EDDIE MOONEY & THE GRAVE - Lost 1978 Demos EP 2019

Hello folks, I hope the weekend is cozy and runs. Let me enter with more rare tracks which were excavated two years ago: Eddie Mooney is an English rock and pop vocalist/bassist and in 1975 he moved to Manchester where he formed the progressive rock band "Accidents" with keyboardist Paul McKavanagh and drummer Alan Arenstein. Popular on the student circuit, the band survived the onset of punk, releasing their only Execution EP on their own Eye label. By 1978 Mooney had gone solo and, with backing group the Grave, featuring guitarist Mike Rowbottom and drummer Chris Fisher, he was signed to independent Manchester label TJM Records. In 1978 the label released the bizarre I Bought Three Eggs single, frequently played by BBC Radio 1 DJ John Peel. Although it didn't chart, the track attained cult status being re-released on the White Dopes On Punk compilation in 2005 and again on vinyl via the German Still Unbeatable label in 2009. And they put out three more 1978 lost recordings which never released before and this EP shines with four catchy gruffy goodies, one as brand new bonus track and was limited to 83 copies with liner notes from Eddie. Superb lost nugget!

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V/A - Killed By John Peel #1 2020

Friends, there is hope again on the KBD front and after a long time finally a new compilation is out and the creators of Vatican Radio Records have the great idea "to conjure up one of the best punk rock compilations we've heard in a long time, from the amazingly rich vaults of John Peel's BBC 1 radio session recordings. Focusing on the less known side of the huge Peel Sessions catalog, Killed By John Peel comes stuffed to the rafters with mind blowing and little known gems from the opening track with French Synth Punk pioneers Métal Urbain and the incendiary recording of their hit E-202 to the closing with the kick ass Power Pop Punk hit She's Alarming by the Wasps, each and every single track on this monster record presents a band at their prime giving it all @ the legendary BBC Radio1 studios." And to my knowledge, Volume 2 is about to be release and we can look forward to it. Great stuff and absolute essential! 

1.E-202 - MÉTAL URBAIN

2.Gangland Warfare - THE OUTCASTS

3.Antipope - KING

4.Yummy Yummy - RUDI

5.Jealousy - IDIOT DANCERS

6.Further Education - THE CORTINAS

7.Going Round In Circles - ALTERNATIVE TV

8.Open Sound 1978 - SKIDS

9.She's Alive - SCARS

10.Countdown - THE LURKERS

11.Energy Boy - THE FLYS

12.Haircut Bob Dylan - FUNBOY FIVE

13.Bits - PRAGVEC

14.She's Alarming - THE WASPS

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MÉTAL URBAIN - Les Hommes Morts Sont Dangereux 1981

 

Before I dedicate myself to football, a small, considerable sound document from the early 80s: "Dead Men Are Dangerous" is the only studio album by the French electro-punk band Métal Urbain. Formed 1976 in Paris and heavily influenced by the Clash and Sex Pistols on one hand, and on the other by an electro approach related to Metal Machine Music by Lou Reed. They relied on heavily distorted guitars and replaced the traditional rock rhythm section of bass guitar/drums with a synthesizer and drum machine, a then-unique approach that foreshadowed the experimental possibilities that were explored by later post-hardcore bands such as Big Black. They were also known for their radical image (the color scheme of albums always being a stark black, white and red), and subversive lyrics sung in French. They were met with some enthusiasm in the United Kingdom, particularly by John Peel and the Rough Trade label. (Métal Urbain's 2nd single Paris Maquis was Rough Trade's first release.). In 1977, their first single "Panik" was named "Single Of The Week" by New Musical Express. They had an enthusiastic but small audience in France, receiving little exposure. The punk rock scene was not as popular in France as it was in the United Kingdom, and they did not interest the French media as British bands like Sex Pistols did. As a result, singer Clode Panik left in December 1978, though the band continued to gig and record with Eric Debris on vocals, and also recording with spin-off bands Metal Boys, and Doctor Mix and the Remix, until 1980, when guitar players brothers Schwartz and Lüger left to form the short-lived band Desperados.

Métal Urbain had focused their efforts on singles and only produced one album during their first period of activity. However, several compilation records were released, gathering their singles with additional material such as BBC sessions and live recordings. Their electro approach was very innovative for its time, and the group are a reference point for such groups as the Jesus and Mary Chain, Bérurier Noir and the producer Steve Albini. The band reunited in 2003 to tour in the United States, and had since toured consistently in France and the rest of Europe. Métal Urbain recorded their second studio album, J'irai Chier Dans Ton Vomi, in 2006, produced by Jello Biafra in San Francisco; a follow up mini-album, Crève Salope, was issued in 2008.

