SUBURBAN STUDS - Slam 1978

Formed in 1976 and hailing from Birmingham, the Suburban Studs consisted of Eddy Zipps (vocals/guitar), Keith Owen (guitar), Paul Morton (bass), Steve Pool (drums) and with their already punky sounding name were one of the first bands to be signed to an independent, the equally punky sounding Pogo Records, and marketed through the major label WEA Records. In their time they released two 7Inches and even an album within a year, a feat not reached by many a Punk band of the time. Originally featuring the sax antics of Steve Heart the instrument was felt to be inappropriate to their sound and he left to start the Neon Hearts.

The Suburban Studs were active live throughout 1976 but were a different looking proposition then with a more glam look. Supports at the time included The Runaways. They played their first London gig at the 100 Club on the 31st August '76 supporting the Sex Pistols and The Clash. A quote from a Sounds review by John Ingham appears The Clash book "Last Gang In Town" where he describes their set as 'a laughable mixture of tacky jumpsuits, tacky make-up, tacky props and tacky music'. The Studs also headlined over the Clash on the 27th of October '76 at Barbarellas in Birmingham, this time complete with haircuts and a more Punk image, though still playing the same dated glam set as they did at the 100 Club. Gigs at the usual suspects like the Marquee, Vortex, Roxy Club and Barbarellas and tours even supporting the likes of AC/DC and The Runaways did nothing to break the band. Not even a John Peel session broadcast in December 1977 or appearing in a Punkrock special on ATV helped.

WEA supported with marketing and also helped land them on the double Live At The Hope And Anchor album with a live version of 'I Hate School' along with The Stranglers, 999, X-Ray Spex & The Saints among others. Their WEA Press release which accompanied their album Slam l is suitably hyperbolic and manages to sadly spell the bands name wrong in the first sentence! WEA Press Release Born in the slums of the Midlands and educated with street level certificates, the Surburban Studs are deeply involved with their music. "We're fed up with rock superstars", said lead vocalist Eddie Zipps. Their music has got fuck all to do with living on the street today. We live in a slum... You've got to play music, that's life, that creates a situation. Their debut album 'Slam' reflects the seamier side of life and focuses on Suburban Studs instinct. Unfortunately the music didn't live up to the hype. Mediocre album reviews in the music weeklies didn't help either. PR was reduced to occasional gossip including the singer being subject to random Punk violence which was prevalent at the time and the shenanigans of their fans when two girls at their Thames Poly gig flashed their breasts on stage, daubed graffiti & set off fire extinguishers. With no sales the band who were astute enough to jump on the Punk bandwagon couldn't progress further and just fell off the Punk map.

Having said that however, the single Questions/No Faith (1977 Pogo Records) is a peach as good as any. Classic driving overdriven punk at a frenetic and heart attack inducing pace. Steve Harrington (sax) who was later in the Neon Hearts played on the first version of Questions/No Faith (July 1977) which was withdrawn, both tracks were re-recorded when Harrington left to start the New Hearts and e-released in November 1977, this time with "No Faith" as the A-side. Slam their album feels like Punk by numbers. All the ingredients are there but there's something missing and that's a spark. For once I think the reviews of the time got it right. Like the art work on Slam below? They couldn't get straight jackets from anywhere and in the end had to have them tailor made. Their only other single was I Hate School/Young Power (1978 Pogo Records) pulled from their album and this time reusing the album over in monochrome. They are also on the Live at the Hope & Anchor Compilation (March 1978) again singing I Hate School in the company of The Stranglers, 999 and X Ray Spex. Ironic as one of them went on to become a teacher.

While bands like Eater and Menace never got a John Peel radio show, the Suburban Studs did which aired on 22.11.77 and which featured "Suburban Stud, I Hate School, Necro, No Faith" and that was it! (source: punk77)

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THE CORTINAS - Defiant Pose (Singles & Demos 1977-1978)

Uhhhh... fantastic release on Radiation Reissues and I promise, this record saves every fucking day. What's inside: "Bristol Punk quintet the Cortinas began as an R&B covers band, but soon sped up their repertoire when punk arrived, making them local pioneers. A slot supporting the Stranglers at the Roxy brought them onto Miles Copeland and Mark Perry’s Step Forward label and they later signed to CBS before imploding, guitarist Nick Sheppard then joining the Clash and drummer Daniel Swann San Francisco’s the Sneeches. This ace compilation gathers the best of their early work, including the immortal debut Fascist Dictator/Defiant Pose, as well as ‘TV Personalities', both in the studio and live. Another crucial piece of the Bristol puzzle." A limited edition of 100 copies comes in yellow vinyl. Great Music!

