Brilliant or scrap? That's the question I'm asking myself when I listen to Cotzbrocken from Cologne. Blunt uninspired monotonous music with simply knitted lyrics or the signs of the time recognized and zack into Herbert's studio and spontaneous thirteen songs recorded. I have some Rock-O-Rama records but this one is by far the last I would buy. The band existed from 1979-1982 and consisted of Peter (vocals), Axel (guitars), Igor (bass) and Carsten (drums). Musically, this very well-known but often ridiculed record was in the German punk scene not really a highlight, too slow and monotonous; the self-contradictions in their lyrics showed hardly any irony. The album was indexed by the BPjS, which, so Moloko Plus (Fanzine), "proves that the ladies and gentlemen at the Federal Examination Office took the nonsense seriously". In 1982 the band appeared together with Der Fluch, OHL, Fasaga and Stosstrupp on the Köln-/Leverkusen compilation Die Deutschen Kommen. Stylistically, the songs are similar to those on Rock-O-Rama's published and indexed record. Although the Cotz lumps are considered embarrassing due to their simple music and lyrics - even for their time - the "Moloko Plus" described their album as "undoubtedly one of the worst records ever to have done a punk band [...] Nothing is right here: the band can not play, the singer is completely incompetent, the lyrics saudoof, the production a catastrophe", they are regarded as one of the most important German punk bands and their plays as classics. Oldpunk Karl-Heinz Stille said, "Cologne was for most of them more of an encouragement to make their own music than heroes and role models. You were SO good even after the first three rehearsals, and they already had a record outside. But just that gave the band something totally real, authentic and honest [...] punk rock in its original form, even if it did not always work out quite so with the second chord".Well, decide for yourself, because over taste can be argued, as is known.