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NEUROTIC ARSEHOLES - ...Bis Zum Bitteren Ende 1983

Now to an important band that always inspires me and whose music is way ahead of other bands even after so many years. The music of the Neurotic Arseholes offers predominantly melodic punk with frequent changes in tempo, routine breaks, harmonious guitar solos and the varied mix of styles prove the high musical quality of the talented four. The predominantly subtle political texts are partly German, partly English. The band was founded 1979 in Minden by bassist "Zahni" and guitarist "Kurt", who were inspired by John Peel's program Rock Today. The two had already released a punk fanzine in their home area. In 1980 singer Dierk (“Zombie”) and drummer “Der Kurze” joined the founders (Der Kurze got his pseudonym because he was fourteen years old when he joined the band, and thus about four years younger than his bandmates) and their first appearance took place 1981 in a youth center in Minden. Also in 1981, the quartet received a record contract with Karl-Ulrich Walterbach's label Aggressive Rockproduktionen, whereupon three pieces were recorded in Berlin in one day and published on the essential album Soundtracks Zum Untergang 2. A year later three tracks followed on the Underground Hits compilation and in 1983 the band's first LP, ...Bis Zum Bitteren Ende, was finally released. However, after the album production the collaboration between the band and Walterbach ended, as his label, now Noise International, began to concentrate on the production of metal bands in the mid 80s.

In 1984 they therefore switched to the Hamburg label Weird System, which initially released two new tracks on the brilliant Keine Experimente! Vol.II record before the second album Angst comes in 1985. Despite enthusiastic reviews, there were differences within the band, which therefore decided to break up and gave their official farewell concert on January 25, 1986 in the AJZ Bielefeld. Only for this occasion the Paradise EP (200 copies) was produced and released via Weird System and only sold that evening.

In 1986 the third and final slab Live... All' Die Jahre came out with recordings from the band's last concerts. Individual tracks were also re-released on other samplers of the label. After the split, the members went different ways, Der Kurze founded the band The Brides with guitarist "Kurt", but they never achieved professionalism, so the project was abandoned and Shorty hired himself out as a drummer in dance music bands. Only bass player Zahni, who recently played with the Drowning Roses, achieved a certain level of reputation with this band and was part of the opening act for NOFX on a USA tour.

In 1989 the four reformed and a smaller tour which was simply titled "Just For Fun Tour" was the result that delighted many fans, including myself. During the tour, the Just Do It For Fun EP was distributed with older unreleased recordings. The busy fanzine maker Karl-Heinz Stille took care of the production of the single, the idea for this record: it's a small gratitude from them to everyone who has stood by themselves and know who they are! - Karl-Ulrich Walterbach released a new edition of the debut LP in 1989 without paying royalties to the band, this led to a lengthy legal battle between the four and Walterbach. Then it became quiet around the Arseholes. In 1998 they surprisingly returned with the Melancholia EP and a smaller tour across Germany.

Important, a bloody must have and buy immediately!!!

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SPORTEN ÄR DÖD - s/t LP 2019

Good morning dear folks, today we start for breakfast with fresh girl power and I promise you, your bread will taste particularly good. Sporten Är Död (translated as Sport Is Dead) were an all female Swedish new wave/punk band between 1980 and 1982 formed in Kungälv. The group consisted of Ulla Åkerström (vocals & guitar), Åsa "Paste" Wassberg (bass) and Eva Herngren (drums). The band were named after the words of a Swedish broadcaster, who would proclaim the sport is dead, when there was a cancellation of a sporting event. This record was released via Fördämning Arkiv, 300 copies and side A was recorded at Studio Nigaf on 11th April 1981 and released as the Sporten Är Död cassette, side B was recorded live @ Sprängkullen on 23rd May 1982. An excellent review which I can only underline: "This looks exactly as it sounds: three cool teenage punk girls making tremulous punk rock with songs dedicated to John Peel, Bruce from the JAM, and their favorite chocolate bar! This isn’t wild screaming KBD mania, they have a nervous restrained quality, which is not to say this sounds inept, just that it isn’t the manic punk insanity you might expect from a teenage Swedish band circa 1981. They called their band Sport Is Dead, and formed as a result of being fans of the Buzzcocks and the Undertones, and you can hear the nervous pop sensibility! I’ve seen comparisons to Dolly Mixture and Lilliput, but I would say that is not the case here, they are not as polished as the former and not as wild as the latter. They have their own contained punk concept and identity that doesn’t sound like a collage of other ideas. This is a reissue of their demo tape with a live performance on the B-side. It sounds great and is definitely worth picking up for all fans of that underground girl sound, the sound of youth inspired by the DIY ideal…" (LAYLA GIBBON, MMR) - Seventeen minimalistic smasher with a great booklet, solid release!