- Great Thx to Fredrik -

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ARSON - White Folks 7'' 1979

Five piece from Toronto hereby invite you to listen to their only great & rare 7Inch on Motor Records, which was released in a limited edition of 900 copies, and since I can't talk about the How’s, Why’s and Wherefore’s, because I wasn’t there at the time, I found a small but shiny & informative anecdote from someone who knows better, here we go: In 1977, at the height of the punk rock pandemic that was effortlessly engulfing the globe, vocalist and composer Rude Tuesdai fortuitously joined forces with guitarist Marcel Lafleur to begin a musical friendship that has spanned more than three and a half decades and spawned the incendiary band ARSON, the rest of the gang were Chic (guitars), Spyke (bass), Mike (drums). Ask anyone who’s ever heard them live and they’ll tell you that ARSON sonically sutures the Detroit destruction of the Stooges and MC5; the New York noise of the Velvet Underground and New York Dolls; and the British brainpower of the Stranglers and Clash. I could go on, so I will. Arson has independently toured all across North America and played countless concerts in a myriad of notorious rock’n’roll breeding grounds like New York, Detroit, and Chicago while sharing stages with (and stealing spotlights from) much influential legendary luminaries as the Dead Boys, Misfits, Suicide, Troggs, Destroy All Monsters, etc…. Meanwhile, Rude and Martin continued to douse the band’s smoldering ashes with new songs until the time was right to finally tap their past and craft a contemporary sound containing the unflinching fury of their earlier incarnation.

Aided and abetted by John Sutton (Weakerthans) on bass and David Quinton (Mods, Dead Boys, Stiv Bators) on drums, Arson recently recorded an in depth profile for Toronto radio station CIUT while recent concerts have garnered a whole new generation of rave reviews. That not hyperbole, that’s a fact and you can take it from me because I actually was there back in 1977 at the height of the punk rock heyday. So who you gonna believe: me or your own ears? (Bio by Jeffrey Morgan)

Two amazing songs and really too little for a talented band like Arson.

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THE STRANGLERS - The Great Lost Stranglers Album 1983

Fresh on the table and an excellent August finish with a real rarity and this interesting piece of vinyl is a Japan only compilation of non-album tracks, released via Liberty, by the Stranglers. Fourteen songs that underline their versatility, sometimes punk, sometimes poppy, but always unmistakably their sound with which they have earned a positive reputation worldwide and always remained true to themselves. Although they rose to fame during the initial explosion of UK punk, the Stranglers always stood apart from the other bands from the class of 1977. They had been together before punk became the "next big thing", and while they had a great talent for being suitably rude and transgressive, their music didn't sound or feel much like the fast-loud guitar-based fury of the well-known bands at that time. The Stranglers from Guildford are an integral part of the scene and belong in every well-stocked record collection and this slab is definitely one of them, even if difficult to obtain.

- Great Thx to Reinhard -

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THE STRANGLERS - s/t EP 1977

I'm lazy to write today and so I pack something world-famous in wdthtc with the Stranglers, an English rock band who emerged via the punk rock scene and are one of the longest-surviving bands to have originated in the UK punk scene. Formed as the Guildford Stranglers in Guildford, Surrey early 1974, they originally built a following within the mid-1970s pub rock scene. While their aggressive, no-compromise attitude had them identified by the media with the emerging UK punk rock scene that followed, their idiosyncratic approach rarely followed any single musical genre, and the group went on to explore a variety of musical styles, from new wave, art rock and gothic rock through the sophisti-pop of some of their 1980s output. This EP has four brilliant songs and that's a short background, enough on the net about the gentlemen.

