THE LUCHS BROTHERS - Kill Me I'm Rotten 7'' 1978

Debut killer 7Inch by the Luchs Brothers, Kurt (vocals), Marv (guitar), Gary (drums), from Chicago on Retread Records. The Luchs Brothers originally started out as a comedy troupe and they really had only one track that was in the punk vein, but since it was well-known at the time they are lumped into the punk scene. Kurt remembers "Kill Me I'm Rotten was written in ten minutes after my first exposure to the voice of Johnny Rotten, which I thought was one of the funniest things I'd ever heard, and to which I wanted to pay some kind of comedic homage. To this day, I'm amazed at how little press is devoted to the humor of the Sex Pistols and how seriously everybody takes punk. The idea that this man has made a living from singing all these years is, to me, hilarious. Still, I'm a big fan and I've enjoyed pretty much everything he's done. We soldiered on for a while with our comedy shenanigans. Our second record was unfortunately a major abortion, an attempt to combine songs with comedy bits, and it all sounds pretty awful today except for one cut, Luchs Brothers On Parade, which is nice but too long. I wouldn't stand by anything else on the record except for the ingenious homemade packaging, which is based on Chinese propaganda of the period, and includes things like a political playlet, etc." In 1979 a second 7Inch "We Are Farmers & Comedians Too" followed which moves more into comedy. Both songs are pretty cool stuff!

- Great Thx to Fredrik -

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V/A - Anarki & Kaos #2 2007

"Punk, Råråkk & Aggression - Archaeological excavations from the Norwegian underground 1978-1981", so briefly about the content of the second Anarki & Kaos compilation from Voices Of Wonder Records and this Silberling is full with rarities and classics. Comes in a decent artwork with much infos, but I don't understand why nobody came up with the idea to translate the whole thing into English... but with a short video which is apparently without sound, hmmmm.... frankly, I can't see any sense in it. Well, somehow I think this CD shouldn't go beyond Norway and is certainly very interesting for locals, but let's be not so critical; Fakt is: together with Volume 1, both provide an excellent insight of the subculture by this country of the early wild years.. Unfortunately only as CD available, but essential for all KBD friends... choose an indispensable listening experience!

1.Produkt Av 70-Åra - HÆRVERK

2.Hurra (For Norge) - Z-OFF

3.Smukke Folks Børn - OSLO BØRS

4.Galt Et Sted - ØRESUS

5.Landsbygda's Fortapte Sønner - ISCHJAZZ

6.Pond - DE PRESS

7.Asosial - HJERTESVIKT A/S

8.Tvangsinnlagt - ANFALL

9.Klaus - HJERN & MENTAL

10.Stumblin' - BØRRES KORK

11.Rene Hender - THE ALLER VÆRSTE!

12.Urbane Problemer - KJØTT

13.Bølle - FORT & GÆLI

14.Full Kontroll - FEBER

15.Uskyldig Dømt - KOLLAPS

16.Berre På Jævel - SVARTEDAUEN

17.Hva Faen - 1984

18.Jeg Har Fått Nok - STROYERS

19.Babij Jar - BABIJ JAR

20.Parklåt - GEITOST

21.Egertorget - SUNWHEELS

22.Unge Høyre - SQUIRMS

23.Hounds Of Hell - DORIS NIGHT

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V/A - Keine Experimente! 1983

In the early 80s there existed two essential labels in Germany, Aggressive Rockproduktionen (AGR) from Berlin and Weird System from Hamburg and numerous classics were published on both, while the Waterkants devoting more to the bands than AGR in terms of artwork, limited colored vinyl, lyric sheet, royalties, etc.... but both were significantly involved to give German punk socially acceptable in this country and over and above that. It wasn't as big as AGR, but their early releases count today as important cult factor. WS also became more interested in American bands from the mid-1980s and tried to give new musical impulses, great slabs were licensed and relevant contacts with overseas were created as well. Keine Experimente! was the third release and German bands were asked to send their demos with a bit of basisinfo & lyrics and the result is this fantastic compilation with largely exclusive songs, many became famous afterwards and are still among the best bands in Germany, no wonder that Vol.2 had to follow a year later. Enough Bla Bla, enjoy the old Gassenhauer and a relaxing Pentecost.

