CELA NR 3 - Per Tempus 1985-2020 [2021]

Seventeen melodic songs, very varied anniversary album with many new songs and a few old hits in alternative versions by this Polish combo from Grudziądz, inspired by such legendary bands as Ramones, Sham 69 or Buzzcocks. Orginally formed 1985 as Zanik Pamięci (Memory Loss). In 1986, in the train, which the band went to a concert in nearby Toruń, there were quarrels, which resulted in a forced stay in the Grudziądz detention facility. As if to commemorate that event, the group changed its name to Cela Nr 3. In 1987 they released their first Tape To My and that was it. It tooks more than ten years before the second tape, Kwiaty, and a live tape in 2000 were released. Finally, the first vinyl album Jedynka followed in 2001. The band's most recent sign of life is a live CD, Bulbojugend Live Series Vol.1, which was released in July 2023 on Bulbojugend Records. During more than thirty years of playing together six releases were brought among the people (some of them only on tapes). This particular platter features Gruby (vocals/guitar), Dee Dee (guitar/vocals), Anda (bass), Melody (drums) and it's an amazingly good one.

- Great Thx to Fredrik -

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SHAM 69 - John Peel Session 28.11.1977 EP [2020]

Another unofficial release of an early John Peel session, this time by Sham 69 and the line-up on these recordings were Jimmy (vocals), Dave (guitars), Dave P. (bass), Mark (drums) and I guess, I don't have to tell you much about this early English and brilliant band. Founded 1975 in Hersham and with Borstal Breakout & If The Kids Are United they create two immortal hymns and everyone who listens to Punkrock must know this bloody songs and both will long be heard while you and I rot in eternal black! If not, catch up immediately! Maybe together with them, but that's a fartz. The four hasn't commercially successful as many of their contemporaries, albeit with a greater number of chart entries, Sham 69 has been a huge musical and lyrical influence on the Oi! and streetpunk genres. The band allegedly derived their name from a piece of football-related graffiti that founder Jimmy Pursey saw on a wall, which originally said Walton and Hersham '69 but had partly faded away. Numerous albums were released just waiting for you to hear and they are still touring the world, be sure they are coming to your town. Some compilations in the blog aren't unimportant as well. Enjoy five rough goodies in a row and in one go.

- Great Thx to Fredrik -

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LES LORDS - 1979-1980

 

The working year 2020 is over and four days off are comin'. Let's see, how I will end it musically and the opener is a treat, and this slab was released by Vidi Vici Records 2013 in edition of 300 copies. The Les Lords were Britz (vocals), Richard & Fifi (guitars), Laurent (bass), Lelett' (drums) and founded 1979 in Caen. And since nobody knows these guys until now, it is time for detailed information from the great creators of 45vinylvidivici which I would like to quote at this point:

1979: The musicians of the Caen punk group R.A.S. are orphans of a decaying movement. Britz, the singer-songwriter, mourns Sid Vicious. The others are starting to clearly prefer the power-pop energy of Jam, Skids, XTC or 999 to the neo-baba wanderings of the Cure or other Simple Minds.

The 60’s aesthetic and winks of the Who are already very present in punk, from black suits and string ties to the T-shirt with cockade of Billy Idol (Your Generation). Not to mention the Jam, of course. But when some members of R.S. land in Britain, it’s the shock. This one lives at the hour of "Mod Maydays", powerful revival which creates its own underground scene (Merton Parkas, Chords, Mo-Dettes, Squire...) in reaction to a punk now in the process of integration. "We hate the punk elite" sings Ian Page of Secret Affair. The musicians of R.A.S. are conquered, shop at Carnaby Street and return to Caen to tell friends about London news. The group is prompt renamed Les Lords.

As a result of this radical turn on the aesthetic level (because the songs remain the same) it appears fairly quickly that everyone gets into the idea of breaking their mouths, starting with the hard core of punks, more and more more influenced by the skinhead renewal and the “OI” wave. During the Lords' second concert in Lisieux, the skins came in force and have every intention of pissing off as much as possible. The chairs fly and the fans fall back on stage, somehow trying to send them away while the group continues to play. Arrival of the constabulary and relighting of the lights. We resume all the same and the Lords end in apotheosis by a resumption of "My Generation" of Who respecting to the letter the spirit of the original, that is to say accompanied by a methodical destruction of the material and the overturning of the columns sound system. Lying on the ground, arms outstretched to hold the

sound system lying on him and not to perish crushed, its owner, an old baba, manages to whisper "it's great, it's great...".