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THE VIBRATORS - V2 1978

Classic punk by the Vibrators from London and active since 1976, they have released well over twenty records to date. You see, these are young veterans of good music. Info: The Vibrators were founded by Ian 'Knox' Carnochan, Pat Collier (bass), John Ellis (guitars), and drummer John 'Eddie' Edwards. They first came to public notice at the 100 Club when they backed Chris Spedding in 1976. On Spedding's recommendation, Mickie Most signed them to his label RAK Records. Most produced their first single, "We Vibrate". The band also backed Spedding on his single, "Pogo Dancing". The Vibrators recorded sessions for John Peel at BBC Radio 1 in October 1976, June 1977 & February 1978. They were one of the pioneering punk bands that played at London's Roxy Club. The band signed to Epic Records in early 1977. Their debut album, Pure Mania, was well regarded by some music critics and, seventeen years after its release, The Guinness Encyclopedia of Popular Music named Pure Mania one of the 50 best punk albums of all time. During the 1980s, John Ellis recorded with Peter Gabriel, as well as recording and touring frequently with Peter Hammill, then subsequently the Stranglers, eventually joining the latter full-time in the 1990s. Pat Collier went on to work closely with the Soft Boys, producing their seminal album Underwater Moonlight, and Robyn Hitchcock, producing and mixing some of his solo albums (to which Knox also sometimes contributed). Phil Ram went on to form Able Ram and brought out two singles, "Disco In Moscow" and "Hope We Make It", although without any chart success. Despite numerous line-up changes, the Vibrators are still touring to this day as a three-piece, with "Eddie" being the only original member. V2 was their most successful album, reaching #33 in the UK Albums Chart and it earned the band a TV appearance on Top Of The Pops. You can read more about them in the web and you're doing nothing wrong buying a V record.

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LONDON - Animal Games 1978

Delicious catchy music form the British Island is coming up next and I will inform you with existing words: London is a four-piece punk band formed in London in 1976, best known for their wild stage act. The original line-up was Riff (vocals), Dave (guitar), Steve (bass) and Jon (drums). They recorded in their short lifespan two singles, a 4 track EP and an album for MCA Records in 1977 actually released in February '78 after the group had disbanded. Most of their songs were written by Riff (including the first two singles Everyone's A Winner & Summer Of Love) or by Riff and Steve. All their records were produced by Napier-Bell at the IBC Studios in London. After an absence of more than thirty years the band returned to live performance and subsequently released the album "Reboot" in 2012 with line-up Riff (vocals), Steve (bass), Hugh (guitars) and Colin (drums). Animal Games is the only album recorded by the original line-up of the Band. The album contained all the band's singles. They toured extensively throughout 1977, including a major UK tour with the Stranglers and their final gig was @ the Marquee Club in Wardour Street on the 8th December 1977. The band broke up shortly afterwards. On leaving, Moss joined the Damned and then formed Culture Club with Boy George. Riff released solo records on MCA and CBS before reverting to his real name of Miles Tredinnick and becoming a comedy writer; Steve formed a new band The Original Vampires and Dave following stints in Metro and Holly and the Italians reverted to his real name of Colin Wight and became an academic (recently appointed Professor of International Relations at the University of Sydney). Simon Napier-Bell went on to manage George Michael and Wham! before becoming a best selling author of rock 'n' roll books. In 1997 Captain Oi! Records released a best of London CD called "London-The Punk Rock Collection" with fifteen smasher... Now pay attention to the four for good forty minutes, because they deserve it and don't forget: a good deed every day!

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THE CORTINAS - Defiant Pose 7'' 1977

Bristol's first punk band, the Cortinas, formed in March 1976 when Jeremy Valentine (vocals), Nick Sheppard (guitar), Mike Fewins (guitar), Dexter Dalwood (bass) and Daniel Swan were still at school. "Jer put the band together, he definitely had a vision of what he wanted; he was very hip - Dexter & Mike went to the same school as him" remember Nick. "He found me via Mark Stewart, who I went to school with, and I brought Dan in; we had played in a band together before. We used to practise at the back of Jer's Dad's shop". The Cortinas soon built up a big local following, and a break came when the band supported the Stranglers at the fabled Roxy Club in Covent Garden on 22 January 1977. Nick recalls how it came to be: "Hugh Cornwell was staying at a friend of his' flat near the university, on holiday, and me and my girlfriend met him in the street. This would have been in the summer of 76. We started talking to him because we recognized him from seeing The Stranglers and hung out for the afternoon. I told him about the band. Later on, in January 77, he sent us a postcard asking us to play at the Roxy, so we rang up and said yes! I remember my mum telling me not to be too disappointed if people didn't like us...". Things then moved quickly for the band. Miles Copeland and Mark Perry's Step Forward label released the classic singles 'Fascist Dictator' in June and 'Defiant Pose' in December, the band recorded a fine Peel session, and they appeared on the front cover of the April/May issue of Sniffin' Glue. Heady stuff, but sadly, it was over all too soon. The following year, after a poorly received album, the band were no more, but in 1977 they were unstoppable - simply one of the best first wave punk bands around.
(source: bristolarchiverecords)

