THE PACK - King Of Kings 7″ 1979

In early 1978, Londoner Kirk Brandon joined the Torbay Punk band The Cane as bassist, which had been founded in 1977 by guitarist and singer Chris Skornia & drummer Simon Wright. Johnny Suede joined the band as lead guitarist. They decided to move to London, recorded three songs as a demo tape for concert promoters in a small recording studio in Torquay and moved into a house near Heathrow. At this point, the band's name was changed to The Pack Of Lies and Simon Wright was replaced by Scottish drummer Rab Fae Beith. The band's original line-up played a single gig in Torbay, then Skornia and Suede left. Suede went to the USA for a while and became Culture Club's first guitarist in early 1981. Kirk and Rab brought the two Canadian brothers Jonathan and Simon into the band, and the band name was shortened to The Pack at Simon Werner's suggestion. Kirk took over the vocals. The new band went to London's Gooseberry Sound Studios on August 8, 1978, four songs were recorded as a demo, a second concert (the first with the new line-up) took place in the Camden Film Cooperative. The fourth concert in London's Nashville Rooms on October 7, 1978 was filmed on Super 8 from the audience. In April 1979, The Pack released their first single Heathen/Brave New Soldiers on the band's own label S.S. Records. Due to conflicts with Brandon, drummer Rab left the band. He worked briefly with Patrik Fitzgerald and then joined The Wall. The new drummer was Canadian Jim Walker, who had previously played in Johnny Rotten's band Public Image Ltd. His first concert with The Pack took place on August 18, 1979 at the Electric Ballroom in London, on September 9, 1979 The Pack played as the opening act for the Nina Hagen Band at the Lyceum in London. A final single, King Of Kings, followed in November 1979 on Rough Trade Records, and on November 7, 1979 they played their last concert in front of a sold-out crowd at the 101 Club in Clapham. Kirk disbanded the band and withdrew from the music industry for a while. (source: wiki)

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DISORDER - Fake Heads EP 1981

Nice EP by this dutch four piece called Disorder from IJsselstein and they released their only record on their own Fake Heads label. They were active in the Eighties and the band consisted of Harold (vocals), Riks (guitars), Marcel (bass), Ron (drums). Known for their rough sound and energetic live performances. and this piece of wax is a small contribution of the important scene of that time. The EP contains six minimalistic tracks that rather untypically reflect the genuine Punk sound of the era, with catchy melodies and critical lyrics. The EP is self-released, which was not unusual at the time, as many bands tried to establish themselves independently of major record labels. Although Disorder did not achieve the same level of fame as some of their contemporaries, they still left a certain influence in the nederland scene and are appreciated by collectors and fans and their music and D.I.Y. attitude are characteristic of the early 1980s.

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ELECTRIC DEADS - Order EP 1982

Today one more EP by the Electric Deads on Electro Static Records with four decent samshers. The Electric Deads were formed in the early 1980s and were best known for their unique Hardcore sound with female vocals and made a name for themselves in the Danish Punk scene and is considered one of the most influential groups of their time. The Order EP, released in 1982, is a significant work in the Electric Deads' discography and contains several tracks that embody the band's signature style, with catchy melodies, powerful guitar riffs and a distinctive voice. The lyrics of the songs are often socially critical and reflect the challenges and attitude to life of the time. The EP was well received by critics and helped to increase the band's fame beyond Denmark. The Electric Deads toured extensively and performed at various clubs and festivals, which further increased their fan base. Unfortunately, the band is not as well known as some of their contemporaries, which may be due to the limited distribution of their music outside Denmark. Nevertheless, they have a lasting influence on the Danish music scene and are appreciated by many fans and musicians. This EP is a valuable collector's item for fans of the genre and offers a fascinating insight into the music of the early 80s in Denmark. The combination of innovative sounds and profound lyrics makes it a remarkably remarkable work that is still listened to and appreciated today.

