V/A - Fahrt Zur Hölle...Und Kommt Nie Mehr Wieder EP 1998

Olalala, what a very nice 7Inch Hardcore/Punk Compilation we have here from the small Aus'm Bauch label which had a total of six releases and I think that's their debut one. You'll hear six fast, trashy goodies from relatively unknown German bands that hit hard, uncompromising, and furiously forward. It comes in a very stylish, informative format, and the title alone is a great choice, giving you a clue as to where this is headed. I have no idea how many pressings there are, but that doesn't matter; anyone who likes fast and furious will be well catered to here. Every band has released something on vinyl, but as I said, it's rather lost and unrecognized in the vast ocean of Punkrock, which is a shame, but it's no different with international records. The EP isn't very sought after, but it's definitely worth a listen.

1.Untitled - PEACE OF MIND

2.04 - DELLWO

3.Plastikwelt - MAD MINORITY

4.Maul Als Waffe - EL MARIACHI

5.Platt Aber Oho - KOYAANISQATSI

6.Umzu - KÜCHENMESSER NR.8

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DKP - Misère Noire 7'' 1982

Interesting 7inch by DKP, a five-piece from Paris who made a little music in the early Eighties and unfortunately only managed to release one single on CBS, becoming history in 1984. Members were Serge (vocals), Thierry (guitars), Frédéric (bass), Patrick (drums), Alain (piano) and we enjoy two nice rockin' tunes with a solid dose of dirty Punk'N'Roll. Well, unfortunately I can't say much more because there isn't much to find about them, and they're not even on compis either, just bootlegs at the end. But musically they're worth listening to and I would count them among the early French bands with that certain kick (especially the piano part is brilliant), you know what I mean. Listen, enjoy and recommend!

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THE DICKS - Kill From The Heart 1983

First full length by the Dicks and original released via SST Records, my copy is the Alternative Tentacles vinyl version and there are lots of Infos in the Blog and I like to quote here the one from AT, especially for you: "The Dicks, a Commie Faggot Band, emerged during the halcyon days of Austin, Texas Punk. The scene centered around the local dive bar Raul’s frequented by local freaks, artists, and soon-to-be Punkrockers. The band was the creation of Gary Floyd, a 26 year old from Palestine, Texas who had been a conscientious objector to the Vietnam War and was openly, flamboyantly gay. Although he was advertising the Dicks before they were even an actual band, Floyd soon joined forces with three “terrorist thugs” to complete the group: Glen Taylor (guitars), Buxf Parrot (bass) and Pat Deason (drums). They started writing burly, blues-drenched punk anthems and began playing raucous, shows with local heroes the Big Boys. Unlike that band’s funk-infused, high-production value drag show, the Dicks opted for a cruder but still spectacular approach. Gary Floyd would assault the audience with chocolate frosting pulled from his panties, inviting any rowdy audience members to suck his dick.

The band’s first single, the masterful Dicks Hate The Police was dropped onto the world in 1980 on MDC’s R Radical label. The title track to this EP is unlike anything else before or after a total powerhouse of a song. The B-side found the band playing faster and harder than most other US Punk bands at the time. Like most of their Texas peers, the Dicks had a sound that didn’t fit any one mold or genre. Sometimes Punk, Hardcore, Blues, or free-form ranting, they were always playing music on the edge of insanity. Their next record is one of the ultimate documents of Texas Punk, a split live record with the Big Boys recorded at Raul’s. While the Big Boys don’t sound as great as their studio material, the Dicks really explode off the vinyl with a ripping live set that captures both the great songwriting and amazing energy they brought to the table. Having caught the attention of Punk producer Spot, the Dicks recorded their first full length for SST. Kill From The Heart finds the Dicks’ blues Punk attacking conservatism and especially racism with unbridled fury. In 1982, before the album came out, Gary and the Dicks moved to San Francisco, followed by MDC and DRI who took up with them at a squatted beer plant known as the Vats. Along with their new neighbors Crucifix and Michigan’s the Crucifucks, they embarked on the 1983 Rock Against Reagan tour: an exhausting three month extravaganza organized by the Yippies. The tour took a lot out of the band, and after its completion only Gary returned to the city by the bay. There he reformed the band with three new musicians: Tim Caroll (guitars), Sebastian Fuchs (bass), Lynn Perko (drums).