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RATTUS - WC Räjähtää 1982

In the early hour I welcome the weekend with fast hardcore from Finland and we put on the debut album by Rattus on Poko Records. Formed in the spring of 1978 by Jake and Vellu who started to play mostly English punk bands songs just for fun (Sex Pistols, The Damned, Clash,etc.). A few weeks later they asked Jake's brother Tomppa to join the band and so he did. The name Rattus was taken from the first album of the Stranglers, "Rattus Norvegicus". Rattus is latin meaning a rat,a very big rat. In the early days the band did shows only in their hometown and near of it. Fourteen heart attacks in less than twenty minutes, must I have say more? They made numerous albums, singles & represented on countless compilations and they're still touring, for example 2020 at the Rebellion Festival in Blackpool, UK., definitely worth a trip. - Now quickly to bed, in eight hours I'm back on my bike, good night Europe!

- Great Thx to Fredrik -

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GATECRASHERS - Desillusioned EP 1980

Only record by the Gatecrashers from Denmark, a very short-lived band (1979-1980). They were part of the DIY movement & released this bloody sucker via the legendary Irmgardz label (singer Kenan was part of the founders), they arranged their own concerts, designed their own posters and had their own fanzine. The band consisted of members Ken Revoltaire (Kenan Seeberg - vocals), Martin Crash Accident (Martin Lind - guitar), Carsten Crewcut (Ole Nyegaard - Farfisa), Peter Durup (bass, 1979-1980), Ole Dreyer (bass, 1980-81 ), Torben Østergaard (drums), Henrik Halvor (drums, loosely attached), Hans Brydegaard (drums, loosely attached) and Lene (Aleine Stern). The band played for several punk concerts "Concert Of The Moment", "NÅ!!80" and "Concerto De Nobrainos Insanos" and regularly at the Danish punk places Rockmaskiner, Saltlageret and Huset in Magstræde. They were inspired by the Stranglers and Doors. One of the hallmarks of them was that the band often had televisions standing on stage which they smashed with an ax great posture during the song "TV & Radio People". On some cool compilations present, one of them Bloodstains Across Denmark. Great KBD stuff!

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FRESHLY - Air (Quoth She) 1986

Now a re-upp from the unfortunately inactive Phoenix Hairpins blog which was first posted by Curious in 2007 and I want to adopt his words here: "Danish band Freshly originally started as Freshly Riots. As Freshly Riots they released two records. The first is the Delightfully Fresh EP in 1982. Second release is the Hope album released in 1984. This album contains eleven tracks of punk inspired by early Stranglers. For the second album 'Air (Quoth She)', they shortened the name to Freshly and went for a more postpunk sound, with some hints to Killing Joke. All records were released on their own Bondeskiver label. Another release on this label is the 'Complication' comp. slab (maybe soon) with ten punk & new wave bands from Denmark as War Of Destruction, Electric Deads and Sods." Last strong record of this great band whose music evolved from snotty punk to melodic numbers.

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THE DRONES - Further Temptations 1977

Back to classics with the Drones, started out in the Manchester area in 1974 as a Glam Rock outfit called Rockslide, releasing a lone single 'Jump Bump Boogaloo/Roller Coaster' in October 1975, before reinvented themselves as a punk rock band the following year. The Drones then relocated to London and became one of the pioneering punk bands that performed in the first few months of the now-legendary Roxy Club. They supported The Vibrators in January 1977, headlined in February, and supported X-Ray Spex and Chelsea in March. Later that year they supported the Stranglers on a full UK tour, and appeared on two influential early punk compilation albums Streets and Short Circuit: Live at the Electric Circus. Their debut single, 'Temptations Of A White Collar Worker' (1977), was described by one reviewer as "classic dole-queue punk." In October 1977, their second single, 'Just Wanna Be Myself' / 'Bone Idol', was released, and on 6th December they recorded a session at Maida Vale 4 studio for John Peel. Later that month, they released their debut album on Valer Records, Further Temptations, a shoddily produced document of a highly underrated band, armed with angry lyrics and a sharp sense of humour fuelling fiery originals like ‘Lift Off The Bans' and 'No More Time'. It's was a great record but its release marked the beginning of the end for the band.

