Suicidal Tendencies, Corrosion Of Conformity and Stormtroopers Of Death - alongside whom they are considered pioneers of what would later be called "crossover thrash." They have released seven original studio albums, the last of which was released in 1995. Since then, the band has continued touring and intermittently going on hiatus. In 2004, D.R.I. released a web-only demo track "Against Me", their first recording in a decade. For years, there has been talk of an eighth D.R.I. album, which has yet to materialize.

The first three albums are all terrific and as '4 Of A Kind' came out the music was too monotonous to me and I lost interest. I love more the rapid, wild aggressive sound and here on this CD are all their hits. Forty songs in Thirty-Nine minutes. A Must Listen!!

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SOCIAL UNREST - SU-2000 1985

Social Unrest hailed from Hayward, near San Francisco, in 1980.They soon established themselves as one of the leading forces of the Bay Area early HC Thrash scene. The manic, political vocals of Creetin K-os were well supported by screeching guitars & ultra-fast tempos. The band released their 1st 7" (now much sought after) in 1981 on Infra Red Records. "Making Room For Youth" was produced by none other than Dead Kennedys guitar player East Bay Ray.

SU teamed up again with Ray a year later to produce their classic "Rat In A Maze" 12", released summer 82 on their Libertine Label. The seven songs of this EP are mostly fast except for "I love You", a PIL-like tune. "Red, White & Blue", with it's numerous speed changes, remains a highlight. They also appeared on Maximum Rock'n'Roll masterpiece 47 bands compilation, "Not So Quiet On The Western Front". The band played a lot with all the glory bands of the time, when the usual band brawls headed for some changing.

Original Band members Mark Monti & Danny Norwood remained the core of SU, Bass player John Vollick moved out to band management. In came Ray Vegas on bass duties & Jimi Brogan on guitar. Jason Honea, a Darby Crash fanatic, completed the new SU after the departure of Creetin K-os. The new line-up developped the original, screeching SU sound and brought it to new heights on the band's 1st full length "SU-2000" (again on Libertine) in 1985. Honea's melodic tones & thoughtful lyrics added a lot of deepness to all the great songs featured on "SU2000" : "I wanna be heard","Jimmy Rocks", "Rat In A Maze" are all

scorchers, while "Stranger Inside" & "Out My Window" have some really cool guitar bitterness works that will become one of SU's later trademarks.

A year later, the band released what is probably their masterpiece (unlike most bands, they never put out a weak record, though) ,the mighty "Before the Fall" LP (on Libertine in the US, Konurrel in Europe). The songwriting reached new grounds with songs like "American Steel","Golgotha","The New Tribes". The band was still fast & aggressive, but the vocals & guitars added great, original harmonies that couldn't be heard on any other record by any band. The slower numbers like "Night of the Long Knives" worked quite well too. Social Unrest now really had a sound of their own & were firmly established as one of California's most important band.

They heavily toured the US (they did it 4 or 5 times), opening for the Descendents' last show, appeared on the Viva Umkhonto compilation & got rave reviews of "Before The Fall". They embarked on their 1st Euro Tour in September 87, playing a show in Germany that would end on the"Mental Breakdown" live Album (on Lost & Found).

Ray left the band to join Attitude Adjustment, Ron Isa filled in to record the band's last album, "Now & Forever", released Fall 88. Some of the best SU songs are there w/ "Katarina Witt", "I'm The Nation" & "Sins Of Paris". "Handcuffs Too Tight" features the welcome back of Creetin K-os for a thrasher that brings back the band's original sound. The band called it quit shortly after. (Source: gug65free)

- Special Thx to Fredrik -

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TDK - Esto Es Una Empresa Capitalista 12'' 1985

Puh I'm really through, fantastic gig yesterday and can't wait to enjoy them again in Brighton. TDK (Terrorism, Destruction And Kaos) were a hardcore punk band born in Madrid, Spain in 1984. They exist about six years and released a couple of singles, an album and this 12''. Especially this record, managed to stick very strong in USA, where people from Black Flag and Dead Kennedys were impressed with the level shown by these guys. 80's spanish punk at its best by the underrated TDK, catchy punk rock with a dark edge, only comparable with Dead Kennedys or two of them previous band Espasmódicos.

