V/A - New Wave 1979

Well, I have a feeling history is repeating itself right now, and war has unequivocally caught up with stupid humanity again. Hard times are coming and the impotence of the politicians leads to death and destruction. Anyone who still thinks that humans are intelligent beings will be disappointed once again and will have to reconsider their attitude, but I don't want to comment further on the current situation, I'm trying to concentrate on the essentials, and that's the music. - This Compilation from K-Tel Records is a nice selection of hits from bands that were slowly gaining popularity in the late 70's/early 80's and released a few catchy tunes that were heard almost everywhere which added to their notoriety. Many cheap compilations came out , because the fat major record wankers sensed easy money with this new kind of music. This is one of them and not bad at all in my opinion. Dear friends, stay fascinate, have a great weekend and enjoy the sound of this sixteen virtuosos.. wherever you are.

1.Dreaming - BLONDIE

2.Back Of My Hand - THE JAGS

3.Making Plans For Nigel - XTC

4.Toast - STREET BAND

5.Money - FLYING LIZARDS

6.Straw Dogs - STIFF LITTLE FINGERS

7.The Prince - MADNESS

8.Because The Night - PATTI SMITH

9.Rock Lobster - THE B-52's

10.Ca Plane Pour Moir - PLASTIC BERTRAND

11.King Rocker - GENERATION X

12.Nice Legs Shame About You - THE MONKS

13.Gangster - THE SPECIALS

14.Charade - THE SKIDS

15.Time For Action - SECRET AFFAIR

16.Great Rock 'N' Roll Swindle - SEX PISTOLS

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V/A - Kulturschock Attacke Vol.1 1986

This compilation from Sig-Tiu Records is really a decent one and stands in the Champions-League of the best and most important records of German subculture in my opinion, and is one of my favorites, even though the sound quality varies from band to band but that doesn't hurt the listeng pleasure. The band/song selection is terrific, and most of them haven't release anything else. Somehow I can't help but I feel a slightly dark touch with clear announcements in between and I don't mean that negatively, on the contrary, every song is absolutely great and by and large one an enjoyable slab, 1oo% - B.t.w. the second volume has to go through the qualification first and will follow someday. - I'm sure these sixteen songs are able to fascinate you, so enjoy the compilation with its two lyric sheets and off into the weekend!

1.Final Fight - CIRCLE OF SIG-TIU

2.Fragile - CIRCLE OF SIG-TIU

3.Wir Wollen In Die Freiheit - WOHLSTANDSSCHADEN

4.Willst Du Ihn Gehen? - WOHLSTANDSSCHADEN

5.Next Generation - CRAPSCRAPERS

6.Manchmal - LACHENDE SEELEN

7.Tote Werfen Keine Schatten - ÄNI(X)VÄX

8.Äni(X)Väx – ÄNI(X)VÄX

9.Wie Die Piraten - RABATZ

10.Psychoterrorist - NEW BORN BABIES

11.Ich Hab Es Satt - NEW BORN BABIES

12.Euthanasie - EUTHANASIE

13.Keine Chance - WEHRKRAFTZERSETZER

14.An Die Wand - WEHRKRAFTZERSETZER

15.Money's The Reason They Fight For - IM ZEICHEN DES KREUZES

16.Politician Sucks - IM ZEICHEN DES KREUZES

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V/A - Punk Rock/New Wave '77 1978

I hope you have a pleasant Easter days and time for good music. Today a obscure release with mostly bands from the UK and on this compilation, which came out in Portugal via Pirate Dream Records in an edition of 400 copies, are only classics that saw the light of day as 7Inch at the end of the 70s. I bought the slab on my Antarctic vacation thirty years ago from a penguin near the Amundsen-Scott South Pole Station, after long haggling, for a few dollars. You can surely imagine how amazed I was when I found such a rare record, nowadays only available at high prices, in this region and of course didn't hesitate for long. Well, sometimes I'm lucky too and today I present you the little anecdote and I'm sure you will like the stuff as well. Even though we exchanged addresses, I never met the penguin again, but it will stay in my memory forever. So friends, enjoy the good ole sound that still towers over many current records and I know that won't change.

