TOLLWUT - Seuchen 2017

An older rip now and a few words from the web: One helluva obscure release for all KBD lovers is this record by Bochum's Tollwut, Susi (vocals), Matte (guitars), Hans (bass), Angela (drums), from Hayride Records, one of the most iconic underground acts Germany saw in its 1980's. We speak of Punkrock in its original form and spirit-border songwriting that presents lots of ska-rhythms among furious riffs. This compilation consists their only vinyl release, the "Seuchen" EP from 1981, and the even more rare "Tollwut-Hits '83" cassette. The more sophisticated tape recordings makes one think of a way more raw, nihilistic and aggressive Ideal and Ton Steine Scherben and might appeal to fans of the more wicked NDW underground as well. In the end all of these bands are rooted in a similar background they share with Tollwut (Rabies). Interchanging male and female vocals add much diversity to these tracks. When it gets to the four tracks from the classic EP, ferocious underground Punkrock placed in between more tracks from the 1983 tape. It works fairly well with this splitting of the original single tracks and shows how a full length album released back in the day might have sounded. Tollwut have a good feeling for great anthems that stick to your mind and deliver a brilliant rabid experienced performance. Could have become a hard hitter on the scene back then! Fans of early German music should definitely give this a go! - Solid record.

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KALTWETTERFRONT - Inkubationszeit 1980

Kaltwetterfront was founded 1978 in Hanover. The first label catalog (April 1980) by NO FUN is to read: "Although created in the context of the New Wave, KWF never understood itself as a pure New Wave or Punk band." Thus, the band fitted excellently into the exciting and varied catalog from NoFun Records.

On their debut album, the band members were Asche (bass+vocals) Michel Von Eye (drums+vocals), Anna (vocals+organ) and Bernie (guitar+vocals). On offer, the quartet had a mixture of Punk and German rock, although due to the simplicity of the songwriting and the sound of the former style outweighs clearly. A lot of value put the band on - politically correct - lyrics with which the musically still very limited possibilities were something caught. Inkubationszeit was immediately obvious, of course, because of the theme photo that reminds a bit of Commune 1, but the music had it all in. Powerrock ala Ton Steine Scherben with a good shot of punk was the musical recipe.

After the debut, the main writer Bernie left the band and the previous drummer Micha Von Eye switched to the micro. New drummer became Thomas "Tier" Wolff from the Cretins and Blut+Eisen. In 1982 the second album "Wenn Kaputt, Dann Wir Spaß" was released by Frostschutz Records. Then the air was out and the band broke up. Represented on some compilations, the important ones: Hannover Fun Fun Fun and KORN Live!

Inkubationszeit is a thoroughly entertaining album, even if it moves musically in a very manageable framework and is also very much in the lyrics of the zeitgeist. Not timeless, but rather a snapshot from the Federal Republic Of Germany in the year 1980. But it is also a lot of fun, because you can not help but dive into this era, including all good and bad memories.

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DIE LASSIE SINGERS - Helfen Dir 1991

June, summer, sun, beautiful music and since I had the pleasure to spend eight hours in the office today, I need cheerful music now and that's what the Lassie Singers do. Founded 1988 in Berlin-Kreuzberg and parted again ten years later. With their mixture of creative brilliance and technical dilettance, the band musically fit into the tension between late NDW aftermath and the burgeoning indie self-confidence of the early Hamburger Schule. On the one hand, the lyrics celebrated an offensive naivety and playfulness, but often played with a mischievous and charming hostility towards men. Thanks to legendary song titles such as freedom from a man's mouth (Puke), The couple's lie or How a narrow-minded taxi driver has just destroyed a burgeoning young love (Cologne), the Lassie Singers were at times as "female response to die Ärzte". Core of the group were Christiane Rösinger (aka Christiane Hügelsheim) and Almut Klotz (aka Almut Schummel), the rest of the cast varied. The founding member Funny Van Dannen left the Lassie Singers before the first album, but continued to contribute songs for the band. With Kathrin von Witzleben, Herman Herman and Heiner Weiß the band was completed and the first concerts were played at the legendary Kreuzberg SO36. Pretty soon amn got to the major sony, so that in 1991 the debut album "The Lassie Singers Help You" varied. Commercially, it was not very successful, as well as the Moodier successors "Sei A Go Go" 1992. Three years later, Klotz and Rösinger returned with a completely new line-up, including former Ideal guitarist Eff Jott Krüger. With "City Land Crime" and the accompanying single "Schade" the band reached the pinnacle of their success and also convinced the critics. Although the Lassie Singers sounded as pop and professional as never before, but by no means renounce the snappy-grotesque lyrics. However, the cooperation with Krüger was not consistently harmonious, so that the work was completed quickly. Instead, they tried one last time as a "real band". In 1995, the band recorded the album "Hotel, Hotel" with Britta Neander from Ton Steine ​​Scherben on drums and bassist Dodo Herting. Klotz and Rösinger recorded their first guitar themselves and was produced by Thomas Meinecke in Hamburg.

After four albums, hundreds of concerts and a lot of spilled pop star blood, 1998 the Lassies are over. "Tours make you old, fat, ugly and sad", they say at some point and enter the last round with the "Time-To-Say-Tschüss" tour. Not without promising to make young musicians into pop stars with their label Flittchen Records - they can never become as big as the original Lassie Singers. In the same year, the two compilations "Best of ..." & "Rest of the Lassie Singers" appeared on the specially for Klotz and Rösinger founded Flutchen Records. Christiane & Britta founded the band Britta with Julie Miess, while Almut Klotz found short-lived projects like Parole Trixi or Maxi played under people and was active in the Popchor Berlin founded by her together with Reverend Chr. Dabeler under the name Klotz + Dabeler. Almut Klotz died in August 2013 of cancer, Britta Neander died at the age of 48 years after a heart surgery in Berlin.

