FREIWILLIGE SELBSTKONTROLLE - Stürmer 1982

Interesting electro/synth-pop/minimal/new wave/punk combo and essential part of the German underground scene of the early eighties and since the mid 1990s more in techno and house active, numerous records were released to date; we're talking about Freiwiliige Selbstkontrolle which were formed 1980 in Munich by Wilfred (vocals, guitar, trombone), Thomas (guitar, vocals, concertina), Justin (electric piano, guitar, xylophone & vocals) and Michaela (vocals, bass + melodica). The band name is a reference to the German motion picture rating organisation F.S.K. (German self censorship institution), which uses the same acronym. Their early records (all on ZickZack Records) gave the band the reputation of being West Germany’s most intelligent art school combo and the debut Stürmer received international attention because it was able to place in the independent charts in San Francisco. Due to the "original musical approach of F.S.K - that is, to electronically underline the dialectic of German song tradition - the people of Munich classify themselves as an 'intellectual ensemble' that makes music for the German intelligentsia". In the beginning the musical influence of punk was still clearly recognizable, because the sound sounded rough and the vocals very harsh. Living in a very americanized country meant to them that they soon, in means of love and hate, started to work out structures of Euro-American heritage in their music. Not only did they so bring back the Texan Blue Yodel to its Bavarian source, they also started to add the occasional cover version of American standards and non-standards to their German repertoire. From 1985 the band was championed by British disc jockey John Peel, recording six sessions for his BBC radio show, and were themselves strongly influenced by the independent British music scene of the time.... Enjoy!

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SKI PATROL - Agent Orange + 1 7'' 1980

A band that got little reputation is Ski Patrol from London, which founded 1979 by former The Wall and future Folk Devils singer Ian Lowery and Nick Clift of The Debutantes. Inspired by the darkwave and Punk-funk sounds and emotions of British PostPunk bands, and also influenced by the Jamaican rhythms and politically charged environment, Ski Patrol set about writing angular, moody songs that fused Lowery's dark lyrical pre-occupations with Clift's ringing guitar. Joined by fellow North-Eastern transplants Peter on bass and drummer Bruce (original drummer in The Wall), the band began playing shows at the London Circuit. They recorded four songs at Alaska Studios in Waterloo, two of which became their first singles. In early 1980, Bruce left and was replaced by Alan. More shows followed, and the four came to the attention of Malicious Damage (Killing Joke label). In June 1980, this new partnership produced the second single Agent Orange. Largely inspired by the film Apocalypse Now, Lowery's lyrics referenced the defoliant used in the Vietnam War and the song itself was built around a pulsing three-note bassline, guitar harmonics and a metronomic beat with catchy synthesizer atmospherics, the single was released later in 1980 and became their best known song, both are found in this post. In early 1981 Peter had left to join Fad Gadget, and was replaced by bassist Francis. The new line-up recorded a session for John Peel's BBC show in January 1981 and three tracks were broadcast on 19 January and repeated again later that year. A third single Cut was released on Malicious Damage in early Summer. The band's final recording session, in April 1981 yielded three new songs but none were released at the time, the band finally fell apart in August. A collection of the band's work, Versions Of A Life (Recordings 1979-1981), which includes the three tracks from the final recordings session was released in 2014. Their songs have drive and are extra class, driving and emotional and never get boring.

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REPETITION - The Still Reflex 7'' 1981

Now an older rip and I can't remember where and when exactly bought this 7Inch but is worth listening. Repetition were a Post-Punk band from London, which formed in August 1979. The band's initial line-up was ex SpizzOil guitarist Pete Petrol, Xtraverts drummer Tim Transe, keyboard player A.S.D.H. (Andy Hooper), bassist AWOL (Nicholas), and vocalist Sarah Osbourne. The band were signed to Les Disques Du Crépuscule after gaining the interest of Annik Honore in 1979. Their first single A Still Reflex'/Fade Out was released in January 1981 and was recorded at Spaceward Studios in Saffron Waldon and notably produced by Joy Division manager, Rob Gretton. Owing to the connection with Brussels based Les Disques Du Crepuscule the band toured in Belgium and Holland in 1980 playing at Plan K in Brussels and the Effenaar in Eindhoven and appeared on Generation 80 TV show. The band were managed by Mick Scholefield who later went on to start Heist Or Hit Records. Steve Musham joined the band during this period, playing bass initially, and then replacing Osbourne on vocals on the next single,'A Full Rotation', recorded at Berry Street Studios in London, in 1980. The band recorded a John Peel session at Maida Vale studios on 08/08/1981. The session of four tracks was recorded with a line-up of vocalist/guitarist Steve Musham, ex Spizzenergi bassist/guitarist Jim Solar, Tim Transe (drums) & Andy Hooper (keyboards).