Great it is. The Lords continue the momentum of the most fit but harmonically rich punk, say Generation X to locate, incorporating 60’s influences, pre-psychedelic reminiscences (Creation, Move) and especially by tracing a new road, theirs. The group does quite a few covers: the instrumental The Persuaders ("Amically Your") as a concert intro, "For Your Love" by the Yardbirds mid-set and "My Generation" as a reminder. For the rest, it's a slaughter: slamming drums, metallic and melodic Rickenbacker bass, rhythmic Gibson "sound wall", dazzling escapades from the soloist on Telecaster. And there is the front man, with limited vocal capacities but remarkable texts and unparalleled charisma. It was obvious to who had once seen these kids in concert that they had fantastic potential. Because these are kids we are talking about, 17 years old at the time of history and just over 18 when it ended. Not really a "sex, drugs and rock n’roll" story, shot by the punk generation. No, just another story of tormented and rebellious teenagers. A story of music lovers who convert Gérald, the full barter shop of Throbbing Gristle to boots and frilled shirts. In return, he introduces them to Kinks and Small Faces, but also Real Kids, Charlie Mingus, Faust or Mother’s Finest. It is a story of rain (Normandy...), at night, of endless walking. Mopeds were rare, so scooters... It’s a story of cavalcades and frantic leaks, in the sad France of the end of the seventies whose "peripheral rascals" were so well sung by Renaud at the time.

On this front the Lords take radical measures by weaving an alliance with the gypsies, which allows to calm quickly done well the skins and to bring them back to feelings of healthy camaraderie. As for the neo-Mod movement, it is developing like wildfire. In two strokes of a pot spoon, there are more than 200 Mods in Caen. Punks converted after concerts, fans of the Specials or Joe Jackson, high school students who wanted to piss off their parents. Barely 16 years old, Laurence gives up everything to join Fifi, the rhythm guitarist of the Lords and returns on a scooter at the end of the hutch to give the teachers honor by shouting "We Are Mods", as in Quadrophenia. Britz, Laurent and I are going to see the film dozens of times at the cinema of the Carrefour shopping center, in Hérouville, one of the working-class suburbs of Caen. So we pass and we pass again in front of a band of thugs, "Arabs" as they said at the time, who stagnate on the benches of the shopping center and do not take long to look for the fight. It degenerates for good and ends with a punch outside. "We are the Mods"! Impressed, the most devious of the so-called "Arabs" quickly bought a costume and asked to join the mods.

In Caen, these are a mass movement from the proletariat, the working masses. With guys who in case of confusion are more quick to fight than to parley... There is José who fights after the group has won the French flags in a party on July 14, Franck says "Barjot" the former rocker and fisherman, "Clash" who crushes my parents' flowers in a Vespa and shoots the rockies on Saturday afternoon in the middle of traffic jams, with a WWII Luger. And then other groups that are formed: Dandys, Holly Boys and Neckties. These are 13-14 year olds who have had little time to learn English. Suddenly they proudly adapt the Who in French, "I Can’t Explain" becoming "the Caennais complain."

The Lords play in Paris at Golf Drouot. They finish well last of the "springboard rock" but fuck a happy mess and meet that evening the fabulous Stunners. A core of Parisian fans of the Lords is formed around Laurent ("Stax"), Denis, Thierry and soon Patrice Bertrand, former Hells Angel turned Mod who sells US garage rock records in the Scooter shop in Les Halles. The Lords don't pretend. They provide the first part of the Olivensteins whose equipment they demolish ("My Generation"), the Dogs from which they steal the show and a whole bunch of others. They make all the fire, open for Valérie Lagrange and even go on tour for a few dates opening for Caravan, an old British progressive rock band.

Soon the mod-revival spreads in Paris then in the provinces. Lords are heroes and kings, but there is a misunderstanding. Basically they have little to do with twinks disguising themselves as twist dancers, petty bourgeois in polka dot dresses and groups making desperate efforts to sound "garage". In fact, while the Parisian skins led by Farid - a ringworm - are having fun persecuting this bunch of little wankers from fine neighborhoods, they carefully avoid attacking anyone who wears a "Caen" patch on their jacket. Britz and the hard wing of the Caennais accentuate the demarcation with the installers by calling themselves "Glory Boys" and adopting black shirts and white ties. But hey, it's all starting to go around in circles. Especially since despite their multiple trips back and forth in the capital, where I settle as a manager, the Lords are still out of recording contract. There are indeed some contacts with Antoine De Caunes, Marc Zermati or Patrick Eudeline, the tour of record companies, a photo in the monthly Best, but nothing comes out. Meanwhile, the sken-mod conglomerate of Caen feels winged. After two years of intensive fights against rockers (very bad in those distant times) and all that hung around as thugs in the Normandy countryside, these became real terrors. Wounds that set everything on fire and blood during the Jam concert in Rouen. The Lords are victims of Sham 69 syndrome: overwhelmed by the movement they have instigated and the excesses of their audience.