- Great Thx to Fredrik -

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THE VIBRATORS - V2 1978

Classic punk by the Vibrators from London and active since 1976, they have released well over twenty records to date. You see, these are young veterans of good music. Info: The Vibrators were founded by Ian 'Knox' Carnochan, Pat Collier (bass), John Ellis (guitars), and drummer John 'Eddie' Edwards. They first came to public notice at the 100 Club when they backed Chris Spedding in 1976. On Spedding's recommendation, Mickie Most signed them to his label RAK Records. Most produced their first single, "We Vibrate". The band also backed Spedding on his single, "Pogo Dancing". The Vibrators recorded sessions for John Peel at BBC Radio 1 in October 1976, June 1977 & February 1978. They were one of the pioneering punk bands that played at London's Roxy Club. The band signed to Epic Records in early 1977. Their debut album, Pure Mania, was well regarded by some music critics and, seventeen years after its release, The Guinness Encyclopedia of Popular Music named Pure Mania one of the 50 best punk albums of all time. During the 1980s, John Ellis recorded with Peter Gabriel, as well as recording and touring frequently with Peter Hammill, then subsequently the Stranglers, eventually joining the latter full-time in the 1990s. Pat Collier went on to work closely with the Soft Boys, producing their seminal album Underwater Moonlight, and Robyn Hitchcock, producing and mixing some of his solo albums (to which Knox also sometimes contributed). Phil Ram went on to form Able Ram and brought out two singles, "Disco In Moscow" and "Hope We Make It", although without any chart success. Despite numerous line-up changes, the Vibrators are still touring to this day as a three-piece, with "Eddie" being the only original member. V2 was their most successful album, reaching #33 in the UK Albums Chart and it earned the band a TV appearance on Top Of The Pops. You can read more about them in the web and you're doing nothing wrong buying a V record.

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THE BOYS NEXT DOOR - These Boots Are Made For Walking 7'' 1978

The Birthday Party (originally known as The Boys Next Door) were an Australian post-punk band, active from 1978 to 1983. Despite limited commercial success, The Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s." The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion. Their music has been described by critic Simon Reynolds as gothic, and their single "Release the Bats" was particularly influential on the emerging gothic scene. In 1980, The Birthday Party moved from Melbourne to London, where they were championed by broadcaster John Peel. Disillusioned by their stay in London, the band's sound and live shows became increasingly violent. They broke up soon after relocating to West Berlin in 1983. The creative core of The Birthday Party – singer and songwriter Nick Cave, multi-instrumentalist and songwriter Mick Harvey, and singer, songwriter and guitarist Rowland S. Howard – later went on to acclaimed careers.

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V/A - Vaultage 79 (Another Two Sides Of Brighton) 1979

Brighton should be blessed with so much talent bands. Attrix Records released three Vaultage compilations and every album have enough flavour and some crackers on it. May you've heard the others but I found my copy here in a local record store for little money, so I took the slab with me. Brighton rocks and those of you who loves the early powerpop/punk sound like me is here in good hands. Check out this Review by Mr. John Peel for more infos... meanwhile grab & enjoy!

 1.Bank Holiday - THE VANDELLS

2.Another Girl - THE VANDELLS

3.You Get Everywhere - THE CHEFS

4.Food - THE CHEFS

5.Bloody - THE GOLINSKI BROTHERS

6.Too Scared - THE GOLINSKI BROTHERS

7.Hey Operator - THE LILLETTES

8.Nervous Wreck - THE LILLETTES

9.Sounchek - IJAX ALL STARS

10.Reggaed Rumble - IJAX ALL STARS

11.I Want You To Be My Girl - WOODY & THE SPLINTERS

12.I Must Be Mad - WOODY & THE SPLINTERS

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PROPAGANDA - The Nine Lives Of Dr. Mabuse 12'' 1984