On 13 July Repetition, Marine, Eric Random, Richard Jobson & The Swamp Children performed during a Crepuscule Night at Heaven in London. The event was covered in NME and a cassette souvernir Rendez-Vous Au Paradis was announced but did not appear. Sexy 7Inch to calm down.

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V/A - Underground Rockers 2 1989

One of the best covers I think is made here on this compilation and I quote the liner-notes on the back cover which I can only agree: "Another bunch of UNDERGROUND ROCKERS bands who, outside of the fanzine network and for a few, the John Peel show, are totally ignored. The first "Underground Rockers" compilation saw The Instigators sing "Full Circle", a phrase that seems very suitable when you think about influences. A growing number of British bands are being influenced by the American "Hardcore" groups, whose sound has evolved from listening to the likes of The Ruts and Stiff Little Fingers. On this LP you'll find both bands who lean towards the U.S. Hardcore sound and others who favour the early sound of the British Punk bands. But who ever they listen to they refrain from straight copying, each strives for their own sound and style, with just a nod in the right direction of their musical preferences. As with the first volume, it's not important whether you'd give these bands the "Punk" or "Hardcore" tag, judge 'them on their songs, be they fast or slow and on their energy, excitement and power. They deserve to be heard. Many of these bands are finding that they're better received over in Europe. Countless tales of big crowds at gigs, friendly, appreciative people and good treatment all round. It's time we, in this country, stopped being so snobbish and started treating bands, be they British, American, European or whatever, with the respect they so rightly deserve." (Tony Suspect)

1.One Word - H.D.Q.

2.Busload To Bingo - SENSELESS THINGS

3.Fear Is The Key - THE AB'S

4.Shattered Land - THE PRICE

5.Suicide Alley - MANIC STREET PREACHERS

6.Caroline - IDENTITY

7.Nothing To Me - SUSPECT DEVICE

8.Love Alone - H.D.Q.

9.Legal Lies - SENSELESS THINGS

10.Englebert Humperdink's Racing Pigeon - THE AB'S

11.The Cover Up - THE PRICE

12.Tennesse I Get Low - MANIC STREET PREACHERS

13.What's The Point - IDENTITY

14.Raw Deal - SUSPECT DEVICE

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THE SQUATS - Noise Overdose EP 1981

80s Dutch punk band from Nijmegen here with their only record on Nep & Bedrog Records with five cool punk goodies with a nice Oi! touch. Excellent dirty kbd sound. Found much info from their web site and here's a small excerpt: 

The Squats are probably one of the most controversial bands Nijmegen has ever known. The kind of teenagers you better could not have living next door to you. It seemed that they ruined more or less everything that came along their way, conform the Punks most used term in that time: DESTROY! An unbelievable 23 years ago (1978) three guys aged 14 till 17 years old from the "Grootstal" district in South Nijmegen watched the Dutch variant of 'Top of the Pops' (TopPop) on the TV and saw Iggy Pop shaking the nation up side down with his performance of "Lust For Live". The boys used to listen to stations like "VPRO"' and John Peel on the BBC on an old tube radio and they were heavily bored. But one thing was sure: They not just wanted to listen to punk, they wanted to play it. First thing the trio did before even owing any instrument was to chalk the whole of Nijmegen with the (future) band name: The Bored. In the fall of 1979, the three were able to buy a bass guitar and drumkit, changed the name into "The Squats" and placed an add in the local news paper for a guitarist. In the months following, the band had their first appearance in the local venue "Doornroosje", shocked a school in Nijmegen during a highschool band festival, and did another gig at "Doornroosje".

The early 80s have been the most productive years, lots of gigs were played and they also started recording in the studio, result was a demo called "The First, The Best, The Last?" which was released on their own "Nep En Bedrog (Fake & Fraude) Records" label. In 1981 borrowed all the money, found a studio close to town, smacked down 5 songs on 8 tracks in a couple of hours and the 'Noise Overdose" EP was a fact. 500 copies were pressed, and again released on their own label and sold out in 2 months. For sure, notorious they were, obnoxious and rude as well, call them arrogant, irritant, and ignorant but what else should you expect from 17 year old teenagers on speed, on the dole, in the early 1980's playing in a punkband from Nijmegen? That's how teenagers should behave. And after all, musically, it was a great punkband!