The tension rises with the rhythm, Fifi, a simple heart. Then with the bass player who stands in solidarity with him. Finally with Britz Notre Dame, icon of mods, always so frosty and uncontrollable who does not want to understand that such a radical trip cuts the group from a wider audience. In a few weeks everything crumbles. Fifi and Laurent will try their luck with another group. Britz moved to Paris where he succeeded in a few months in transforming a gang of Daddy's sons into a respected gang. Richard and Denis recruit a bass player and pursue the Lords in the form of a blazing power trio.

In the end, there will be nothing but wonderful memories and rehearsal recordings from this brief epic, in mini-cassette. Despite their obvious limitations, they will no doubt give a better idea of what the Lords were than the album they would have done at the time on a major, under the guidance of a survivor of the yéyé who was converted into a producer. And the fact that more than thirty years later RAS or Les Lords are arousing interest shows that at least the flame has been transmitted. So all is well that ends well. Raymond Debord (Summer 2013)

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ANGELIC UPSTARTS - Teenage Warning 1979

When we talk about classics, the debut by the Angelic Upstarts is without a doubt one of them, almost half the album was also on 7Inches released and they all brilliant. Ripped from gloriuos vinyl back in 2019. Bißchen info: the band were initially signed to Sham 69's Jimmy Pursey's JP Productions. The plan was to record a demo and use Pursey's leverage to secure a deal with Polydor - this floundered following an incident involving Pursey, a security guard and a snowball fight. Warner Brothers stepped in and signed them. I guess, that's all info you need, if still more, visit punk77 and suck it in.

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VENOM - Barmy Army 7'' 2013

This nugget was released via Punkhouse Records, 250 copies in red vinyl and both tracks were recorded 1980-1981. I quote info from discogs: Consisting of David 'Snakey' Cooze on vocals, Glenn Evans on bass/vocals, Dai Monk on guitar and Sam Phillips on drums, the Venom played their first gig on 3rd may 1979 - the day Margaret Thatcher was voted in as Prime Minister. Formed from the remains of local punk heroes the Noise, the four-piece took their original inspiration from the old-school DIY ethic of bands such as The Clash and Slaughter & The Dogs. Monk and Phillips moved on in early 1980 and were replaced by Wayne Rowe & Steve 'Gagsy' Garland respectively. Following an incident at a football match the band took an enforced hiatus at Her Majesty's Pleasure. When they re-emerged, Snakey took to wearing a balaclava on stage and their style morphed towards the crowd pleasing chant-along style of Sham 69. The band recorded three self-funded sessions over their career, yielding such local punk classics as Saturday Afternoon Trouble, Barmy Army and their own irreverent take on Nancy Sinatra's 1966 hit - These Boots Were Made For Stomping. The results impressed Sounds journalist Garry Bushell enough to pen two articles about the band and subsequently include the track Where's Dock Green? on the Back On The Streets EP that accompanied the third Oi! album Oi Oi Thats Yer Lot. Their association with the Oi movement attracted an ever-expanding fanbase of punks and skins that saw previously good humoured gigs often descend into violence. The band called it a day in summer 1982 following their final gig at Swansea's Townhill Tech.

- Great Thx to Fredrik -

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LORDS OF THE NEW CHURCH - Open Your Eyes/Live @ My Father's Place 1982

Excellent soundboard recording @ My Father's Place/New York from October 1982 and I must confess: I didn't know them at all! Well, I think it's a good choice to start with a live record and this unofficial release (200 copies) fits perfect. A bit wiki info: "The Lords Of The New Church were an English/American gothic rock supergroup with a line-up consisting of four musicians from 1970s punk bands. The band originally comprised vocalist Stiv Bators (Dead Boys), guitarist Brian James (The Damned), bassist Dave Tregunna (Sham 69) and drummer Nick Turner (Barracudas). Launched in 1981, the band released three studio albums and three live albums prior to their dissolution in 1989. During this time, they underwent several line-up changes. More melodic and slickly produced than most punk, their music both reached a broader audience than that of many bands in the genre and alienated hardcore punk fans. The band presented a stylized tribal identity around their appearance and their music that fans embraced: the writer Dave Thompson asserts this represented "the first time since the Sex Pistols' Bromley Contingent fanbase [that] a band had succeeded in grafting its own identity onto its audience without first paying obeisance to the gods of highstreet fashion. Their stage antics became notorious early in their career, with Bators stunts on one occasion reportedly resulting in his clinical death for several minutes." Thirteen crackers in a fine sound quality, ned übel!