1.I Wanna Be Free - THE RINGS

2.Friday On My Mind - LONDON

3.Siouxie Sue - LONDON

4.Your Generation - GENERATION X

5.In The City - THE JAM

6.Non Stop Dancing - THE JAM

7.Taking My Love - THE JAM

8.Art School - THE JAM

9.Slow Down - THE JAM

10.Batman (There) The Me - THE JAM

11.Outside View - EATER

12.Thinking Of The USA - EATER

13.Broken Windows - WARM GUN

14.They Call Me Energy - HIDEOUS STRENGTH

15.Motörhead - MOTÖRHEAD

16.City Kids - MOTÖRHEAD

17.You're So Dumb - SKREWDRIVER

18.Love Detective - THE RADIATORS FROM SPACE

19.God Save The Queen - SEX PISTOLS

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LES LORDS - 1979-1980

 

The working year 2020 is over and four days off are comin'. Let's see, how I will end it musically and the opener is a treat, and this slab was released by Vidi Vici Records 2013 in edition of 300 copies. The Les Lords were Britz (vocals), Richard & Fifi (guitars), Laurent (bass), Lelett' (drums) and founded 1979 in Caen. And since nobody knows these guys until now, it is time for detailed information from the great creators of 45vinylvidivici which I would like to quote at this point:

1979: The musicians of the Caen punk group R.A.S. are orphans of a decaying movement. Britz, the singer-songwriter, mourns Sid Vicious. The others are starting to clearly prefer the power-pop energy of Jam, Skids, XTC or 999 to the neo-baba wanderings of the Cure or other Simple Minds.

The 60’s aesthetic and winks of the Who are already very present in punk, from black suits and string ties to the T-shirt with cockade of Billy Idol (Your Generation). Not to mention the Jam, of course. But when some members of R.S. land in Britain, it’s the shock. This one lives at the hour of "Mod Maydays", powerful revival which creates its own underground scene (Merton Parkas, Chords, Mo-Dettes, Squire...) in reaction to a punk now in the process of integration. "We hate the punk elite" sings Ian Page of Secret Affair. The musicians of R.A.S. are conquered, shop at Carnaby Street and return to Caen to tell friends about London news. The group is prompt renamed Les Lords.

As a result of this radical turn on the aesthetic level (because the songs remain the same) it appears fairly quickly that everyone gets into the idea of breaking their mouths, starting with the hard core of punks, more and more more influenced by the skinhead renewal and the “OI” wave. During the Lords' second concert in Lisieux, the skins came in force and have every intention of pissing off as much as possible. The chairs fly and the fans fall back on stage, somehow trying to send them away while the group continues to play. Arrival of the constabulary and relighting of the lights. We resume all the same and the Lords end in apotheosis by a resumption of "My Generation" of Who respecting to the letter the spirit of the original, that is to say accompanied by a methodical destruction of the material and the overturning of the columns sound system. Lying on the ground, arms outstretched to hold the

sound system lying on him and not to perish crushed, its owner, an old baba, manages to whisper "it's great, it's great...".

Great it is. The Lords continue the momentum of the most fit but harmonically rich punk, say Generation X to locate, incorporating 60’s influences, pre-psychedelic reminiscences (Creation, Move) and especially by tracing a new road, theirs. The group does quite a few covers: the instrumental The Persuaders ("Amically Your") as a concert intro, "For Your Love" by the Yardbirds mid-set and "My Generation" as a reminder. For the rest, it's a slaughter: slamming drums, metallic and melodic Rickenbacker bass, rhythmic Gibson "sound wall", dazzling escapades from the soloist on Telecaster. And there is the front man, with limited vocal capacities but remarkable texts and unparalleled charisma. It was obvious to who had once seen these kids in concert that they had fantastic potential. Because these are kids we are talking about, 17 years old at the time of history and just over 18 when it ended. Not really a "sex, drugs and rock n’roll" story, shot by the punk generation. No, just another story of tormented and rebellious teenagers. A story of music lovers who convert Gérald, the full barter shop of Throbbing Gristle to boots and frilled shirts. In return, he introduces them to Kinks and Small Faces, but also Real Kids, Charlie Mingus, Faust or Mother’s Finest. It is a story of rain (Normandy...), at night, of endless walking. Mopeds were rare, so scooters... It’s a story of cavalcades and frantic leaks, in the sad France of the end of the seventies whose "peripheral rascals" were so well sung by Renaud at the time.