Now a post which is in my opinion one of the best records of German Pop culture. The first release by Propaganda from Dusseldorf, formed 1982 by Ralf Dörper (a member of the German industrial band Die Krupps). As a trio, with artist Andreas Thein and vocalist Susanne Freytag, the group made initial recordings in Germany which were destined for future release in the UK, where Ralf Dörper's early experimental recordings had received critical acclaim by radio DJ John Peel and journalist Chris Bohn aka Biba Kopf. With the inclusion of classically trained musician and composer Michael Mertens and singer Claudia Brücken (who had worked with Freytag in her previous band, The Topolinos), music journalist Paul Morley signed the band to Trevor Horn's newly formed ZTT Records label.They were one of the initial roster of acts signed to Trevor Horn's ZTT label, between 1984 and 1986, during which they released the critically acclaimed album A Secret Wish. "Dr. Mabuse", named after the fictional character made famous by filmmaker Fritz Lang is a fantastic ten minute pop goodie and I'm still excited and there is no comparable in this way. The third single Machinery is also a cracker. I still have some pop treasures and maybe I'll let them live again. Enjoy!

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THE USERS - Kicks In Style 2011

"The Users burned with raw passion and youthful energy. Dirty, pure and very very powerful. Seeing them live was like being hit by a truck. In a good way" (Chris Roberts). That's an announcement or? The Users were from Cambridge and formed in September 1976 and have released two outstanding singles up to their split in 1979 and this litte compilation from Rave Up Records contains their best recordings including some great unreleased studio tracks and is long out of print. Quick info: In 1977, Cambridge record dealer Lee Wood founded Raw Records, and quickly recorded The Users in March of the year, releasing the single Sick Of You/(I'm) In Love With Today on May 5, 1977. Sounds magazine stated that it "burns into your brain without compromise." Despite only releasing two singles and being active for less than three years, the band developed a lasting cult following. John Peel placed their first single Sick Of You in his chosen Festive Fifty chart of 1977, and after his death it was revealed that he'd kept it as part of his favourite singles of all time. I think, I can leave it that way and now feel the whispering energy out from your speakers.

- Great Thx to Fredrik -

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THE DAMNED - Early Demos & Live 1976-1979

Into the weekend with a real rarity and I can't say when this litte piece was released. Facts are: 1-9 Demos ca.1976, 10-21 live elsewhere 1977, 22-24 John Peel Session 11/79 and we listen to the wilder and rogher side of London's the Damned, hopefully everyone knows, the recordings are in my opinion fuckin' special, at least for me. The recording quality is relatively decent and it is always worth putting out a record of the band who been intoxicating us since 1976 with their great music.

So Messed Up/Neat Neat Neat//New Rose/Stab Your Back/I Fall/Stretcher Case/Sick Of Being Sick/Feel The Pain/Fan Club/You Take My Money/Idiot Box/I Feel Alright/Born To Kill/Sick Of Being Sick/Neat Neat Neat/Fan Club/Stretcher Case/Help/Stab Your Back/So Messed Up/New Rose/Smash It Up/Liar/(I'm So) Bored

- Great Thx To Reinhard -

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THE DRONES - Further Temptations 1977

Back to classics with the Drones, started out in the Manchester area in 1974 as a Glam Rock outfit called Rockslide, releasing a lone single 'Jump Bump Boogaloo/Roller Coaster' in October 1975, before reinvented themselves as a punk rock band the following year. The Drones then relocated to London and became one of the pioneering punk bands that performed in the first few months of the now-legendary Roxy Club. They supported The Vibrators in January 1977, headlined in February, and supported X-Ray Spex and Chelsea in March. Later that year they supported the Stranglers on a full UK tour, and appeared on two influential early punk compilation albums Streets and Short Circuit: Live at the Electric Circus. Their debut single, 'Temptations Of A White Collar Worker' (1977), was described by one reviewer as "classic dole-queue punk." In October 1977, their second single, 'Just Wanna Be Myself' / 'Bone Idol', was released, and on 6th December they recorded a session at Maida Vale 4 studio for John Peel. Later that month, they released their debut album on Valer Records, Further Temptations, a shoddily produced document of a highly underrated band, armed with angry lyrics and a sharp sense of humour fuelling fiery originals like ‘Lift Off The Bans' and 'No More Time'. It's was a great record but its release marked the beginning of the end for the band.