New Church/Question Of Temperature/Girls Girls Girls/Livin' On Livin'/Eat Your Heart Out/Russian Roulette/Fortune TellerOpen Your Eyes/Little Boys Play With Dolls/Holy War/Portobello/Apocalypso/New Church (Encore)

- Great Thx to Reinhard -

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THE STRAPS - s/t LP 1982

Very good debut album on Cyclops Records by The Straps, a streetpunk combo which were formed 1978 in Battersea/South London by vocalist John Grant and guitarist Dave Reeves. A bit info from wiki: The band played their first gig at the Park Tavern in Streatham on 28 September 1978 with U.K.SUBS, the Tickets and Security Risk. Their original bassist, Green, died of a heroin overdose shortly after the first show and was temporarily replaced on bass by Grant's roommate, Andi Sex Gang, for a show at the Latchmere Pub in Battersea. Stan Stammers, former Epileptics bassist, joined in 1979 and guitarist Steve MacIntosh was replaced by Andy "Heed" Forbes. Drummers in this period included Luke Rendle (previously of Crisis) and the short-lived member Cliff. Stammers and Rendle left to join the Pack, who turned into Theatre Of Hate, while Forbes left to join the Wall. The Straps enjoyed a cult following around London, and performed alongside the Damned on their 1980 Black Album tour, as well as Sham 69 and Stiff Little Fingers, before splitting in 1983. They reformed in 1991 for a one-off gig at the Brixton Academy an 2012 for the ill-fated Last Jubilee and Punk by the Sea festivals, with a new lineup of Grant, Reeves, Davies and two new members: ex-Concrete Gods guitarist Phil McDermott and Morgellons bassist Mark Geraghty. In August 2013, the band released their third studio album, Brave New Anger and they're still rockin'.

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BRÄNDA BARN - s/t EP 1980

Brända Barn (Burned Children) was a punk band from Sundsvall and singer Anders "Brodde" Brodin was previously active in Massmedia and released with them a couple of singles in 1979. Then he formed in summer of 1979 Brända Barn who loan their name from a novel by Stig Dagerman. The band started as a punk band but then evolved in another direction, clearly influenced by Joy Division and other post-punk bands. They played as support act for Sham 69 when the group appeared in Sundsvall, 30 January 1980. The band recorded a series of singles in the early eighties plus a few compilation track (Sveriges Största Singel) and their debut, Allt Står I Lågor (Everything Is In Flames) on Mistlur in 1983 and become a lot of attention, polarized criticism and listeners, but overall an extatic audience at their concerts during a tour in the winter 1983-84. In February 1984 the band split up, Brodin said he can’t coping with the intense pressure from the fans during & after the concerts. Teens in the audience had repeatedly stormed the stage to touch him. In late 1984 the band made a comeback under the name The Wild Bunch, which later was changed to The Bunch. After this, the band had a number of reunions: 1987, 1991 (two concerts), 1999 (two concerts) & 2003 (three concerts).

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LONG TALL SHORTY - 1970's Boy 1997

A combo of which I did not know anything until now is Long Tall Shorty, a four piece from London which formed in August 1978 from the ashes of the punk rock band Ben E Dorm & The Tourists. Initially called The Indicators, the line-up was: Jimmy Grant (bass), Mark Reynolds (drums) and Tony Perfect (guitar/vocals). After Keith Mono joined in October 1978, The Indicators were offered a support slot to Sham 69 at the Electric Ballroom in Camden. They recorded several singles before splitting up in 1982, when lead singer Tony Perfect left to join Angelic Upstarts. Reforming in 2000, they have recorded and released several albums. Fantastic twenty song compilation and more info in the file and I'm in a hurry so let's have all a great weekend!

- Great Thx to Fredrik -

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THE WALL - The Punk Collection 1998

CD's are not really my source but this one is a damn MUST! This fantastic compilation was released by Captain Oi! and contains all recordings of The Wall, originally formed in Sunderland early 1978, and their six year career may have seen them go through enough members to form their own football team but it also saw them release some outstanding records along the way. The first line-up of note featured Ian Lowery (vox & guitars), Andy 'Andzy' Griffits (bass & vox), John Hammond (guitars) & Bruce Archibald (drums) and it was this incarnation of the band that recorded the superb 'New Way' EP for Small Wonder Records. It's success (it sold over 10.000 copies and was heavily played by John Peel on his (then) important Radio 1 show) led to Lowery & Andzy relocating to London where they recruited guitarist Nick Ward and Drummer Rab Fae Beith (ex-The Pack/Patrick Fitzgerald Group) and they issued the 'Exchange' single for Small Wonder which reached No.26 in the very first published independent chart and was produced by the Sex Pistols Steve Jones (the first band to be produced by a member of the Pistols).

However, not long after this the band suffered the time honoured 'musical differences' which led to the depature of Lowery (he later released a solo album called "King Blank" on Beggars Banquet) who was replaced by one time Ruefrex member Ivan 'Kellz' Kelly and he made his debut with the Wall on a UK tour supporting the Angelic Upstarts and on their first single for Fresh Records, August 1980's 'Ghetto' EP which, produced by Sham 69's Jimmy Pursey, enjoyed a three month indie chart run peaking at the No.19 position. This line-up also recorded the debut LP "Personal Troubles & Public Issues" (which came out in December 1980 in two different sleeves and reached No.15 in the indie chart) which also saw the arrival of guitarist Andy 'Heed' Forbes, formally a member of The Strapps.