The Squats on compilations: Oi! The Rarities Vol.2, Punkrock From Holland, Oi! Rare & Exotica Vol.2 and Oi! Made In Holland 2. Brilliant Stuff!!!

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TV21 - Playing With Fire 7'' 1980

Originally formed 1979 in Edinburgh by Norman (vox + guitar), Neil (bass), Colin (drums) and Ally (guitar), the band took their name from Thunderbirds creator Gerry Anderson's fanzine, TV21 released a string of singles and one album, 'A Thin Red Line' via Deram Records. During that time they toured extensively, both in their own right and as support to bands such as The Skids, The Moondogs and The Undertones. But by May 1982 the band had grown frustrated at their inability to break through to the next level and decided to quit while they were ahead, immediately after coming offstage supporting The Rolling Stones at Edinburgh Playhouse. And that was the end of that, until October 2005, when out of the blue, they agreed to perform as part of the John Peel Day gigs organised around the country to mark the anniversary of the DJ’s death. 'Playing With Fire' (released on Powerbeat) is their first record and it's a very nice PowerPop goodie with two melodic mid-tempo tunes, optimal for traveling. The sound goes immediately in my veins and makes me extreme positive. Honestly, this 7inch is a real highlight and I'm sure I'm going to catch the album.

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PROPAGANDA - The Nine Lives Of Dr. Mabuse 12'' 1984

Now a post which is in my opinion one of the best records of German Pop culture. The first release by Propaganda from Dusseldorf, formed 1982 by Ralf Dörper (a member of the German industrial band Die Krupps). As a trio, with artist Andreas Thein and vocalist Susanne Freytag, the group made initial recordings in Germany which were destined for future release in the UK, where Ralf Dörper's early experimental recordings had received critical acclaim by radio DJ John Peel and journalist Chris Bohn aka Biba Kopf. With the inclusion of classically trained musician and composer Michael Mertens and singer Claudia Brücken (who had worked with Freytag in her previous band, The Topolinos), music journalist Paul Morley signed the band to Trevor Horn's newly formed ZTT Records label.They were one of the initial roster of acts signed to Trevor Horn's ZTT label, between 1984 and 1986, during which they released the critically acclaimed album A Secret Wish. "Dr. Mabuse", named after the fictional character made famous by filmmaker Fritz Lang is a fantastic ten minute pop goodie and I'm still excited and there is no comparable in this way. The third single Machinery is also a cracker. I still have some pop treasures and maybe I'll let them live again. Enjoy!

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FLACKOFF - The Flackoff EP 1980

 

The rooster crows at an early hour and its wake-up call alarms and urges you to get the following awesome slab by this four piece from Leamington Spa on Sofa Records, and this is the only vinyl release by Flackoff with great female vocals and the band consisted of Claire (vocals), Arthur (guitars), Rod (bass), Rick (drums) and this infectious energetic catchy three song goodie is one of those great local one-off EPs that would get a spin on John Peel back in the day, brimming with an endearing and infectious energy that characterized the era. Re-released 2018 by Inflammable Material/Sofa Records in a limited edition of 300 copies and I don't think it's easy to get hold of one of them today. No wonder, three mercilessly brilliant songs who made it onto the essential Killed By Death #007 compilation. Top record of a short-lived combo that definitely had what it takes for more.

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THE DAMNED - Early Demos & Live 1976-1979

Into the weekend with a real rarity and I can't say when this litte piece was released. Facts are: 1-9 Demos ca.1976, 10-21 live elsewhere 1977, 22-24 John Peel Session 11/79 and we listen to the wilder and rogher side of London's the Damned, hopefully everyone knows, the recordings are in my opinion fuckin' special, at least for me. The recording quality is relatively decent and it is always worth putting out a record of the band who been intoxicating us since 1976 with their great music.