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ALLER VÆRSTE! - Materialtretthet 1980

Half-time in Hoffenheim and the fuckin' FCB leads with two goals, it seems the chief floor has stabilized. Well, let's come to the Aller Værste!, a Norwegian new wave/ska band from Bergen of the early 80's, which started out as a hobby project by four members of long-forgotten group Johnny Banan Band, members were Chris Erichsen (vocals/guitar), Ketil Kern (drums), Sverre Knudsen (bass/organ), Lasse Myrvold (vocals/guitar/organ) and Harald Øhrn (bass/vocals/organ). Apparently big with John Peel at the time, their debut Materialtretthet on Den Gode Hensikt won a Spellemannspris (Norwegian grammy) in 1980. The group disbanded after their second record, Disniland I De Tusen Hjem. Not easy to describe their sound because typical Ska sounds different but remarkable is the fiepsende organ that reminds me of the Doors. TAV! was part of the punk boom without playing punk. They kept going for a two-year period and released two albums - yet they have an indisputable and central place in Norwegian rock's history and development over the past twenty-five years. Also on numerous compilations and one plus an EP (listen) are in this theatre, meanwhile 1:2.

- Special Thx to Fredrik -

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THE STIFFS - The Punk Collection 1999

Puhhh, slept a long time today and I must go right back in the direction of Offenbach and meet one of my ex-girlfriend for dinner in a Belgian restaurant, I'm looking forward to it. But now to the Stiffs, an English band, variously referred to as Punk, PowerPop and PopPunk, hailing from Blackburn, Lancashire. Championed by Radio 1 DJ John Peel, their most successful singles were 'Inside Out' and 'Goodbye My Love'. Band members are Phil Hendriks (vocals/guitar), Ian 'Strang' Barnes (guitar/vocals), 'Big' John McVittie (bass/vocals) and Tommy O'Kane (drums).

The Stiffs were formed in 1976 by 14-year-old school pals Phil Hendriks (lead vocals, guitar) and Ian 'Strang' Barnes (guitar/vocals), joined by Tommy O'Kane (drums) and Mark 'Ossie' Young (bass guitar), and played their first gig at East Lancs Cricket Club in 1977. Following several local church hall and youth club bookings playing a mixture of covers and original Hendriks/Barnes compositions, Young was replaced by 'Big' John McVittie (bass guitar, vocals). Their first single 'Standard English' b/w 'Brookside Riot Squad' / 'DC-RIP' was released on their own Dork Records label in early '79, now regarded as rare and collectible. In December '79 the band, having tightened by this time into a powerful live act despite being legally unable to order a pint at gigs, released their second single 'Inside Out'/ Kids On The Street, recorded at Oldham's Pennine Sound Studios on a budget of £75, produced by engineer Paul Adshead and the band, embodying the bands musical progress, amalgamating melody, power and energy. A mistake at the pressing plant led to the first 1.000 copies having the labels printed on the wrong sides.

This compilation from Captain Oi! is a collection of the band's singles plus many hitherto unreleased demos and masters, covering the bands entire history.

- Great Thx to Fredrik -

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THE WALL - The Punk Collection 1998

CD's are not really my source but this one is a damn MUST! This fantastic compilation was released by Captain Oi! and contains all recordings of The Wall, originally formed in Sunderland early 1978, and their six year career may have seen them go through enough members to form their own football team but it also saw them release some outstanding records along the way. The first line-up of note featured Ian Lowery (vox & guitars), Andy 'Andzy' Griffits (bass & vox), John Hammond (guitars) & Bruce Archibald (drums) and it was this incarnation of the band that recorded the superb 'New Way' EP for Small Wonder Records. It's success (it sold over 10.000 copies and was heavily played by John Peel on his (then) important Radio 1 show) led to Lowery & Andzy relocating to London where they recruited guitarist Nick Ward and Drummer Rab Fae Beith (ex-The Pack/Patrick Fitzgerald Group) and they issued the 'Exchange' single for Small Wonder which reached No.26 in the very first published independent chart and was produced by the Sex Pistols Steve Jones (the first band to be produced by a member of the Pistols).