This line-up recorded the Peace? 7Inch, a concept single attacking the injustices of war. While the record is powerful, especially the scorching “I Hope You Get Drafted,” it also demonstrated the cleaner, more rocking direction that the new band was taking. 1985’s These People album, released on Alternative Tentacles, showcased a Dicks who were severing ties with “Punk” sounds to play more straightforward, longer bluesy rock songs. Nonplused by the reaction from punk audiences (“play faster!”), Gary decided to end the Dicks in 1986. He and Lynn Perko started Sister Double Happiness, who recorded for SST. Gary later went solo and has a new project called Black Kali Ma on A.T. Glen Taylor, unfortunately, passed away. Alternative Tentacles has reissued a collection CD of Dicks material that is a good starting point, and bootlegs of the LP (good quality) and first 7″ (bad quality) aren’t too hard to come by. Go get them now!"

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LAMINAT.SNYDER - s/t 7'' 2024

Easy Listening by this project from Siegen called Laminat.Snyder and members are Stefanie Shrnk (vocals), Björn Sonnenberg, Florian Gelling, Doe Bed, Martin Kircher (vocals), Christian Stemmann, Oli Spielberger, Christian Schneider (vibraphone, drums and all other instruments) and this is a musical experimental journey with two five minute pieces, released via Frei zum Abriss Kollektiv in a small edition of 33 copies. We listen to noises far removed from the fast-paced time and they invite you to immerse yourself in sound worlds that are extremely pleasant and will shake your head properly and kick all the fucking thoughts out. I find it extremely soothing and stimulating and it helps me with my creativity for a new Compilation that will follow shortly. Experience the band for yourselves, I have to go, the weekend and the sun are calling me.

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MERCEDES JENS - Hand In Hand Zum Amt EP 2020

"Bremen's dumbest band, anyone who says otherwise should show their high school diploma!" We're talking about Mercedes Jens, a three piece which was founded sometime in 2016 by Hannes, Lukas and Thomas. "A very good record with four very good songs!" so describes the trio Mercedes Jens their first record, which is limited to 200 copies. In this file there are six songs in total, where I got the others from remains a secret. This is the soundtrack for adventurous young people, for pensioners who buy their own bread, for all age groups, and for lonely, aggressive pacemakers, also for young and old. They have three tapes and an EP out, and anyone who likes straightforward, magical Punkrock and dares to delve into the fucking ether of the spiritual depths of darkness with every note is in good hands with these guys from the Hanseatic City. Haven't heard such cool shit in a long time.

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FIZIK - Next To Me 7'' 1981

A few months ago I presented you the second and last 7Inch of the Belgian combo Fizik, now follows the first one on Kleo And this record is also a little diamond with two beautiful wavie songs. The A-side one is about the eternal theme of love, the flip takes criticism of a second popular topic: religion. There is no emphasis on violence or aggression in their sound, but rather the words are refreshingly presented at a pleasant tempo and that makes this interesting for me and I am sure for you too, my dear listeners. And that's it for today, I'm following the Women's European Football Championship and want to go to the Main before the next game. Enjoy Summer!

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GLENN DANZIG - Who Killed Marilyn? 7'' 1981

One of the most sought after collector's items in the entire Glenn Danzig discography, the notorious, non-album 7Inch Who Killed Marilyn? and was recorded during Danzig's tenure with horror Punk icons the Misfits, this song was released as a solo single, and with an unreleased Misfit's track, Spook City USA! Both songs also appeared on the Misfits collection Compilations and were originally recorded in 1979, so there's really no need to buy the original 7Inch again for a lot of money. But whatever, both songs are brilliant, and anyone who likes the band and its frontman will buy them and hear music that's still fantastic, I can't say that about every band.

