OROHPACKZ - Ruhestörung 7'' 2018

Orohpackz is a band that came together in Berlin in the mid-eighties. Former members of the recently disbanded Deutsche Trinkerjugend decided to escape the boredom and founded Orohpackz. The band consists of Wolfgang (vocals), Köhler (guitars), Ralf (bass), Uwe (drums). They played a few concerts and finally recorded two songs that nobody outside of Berlin knew until six years ago. The renowned label Rotten Totten Records, which specializes in finding such valuable treasures, released these two nuggets in an edition of 100 copies (50 on yellow clear & 50 on purple vinyl) and put a little exclamation mark on the short-lived combo. Equipped with liner notes by bassist Ralf, this record is a beautiful thing.

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THE MENTAL - Extended Play EP 1979

Short lived four piece from the Melksham/Trowbridge area and the band consisted of Dick (vocals), Sikick (guitars), Steve (bass), Tony (drums) and this is their only record which was self-released on Kamikaze Pig Records, hand numbered out of 600 copies, with four garage-scratchy, chaotic numbers, with excellent tempo and simply played, just the way I like it. Shortly afterwards the band split and singer Dick went onto to form the Subhumans with members of another local band The Stupid Humans. It goes without saying that the original 7inch is now being traded at high prices, almost a bit too high for my taste, and its presence on Compilations is also rather rare, but the meticulous detectives have found them for the Bloodstains Across The UK 3 beauty. This means they are worthy, rightly so. That's it folks!

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ASTA KASK - Världens Räddaste Land 7'' 2013

The gentlemen from Asta Kask are always welcome in this theatre, today with their ninth 7Inch Världens Räddaste Land (The Scariest Country In The World) on Gaphals, 500 pressed: 200 on white vinyl, 300 on black. The band has released several albums in their lifetime and has developed a loyal fan base, both in Sweden and internationally. They have also disbanded several times but have always returned healthy and remain an influential force in Sweden with their energetic power sound, which is also found in these two melodic, catchy & dynamic nuggets. Also noteworthy are the lyrics, which takes apart a world-famous superpower and look behind the beautiful facade, match the cover. The B-side features with 'Välkommen Ner' a non-album track, so everything done right I would say, give it a try!

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THE PACK - King Of Kings 7″ 1979

In early 1978, Londoner Kirk Brandon joined the Torbay Punk band The Cane as bassist, which had been founded in 1977 by guitarist and singer Chris Skornia & drummer Simon Wright. Johnny Suede joined the band as lead guitarist. They decided to move to London, recorded three songs as a demo tape for concert promoters in a small recording studio in Torquay and moved into a house near Heathrow. At this point, the band's name was changed to The Pack Of Lies and Simon Wright was replaced by Scottish drummer Rab Fae Beith. The band's original line-up played a single gig in Torbay, then Skornia and Suede left. Suede went to the USA for a while and became Culture Club's first guitarist in early 1981. Kirk and Rab brought the two Canadian brothers Jonathan and Simon into the band, and the band name was shortened to The Pack at Simon Werner's suggestion. Kirk took over the vocals. The new band went to London's Gooseberry Sound Studios on August 8, 1978, four songs were recorded as a demo, a second concert (the first with the new line-up) took place in the Camden Film Cooperative. The fourth concert in London's Nashville Rooms on October 7, 1978 was filmed on Super 8 from the audience. In April 1979, The Pack released their first single Heathen/Brave New Soldiers on the band's own label S.S. Records. Due to conflicts with Brandon, drummer Rab left the band. He worked briefly with Patrik Fitzgerald and then joined The Wall. The new drummer was Canadian Jim Walker, who had previously played in Johnny Rotten's band Public Image Ltd. His first concert with The Pack took place on August 18, 1979 at the Electric Ballroom in London, on September 9, 1979 The Pack played as the opening act for the Nina Hagen Band at the Lyceum in London. A final single, King Of Kings, followed in November 1979 on Rough Trade Records, and on November 7, 1979 they played their last concert in front of a sold-out crowd at the 101 Club in Clapham. Kirk disbanded the band and withdrew from the music industry for a while. (source: wiki)

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DISORDER - Fake Heads EP 1981

Nice EP by this dutch four piece called Disorder from IJsselstein and they released their only record on their own Fake Heads label. They were active in the Eighties and the band consisted of Harold (vocals), Riks (guitars), Marcel (bass), Ron (drums). Known for their rough sound and energetic live performances. and this piece of wax is a small contribution of the important scene of that time. The EP contains six minimalistic tracks that rather untypically reflect the genuine Punk sound of the era, with catchy melodies and critical lyrics. The EP is self-released, which was not unusual at the time, as many bands tried to establish themselves independently of major record labels. Although Disorder did not achieve the same level of fame as some of their contemporaries, they still left a certain influence in the nederland scene and are appreciated by collectors and fans and their music and D.I.Y. attitude are characteristic of the early 1980s.