1.Ami-Fraß - RAZZIA

2.Du Denkst - BOSKOPS

3.4er-Tram - ZSD

4.Hate Your Neighbour/Feel Alright - THE BUTTOCKS

5.Gift To Europe - UPRIGHT CITIZENS

6.Alles Umsonst - BLUT+EISEN

7.Kindl-Träume - DEUTSCHE TRINKERJUGEND

8.Kriegszustand - RAZZIA

9.Leichenberg - DAILY TERROR

10.Stand Up - UPRIGHT CITIZENS

11.Die Germanen - DEUTSCHE TRINKERJUGEND

12.Deutsche Raus Aus Deutschland - THE BUTTOCKS

13.Terroristen - SS ULTRABRUTAL

14.Jacutin - BOSKOPS

15.Sex - ZSD

16.Ein Kessel Buntes - DAILY TERROR

17.You Could Be Me - SS ULTRABRUTAL

18.W.S.W.U.F. - BLUT+EISEN

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VARSEL - Poplåten 7'' 1981

Another rare single by a band of which I can't find any info on the www, only so much: Varsel consisted of Ronny (vocals/synth/guitar), Johan (guitar), Harald (bass), Jocke (drums) and this little dittie was released via Eko records and offers two nice powerpop goodies. Side a shine with a melodic, brisk mid-tempo cream topping with excellent guitars and we enjoy a really great solo that chirps like a bird in the morning until the songs ends. The flip also flutes up to dance and is accompanied by subtle synthies and unfortunately here too a fade out, I don't like that kind of ending, but you can't have everything. But what you can have are these two dresser songs and I've heard worse, and the four are not represented on compilations. Probably they only came together for this record or couldn't find a reasonable label with their kind of music.

- Great Thx to Fredrik -

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WHITE SS - Mercy Killing EP 1978

200 copies were pressed by this only output from White SS and how they came to this atrocious name can only be explained with a lot of alcohol or drugs. Punk is supposed to provoke and with this name it works very well. Musically, three pieces are offered and they range from amateur low-fi sound to snotty scraping, in one word, fantastic! Released by the bands own label and I am sure that no further inquiries have been made about repressing. I want give you a short info (all on punk77 above) about the tracks from the band itself: The tracks were (believe it or not) professionally recorded - but the limiters clipped the volume, which is why they sound so dreadful. The 'live' track was not live at all - it just sounded worse than the others. I remember sticking those dreadful covers on the record sleeves - took a whole weekend - also wrote the lyric sheets. The NME saw through it - they said "as concentration camp guards, this lot would make good poodle breeders." So Ladies & Gentlemen, get your own picture about this rare EP, I’m amused anyway. 

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ÄPPELKARTERS - Skjut Lill-Babs 7'' 2014

Äppelkarters was a short-lived combo from Uppsala and active between 1986-1991 and consisted of David (vocals), Per & Meshesha (guitars), Yawn (bass) and Bartolomeus (drums). In their active phase some songs were recorded but no record was released. A real shame because what I hear on this single (via Re-Ken Records, limited to 200 copies) is damn cool trashy rough forward ass-kickin' two sides killer and I can be wrong, but the A-side seems familiar to me somehow ... but from where? My memory leaves a lot to be desired, jaja... In 1993 Kart-Records released a mini CD, På Svenska, with nine tracks, all presumably recorded in the second half of the 80s, with these two included. I can only say, listen to the five, great kino!

- Great Thx to Fredrik -

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V/A - Doobie Do Disc 1982

Pioneering New Zealand independent label Propeller, active 1980-1983, is regarded as the first of the wave of post-punk NZ indies and lots of great records were released. Another witness is this compilation, a label retrospective and brings Propeller’s early releases and two unreleased songs from the Features into the light. This shows that at that time the original singles were hard to get (especially outside of the Kiwi region), most were published in small editions, so this slab was probably due to the high demand, and was not easy to get as well, nor cheap. Anyway, all excellent songs from great bands and a timeless sound document of the oceania underground scene, a must have!

1.City Scenes - THE FEATURES

2.Feel So Good - SPELLING MISTAKES

3.First In Line - THE MARCHING GIRLS

4.True Love - THE MARCHING GIRLS

5.Party - THE FEATURES

6.Victim - THE FEATURES

7.Police Wheels (Demo) - THE FEATURES

8.That Girl - TECHTONES

9.There Is No Depression In NZ - BLAM BLAM BLAM

10.See Me Go - SCREAMING MEEMEES

11.Doobie Do Boy - THE NEWMATICS

12.Nick The Stripper - BIRTHDAY PARTY

13.At At - SCREAMING MEEMEES

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RIOT 111 - Subversive Radicals EP 1982