Shortly after the album's release, however, Ward & Kelly departed leaving Rab, Heed and Andzy to continue as a three piece with Andzy assuming vocal duties. This line-up was snapped up by Polydor and their debut for the major was the three track 'Remembrance' EP which they promoted by doing a UK tour with Stiff Little Fingers. They also issued one final single for Fresh, 'Hobby For A Day' before a second Polydor 45 'Epitaph' followed in November '81 and it also saw the first appearance of new bassist Claire Bidwell (ex-The Passions) which allowed Andzy to concentrate on the vocals. Their time with Polydor ended with early 1982's album "Dirges & Anthems" (which came with a free 7") and which saw guitar duties split between Heed (who left half way through recording) and Baz.

Rob & Andzy continued under The Wall name throughout 1982, their last release being the ten track 12'' EP "Day Tripper" for No Future (also issued as a four track 7'') which reached No.21 in the UK indie chart. The 'band' folded not long after with Rob later turning up in the UK SUBS and playing on the "Huntington Beach" and "In Action" albums. He also set up RFB Records and released albums by the likes of Condemned 84, UK SUBS and Broken Bones.(Mark Brennan)

In August 2007, the band reformed for a headline appearance at the Blackpool Rebellion with seven of the original members, Andy Griffiths (vocals), Nick Ward (guitars), Al Gregg (guitars & bass), Andrew Forbes (guitars), John Hammond (guitars), Claire Bidwell (bass) and Mark Dyvig (drums) with a warm-up gig the previous night @ The Thatched House in Stockport. This was followed by the release of a new live album in August 2009 on Captive Records (Opus Productions/Captive Records). The debut album "Personal Troubles & Public Issues" is getting a re-issue on CD for the first time, by Westworld Recordings on 13/05/2016.

This little sucker shines with twenty extraordinary nuggets and I love the Wall and you will do it too... 'In Nature'!

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ICI PARIS - Allo Le Monde... 2001

Led by singer Marie Al Kha Raz (Betty Boo style), this group performed a second class and cheerful rock'n'roll which Gaumont enjoyed. Inspired by New York Dolls (for the look) and Cramps (for the spirit), the band Ici Paris recorded in the early 80s one of the most beautiful testimonies of French rock, full of adventures that carefully avoids the cliché of easy girls and dark suburbs. Ici Paris dream of ghost train, intergalactic explorations, romantic monsters and infernal cadillac. Univers kitsch of eternal teenager combined with the few basic chords of Rock'N'Roll, the slap is great for who has the curiosity to listen to their songs. Taken by a pretty brunette with a piercing voice and a guitarist with an incredible mop, the training arouses curiosity. The connoisseurs even think they have finally discovered the rare pearl that was lacking in the musical landscape. Alas, the concerts are rare and especially the traditional media are a little too disconcerted by this universe where Baghdad and the fair of the throne have become two unavoidable poles of attraction. The time is rather for France Gall and his pianist who plays in a vertical position, so there is no place for fantasy and the second degree. Pity. The group faints in nature, while his ghost regularly returns to visit our turntables. 

The history of this combo begins in 1977 with the curlies in which Hervé Crost Flament aka Shere Kahn, "Sy" Philippe Becquelin on guitars and Jean-François "Jeff" Janin on vocals (future Escalators and Fanatics) . The time is punk-rock and they renamed Gare du Stade (name of the station of Colombes) to stick to their idols: Asphalt Jungle, Metal Urbain and Guilty Razors. 

The group is composed of Shere Kahn, "Sy" Philippe and Jeff complete with Jean-Claude "Dino Lamour" Courtinel (bass, ex-Incitement A La Débauche) and Pascal (drums). One of their rare weapon is to perform at La Boule Noire in December 1978 in the first part of Gazoline. In the first row, a spectator, Marie-Christine Alcaraz, knows all the texts by heart. Could she be a singer? 

On June 23, 1980, their first public appearance, opener for Sham 69 at the Palace. The label Gaumont notices the band and sign them without hesitation. They recorded under the direction of producer Paul Scemama of Gialully "Center Of The World" + "Souris" which passes completely unnoticed in the eyes of the general public but which allows them to obtain the first part of the French tour of the Ramones.

A few weeks before the release of their album, January 1982, the TV show "Les Enfants Du Rock" broadcasts two songs from Ici Paris filmed @ Rose Bonbon: "Stupid Little Boy" and "La Fusée De Ton Retour". The album is in the boxes in July 1982. Mix of twist and rock glitter, "Allo Le Monde ... Ici Paris" manages to renew the genre by force of simplicity and candor. How indeed do not fall in love with the voice of little mouse of the singer? An album where cinema lovers recognize in intro the presentation of the film "Terror Extra Terrestre". Bijou's guitarist Vincent Palmer came to help Shere Khan, for Sy-Philippe seems to play only a figurative role. His name appears only in the thanks. Maxime Schmitt + Andy Scott, who later worked with Taxi Girl, took care of the sound production. 