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ELECTRIC DEADS - Order EP 1982

Today one more EP by the Electric Deads on Electro Static Records with four decent samshers. The Electric Deads were formed in the early 1980s and were best known for their unique Hardcore sound with female vocals and made a name for themselves in the Danish Punk scene and is considered one of the most influential groups of their time. The Order EP, released in 1982, is a significant work in the Electric Deads' discography and contains several tracks that embody the band's signature style, with catchy melodies, powerful guitar riffs and a distinctive voice. The lyrics of the songs are often socially critical and reflect the challenges and attitude to life of the time. The EP was well received by critics and helped to increase the band's fame beyond Denmark. The Electric Deads toured extensively and performed at various clubs and festivals, which further increased their fan base. Unfortunately, the band is not as well known as some of their contemporaries, which may be due to the limited distribution of their music outside Denmark. Nevertheless, they have a lasting influence on the Danish music scene and are appreciated by many fans and musicians. This EP is a valuable collector's item for fans of the genre and offers a fascinating insight into the music of the early 80s in Denmark. The combination of innovative sounds and profound lyrics makes it a remarkably remarkable work that is still listened to and appreciated today.

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THE PRODUCERS - On The Beach 7'' 1980

British band the Producers emerged from Shooter and was formed in the late 1970s and is best known for their single "On The Beach", released in 1980 via Magic Moon Records. The band was part of the New Wave and Punk movement and had a distinctive sound and the 7inch became a minor hit and received attention in some countries, especially in the UK. The song is characterized by catchy melodies and the typical early Eighties sound. Despite the success of this single, the band failed to achieve the same level of popularity as other contemporary groups and eventually disbanded. There is not much comprehensive information about the band, because they were relatively short-lived and did not have a strong presence in the music scene after the release of its only single. But this two-song beauty is a nice one and also on Compilations they are hardly present. This was the first prank and the second may follow later, first have to run a few errands. Cheers!

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CÓLERA - É Natal​!​!​? EP 1988

Now my only contribution to the fucking Christmas time and this year it is the second EP by Cólera from São Paulo on Ataque Frontal with four excellent numbers. The band is known for their aggressive sound and socially critical lyrics. They are one of the most influential bands of the Brazilian Underground scene. Their EP "É Natal!!?" is a delicious example and deals with themes such as social injustice and problems that prevailed in Brazilian society during the 1980s. The title of the EP alludes to the contradictions and challenges that exist during the Christmas season and in the context of Brazilian reality. Cólera has released several albums and EPs throughout their career and remains active today, continuing to perform concerts and release new records. Overall a very nice record with their typical aggressive style combined with catchy melodies, Cólera has gained a loyal fan base over the years and is often considered one of the key figures in the development of Punk in Brazil. And now off to the fucking TV and to Lyon.... Hallelujah!

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TREKANT - Människor Smakar Gott EP 1982

A quick visit to Stockholm and we find the only 7Inch by Trekant, a four-piece consisting of Salle (vocals/guitar), Erik (guitars), Stefan (bass) and Hans-Peter (drums), released on Siste Bussen in an edition of 980 copies with three nice melodic KBD numbers. Their single received a lot attention in the Swedish Underground scene, which is not easy for a band from the capital among other heroes of the time, and was played in various clubs but they didn't get the attention they deserved in my opinion. Some critics praised the catchy melody and the band's scratchy style, while others found the lyrics rather ordinary. The single was reviewed in various fanzines, with opinions varying on the band's musical direction and artistic vision. Who cares, I like their record and unfortunately they haven't received much recognition on Compilations. But I did find one record, the Förortsrock - Musik Från Järfälla Sampler from 1983, I'll have to post it someday. Good Job!

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HEKÁTĒ - Days Of Wrath 2020

I was introduced to the next band by a user who mentioned them in the comments many months ago and I searched and found them and I am grateful for this valuable tip because their music they is exactly my taste. We're talbin' about Hekátē and they were founded in the spring of 2018, out of a need to express the bleak and stressful way οf life in Athens and consisted of Lydia (vocals/sound collage), Chara (bass), Iris (synths), Vicky (drums) and this is their brilliant debot on La Vida Es Un Mus with eight heavy multi-referential explosive magic potions. Info: "It is no coincidence that they chose the name of the ancient goddess Hekátē, associated with the underworld, magic, night and crossroads. Hekátē are four women with different paths, who led them to the same crossroads, in the eternal night of Athens. Their music is multifaceted, an explosive mixture of their magical filters. The heavy, melodic bass establishes the foundations of their Post-Punk sound. The keyboards, more electric than electronic, are heard clearly and sometimes lean towards a smart New Wave and sometimes wink at garage, while the vocals are reminiscent of an angry, metered recitation that tramples on the melodies. The record title, Days Of Wrath, is a translation of the Medieval hymn “Dies Irae,” which warns of God’s wrath, which will come down on the people during the Second Coming. Through their lyrics, Hekátē turn their wrath towards God, the people who created Him and the constricting world those people sustain. It starts out like a cry for help and climaxes into a war cry. Hekátē is the voice of a generation of emancipated women in motion and this record is a deeply poetic, atmospheric album, imbued with melancholic melodies that know how to step on the gas to carry you to the other side." My Conclusion: Powerful package paired with impressive presence!

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