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V/A - Personality Crisis!! 1984

A small break of the 7Inch posts for this classic compilation with only hits on it, released via Action Replay Records, everybody knows the songs and if not so let's go. So everything is said and before I give here some crap again I'd rather urge you to download this shit. I like the album title, that is worth mentioning. And now it's time for breakfast.

1.White Punks On Dope - TUBES

2.King Rocker - GENERATION X

3.Hurry Up Harry - SHAM 69

4.Peaches - THE STRANGLERS

5.Bad Girl - NEW YORK DOLLS

6.Gary Gilmore's Eyes - THE ADVERTS

7.Personality Crisis - NEW YORK DOLLS

8.Listen - STIFF LITTLE FINGERS

9.Obsessed - 999

10.Milk & Alcohol - DR FEELGOOD

11.If The Kids Are United - SHAM 69

12.I Think I'm Wonderful - THE DAMNED

- Special Thx to Fredrik -

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A FLOCK OF SEAGULLS - s/t LP 1982

Next one is a post from a band which I listen a lot in my school days and so I wanna post their debut record here. A Flock Of Seagulls was started by Mike Score and his brother Ali in 1979 in Liverpool. Mike, who was previously a hairdresser, played keyboards, guitar, and vocals, Ali played drums and their friend Frank Maudsley played bass. The band took their name from a line in the song "Toiler on the Sea" by The Stranglers, which appears on their album 'Black And White'. The band added guitarist Willie Woo, and Mark Edmondson joined briefly when Ali and Mike had a falling out; however, Ali re-joined when Mark took ill. They then began writing songs. Soon after, Willie left, allowing Paul Reynolds to join. They then started playing clubs and eventually got a recording contract. Eventually, under the management of Tommy Crossan and Mick Rossi (Checkmount Ltd.), they began to release singles through Jive Records. The group released an EP and a couple of singles, 'It's Not Me Talking' and 'Telecommunication' on Bill Nelson's 'Cocteau' label; both tracks produced by Nelson. In 1982 the group's third single "I Ran (So Far Away)" became a worldwide hit, most notably reaching number 1 in Australia and the top 10 in the US and New Zealand (where the band became popular). The parent album A Flock of Seagulls and another single "Space Age Love Song" was also successful. Two great albums followed and in 1985 the group released a new album; Dream Come True. Despite having a new sound based around the Fairlight Synthesizer the album was critically panned and a commercial failure. The remaining members fell out and A Flock Of Seagulls in its original incarnation disbanded. Although parodied in later years, the band is now recognized as a pioneering act, capturing the zeitgeist of their time. This one is a classic with eleven wavies.

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ROTATORS - Zombie Tango 7'' 1980

In 1977 the Rotators were the first band in East-Westphalia to play punkrock. They came back in 1997 for a reunion which brought the new recorded CD "Best of 1977-1997". The single "Zombie Tango" is their only record on Kripo Records and includes two tracks. They use an organ in their music which made them sound closer to the Stranglers than most other German punk bands of that time. A nice little one!

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V/A - Killed By Trash 2006

Good morning revered community and welcome to a new round of "Music that nobody wants but still exist". Next one is a nice idea I think and it takes a long time to put all this stuff togehter but in the end it was worth the effort and stress to bring this among the people - P.Trash Records released this brilliant record with twenty of todays finest Low-Fi-, Garage- and Blues-Punkbands which cover old and rare Punkrock jewels, most of the originals can be found on the awesome Killed By Death blog ot here. Every song is amazing and you get thrilled by these versions. No wonder the album was sold out quickly and a second volume should follow two years after. Particular note: 380gr. vinyl and detailed info inside. Hell Yeah!!!!!