So Messed Up/Neat Neat Neat//New Rose/Stab Your Back/I Fall/Stretcher Case/Sick Of Being Sick/Feel The Pain/Fan Club/You Take My Money/Idiot Box/I Feel Alright/Born To Kill/Sick Of Being Sick/Neat Neat Neat/Fan Club/Stretcher Case/Help/Stab Your Back/So Messed Up/New Rose/Smash It Up/Liar/(I'm So) Bored

- Great Thx To Reinhard -

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NEUROTIC ARSEHOLES - ...Bis Zum Bitteren Ende 1983

Now to an important band that always inspires me and whose music is way ahead of other bands even after so many years. The music of the Neurotic Arseholes offers predominantly melodic punk with frequent changes in tempo, routine breaks, harmonious guitar solos and the varied mix of styles prove the high musical quality of the talented four. The predominantly subtle political texts are partly German, partly English. The band was founded 1979 in Minden by bassist "Zahni" and guitarist "Kurt", who were inspired by John Peel's program Rock Today. The two had already released a punk fanzine in their home area. In 1980 singer Dierk (“Zombie”) and drummer “Der Kurze” joined the founders (Der Kurze got his pseudonym because he was fourteen years old when he joined the band, and thus about four years younger than his bandmates) and their first appearance took place 1981 in a youth center in Minden. Also in 1981, the quartet received a record contract with Karl-Ulrich Walterbach's label Aggressive Rockproduktionen, whereupon three pieces were recorded in Berlin in one day and published on the essential album Soundtracks Zum Untergang 2. A year later three tracks followed on the Underground Hits compilation and in 1983 the band's first LP, ...Bis Zum Bitteren Ende, was finally released. However, after the album production the collaboration between the band and Walterbach ended, as his label, now Noise International, began to concentrate on the production of metal bands in the mid 80s.

In 1984 they therefore switched to the Hamburg label Weird System, which initially released two new tracks on the brilliant Keine Experimente! Vol.II record before the second album Angst comes in 1985. Despite enthusiastic reviews, there were differences within the band, which therefore decided to break up and gave their official farewell concert on January 25, 1986 in the AJZ Bielefeld. Only for this occasion the Paradise EP (200 copies) was produced and released via Weird System and only sold that evening.

In 1986 the third and final slab Live... All' Die Jahre came out with recordings from the band's last concerts. Individual tracks were also re-released on other samplers of the label. After the split, the members went different ways, Der Kurze founded the band The Brides with guitarist "Kurt", but they never achieved professionalism, so the project was abandoned and Shorty hired himself out as a drummer in dance music bands. Only bass player Zahni, who recently played with the Drowning Roses, achieved a certain level of reputation with this band and was part of the opening act for NOFX on a USA tour.

In 1989 the four reformed and a smaller tour which was simply titled "Just For Fun Tour" was the result that delighted many fans, including myself. During the tour, the Just Do It For Fun EP was distributed with older unreleased recordings. The busy fanzine maker Karl-Heinz Stille took care of the production of the single, the idea for this record: it's a small gratitude from them to everyone who has stood by themselves and know who they are! - Karl-Ulrich Walterbach released a new edition of the debut LP in 1989 without paying royalties to the band, this led to a lengthy legal battle between the four and Walterbach. Then it became quiet around the Arseholes. In 1998 they surprisingly returned with the Melancholia EP and a smaller tour across Germany.

Important, a bloody must have and buy immediately!!!

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INNOCENT VICARS - Funky Town 7'' 1980

Specially the b-side is the burner here, brilliant song with pointed lyrics.

I never thought that would mean so much now.

The music from this band is really one of my favourites and it's no wonder that I choose the flip 'Voices' for my selfmade compilation Forward Into The Past because it's one of these tunes I can hear again and again, all day long you know. So Richard Norris was part of the Vicars and he wrote some info about when and why:

"The Innocent Vicars formed in 1980, with an average age of 14. The St. Albans band met at school, bonding over a love of Bo Diddley, the Undertones and Buzzcocks. The line up chopped and changed for a while before settling on Richard Norris (vocals + rhythm guitar), Aaron Russell (lead guitar) brother of the Toys Mick Russell), and Nigel Benson (bass) who went into a Christian recording studio in Wheathampstead to cut 'She's Here'/'Antimatter'. A host of local talent guested on the record, including Nick Egan from the Tea Set on backing vocals, Cally from the Tea Set on drums, Mark Adams from the Bodies on Roland 101 synth (making the acid house noise on 'Antimatter' nearly a decade early) and Waldo's Phil Smee on production duties.