However, not long after this the band suffered the time honoured 'musical differences' which led to the depature of Lowery (he later released a solo album called "King Blank" on Beggars Banquet) who was replaced by one time Ruefrex member Ivan 'Kellz' Kelly and he made his debut with the Wall on a UK tour supporting the Angelic Upstarts and on their first single for Fresh Records, August 1980's 'Ghetto' EP which, produced by Sham 69's Jimmy Pursey, enjoyed a three month indie chart run peaking at the No.19 position. This line-up also recorded the debut LP "Personal Troubles & Public Issues" (which came out in December 1980 in two different sleeves and reached No.15 in the indie chart) which also saw the arrival of guitarist Andy 'Heed' Forbes, formally a member of The Strapps.

Shortly after the album's release, however, Ward & Kelly departed leaving Rab, Heed and Andzy to continue as a three piece with Andzy assuming vocal duties. This line-up was snapped up by Polydor and their debut for the major was the three track 'Remembrance' EP which they promoted by doing a UK tour with Stiff Little Fingers. They also issued one final single for Fresh, 'Hobby For A Day' before a second Polydor 45 'Epitaph' followed in November '81 and it also saw the first appearance of new bassist Claire Bidwell (ex-The Passions) which allowed Andzy to concentrate on the vocals. Their time with Polydor ended with early 1982's album "Dirges & Anthems" (which came with a free 7") and which saw guitar duties split between Heed (who left half way through recording) and Baz.

Rob & Andzy continued under The Wall name throughout 1982, their last release being the ten track 12'' EP "Day Tripper" for No Future (also issued as a four track 7'') which reached No.21 in the UK indie chart. The 'band' folded not long after with Rob later turning up in the UK SUBS and playing on the "Huntington Beach" and "In Action" albums. He also set up RFB Records and released albums by the likes of Condemned 84, UK SUBS and Broken Bones.(Mark Brennan)

In August 2007, the band reformed for a headline appearance at the Blackpool Rebellion with seven of the original members, Andy Griffiths (vocals), Nick Ward (guitars), Al Gregg (guitars & bass), Andrew Forbes (guitars), John Hammond (guitars), Claire Bidwell (bass) and Mark Dyvig (drums) with a warm-up gig the previous night @ The Thatched House in Stockport. This was followed by the release of a new live album in August 2009 on Captive Records (Opus Productions/Captive Records). The debut album "Personal Troubles & Public Issues" is getting a re-issue on CD for the first time, by Westworld Recordings on 13/05/2016.

This little sucker shines with twenty extraordinary nuggets and I love the Wall and you will do it too... 'In Nature'!

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THE EPILEPTICS - 1970's EP 1981

Nice little record now and info by Punk77: From Bishop Stortford England, The Epileptics (Colin – vocals, Clive – guitar, Derek – bass & Richard – drums) were originally going to be called The Epileptic Fits, a name suggested by Colin’s mum, but the band decided that The Epileptics sounded better and were formed in summer of 1978. Crass played in Bishop's Stortford in August 1978 and the two bands got talking. A few weeks later The Epileptics had a gig with Crass at The Basement in Covent Garden. Only five people turned up during the soundcheck, then left. The Epileptics played their set to Crass followed by Crass playing their set to The Epileptics. An alliance had been formed that would last for many years! Complaints of 'ill-conceited jocularity' from The British Epilepsy Association resulted in a name change to Epi-x, later also changed to The Licks by someone from Stortbeat when they released the bands debut "1970s" single (much played by John Peel) a second time when they needed more money. More releases and national acclaim followed, all too much for the local punks to handle so a backlash started and in 1979 the last few gigs ended in slanging matches. They play rough and unpolished UK anarcho-punk as it was customary for the 80s. During the middle of 1980 the band changed their name to Flux Of Pink Indians.

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V/A - Hardcore Holocaust (87-88 The Peel Sessions) 1988

OK, I don't know who sent this fantastic compilation in and actually it doesn't matter.. fact is: we're listen now to a first-class tone document and John Peel was an important component for many underground bands and he gave them a chance in his broadcast and some managed to swim up, I wish there are more people like him nowadays. - All these recordings were made on different days and invited were UK hardcore bands which bring loud fast Hard/Grindcore messages across and this record is a fuckin' explosion. I'm not a big fan of such stuff but there are phases I need that and I remember that I had the first Napalm Death 'Scum' and I never heard such stuff before, certainly a classic nowadays, but I sold the slab quickly... now thirty years later I think shit (maybe any of you have a superb vinyl rip with covers for wdthtc?). This record was released via Strange Fruit and sweeps the dust like a Tsunami out of your pores - the weekend can start off!