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V/A - The Beerdrop Explodes 1983

A compilation which brings simply sunshine in your house. Released on Abstract Records this rare album proves once again how funny the english pub/oi!/punk scene was. Stuff what I really like here, full with different kind of music, punk/reggae/oi! and a bit folk (hä!). Remarkably the version of 'Rawhide' which I only know from Dead Kennedys, here in an accordion ride, quite delicious. The rest is consistently funny and this record is a good example to take life not too seriously. Have yourself a Whiskey, relax and listen while you are draining a big fart.

1.The Firm - ARTHUR DALEY

2.Welcome - FRANKIE & THE FLAMES

3.You're Nicked - LAUREL & HARDY

4.Drink Problem - THE GYMSLIPS

5.Nellie The Elephant - TOY DOLLS

6.Smoke - STAGESTRUCK

7.Rawhide - THE CHAPS

8.BoxHill Or Bust - DUMPY'S RUSTY NUTS

9.Too Risky - JIM DAVIDSON

10.South London Aggro Girl - BEERGUT-100

11.Daddy's Been Workin' - THE DOWNBEAT

12.Live Almost - DEREK WADE

- Special Thx to Fredrik -

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DEAD NITTELS - Anti New-Wave Liga EP 1983

Named after the murdered SPÖ Councillor Heinz Nittel, and following the Dead Kennedys provided the Dead Nittels - with former Pöbel bassist Lörkas in their ranks - in 1981 for supplies in the Vienna punk scene and together with Kleenex Aktiv (founded by two ex-Dirt Shit members) and Schund the foundation of the second Punk generation. Their sound was special: it sounded a lot harder and more metallic than many of their contemporaries, Moreover, their Viennese lyrics were terrible and full of vulgar attacks on the lower values of the Austrian Society. In 1983 they released on it's own their superb 4-track EP out in an edition of 300 pieces, which wore the sounding name "Anti New-Wave Liga - Des Is Wien Und Not London, Okay?". Ultimately, they were like no other bands on the development of the 80-punk scene in Austria and active until the late nineties and released two further albums.

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V/A - Burning Ambitions (A History Of Punk) 1982

Burning Ambition: The History of Punk, attempts to be a definitive overview of the British (except DK) wave/punk scene in the late 70s/early 80s and while it falls short of its goals, it's nevertheless an admirable effort. The Crème de la Crème are here to honor, only classics on it. Surely some of you, like me, have the original records at home but this double album should become a favorite of yours, because this record is one of the finest punk compilations which is ever released. Love to hear all these classic songs in this order and believe me.... you will enjoy it as a good fuck.

1.Boredom - BUZZCOCKS

2.Bingo Masters Breakout - THE FALL

3.12XU - WIRE

4.Life - ALTERNATIVE TV

5.Keys To Your Heart - THE 101'ERS

6.I'm Alive - 999

7.Gary Gilmore's Eyes - THE ADVERTS

8.Justifiable Homicide - DAVE GOODMAN & FRIENDS

9.Where Have All The Boot Boys Gone - SLAUGHTER & THE DOGS

10.(Get A) Grip On (Yourself) - THE STRANGLERS

11.Your Generation - GENERATION X

12.Baby, Baby - THE VIBRATORS

13.Identity - X-RAY SPEX

14.Read About Seymour - SWELL MAPS

15.I'm Stranded - THE SAINTS

16.Chinese Rocks - HEARTBREAKERS

17.Lock It Up - EATER

18.Ain't Got A Clue - THE LURKERS

19.Lady - ADAM & THE ANTS

20.Love Song - THE DAMNED

21.Looking After No. 1 - BOOMTOWN RATS

22.Where's Captain Kirk? - SPIZZ ENERGI

23.In A Rut - THE RUTS

24.Angels With Dirty Faces - SHAM 69

25.Stranglehold - U.K.SUBS

26.Flares & Slippers - COCKNEY REJECTS

27.The Wait - KILLING JOKE

28.No Goverment - ANTI-PASTI

29.Holiday In Cambodia - DEAD KENNEDYS

30.Dead Cities - THE EXPLOITED

31.Last Rockers - VICE SQUAD

32.Harry May - THE BUSINESS

33.Police Story - THE PARTISANS

34.Someone's Gonna Die - BLITZ

35.City Baby Attacked By Rats - G.B.H

36.Complete Disorder - DISORDER

37.Russians In The DHSS - ATTILA THE STOCKBROKER

38.Lust For Glory - ANGELIC UPSTARTS

- Huge Thx to Fredrik -

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