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SUBCULTURE - Blood & Dust 7'' 2013

A nice 7Inch by Subculture, an Oi! combo from Cambridge, they started in early 1980 and original line-up were Bleeter (vocals), Dean (guitars), Phil (bass), Matt (drums), they split in 1983 and reunited in 2011 and this is one of their newer things, I think the second 7Inch, on Contra Records and 500 copies exist (200 on light marbled & 200 on dark marbled vinyl, the rest in black). The record is certainly not a sensation; their older stuff has more power and steam and appeals more to me but what the Fuck. They dared to write something new because people in this world are still full of crap, and in doing so they overcame their fears and stayed true into their hearts, which is something I can't say about everyone. Good Job!

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CHAOS U.K. - Total Chaos (The 7Inch Collection) 1991

We all know the great the Punk Collectors Series by Anagram Records which is always equipped with all rarities of the respective combos and today we enjoy the collection of Chaos U.K., a four piece formed 1979 in Portishead, near Bristol. They emerged as part of the Anarcho-Punk scene, developing a fast and aggressive HardcorePunk style, the original line-up consisted of Simon (vocals), Andy (guitar), Adrian (bass) and finally Richard (drums). The boys really kick with their three-chord, distorted guitars that almost always sound the same, and that's exactly the typical English speed sound I like to hear. You might think every song sounds the same and there's nothing new, but Chaos U.K. also has quiet moments and longer pieces. Not many, but they show that they have some instrumental mastery. The band recorded two EPs and a full album for Riot City Records and the debut was notable in the fact that the band's label claimed it was the "fastest, noisiest LP in the cosmos" in the short-lived "Punk Lives" magazine. Many records followed, their last one coming out in 2015. I guess they're still alive and touring the UK occasionally, and maybe something new will come out soon. I'm going to have breakfast now.

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BIG BALLS & THE GREAT WHITE IDIOT - Art.1 Die Würde Des Menschen Ist Unantastbar 1980

Big Balls & The Great White Idiot were formed in Hamburg 1977, but its members had actually worked together to some extent since 1975 and experimented with other types of music. In 1977, however, they took the direction of playing punk, and that's when this name came about. The members of Big Balls & The Great White Idiot were three half-Icelandic brothers, Pétur Adolph G. Grund drummer, Atli Halldór Lothar Grund guitarist and Alfreð Grund bassist, the fourth member was Wolfgang Lorenz and played guitar and the brothers all sang. The band was among the first and best-known punk bands in Germany and is probably still active in some form there, although little has been heard of them in recent years. In their early years, they were considered very provocative and theit live performances were always an adventure. The Balls released about a dozen LPs and singles and were one of the first early German Punk bands and their lyrics were written in English.

Performances on stage were highly aggressive; they were known to shout at the audience to go home. "Baron Adolf" provoked the audience by wearing a Nazi uniform and a black moustache as an expression of anarchy. Punk News magazine called their sound "mean and ugly." Their reasoning was "Wir hassen alle und wollen von allen gehasst werden. Die Leute sollen durch unsere Musik zum Durchbrechen und Aufmotzen gezwungen werden, damit sie ihre Frustration merken.“ ("We hated everyone and wanted to be hated by everyone. Through our music we wanted to force people to have a break-through and feel a call to action, so that they would notice their frustration.")

Their first album was released in 1977 by Nova/Teldec, named Big Balls. Among the seventeen songs were several covers: a version of the Pistols' "Anarchy In The U.K.", in this case "Anarchy In Germany," a cover of "White Light, White Heat“ by the Velvet Underground, and a cover of "Search & Destroy“ by the Stooges. In 1978 Big Balls released their second album Foolish Guys. Their next two albums, Artikel 1 and Creepy Shades, were released on their own label Balls Records, the latter bringing a change in sound away from Punk. The Eighties saw the "Balls" (with French guitarist Hervé Rozoum) more often in theaters contributing their music to various stageplays. In the 1990s, the Balls produced several albums with actor Jan Fedder as "Jan Fedder & Big Balls".

"Rock'N'Roll is not just music – it is much more." (Balls motto)

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