Wellington's Riot 111 were active from 1981-1983 and it consisted of John & Geoff (vocals), Nick (guitars), Mark (bass) & Roger (drums). In their lifespan they released two 7Inches. A bit info: "RIOT 111 appeared during the fractious Springbok tour of 1981 and can lay claim to being one of the first New Zealand punk bands to deal with overtly political content in their music and imagery. With members of the band active in the anti-tour marches Riot 111 was conceived following the infamous Molesworth Street baton charge on July 29. “Here's these people supposed to be protecting what's right and they're hitting old ladies over the heads with batons.” (Roger Allen With Geoff Ludbrooke on vocals as John Void, Riot 111 was formed along with Roger Allen on drums and Mark Crawford on bass. Nick Swan formerly of Life In the Fridge Exists on guitar was the only member recognised as having any serious musical ability and like his former band RIOT 111 was intended as more of a performance happening than a radio friendly unit shifter. Their first single 1981 was recorded in a couple of hours released on 7” as a pressing of 500. The song ‘’1981’’ is based on an English interpretation of Ngati Toa’s Te Rauparaha's haka 'Ka Mate', and made famous by the All Blacks. Shouted by Void over searing guitars and pounding drum beats. It is an anthemic call to arms that Void intended to be played as anti-tour protesters marched into battle with police and pro-tour rugby heads.Following the tour the single was repressed and entered the national charts at number 46. '1981' was recently declared the 12th most important song in New Zealand history by the documentary series, “Rocked The Nation”. The success of '1981' spurred them to play their first gig at an anti-tour party in late September. In keeping with their agit-punk ‘manifesto’ the band's set featured songs about police violence, drugs, state power and impending revolution. The second single, “Subversive Radicals”, released in early 1982 paints a grim picture of New Zealand, under then prime minister Robert Muldoon, as an Orwellian 'East Berlin of the South Pacific' with social freedom progressively eroded by a violent 'police state'. The single charted at 19 and the band's increasing popularity/notoriety saw them open for big overseas acts such as The Birthday Party and Having already shown their interest in creating sensationalist media stories RIOT 111 upped the ante in 1982 when TVNZ refused to play a video for “Writing On The Wall”. The band transported their gear along with a horde of Wellington's punks and skins out to Avalon studios in Lower Hutt. Parked at the front door RIOT 111 played a set off the back of a truck, besieging New Zealand's castle of state broadcasting with an aural barrage and raising the anarchist flag. RIOT 111's confrontational music and style made them a favourite with the boot-boy scene and gigs were often marred by violence in the audience and through police actions to break up shows. By the end of 1982 the Wellington punk scene filmed in Chris Knox's Terrace Scene documentary only a couple of years earlier as a co-operative, playful, avant-garde movement was fast disintegrating into a nihilistic mess. In Easter 1983, RIOT 111 played at Golden Showers, a punk gathering in Newtown, Wellington, featuring bands from around New Zealand. A live recording of the show was released the following year as Capitol Kaos with RIOT 111 contributing three songs to the mix. By October 1983 the band members had had enough, Roger took off to Auckland and Void recast himself as an actor based in Sydney." (source: upthepunks)

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VEDA BROZK - Lucia 7'' 1982

Not easy to post something appropriate after a milestone and I decided on something adequate in form of a rather unknown band from Sweden with their first single. Veda Brozk was a five piece from Örsköldsvik and they won a local Rock competition in their home town, Rockforum 1982, and the price was to recording the winning song on a single and it was "Lucia", the a-side on this record, released via Try Musikproduktion. The lyrics is about the bad behavior of people in Lucia (a big Swedish party holiday) when they been drinking too much (info by lalind). In 1983 a second 7Inch Vill Bara Vara Barn was released and then it was Schicht. No compilation tracks and no further info. Well, two nice New Wave goodies with a Bontempi organ round off the presence of these five, and as classics neither go down in the annals of the glorious songs. Certainly interesting for all Swedish lovers among you. Now off to town, need new shoes and a jacket.

- Great Thx to Fredrik -

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CHAOS Z - Ohne Gnade 1982

RRR.13 is by far the best record of the Brühler label Rock-O-Rama and if the three, Thomas (vocals/guitars), Andreas (bass), Michael (drums), would have known at the time that Egoldt is a damn profit-oriented bastard and is not a niche for underground bands in the DIY sense, they would certainly choose another label, but the times were different and labels were rare. Chaos Z were founded in summer 1980 by the three above as the Zeroes. In October of the same year they renamed their band Chaos Z. At the same time, they started to write their lyrics in German. Their first vinyl appearance is the awesome Abmarsch EP on Mülleimer Records 1981. They rarely play gigs and there was no indication of the line-up on the records. Only with releases on samplers did it become known that the brothers Thomas & Andreas Löhr were the main members of the band. They existed from 1980 to 1983 and then merged into the band Fliehende Stürme with the same line-up. In 1995 Andreas recorded in single-handedly (Michael had left the band and Thomas died after the recordings for third Stürme CD Fallen) another Chaos Z album. 45 Jahre Ohne Bewährung took up the hardcore of the early 80s. In 2002, Weird System released the double LP Dunkle Strassen (1981-1995 complete), a compilation of all Chaos Z pieces that had been released so far, which contained all the lyrics (apart from that to Rocker Billy) and a summary of the band's history by Andreas. However, as with the sampler Schlachtrufe BRD, the intro for war is missing (however, it was cut out incorrectly on Dunkle Strassen), which was originally included on this album. Chaos Z's music is initially pure hardcore punk that may have been influenced by bands like Discharge. According to their own statements, they also felt inspired by New Wave groups and so more and more elements from the Dark Wave were used which then ushered in the change. With this album the three have produced a real universal classic and in my opinion, the best German HardcorePunk record ever and the original (appeared with a lyricsheet, which was rather unusual for the shitty label) is every damn price worth. Unequaled, still topical and great after almost forty years!!

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