The album gets chronic dithyrambics and the first copies deposited in the bins disappear in no time. A little promotion and a hexagonal tour would undoubtedly involve a chain reaction. Unfortunately all this does not happen. Waiting patiently for a good fairy to look into their case, and to invite them to perform here and there, the spectators are impatient. Their scenic appearances are made even if sporadic as some begin to talk about a ghost group. The impression of a big mess becomes general, and little by little the complicities crumble. Here Paris does not survive this dead time. Marie is the first to leave. She is replaced by actress Anicée Alvinéa, a year almost to the day after the release of the album. The faithful of the first hour are disoriented, especially since a new recruit, Olivier "Le Baron", also took definitively the place of Sy-Philippe. (translated from rockmadeinfrance, mercí)

- Big Thx to François -

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V/A - Personality Crisis!! 1984

A small break of the 7Inch posts for this classic compilation with only hits on it, released via Action Replay Records, everybody knows the songs and if not so let's go. So everything is said and before I give here some crap again I'd rather urge you to download this shit. I like the album title, that is worth mentioning. And now it's time for breakfast.

1.White Punks On Dope - TUBES

2.King Rocker - GENERATION X

3.Hurry Up Harry - SHAM 69

4.Peaches - THE STRANGLERS

5.Bad Girl - NEW YORK DOLLS

6.Gary Gilmore's Eyes - THE ADVERTS

7.Personality Crisis - NEW YORK DOLLS

8.Listen - STIFF LITTLE FINGERS

9.Obsessed - 999

10.Milk & Alcohol - DR FEELGOOD

11.If The Kids Are United - SHAM 69

12.I Think I'm Wonderful - THE DAMNED

- Special Thx to Fredrik -

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BILLY KARLOFF & THE EXTREMES - Let Your Fingers Do The Talking 1981

You lucky because it's rainy weather today so I'm in a postin' ecstasy. Let's move to the U.K. and find this nugget and I grab some info for you from Ira Robbins: "In 1977, Billy Karloff & the Goats regularly gigged at the Roxy, London's fabled punk venue, and made an obscure album called The Maniac. Having been enjoined from using the name Billy Karloff & the Supremes, a later incarnation (including ex-Tom Robinson Band drummer Dolph Taylor) ultimately became the Extremes. For reasons unknown, this unreconstructed Sham 69-like punk band wound up with an American label deal and recorded a glossily produced batch of sarcastic shouters. No big deal." More details on Bored Teenagers. But this even: the line-up featured Karloff, Neil Hay (guitar), Paul Jeiman (guitar), Dolphin Taylor (drums ex – ‘Tom Robinson Band’ later ‘Stiff Little Fingers’ / ‘Spear Of Destiny’) and bassist Glen Buglass. It was this incarnation that recorded the 1981 album “Let Your Fingers Do The Talking” and the singles “Headbangers”/“Don’t Keep Me Down” and “Summer Holiday”/“It’s Too Hot”, though a second album “The Vinyl Solution” remains unreleased to this day. The first 7Inch Crazy Paving was released on Warner as well and is a nice two-sided-pop goodie. Sadly, Billy passed away in 2003. Now you are sufficiently informed and I urge you to get this album immediately.

- Special Thx to Fredrik -

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ZYNTHSLAKT & THE PAST - 7 Låtars EP 1983

This rare split EP has to bands from Köping on it and their sound is clearly at home in catchy dirty fast punkrock.

Zynthslakt (Swedish for synth slaughter) was a band that started around 1982. Mikael Thörngren, who played drums, was impressed by the energy of bands like the Clash and the UK SUBS. Together with Per Granberg's twin brother John (guitar in Charta 77) Zynthslakt were born. Because it was expensive to make records, explored other bands to share the cost with. Result was the split single with N.O.S. The band released another split EP called 7 Låtars with with The Past. They played a lot outside Norrköping, Mikael remember once in Västerås they liked the band that just played on stage was so bad that they took over the instruments. But it did not get better because everyone was a little too round underfoot. In Kolsva they would play along with Kent Impotent. No one knows exactly what happened, but Zynthslakt never played. According to "Goofy" was the band members had to go home to Köping the evening. The album 'Spraya På En Vägg' came out 1984 on Rosa Honung Records. That same year the band folded. A posthumous EP 'Hit Med Stålarna' saw the light of the day in 1986 containing all the Zynthslakt tracks from the split singles. The track 'En Stad, En Bomb' was contributed to the 1983 cassette compilation 'Bara En Dröm'. 1993 Rosa Honung released another sampler containing the songs 'Religion Blood' and 'Land Of War'. The fact that some members were in the army, disbanded around 84-85. Then started the band J. Hex and the Scarecrows, which did not have much in common with Zynthslakt and its punk.