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V/A - 23 - Nichts Ist So Wie Es Scheint 1999

Weekend once again I watched DVD and for a long time this movie: 23 - Nichts Ist So Wie Es Scheint (23 - nothing is what it seems) is about Karl Koch, who died on 23 May 1989, probably self-immolation, a hacker who drifts ever further in his numbers and conspiracy mania, based on true story (saw this February 1999 in Hamburg with my then girlfriend and was immediately impressed). The Cold War is raging the global peace movement in defiance of the world in a frenzy of fear of nuclear threat and the 19-year-old Karl Koch is whether this status quo deeply insecure. Maintenance, he finds precisely in the worship of the fictitious character of Hagbard Celine from Robert Shea and Robert Anton Wilson's Illuminatus! Trilogy. About the depth study of the Illuminati theory says Karl characters identify that point to a worldwide conspiracy of economic and political forces, culminating in the all dominating number 23. At a meeting of the Chaos Computer Club, Karl gets to know the student David. David and Karl are able to hack into the global data network—which is still, at this point, in its early stages—and their belief in social justice propels them into espionage for the KGB. Driven by contacts with a drug dealer, and by increasing KGB pressure to hack successfully into foreign systems, Karl spirals into a cocaine dependency and grows increasingly alienated from David. In a drug-addled state, Karl begins to sit in front of his computer for days at a time. Perpetually sleepless, he also grows increasingly delusional. When David publicly reveals the espionage activity in which the two men have been engaged, Karl is left alone to face the consequences, collapse soon follows. Karl is taken to a hospital to deal with his drug addiction and mysteriously dies afterward. - Extremely catchy, excellent actors and 1A soundtrack and I urgently recommend you to see movie.
A really watchable German thriller.

1.Child In Time - DEEP PURPLE

2.Eighties - KILLING JOKE

3.The Passenger - IGGY POP

4.Rauchhaus Song - TON STEINE SCHERBEN

5.DNS - 39 CLOCKS

6.Money - FLYING LIZARDS

7.Mathar - DAVE PIKE

8.Love Is The Drug - ROXY MUSIC

9.Halt Dich An Deiner Liebe Fest - FREUNDESKREIS

10.Time Flies - ENJOTT SCHNEIDER

11.Illuminatus - ENJOTT SCHNEIDER

12.Am Winterfeldplatz - ENJOTT SCHNEIDER

13.Vom BKA Verfolgt - ENJOTT SCHNEIDER

14.Freundschaft - ENJOTT SCHNEIDER

15.Abschied - ENJOTT SCHNEIDER

16.Die Letzte Fahrt - ENJOTT SCHNEIDER

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TON STEINE SCHERBEN - Warum Geht Es Mir So Dreckig? 1971

One of the first and most influential German language rock bands of the 1970s and early 1980s are Ton Steine Scherben and without them Punk in Germany would certainly been different. Well known for the highly political and emotional lyrics of vocalist Rio Reiser, they became a musical mouthpiece of new left movements, such as the squatting movement, during that time in Germany and their hometown of West Berlin in particular. Today, after the band's demise in 1985, and the death of Rio Reiser in 1996, Ton Steine Scherben have retained a cult following and popularity in the related scenes. Recently, some of the remaining members have given reunion concerts under the name "Scherben". Warum geht es mir so dreckig? (Why am I so miserable?) is the debut album by the band, released on David Volksmund. It includes - among other pieces - the song Macht kaputt, Was Euch Kaputt Macht (Destroy What Is Destroying You), which expressed the built-up anger and radicalization of the youth of the late 1960s and early 1970s. In 1971, after the release of the first single "Macht kaputt....", the band went to Klaus Freudigmann's studio in Berlin to record their first album. The setup for the recordings was not ideal, and the sound quality suffered as a result. This is not surprising, as all the band's output was self-produced. As such, the recording sessions were also not entirely satisfactory. In June, Agit 883 and Rote Hilfe (anarchist and leftist political organisations respectively) organised an "informational event" about the empty buildings on the Mariannenplatz in Kreuzberg. Ton Steine Scherben were invited to play, and the teach-in turned into a party which led to one of the first spontaneous squatting actions in Berlin. The recordings of the concert were used for the album's first side; the b-side consists of highlights of the studio recordings. The album's sound has been described as raw and energetic, but the sound quality is somewhat lacking. A great album full of intensity & passion which leaves a distinct mark. Bung-Ho!!!!

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V/A - Zu Gast Bei No Fun 1983

David Volksmund Produktion is guest at No Fun Records and out comes a very good complation with both label bands. The punky songs come from No Fun while David rather released the alternative classics. The only thing that really annoys are the stupid announcements between the songs, I've thought to cut these out because this fucks really up and which idiot had this stupid idea? Well, shit on this, the music is overall nice, most of the songs are on the bands records and not really rare but this album is it and from the bands as well. Highlights: A5, Stricher, Der Moderne Man, Hans-A-Plast. Last post today, now out to SGE - Gladbach and get three points, arrghhh!!!

1.Längst Vorbei - A5

2.S.N.A.F.T. - TON STEINE SCHERBEN

3.Disco Diabolo - IHMESPATZEN

4.Vollgeturnt - CARAMBOLAGE

5.Gift Of Beauty - INDEX SIGN

6.Schwarz & Weiß - HANS-A-PLAST

7.Neues Aus Hongkong - DER MODERNE MAN

8.Krise - POP-ART

9.Der Branche - MYTHEN IN TÜTEN

10.Du Hast Doch Nur Geträumt - STRICHER

11.DNS - BÄRCHEN & DIE MILCHBUBIS

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