On this front the Lords take radical measures by weaving an alliance with the gypsies, which allows to calm quickly done well the skins and to bring them back to feelings of healthy camaraderie. As for the neo-Mod movement, it is developing like wildfire. In two strokes of a pot spoon, there are more than 200 Mods in Caen. Punks converted after concerts, fans of the Specials or Joe Jackson, high school students who wanted to piss off their parents. Barely 16 years old, Laurence gives up everything to join Fifi, the rhythm guitarist of the Lords and returns on a scooter at the end of the hutch to give the teachers honor by shouting "We Are Mods", as in Quadrophenia. Britz, Laurent and I are going to see the film dozens of times at the cinema of the Carrefour shopping center, in Hérouville, one of the working-class suburbs of Caen. So we pass and we pass again in front of a band of thugs, "Arabs" as they said at the time, who stagnate on the benches of the shopping center and do not take long to look for the fight. It degenerates for good and ends with a punch outside. "We are the Mods"! Impressed, the most devious of the so-called "Arabs" quickly bought a costume and asked to join the mods.

In Caen, these are a mass movement from the proletariat, the working masses. With guys who in case of confusion are more quick to fight than to parley... There is José who fights after the group has won the French flags in a party on July 14, Franck says "Barjot" the former rocker and fisherman, "Clash" who crushes my parents' flowers in a Vespa and shoots the rockies on Saturday afternoon in the middle of traffic jams, with a WWII Luger. And then other groups that are formed: Dandys, Holly Boys and Neckties. These are 13-14 year olds who have had little time to learn English. Suddenly they proudly adapt the Who in French, "I Can’t Explain" becoming "the Caennais complain."

The Lords play in Paris at Golf Drouot. They finish well last of the "springboard rock" but fuck a happy mess and meet that evening the fabulous Stunners. A core of Parisian fans of the Lords is formed around Laurent ("Stax"), Denis, Thierry and soon Patrice Bertrand, former Hells Angel turned Mod who sells US garage rock records in the Scooter shop in Les Halles. The Lords don't pretend. They provide the first part of the Olivensteins whose equipment they demolish ("My Generation"), the Dogs from which they steal the show and a whole bunch of others. They make all the fire, open for Valérie Lagrange and even go on tour for a few dates opening for Caravan, an old British progressive rock band.

Soon the mod-revival spreads in Paris then in the provinces. Lords are heroes and kings, but there is a misunderstanding. Basically they have little to do with twinks disguising themselves as twist dancers, petty bourgeois in polka dot dresses and groups making desperate efforts to sound "garage". In fact, while the Parisian skins led by Farid - a ringworm - are having fun persecuting this bunch of little wankers from fine neighborhoods, they carefully avoid attacking anyone who wears a "Caen" patch on their jacket. Britz and the hard wing of the Caennais accentuate the demarcation with the installers by calling themselves "Glory Boys" and adopting black shirts and white ties. But hey, it's all starting to go around in circles. Especially since despite their multiple trips back and forth in the capital, where I settle as a manager, the Lords are still out of recording contract. There are indeed some contacts with Antoine De Caunes, Marc Zermati or Patrick Eudeline, the tour of record companies, a photo in the monthly Best, but nothing comes out. Meanwhile, the sken-mod conglomerate of Caen feels winged. After two years of intensive fights against rockers (very bad in those distant times) and all that hung around as thugs in the Normandy countryside, these became real terrors. Wounds that set everything on fire and blood during the Jam concert in Rouen. The Lords are victims of Sham 69 syndrome: overwhelmed by the movement they have instigated and the excesses of their audience.

The tension rises with the rhythm, Fifi, a simple heart. Then with the bass player who stands in solidarity with him. Finally with Britz Notre Dame, icon of mods, always so frosty and uncontrollable who does not want to understand that such a radical trip cuts the group from a wider audience. In a few weeks everything crumbles. Fifi and Laurent will try their luck with another group. Britz moved to Paris where he succeeded in a few months in transforming a gang of Daddy's sons into a respected gang. Richard and Denis recruit a bass player and pursue the Lords in the form of a blazing power trio.