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THE PRODUCERS - On The Beach 7'' 1980

British band the Producers emerged from Shooter and was formed in the late 1970s and is best known for their single "On The Beach", released in 1980 via Magic Moon Records. The band was part of the New Wave and Punk movement and had a distinctive sound and the 7inch became a minor hit and received attention in some countries, especially in the UK. The song is characterized by catchy melodies and the typical early Eighties sound. Despite the success of this single, the band failed to achieve the same level of popularity as other contemporary groups and eventually disbanded. There is not much comprehensive information about the band, because they were relatively short-lived and did not have a strong presence in the music scene after the release of its only single. But this two-song beauty is a nice one and also on Compilations they are hardly present. This was the first prank and the second may follow later, first have to run a few errands. Cheers!

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CÓLERA - É Natal​!​!​? EP 1988

Now my only contribution to the fucking Christmas time and this year it is the second EP by Cólera from São Paulo on Ataque Frontal with four excellent numbers. The band is known for their aggressive sound and socially critical lyrics. They are one of the most influential bands of the Brazilian Underground scene. Their EP "É Natal!!?" is a delicious example and deals with themes such as social injustice and problems that prevailed in Brazilian society during the 1980s. The title of the EP alludes to the contradictions and challenges that exist during the Christmas season and in the context of Brazilian reality. Cólera has released several albums and EPs throughout their career and remains active today, continuing to perform concerts and release new records. Overall a very nice record with their typical aggressive style combined with catchy melodies, Cólera has gained a loyal fan base over the years and is often considered one of the key figures in the development of Punk in Brazil. And now off to the fucking TV and to Lyon.... Hallelujah!

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TREKANT - Människor Smakar Gott EP 1982

A quick visit to Stockholm and we find the only 7Inch by Trekant, a four-piece consisting of Salle (vocals/guitar), Erik (guitars), Stefan (bass) and Hans-Peter (drums), released on Siste Bussen in an edition of 980 copies with three nice melodic KBD numbers. Their single received a lot attention in the Swedish Underground scene, which is not easy for a band from the capital among other heroes of the time, and was played in various clubs but they didn't get the attention they deserved in my opinion. Some critics praised the catchy melody and the band's scratchy style, while others found the lyrics rather ordinary. The single was reviewed in various fanzines, with opinions varying on the band's musical direction and artistic vision. Who cares, I like their record and unfortunately they haven't received much recognition on Compilations. But I did find one record, the Förortsrock - Musik Från Järfälla Sampler from 1983, I'll have to post it someday. Good Job!

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HEKÁTĒ - Days Of Wrath 2020

I was introduced to the next band by a user who mentioned them in the comments many months ago and I searched and found them and I am grateful for this valuable tip because their music they is exactly my taste. We're talbin' about Hekátē and they were founded in the spring of 2018, out of a need to express the bleak and stressful way οf life in Athens and consisted of Lydia (vocals/sound collage), Chara (bass), Iris (synths), Vicky (drums) and this is their brilliant debot on La Vida Es Un Mus with eight heavy multi-referential explosive magic potions. Info: "It is no coincidence that they chose the name of the ancient goddess Hekátē, associated with the underworld, magic, night and crossroads. Hekátē are four women with different paths, who led them to the same crossroads, in the eternal night of Athens. Their music is multifaceted, an explosive mixture of their magical filters. The heavy, melodic bass establishes the foundations of their Post-Punk sound. The keyboards, more electric than electronic, are heard clearly and sometimes lean towards a smart New Wave and sometimes wink at garage, while the vocals are reminiscent of an angry, metered recitation that tramples on the melodies. The record title, Days Of Wrath, is a translation of the Medieval hymn “Dies Irae,” which warns of God’s wrath, which will come down on the people during the Second Coming. Through their lyrics, Hekátē turn their wrath towards God, the people who created Him and the constricting world those people sustain. It starts out like a cry for help and climaxes into a war cry. Hekátē is the voice of a generation of emancipated women in motion and this record is a deeply poetic, atmospheric album, imbued with melancholic melodies that know how to step on the gas to carry you to the other side." My Conclusion: Powerful package paired with impressive presence!