The Past started by the turn of the year 80-81 and consists of on Roger Andersson (drums), Pelle Hedblom (bass) and Linus Linder (guitars). Everybody was singing just to not hear who sung most false. Later Linus got to take over most of the singings. They started to play covers jut to learn how to play. Because no one in the band know how to take one single chord in the beginning. As fast as they got ready they started to write own songs with influences from bands like S.L.F., Sham 69, Sex Pistols a.o. 1983 they recorded their first record which was splitted with Zynthslakt, also a band from Köping. It was a 7-song EP sold in 1000 copies. Then they struggled on to get money to record a 7” which was supposed to be released on Birdskit, but the sound was damn bad so it was never released, but Birdskit sponsered them to record a MLP “In The Future With The Past” 1987, the single got to be included as a bonus with the first outgoings. Then they contibuted on “Swedish Stand” a compilation from the Indie labels in 1990. The Past still exists...

Great stuff from both which makes you hungry for more. ENJOY!!

- Special Thx to Fredrik -

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SHAM PISTOLS - Natural Born Killer 2008

In 1979 ex-Pistols Cook & Jones teamed up with Sham's Pursey & Treganna to form a Punk Rock super group. Unfortunately it doesn't work, so only one studio session happened. The result: four catchy tracks, sounding exactly like The Professionals with Pursey on vocals. On the flip side you'll get the 4 encore tracks of Sham's Last Stand (Apollo Theatre, Glasgow). Way back in 1979, the “merger” of the Sex Pistols with Sham 69 caused, for a brief moment, a great deal of excitement. With Johnny now in PiL and Sid dead, both fans and the press waited eagerly for news on Steve and Paul's next move. By May '79 it seemed the answer was known. The boys would be joined by Sham 69's Jimmy Pursey and Dave “Kermit” Treganna. Known for the time being as the Sham Pistols – until a name could be settled on - they went into Manor Studios, Oxford, to lay down some tracks. By August the group was in tatters. It took over 30 years for these songs to emerge. Enjoythem. As for the vinyl pressing itself, the quality of the recordings is very good, if slightly muddy. Side two adds weight to this. Recorded live at Glasgow Apollo, when Steve and Paul appeared for Sham 69's encore in June ‘79, Pursey can be heard bigging himself up, ranting that he told Steve and Paul to get rid of McLaren then he would sing for them, alongside his tales of how he's in the newspapers every day. The whole Sham Pistols episode had a detrimental effect on both camps. After the band fell apart, Pursey went on to reform Sham 69 but with limited success. Steve & Paul went into limbo before emerging a year later as The Professionals.

- Extra Special Thx to Reinhard -

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THE FREEZE - In Colour EP 1979

The Freeze formed in Edinburgh and were active from 1976 to 1982, gigging continuously throughout their homeland of Scotland, and supporting a wide range of acts, from the likes of Sham 69 to Echo & The Bunnymen. On stage they were quite the lively bunch - with an unusually diverse spectrum of sound, glam-punk gender-bending theatrics, and a knack for random song improvisation - it was a package that often left onlookers enthusiastically scratching their heads in astonishment. The group had two official releases – 1979’s debut EP 'In Colour' and 1980’s 7'' Celebration, both are self-financed on their own A1 label. Three punk/wave songs we have here and I like all a lot. Cool & nice stuff!!!!

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V/A - The Bright Side Of Oi! 1994

Morgenstund' hat Oi! im Mund... Oi! Classics Vol.1, ebenfalls auf Street Kids Records veröffentlicht (gab's in unterschiedlichen Vinylfarben) sind hier vorwiegend Bands aus Engeland vertreten die jeder kennt. Man hat auf die klassischen Hymnen verzichtet und Songs ausgewählt die eher nicht so bekannt sind, wie ich zumindest finde. Sicher hat jeder eine 7inch oder eine LP im Schrank stehen und wird das Dingens ohne zu zögern ziehen. 16 mal Streetpunk vom feinsten, nicht übel doch ich bevorzuge Vol.2, weil eben drum. Würde mich freuen wenn mir jemand vernünftige Scans zukommen ließe. - Ich schätze, ich hau mich noch eine Stunde hin, viel zu früh um weiteren Scheiß zu schreiben.