1.I Hate Music - JEFFREY NOVAK

2.Hillside Strangler - TRASH STRANGLERS

3.Rome Is Burning - THE ULCERS

4.America First - FEELERS

5.Cab Driver - ROYAL ROUTES

6.Don't Hide Your Hate - CARBONAS

7.Do You Love The Nazis - FLYING OVER

8.51 Percent - FREAKS

9.Grind Her Up - ALUMINUM KNOT EYE

10.Egg Raid On Mojo - DAMNATION KIDS

11.Züri Brennt! - EA80

12.(I'm The) Hillside Strangler - DEMON'S CLAWS

13.Radiation Masturbation - MANIKINS

14.Just Head - LOS RAW GOSPELS

15.Pop Gun - TYRADES

16.Son Of Sam - BLACK TIME

17.Jag Ska Aldrig Dö - HEARTATTACKS

18.M.I.C. - DRUGSTOP

19.Better Off Dead - DIGGER & THE PUSSYCATS

20.Pogo In Togo - OPERATION S

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V/A - Burning Ambitions (A History Of Punk) 1982

Burning Ambition: The History of Punk, attempts to be a definitive overview of the British (except DK) wave/punk scene in the late 70s/early 80s and while it falls short of its goals, it's nevertheless an admirable effort. The Crème de la Crème are here to honor, only classics on it. Surely some of you, like me, have the original records at home but this double album should become a favorite of yours, because this record is one of the finest punk compilations which is ever released. Love to hear all these classic songs in this order and believe me.... you will enjoy it as a good fuck.

1.Boredom - BUZZCOCKS

2.Bingo Masters Breakout - THE FALL

3.12XU - WIRE

4.Life - ALTERNATIVE TV

5.Keys To Your Heart - THE 101'ERS

6.I'm Alive - 999

7.Gary Gilmore's Eyes - THE ADVERTS

8.Justifiable Homicide - DAVE GOODMAN & FRIENDS

9.Where Have All The Boot Boys Gone - SLAUGHTER & THE DOGS

10.(Get A) Grip On (Yourself) - THE STRANGLERS

11.Your Generation - GENERATION X

12.Baby, Baby - THE VIBRATORS

13.Identity - X-RAY SPEX

14.Read About Seymour - SWELL MAPS

15.I'm Stranded - THE SAINTS

16.Chinese Rocks - HEARTBREAKERS

17.Lock It Up - EATER

18.Ain't Got A Clue - THE LURKERS

19.Lady - ADAM & THE ANTS

20.Love Song - THE DAMNED

21.Looking After No. 1 - BOOMTOWN RATS

22.Where's Captain Kirk? - SPIZZ ENERGI

23.In A Rut - THE RUTS

24.Angels With Dirty Faces - SHAM 69

25.Stranglehold - U.K.SUBS

26.Flares & Slippers - COCKNEY REJECTS

27.The Wait - KILLING JOKE

28.No Goverment - ANTI-PASTI

29.Holiday In Cambodia - DEAD KENNEDYS

30.Dead Cities - THE EXPLOITED

31.Last Rockers - VICE SQUAD

32.Harry May - THE BUSINESS

33.Police Story - THE PARTISANS

34.Someone's Gonna Die - BLITZ

35.City Baby Attacked By Rats - G.B.H

36.Complete Disorder - DISORDER

37.Russians In The DHSS - ATTILA THE STOCKBROKER

38.Lust For Glory - ANGELIC UPSTARTS

- Huge Thx to Fredrik -

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V/A - Winters Of Discontent: Peel Sessions 1977-1983

A feature of Peel's BBC Radio 1 shows were the famous John Peel Sessions, which usually consisted of four songs recorded by an artist live in the BBC's studios, and which often provided the first major national coverage to bands that later would achieve great fame (These 'sessions' are similar to 'Live Lounge' sessions recorded today for the station). The BBC employed it's own house bands and orchestras and it also engaged outside bands to record exclusive tracks for its programmes in BBC studios. This was the reason why Peel was able to use "session men" in his own programmes. Sessions were usually recorded and mixed in a single day; as such they often had a rough and ready, demo-like feel, somewhere between a live performance and a finished recording. John Peel remained on BBC Radio 1 for 37 years, until his death in 2004. During that time over 4000 sessions were recorded by over 2000 artists. Many classic Peel Sessions have been released on record, particularly by the Strange Fruit label and this one of these.

