Sunday, February 24, 2019

THE SUBHUMANS - Incorrect Thoughts 1980

This classic album is not new in Blogland but I listen now to it and it's so damn great. The Subhumans from Vancouver were formed in 1978 by Brian "Wimpy" Goble (vocals), Mike Graham (guitar), Gerry Hannah (bass) and Ken "Dimwit" Montgomery (drums). Shortly after their first single, Dimwit departed and was replaced by Koichi "Jim" Imagawa. This album was released via Friends Records and is decorated with fourteen flowers that smell very intensive and move through your nose up to the brain to trigger pleasant vibrations, a superb perfume! Afterwards, Hannah & Imagawa departed and were replaced by Ron Allan (bass) and Randy Bowman (drums). The new line-up signed with SST Records and recorded the "No Wishes, No Prayers" record in 1982. However, at the end of 1982, just prior to the record's release, the group split when Brian Goble left the band to join D.O.A. - On December 7, 2014, Brian Goble suffered a fatal heart attack, R.I.P. - You find lots of more excellent info about the band in the web, I must get back to Bundesliga to Hanover.


MINOR THREAT - Complete Discography 1989

A real treat comes from Washington and I guess you all know this great band. Minor Threat were formed 1980 in Washington by vocalist Ian MacKaye and drummer Jeff Nelson. MacKaye and Nelson had played in several other bands together, and recruited bassist Brian Baker and guitarist Lyle Preslar to form Minor Threat. They added a fifth member, Steve Hansgen, in 1982. The band was relatively short-lived, having disbanded after only four years together, but had a strong influence on the punk scene, both stylistically and in establishing a "do it yourself" ethic for music distribution and concert promotion. Minor Threat's song "Straight Edge" became the eventual basis of the straight edge movement, which emphasized a lifestyle without alcohol or other drugs, or promiscuous sex. I remember that I borrowed the Out Of Step slab from a friend and this music shot directly into my veins. The fabulous lyrics, the aggressive fast music and the way the four transports all that is almost unique und alive a fantastic valve to turn anger into positive energy. This release is a real damn blast!

Saturday, February 23, 2019

PYHÄKOULU - Post Mortem 1988

Less words today, I'm tilt! This is great Hardcore stuff by Pyhäkoulu [Saku (vocals), Jani (bass), Läski (guitars), Olli (drums)] from Hämeenlinna, active from 1984 to 1990, made two albums and two 7Inches. A cream snack on Killed By Finnish Hardcore. Aloha!


Friday, February 22, 2019

FIENDENS MUSIK - Häftiga Hästen & Andra Äventyr 1980

Second and final album on Bellatrix by this band from Malmö and damn, they've defused their music a bit and the songs have a more poppy, almost boring sound or something like that, Swedish folk?? Compare these recordings with their first LP and you know what I'm talking about. Why do I post them anyway? Quite simply, why not. For one thing, Fiendens Musik is a good band, on the other hand there are certainly some of you who like this, doesn't always have to be hard, loud & fast, and the cover is great - Anyway, last one today but I promise tomorrow it will be nasty, enjoy the weekend!

- Special Thx to Fredrik -


LEATHERFACE / HOT WATER MUSIC - BYO Split Vol.1 1999

After six years of respite, Frankie Stubbs reformed Leatherface, it was inevitable because he needed to give musical expression to all of his thoughts. And before the skull burst, Leighton (guitar), David (bass), and Andrew (drums) were mobilized and out of over nineteen new songs, six were sent to BYO Records, who fell heartily off the chair, creating the idea of this mini-split serie, which immediately changed their minds and immediately a new fresh band was found for the flip, Hot Water Music from Gainesville, Florida which was formed 1993 by Chuck & Chris (both lead vocals & guitar), Jason (bass) and George (drums). Here's a perfect review by Jack Rabid (All Music Guide): "This split LP, recorded in three days in 1999, seems as miraculous as it is a godsend. Because they were one of those truly astonishing modern groups that spontaneously combusted in the midst of an attenuated creative peak, Leatherface's unexpected 1993 bust-up seemed particularly cruel. Thousands of scattered souls openly mourned when the news came down that the punk/post-punk powerhouse had vanished. Perhaps after listening to the sea of old live recordings and B-sides, Leatherface's members realized what they'd thrown away, buried what hatchets needed burying, and pulled a Lazarus. The sound of this new recording recalls the spark, the lift-off, and the balls-out clear smack of Mush and The Last. Though Frankie Norman Warsaw Stubbs' vocals are mixed just a little too low to totally match those older detonations -- you have to go down into the two guitars a little to find him, making the words harder to get -- it's still such a corker, it completely corrects the muddy mixes on Stubbs' Jesse and Pope albums. And though this record also finds the quartet retreating to a stylistic territory closer to Mush and Minx, backing away from the more adventurous turf of The Last, it's too intense and exciting to even remotely quibble with. That this unexpected recording is a reality is that rarest of things: a long-shot wish fulfilled. More recent American emo stars Hot Water Music surprisingly put up a good fight, trying to be in the same ballpark with Leatherface's ashen attack, but they lack a singer of Stubbs' caliber to be appearing on the same LP as him or a tightness in playing that takes one's breath away. Better to try them on their own records, because out of this context they would sound rather powerful." With that, all has been said and I recommend you to buy this fantastic melodic killer record by two fantastic bands.


Thursday, February 21, 2019

THE REST - s/t LP 1986

Berlin had and has a very active underground scene and this rare piece is an excellent example of this. The Rest were Frieder (vocals), Ringo (bass), Dietmar (guitars) and Klaus (drums) and they released their only album via Destiny Records and contains seventeen fast killers, among them a cover of the Avengers 'We Are The One', 'Your Eyes' and 'Every Sperm' from Monty Python. They also guested on two great compilations of Destiny: Mutti's Muntere Melodei ('84) and What Doesn't Hurt Us Makes Us Stronger ('85). Frieder (known as frontman of Porno Patrol) sings in German and English and that expresses their aggressive lyrics more clearly I think, hallo VKJI guess in the same year the band broke up, Klaus later drummed at Die SeucheLet's punk my dear followers!