1.Heard It All Before - STUPIDS

2.Dog Log - STUPIDS

3.Sheep - ELECTRO HIPPIES

4.Chickens - ELECTRO HIPPIES

5.Mother - ELECTRO HIPPIES

6.False Profit - EXTREME NOISE TERROR

7.Another Nail In The Coffin - EXTREME NOISE TERROR

8.Carry On Screaming - EXTREME NOISE TERROR

9.Conned Through Life - EXTREME NOISE TERROR

10.Attack In The Aftermath - BOLT THROWER

11.Psychological Warfare - BOLT THROWER

12.Skate Bored - INTENSE DEGREE

13.Intense Degree - INTENSE DEGREE

14.Daydreams - INTENSE DEGREE

15.Bursting - INTENSE DEGREE

16.Voice Your Opinion - UNSEEN TERROR

17.Moral Crusade - NAPALM DEATH

18.M.A.D. - NAPALM DEATH

19.Divine Death - NAPALM DEATH

20.Control - NAPALM DEATH

21.Pink Machine Gun - DOCTOR & THE CRIPPENS

22.The Garden Centre Murders - DOCTOR & THE CRIPPENS

23.Skin Tight -DOCTOR & THE CRIPPENS

24.Exploitation - DOOM

25.No Religion - DOOM

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THE EXPELLED - No Life No Future EP 1982 + Government Policy 7'' 1982 + Waiting For Tomorrow 12'' 1984

The Expelled are a punk rock band which formed July 1981 in Leeds, England. After gigging around Leeds the band signed a record deal with Riot City Records after Rick Fox gave a demo tape to the drummer of Vice Squad, (one of the groups chief influences). They went on to release a three track extended player and a single both in 1982, and then do a John Peel session on BBC Radio 1 in December 1982. Ball left in 1983 and the band tried out several female vocalists, touring with one (Jewlie) and recording two songs with another (Penny, a girlfriend of Vice Squad guitarist Dave Bateman), before deciding to carry on as a three piece with McEvoy taking over on vocals. The new line-up recorded four tracks for an unreleased 12", 'Waiting for Tomorrow', before Riot City Records ran into financial problems and the band split in May 1984. Here we have now all their 80's recordings by this fantastic UK Punkrock Pioneers.

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MARY MONDAY & THE BITCHES - I Gave My Punk Jacket To Rickie 7'' 1977

This record is one of the best punk 7'' in my opinion and was released on Malicious Productions. I know this one's is posted in many blogs so Fredrik sent me his copy and I have no other choice to present this sucker again. Lner notes I found and I say thx for this to -k-: "Mary Monday & The Bitches with their sole release is a ‘77 favorite - John Peel even said so - that tends to get overlooked in the heaps of punk records that were coming out at the end of the 70s. Both sides are poppy, kinda sloppy, and (most importantly) just downright fun. The b-side, is also a total rocker complete with manic, burning guitar. The single leaves you wanting more, but unfortunately, like so many others, the band left us with this great piece of wax and then disappeared into thin air. The band’s story seems to be shrouded in mystery, but according to several sources Mary Monday and the Bitches were five band members that got together in 1977 from California. Riding the invigorating punk wave, the back of their single was held together by safety pins in accordance with the “punk” fashion trend that was becoming increasingly common. Mary’s backing band were apparently a San Francisco bar band known as the Street Punks who had disbanded before the decade’s end. After “I Gave My Punk Jacket To Rickie”, it’s difficult to track down where SF scene queen Mary Monday went for certain, but some have claimed she assumed another pseudonym (Vermillion Sands) and wrote for the fanzine Search & Destroy, as well as continuing within the punk scene and participating in other musical endeavors for an indeterminate amount of time. Anyway, this single’s a favorite and “Punk Jacket” was also included on the great My Girlfriend Was A Punk! compilation, which collects early punk bands from all over the world."

- Huge Thx to Fredrik -

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RED LETTER DAY - More Songs About Love & War 1991

Red Letter Day is a punk band which formed in Portsmouth in 1984 and they released their first single in 1986 which found favour with disc jockey John Peel, who invited them to record a session for his BBC Radio 1 show. The single receive good reviews and two years later the first 12'' came out on Released Emotions Records, a split with The Sect. More Songs... followed three years later and this is my first contact with them. Red Letter Day play a solid heavy loud punk'N'roll with no barriers and you can get more info about the band on punkoiuk, it's worth a click. A very good record with eleven melodic fetzer. And now folks, have an exciting weekend!

- Special Thx to Fredrik -

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