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WALPURGIS VOLTA - Violence Des Chocs 1989

Second and final record by Walpurgis Volta which came via La Rage and I've been a little out of it since yesterday and can't think straight because I've been a bit put out by damn love. The second album by the Belgians from Brussels continues seamlessly where the first one left off. After the break-up they formed PPz30 and they very quickly achieved in France and Benelux the reputation of a terrific live band thanks to the astonishing performance of front man Bruce and to the musicianship of Daniel. I know I've written this before but I can't write any further because my arm fell off. Their music combines elements from various genres, including Punk and experimental sounds, resulting in a distinctive sound. This album received praise from critics and fans alike and is often addresses social and political issues and is known for its powerful lyrics and dynamic melodies. The production highlights the intensity of the music and offers a deep insight into the band's creative ideas. The band has carved out a solid place for themselves in the Belgian music scene, attracting a wide audience with their music and live performances. Reviewers says the band's artistic development and experimental approach. The band's lyrics are often described as provocative and socially critical. They address relevant topics that make you think and connect to the current social situation. The sound density and careful arrangement of the instruments add to the intensity of the music. Critics emphasize that the band's energy is palpable in the studio recordings and many of the songs are great for live performances. This could make the band an exciting live act. While many old fans of the band appreciate the new direction, there are also voices that say that some of the experimental elements may not appeal to every listener. The band could be taking a certain risk by moving away from their original style. Overall, "Violence Des Chocs" is considered a bold step in Walpurgis Volta's career, pushing musical boundaries and presenting the band in its second stage.

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THE CURE - Live @ Whiskey A Go Go 27.07.1981

Another interesting work on vinyl is the following two record set by Casino Records Entertainment, 350 hand numbered copies in yelloy splatter colors features a fine quality recording from the 1981 Picture tour with plenty of gloomy numbers. Has already been published several times and now again with rare photos and decent format. The sound is rich and full and extremely well recorded. I've heard a few bootlegs from the Cure, some of them extremely unfunny, but with this release everything is just right and if you like the band's early works, you've come to the right place. Eighteen Songs, Eighteen Nuggets! Dinner salmon is waiting. Cheers!

The Holy Hour/In Your House/The Drowning Man/10:15 Saturday Night/Accuracy/The Funeral Party/M/Primary/Other Voices/All Cats Are Grey/Three Imaginary Boys/At Night/Fire In Cairo/Play For Today/Grinding Halt/Splintered In My Head/A Forest/Faith

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V/A - France Profonde #1 2006

France Profonde was a mini-series and the first Compilation was originally released in 1984 by Banzai Records/A.P.P.R.A. Unfortunately I don't own this record and when I bought this re-release I didn't look carefully. I thought it had the same songs on it, but the CD contains not the whole old songs, which doesn't mean that it's necessarily worse, but the mix on it is different with either newly mixed versions and some with nineties material. Let's see if I can get the original slab at some point, or if one of you can send it to me. One thing is for sure: I won't be buying another volume from this label, CDs are SHIT!, but musically there's nothing to complain about, I love French Oi!/Punk and the cream of the crop is filled with plenty of attractive bands/songs. I give full marks for the music, but the poor, sad booklet loses points, absolutely no information is given apart from the recording dates. A real disgrace! But enough words, I am forced to start the backgammon tournament and so I say goodbye for today, buy new tickets for this theater today because the doors will be open again tomorrow. Santé!

1.La Bombe Et Moi - PARABELLUM

2.Couleur Sur Paris - OBERKAMPF

3.A Ça Ira - LES PORTE-MENTAUX

4.C'Est Des Moutons - LES RATS

5.Vive La Guerre - LES VAMPIRES

6.R.A.S. - R.A.S.

7.Les Poings Levés Mais Les Poings Liés - L'INFANTERIE SAUVAGE

8.Syphilis M'Etait Contée - KIDNAP

9.Vingt-Deux - LES CADAVRES

10.Samedi Soir - PANIK

11.Bop Pap Labidoup - LES COLLABOS

12.Valstar Superstar - 13ÈME SECTION

13.Les Rois - AUSWEIS

14.Kazimir - VATICAN

15.Raddaren I Moden - HEIMAT-LOS

16.Désarmement - KRONSTADT

17.La Tête De Veau - DEAD GREGORY'S

18.Allo Le Monde - ICI PARIS

19.L'Hymne A L'Amour - CYCLOPS

20.As-Tu Déjà Oublié - LA SOURIS DÉGLINGUÉE

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