1.Red London - SHAM 69

2.Don't You Ever Let Me Down - THE CRACK

3.Clouded Eyes - CHRON GEN

4.Feel The Rage - INFA RIOT

5.Mull Of Kintyre - THE OPTIMISTS

6.Ragazzi Come Tu E Me - KLASSE KRIMINALE

7.Loves Young Dream - GUTTERSNIPES

8.No Hope For Anyone - DEAD WRETCHED

9.The Sun Never Shines - ANGELIC UPSTARTS

10.Count The Dead - SKIN DEEP

11.Revolution Times - RED LONDON

12.Rich & Dirty - THE RADICTS

13.Soldier - CRIMINAL CLASS

14.Loud And Clear - SUBCULTURE

15.Victim - THE STRIKE

16.City Invasion - RED ALERT

- Special Thx to François -

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V/A - Bored Teenagers Vol.4 2006

Fourth volume of Bin Liner Records' highly anticipated Bored Teenagers series features a huge amount of rare and previously unheard Punk Rock artifacts. The Machines present us an alternative version of one of the tracks off their ultra rare EP and a previously unreleased track. The Ordinarys give's three previously unreleased tracks of pure Punky Power-Pop. The Running Sores were a novelty band formed by Dennis Munday, the A&R man for 'The Jam' - two tracks only previously on an acetate from 1976. Low Profyle bring's a track from their rare 1980 single. Public Pisstake, a never before heard slice of a Johnny Rotten pisstake from members of Sham 69, Masterswitch and The Cane was Kirk Brandon's (Theatre Of Hate/Spear Of Destiny) first ever recordings. Elevators, a track taken from their rare and highly collectable single. Steroid Kiddies bless us with one track taken from their rare EP and one previously unreleased track. The Introze contribute a track from their rare single and a previously unheard studio nugget. The CD version has bonus tracks from The Cane and The Ordinarys! Without a doubt, the most amazing volume in the series so far. Again with great booklet featuring rare photos and liner notes by band members. PROST!!!! 

1.You Better Hear - THE MACHINES

2.Racing - THE MACHINES

3.I Wanna Be An Ordinary - THE ORDINARYS

4.Models - THE ORDINARYS

5.We Mean It - THE ORDINARYS

6.I’m A Punk Star - THE RUNNING SORES

7.Me Brain Done Hurt - THE RUNNING SORES

8.Hangin’ Around - LOW PROFYLE

9.Our Own Creation - PUBLIC PISSTAKE

10.Truant Boy - THE CANE

11.School Daze - THE CANE

12.Your I’s Are Too Close Together - ELEVATORS

13.Dumb, Dumb - THE STEREO KIDDIES

14.Yo Yo - THE STEREO KIDDIES

15.Kids In Uniform - THE INTROZE

16.The Naggin’ Song - THE INTROZE

- Huge Thx to Fredrik -

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V/A - Burning Ambitions (A History Of Punk) 1982

Burning Ambition: The History of Punk, attempts to be a definitive overview of the British (except DK) wave/punk scene in the late 70s/early 80s and while it falls short of its goals, it's nevertheless an admirable effort. The Crème de la Crème are here to honor, only classics on it. Surely some of you, like me, have the original records at home but this double album should become a favorite of yours, because this record is one of the finest punk compilations which is ever released. Love to hear all these classic songs in this order and believe me.... you will enjoy it as a good fuck.

1.Boredom - BUZZCOCKS

2.Bingo Masters Breakout - THE FALL

3.12XU - WIRE

4.Life - ALTERNATIVE TV

5.Keys To Your Heart - THE 101'ERS

6.I'm Alive - 999

7.Gary Gilmore's Eyes - THE ADVERTS

8.Justifiable Homicide - DAVE GOODMAN & FRIENDS

9.Where Have All The Boot Boys Gone - SLAUGHTER & THE DOGS

10.(Get A) Grip On (Yourself) - THE STRANGLERS

11.Your Generation - GENERATION X

12.Baby, Baby - THE VIBRATORS

13.Identity - X-RAY SPEX

14.Read About Seymour - SWELL MAPS

15.I'm Stranded - THE SAINTS

16.Chinese Rocks - HEARTBREAKERS

17.Lock It Up - EATER

18.Ain't Got A Clue - THE LURKERS

19.Lady - ADAM & THE ANTS

20.Love Song - THE DAMNED

21.Looking After No. 1 - BOOMTOWN RATS

22.Where's Captain Kirk? - SPIZZ ENERGI

23.In A Rut - THE RUTS

24.Angels With Dirty Faces - SHAM 69

25.Stranglehold - U.K.SUBS

26.Flares & Slippers - COCKNEY REJECTS

27.The Wait - KILLING JOKE

28.No Goverment - ANTI-PASTI

29.Holiday In Cambodia - DEAD KENNEDYS

30.Dead Cities - THE EXPLOITED

31.Last Rockers - VICE SQUAD

32.Harry May - THE BUSINESS

33.Police Story - THE PARTISANS

34.Someone's Gonna Die - BLITZ

35.City Baby Attacked By Rats - G.B.H

36.Complete Disorder - DISORDER

37.Russians In The DHSS - ATTILA THE STOCKBROKER

38.Lust For Glory - ANGELIC UPSTARTS

- Huge Thx to Fredrik -

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