The single sold out of it's initial 500 pressing, thanks to support from John Peel and Radio 1's Round Table show, where it was spun straight after the Clash. The band played many school discos, local clubs, various church halls and youth clubs in St. Albans, Hatfield, Luton and Harpenden, as well as a number of spots at St Albans City Hall (supporting Kagagoogoo and Paul Young's band Q Tips). They also played at the Fleur De Lys pub, despite all being underage, at a girl's Boarding school and in St Albans Abbey (twice).

After a quick line up change (Mike 'Mac' McDonald replaced Nigel Benson on bass, Steve Watts took over on drums), the band recorded a second single, a cover of Lipps Inc's 'Funky Town' backed with 'Voices'. They also appeared on two compilation albums, with the tracks 'Starship 22' and 'She Was My Girl'.

Since their release thirty years ago, the original singles have been bootlegged a number of times in America and Japan and regularly sell for over £100 on ebay. BBC Radio's Steve Lamacq named 'She's Here' one of his all time favorite records, playing it on BBC 6 Music as recently as February 2011. Richard Norris, 'Mac' McDonald and Steve Watts have all had long careers in music. Aaron Russell and Nigel Benson are currently missing in action (any updates gratefully received)."

I hope you have come to taste and on compilations: Teenage Treats Vol. 1, Killed By Death #69, The Class Of '81 and Rupert Preaching At A Picnic, all classics I think.

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THE BOYS NEXT DOOR - These Boots Are Made For Walking 7'' 1978

The Birthday Party (originally known as The Boys Next Door) were an Australian post-punk band, active from 1978 to 1983. Despite limited commercial success, The Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s." The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion. Their music has been described by critic Simon Reynolds as gothic, and their single "Release the Bats" was particularly influential on the emerging gothic scene. In 1980, The Birthday Party moved from Melbourne to London, where they were championed by broadcaster John Peel. Disillusioned by their stay in London, the band's sound and live shows became increasingly violent. They broke up soon after relocating to West Berlin in 1983. The creative core of The Birthday Party – singer and songwriter Nick Cave, multi-instrumentalist and songwriter Mick Harvey, and singer, songwriter and guitarist Rowland S. Howard – later went on to acclaimed careers.

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DER MODERNE MAN - Sandman 7'' 1981

Today a four piece from Hanover which were founded in autumn 1979 and disbanded in the beginning of 1984 and Sandmann is the second 7Inch on NoFun Records with two solid New Wave goodies, recorded by Mattus (vocals/synth), E.K.T. (guitars), Jens G (bass), Claudius (drums). Der Moderne Man was an experimental band descended from the Punk band "The Worst", their records appearing primarily on NoFun Records and one of the first radio hosts to spin records for the group was John Peel. In the spring of 1980 the first EP Umsturz Im Kinderzimmer was released on the Heile Welt Records label and was soon sold out. The reactions to this debut weren't really enthusiastic. At a time when the more conservative German rock groups woke up and frantically tried to find connection to what is en vogue, Der Moderne Man flirted with a wink to be unfashionable. That concerned wit, humor and more relaxed approach to the diversity of style, the attempted competition is light years ahead. In 1981 the first single with a new line-up was released. The two titles fulfilled the motto that E.K.T. once put it this way: "A three-minute song that gets off to a good start is much more important than some experiment that blows the ears of a few people. And the much-vaunted avant-garde is also going in circles: experiment today, convention tomorrow." Sounds certified that the quartet delivered "a good piece of German Pop Music" with the single. Two more albums followed, including one live, and by late 1983 they were working on new material and planned to release the third LP in spring 1984, but never came.

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BUZZARDS - Jellied Eels To Record Deals 1979

Let's stay punk with the next album from the UK. Both sides quite cool and I think some of you known this combo. The band took their name from their home town of Leyton, an area of east London, punning upon the name of the Bedfordshire town, Leyton Buzzards. They were initially a pub rock band, but soon adapted to punk rock/New Wave. Their debut single '19 & Mad' was released in 1977 by Small Wonder Records. They won a high-profile "Battle Of The Bands" competition organized by BBC Radio 1 and The Sun (F.U.), resulting in a major-label deal with Chrysalis Records. The first fruits of this deal, "Saturday Night (Beneath the Plastic Palm Trees)", reached Number 53 in the UK Singles Chart in March 1979, spending five weeks in the chart, and led to an appearance on Top of the Pops. The band shortened their name to The Buzzards for the 1979 single "We Make A Noise" and the album Jellied Eels To Record Deals, before reverting to The Leyton Buzzards for their final single, "Can't Get used to Losing You". They recorded four sessions for BBC Radio One's John Peel between July 1978 and January 1980. The band split up in 1980, with Deane and Jaymes going on to greater chart success with salsa-tinged pop act Modern Romance. The Buzzards were present on tons of compilations and Captain Oi! released in 2003 a CD called 'The Punk Collection'.