Wednesday, February 20, 2019

THE DRONES - Further Temptations 1977

Back to classics with the Drones, started out in the Manchester area in 1974 as a Glam Rock outfit called Rockslide, releasing a lone single 'Jump Bump Boogaloo/Roller Coaster' in October 1975, before reinvented themselves as a punk rock band the following year. The Drones then relocated to London and became one of the pioneering punk bands that performed in the first few months of the now-legendary Roxy Club. They supported The Vibrators in January 1977, headlined in February, and supported X-Ray Spex and Chelsea in March. Later that year they supported the Stranglers on a full UK tour, and appeared on two influential early punk compilation albums Streets and Short Circuit: Live at the Electric Circus. Their debut single, 'Temptations Of A White Collar Worker' (1977), was described by one reviewer as "classic dole-queue punk." In October 1977, their second single, 'Just Wanna Be Myself' / 'Bone Idol', was released, and on 6th December they recorded a session at Maida Vale 4 studio for John Peel. Later that month, they released their debut album on Valer Records, Further Temptations, a shoddily produced document of a highly underrated band, armed with angry lyrics and a sharp sense of humour fuelling fiery originals like ‘Lift Off The Bans' and 'No More Time'. It's was a great record but its release marked the beginning of the end for the band.


Friday, February 15, 2019

V/A - Bloodstains Across Austria 2019

All right folks, now a brand new Bloodstains compilation and this time we focus the likeable Austria punk years 1978-1987 and we meet twenty-four divine examples from the beautiful Alps Republic and some of these rare goodies you can find in this blog - Snotty punk, melodic wave and rocking bangers shake hands and illustrate how versatile and colorful the Austrian scene was at that time. That's why I got the idea to pay tribute to them with this nice compilation (otherwise nobody else will do it). That's just a small selection of great bands but I'm very satisfied with the result and the liner notes and I don't wanna say thx at this point, those are hereby most cordially greeted and I hope you enjoy it!

1.Shoot Me - FERRUM
2.Weiße Rosen Aus Athen - KLEENEX AKTIV
3.Ich Will Frei Sein - STORMBRINGER
4.Verbotene Früchte - MORDBUBEN AG
5.Cold Love - CADILLAC
6.Schleicht's Eich - DEAD NITTELS
7.Ich Gehe Aus Mit Dir - MISS MOLLY'S FAVOURITES
8.Nazis - S.T.D.
9.Es Lebe Hoch Die Perversion - PÖBEL
10.Mädchen Vom Lande - WELLBLECH UNTERGRUND
11.Typische Mädchen - WILLI WARMA
12.Scheiß Drauf (Live) - SCHUND
13.Sometimes - THE KEY
14.Der Letzte Dreck Von Wien - DIRT SHIT
15.Nette Mörder - CHUZPE
16.Who Needs People? - THE LOSERS
17.Ah! - X-BELIEBIG
18.Last Time - COSMETICS
19.Too Much Monsters - INTIMSPRAY
20.Kein Spaß - RONNIE URINI
21.Freiheit - DYNAMIT
22.Ganz Allein - STEILEIHU BAND
23.The Star - ISIS NORËIA
24.Dead In The Head - HOTEL MORPHILA ORCHESTER

V/A - England Belongs To Me #3 1997

Third part of this damn cool mini-serie which came via 77 Records to us. Eighteen rare UK smasher from 1977-1982. I know a quarter of the songs, the rest is new and I guess that their 7Inches appeared on small short-lived labels, or self-released, in small editions. Very good compilation in any case and the first two volumes can be found on the Posts By Country section which I re-upped. England Belongs To Me is presentable and in total there exist four of them (all strictly limited, I guess 500-1000 were pressed). Excellent Friday sound!

1.Dead Girls - THE ROMFORD STOMPERS
2.Oy! - LUCY
3.N.C.B. - LLYGOD FFYRNIG
4.Sid Never Did It - THE SURGEONS
5.She's In Love - CHERRY POPPERS
6.High Rise - THE TRAINSPOTTERS
7.Heat House - MOSCOW
8.Allergy - THE PETTICOATS
9.Messerschmitt - LIBERACE COUGHS UP BLOOD
10.Anti Social Disease - THE SICK THINGS
11.In Love - THE PLAGUE
12.Summer Of Hate - CHAOS UK
13.Life In A Cardboard Box - INTESTINES
14.When The Tanks Roll Over Poland Again - AUTOMATICS
15.Hornsey At War - HORNSEY AT WAR
16.Psychopath - THE PIGS
17.Bottles - NEON
18.Development Corporations - THE NOW


Thursday, February 14, 2019

THE CURE - London 03.12.1981

Can't say exactly where I got these beautiful recordings but the early concerts of The Cure are always a highlight for me because I grew up with them and they are still part of my life. Eighteen songs from their first four albums recorded here in a very good sound quality and it's amazing that they sound still fresh and audible at all times. Thanks to unknown for this pretty nostalgic dessert. Don't miss them in Melkweg/Amsterdam 2.12.1979 which is almost even better and further stuff on this Blog.

The Drowning Man/In Your House/Splintered In Her Head/Funeral Party/Primary/The Figurehead/Charlotte Sometimes/Other Voices/At Night/The Hanging Garden/M/Play For Today/A Forest/Forever/One Hundred Years/Faith/10:15 Saturday Night/Killing An Arab