1.Somethin' Better Change - THE STRANGLERS
2.Love In A Void - SIOUXSIE & THE BANSHEES
3.Gary Gilmore's Eyes - THE ADVERTS
4.Shoplifting - THE SLITS
5.Fast Cars - BUZZCOCKS
6.Rich Kids - RICH KIDS
7.Of One Skin - THE SKIDS
8.It Doesn't Matter - ADAM & THE ANTS
9.Another Girl Another Planet - THE ONLY ONES
10.Suspect Device - STIFF LITTLE FINGERS
11.Mess Of My - THE FALL
12.Stretcher Case - THE DAMNED
13.Anti-Pope - KING
14.Read It In Books - ECHO & THE BUNNYMEN
15.Sus - THE RUTS
16.A Brand New Life - YOUNG MARBLE GIANTS
17.Start From Scratch - THE NIGHTINGALES
18.Big Jesus Trash Can - BIRTHDAY PARTY
19.A Matter Of Gender - THE ASSOCIATES
20.The Fan And The Bellows - THE CHAMELEONS
21.Wall Of Fir - THE VERY THINGS
22.Enchanted - WILD SWANS
23.Sun - MICRODISNEY
24.Kick Over The Statues - REDSKINS
25.A New England - BILLY BRAGG

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THE RUDE KIDS - 7'' Collection 1978 - 1982

Long before Millencollin and The Hives spread the Swedish punk rock over all the world's continents, there were a bunch of rascals who took the aptly named The Rude Kids, one of the most classic swedish punkbands from the late 70's. The Rude Kids were a punk rock band from Hagsätra/Stockholm. Their first single 'Raggare Is A Bunch Of Motherfuckers', that they recorded themselves, was released by Polydor in 1978. Rude Kids was the first Swedish punk band to release a record trough a major record label. The single sold between 5000 and 6000 copies (compared to 600-700 copies for an average Sham 69 single). Tony Parsons named it "Single Of The Year". Polydor also released the single 'Stranglers' and the LP Safe Society. Their records got good reviews in the press. Rude Kids played in London a few times. Once they opened up for Madness (only realising at the gig that it was Madness, not Doctors of Madness) and were attacked by Skinheads in the audience. After they fled the stage the audience smashed up all the gear without realising they smashed up Madness' gear. In 1980, when Rude Kids signed with the record company Sonet, they had a more poppy sound compared to their earlier music. In 2002 Turbonegro performed a cover on the Rude Kids song 'Raggare...' at Hultsfredsfestivalen. Singer Böna was killed tragically in a car accident in 1982. That was more or less the end of the band. Musically they are a typical '77 punk band, loud guitars & huge hooks, they blow everything up against the wall, brilliant lyrics and awesome songs, I cannot stop listen to. Their last two singles are "a little" quiet and with a nice casio tone but equally brilliant. "We are the Rude Kids and we're made this record that we think you should listen to!" (Böna) - Absolutly!!! In this file you get all 7inches, all covers and overall 13 songs in 37 minutes of pure impact.

- Extra Special Thx to Fredrik -

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FRESHLY RIOTS - Delightfully Fresh EP 1982

OK, a lot of divshare links are alive and I wanna post asap a few from this folder. The first one is this delicate EP by one on my favourite bands from Denmark. Freshly Riots formed in Gedsted on 1 October 1981. First weeks of the groups life offers several replacements till finally ending with a crew called Jørn Iversen (guitar), Mike Hammer (bass), Christian Pedersen (drums), Michael Andersen on the keyboard and Bo Led Andersen on vocals. Mike and Richard had played together in the group Export and they were inspired by the Clash, Sex Pistols, Stranglers and UK Decay and then they found their sound. After two tapes their first vinyl comes out on Bondeskiver and this brilliant EP offers six classic KBD goodies. In 1984 the full length album 'Hope' (which I have somewhere online) with a more wave oriented sound but great and then they changed their band name into Freshly and released their final album 'Air (Quoth She)' in 1986. The band play at the Huset in Århus their last concert and dissolved finally in May 1989 when Mike and Michael are moving to Århus. Let's now enjoy this little piece of sunshine!

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