- Special Thanx to Fredrik -

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CRANES - Adoration 7'' 1991

Now we take the tempo a bit down and come to a band that I really adore. Formed in 1986 in Portsmouth/England by siblings Alison and Jim Shaw, and named after the many mechanical cranes around the city's docks, Cranes are best known for the childlike, high-pitched vocals of lead singer Alison. Cranes are a UK band often remembered for touring the USA with The Cure in 1992. Since then they have acquired a loyal fan base around the world, who seem to find perfection in everything they do - whether it be fierce, sometimes stark guitar sounds of early albums like Wings Of Joy, Forever or folk-inspired Future Songs release. Cranes first album Self Non Self had a peculiar intensity which seemed all the more unusual at the time. John Peel picked up on the album right away, with the group recording a session for him in the album's first week of release. Some intense media interest followed and shortly afterwards the group signed to Dedicated-BMG and went on to record a lot of beautiful albums.

The band's music has been described as "gothic minimalism", although the band themselves disputed the 'gothic' tag. They have also been described as dream pop. In the early 1990s they were briefly lumped in with the "shoegazing" bands of the era. Much has been made of Alison Shaw's vocals, with descriptions ranging from "the helium tones of a small child", "baby-doll-voiced", and "a mewling, childish wisp of a voice". One reviewer described the band: "Imagine a small child singing lullabies at the bottom of the well with a background of grinding guitars".

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THE STIFFS - Volume Control 7'' 1980

"From Blackburn in Lancashire the Stiffs started in 1977. Their first single 'Standard English' was released in early 1979 on their own Dork Records label. The much more impressive follow up "Inside Out"/"Kids on the street" was also released on Dork Records in December 1979 and both sides became instant favourites of BBC Radio One..s John Peel, who was quoted as saying on air that it was 'the finest record in the entire history of the universe'! EMI quickly snapped the band up and re-issued 'Inside Out' on their Zonophone subsidiary in early 1980. The single 'Volume Control' was released by Zonophone in November 1980 but it's lack of chart success prompted EMI to release the band from their contract and cancel plans for an  album. They signed to STIFF Records in January 1981 for a one-off single 'Goodbye My Love' (a cover of the 1975 UK hit by The Glitter Band), whilst the band went out on a UK tour with the U.K.SUBS. Several line-up changes ensued, but the Stiffs didn't release another record until 1985 with 'The Young Guitars' 12", once again on their own Dork Records. After incessant touring the band folded in 1988, leaving behind a fairly large legacy of unissued material." (source: Still Unbeatable Records) - Two great PowerPopPunk smasher which demand your attention!!!!

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THE OUTCASTS - The Punk 7Inches Collection 1995

The following combo is also been a guest in my theater several times and it's the Bad boys of the Ulster Punk scene: The Outcasts - Formed in Belfast in June 1977 by the Cowan brothers: Greg (bass/vocals), Martin (guitars) and Colin (drums). They were joined by Getty on guitar. The band played their first gig in May 1977, playing a mixture of their own songs and cover versions. After building a strong local following, they were picked up by the local It record label, who released the band's debut single, Frustration, in May 1978. They were then signed to Terri Hooley's Good Vibrations label, who released Just Another Teenage Rebel 7Inch in November 1978, which saw the band receiving airplay on national radio from John Peel. And so the history went on. They made three albums and a few 7Inches and all those goodies are united here on this fantastic compilation by Anagram Records. 

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VISITORS - Compatibility 7'' 1981

The Visitors hailed from Edinburgh, where they started off as the Deleted. Members were John McVay (vox), Colin Craigie (guitars), Derek McVay (bass) and Keith Wilson (drums). They released three 7inches and their third single on Rational records featured two tracks taken from the band's second Peel session. Both songs very emotional, bass-driven and long. Very nice gloomy atmosphere where you can indulge in nostalgia, not desperation this is about new hope and get up again. They are represented on some compilations, for example: Neighbour Annoyer and who like Joy Division, Pink Turns Blue or melodic New Wave sounds should not waste any time to download this fine record.

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