Now that I'm home at the weekend and have nothing better to do, here's an excellent compilation and I'm quoting the band bio from the band's own homepage, I'm too drunk to write anything, just one thing, excellent material is on offer: "The Lookouts were a three piece that existed from 1985 to 1990 from Iron Peak, a remote rural mountain community outside Laytonville, California. Members were Larry (vocals/guitar), Kain (bass/vocals) and Tré (drums/vocals). Thirty years ago, long before there was such a thing as Gilman Street, Green Day, or the East Bay pop punk explosion, three guys got together in an off-the-grid hippie wilderness known as Spy Rock, at the heart of Northern California’s legendary Emerald Triangle. They hooked their amps up to their solar panels, made up a couple songs about living on the backside of nowhere, and The Lookouts were born. It would be the first time 12-year-old Tre Cool ever laid hands on a drumstick or a set of drums, but over the following five and a half years he would hone the skills that would see him headlining amphitheatres and stadiums, winning Grammy Awards, and being inducted into the Rock and Roll Hall of Fame with his second band, Green Day. Guitarist and singer Larry Livermore would go on to co-found Lookout Records, the indie label that introduced Green Day and many other bands to the world.
Together with bassist (and future forest ranger) Kain Kong, and with guest appearances by Operation Ivy’s Tim Armstrong and Green Day’s Billie Joe Armstrong, The Lookouts produced a legacy of two albums, two EPs, and several compilation tracks, the best of which are featured here. Also included is a track from The Lookouts’ very first demo tape, recorded in 1985, which features Tre singing backups in his as yet unbroken three-and-a-half-octave soprano.
One of the greatest (and, some say, worst) legacies of the Punk movement was the notion that anyone can be in a band. Even me, as it turned out. When I formed the Lookouts, I quickly became the laughingstock (I should amend that to “an even greater laughingstock”) of the remote mountain community where I was living at the time. Already well into my 30s, I was playing music (to use the term very loosely) with a 14 year old bassist who had never played bass before and a 12 year old drummer who had never laid hands on a drum set. The abuse wasn’t limited to the verbal variety, either; there was the matter of the legendary black eye I received when a local lunkhead tried to physically restrain us from playing at a town dance, a black eye which I wore semi-proudly (the other guys in the band used makeup to draw their own in solidarity) at our first record release party at Gilman Street the next night. The Lookouts, even several years down the road, were never noted primarily for their technical skill, but we did manage to get a good bit better. We never got a chance to tour, but we were privileged to play at some truly awesome shows, by far the most memorable being the last Operation Ivy show. Maybe even more important, we had the honor of being part of the Gilman Street phenomenon from pretty much the ground up. We first played at Gilman only a couple weeks after it opened, and our next to last show, opening for Bad Religion in June of 1990, was there as well. When we finally split up the next month, it wasn’t so much that we were tired of the band or each other. In fact we all felt as though we had finally hit our stride, and were capable of playing together as a pretty darn good band. But we were living in three widely separate places and it was next to impossible to get together for shows or even practice, so we reluctantly called it quits. Later that year, Tre was asked to join Green Day and started making a new kind of history. Since those days I’ve learned a lot more about music and played with a lot of other musicians, but your first band, like your first love, is always special beyond anything words can tell. No doubt we embarrassed ourselves many times while we were struggling to master our instruments and figure out what it meant to be in a band, but we were too dumb and too sincere to know it. We just kept on bashing away and howling at the moon, and by the time we were finished, well, we’d fashioned some of the best days of our lives." (Larry Livermore, homebase)
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