In the end, there will be nothing but wonderful memories and rehearsal recordings from this brief epic, in mini-cassette. Despite their obvious limitations, they will no doubt give a better idea of what the Lords were than the album they would have done at the time on a major, under the guidance of a survivor of the yéyé who was converted into a producer. And the fact that more than thirty years later RAS or Les Lords are arousing interest shows that at least the flame has been transmitted. So all is well that ends well. Raymond Debord (Summer 2013)

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WARHEAD - X-Mas Bop EP 1987

Welcome to a band that had their creative time in the 80s and it seems they probably still active. A bit Info from their home: "Early 1980’s: nuclear warheads, the cold war, the nuclear age with its power of creation and its power of destruction, the fear of the whole lot going up. A generation of mutants come up through the underground culture, dangerous, contaminated, out of this world or maybe too caught up in it. In the summer of ’82, out of this generation Fabio Scipioni and Fausto Colasanti formed the group Warhead, the first Thrash-Hardcore Punk band in Umbria. So the band from back woods began with a demo-tape, In Rock We Trust. Concerts in a series of converted theatres  and squatted warehouses of central Italy were the experiences behind cutting their first record, the mini-LP The Black Radio, the X-Mas Bop EP with a cover of Irving Berlin's “White Christmas” featuring guitarist/pianist Paul Chain on the flip. The last of the 80’s was the One More Time In The Jail slab". On these three lullabies were Fabio (vocals/guitar), Fausto (guitars), Roberto (bass), Paul (organ), Lucio (drums) involved and they do their job properly. More boring X-Mas sounds don't follow.

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THE NEIGHBORHOODS - No Place Like Home 7'' 1980

The Neighborhoods came out of Boston around 1976-77 while the whole punk scene was going on at the Rathskeller (The Rat) in Kenmore Square. The Hoods were an excellent rock group playing Mod punk-type music a-la early Who and much like the Jam and Generation X in their early days. David Minehan was the lead singer and guitar player who from the very beginning had a great stage presence and played guitar like it was his last night on earth. In the back was Mike Quaglia keeping the rock steady beat and Jim Bowman keeping the bass lines strong so Dave could weave in and out. By 1979 the band changed bass players and John Hartcorn was there to add more bass rhythm and energy to the mix. The band was now on fire and easily won the WBCN Rock'N Roll Rumble held at the Rat. The Hoods power-rock was infectious with songs like “Monday Morning”, “Teachers Pet”, “Flavors”, “She’s So Good” and “Think It Over.” In 1980 they released a single on Ace Of Hearts label called “Prettiest Girl” & “No Place like Home” which got a lot of airplay in the local New England area. Soon the Hoods were a favorite local attraction in RI and especially at the Living Room with sell-out crowds. The Hoods were on the verge of going nationally but based on stories we later learned, mismanagement caused the band to split for a brief moment in July 1981 but as it turned out, it was the end of an era in the early Hood history. It’s a shame they never got to release an album from that time frame to capture that great raw power era...

 After the Hoods regrouped they decided to go in a different direction. Gone was John Hartcorn on bass and he was replaced with Tim Green who added a more funky style playing to the new music. The band material now was based more on higher energy and less on bright melodies. In 1984 they finally released their first mini-LP "Fire Is Coming" with another new bass player named Lee Harrington who had joined the year before. That was followed by a full record for Restless record label in 1986, "...the high hard one...." and "Reptile Men," in 1987. The band also did a national tour with the Ramones in 1988.....

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V/A - British Underground Vol.3 1993

Last and great conclusion of this little unofficial series called British Underground by Chaos Wrecords, 500 copies were pressed and even available on CD. Well, the song selection is once again excellent as the first two volumes and sixteen punk & wave goodies are gathered here and the stand out and my favorite track is by They Must Be Russians, such a great tune and simply terrific! I'm sure you will like this compilations because the mix is great and all three albums also contain hits and rarities. It's just a shame that after volume three no more were created and so we have to be satisfied with these three. After all, they are there and now have fun with them!

1.Ghetto - THE WALL

2.All The Boys Love Carrie - ANOTHER PRETTY FACE

3.Soldier Soldier - SPIZZ ENERGI

4.Horrorshow - SCARS

5.Count For Something - THE OUTSIDERS

6.Benched Down - MODERN EON

7.Big Time - RUDI

8.Subvert - ZOUNDS

9.Death In Venice - DNV

10.In Love - THE PLAGUE

11.Where Have I Seen You? - THEY MUST BE RUSSIANS

12.Your Generation (Demo 1977) - GENERATION X

13.I'm A Dalek - THE ART ATTACKS

14.No - THE REZILLOS

15.Young Savage - ULTRAVOX!

16.Fascist Dictator - THE CORTINAS

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GENERATION X - Your Generation (Winstanley Mix) 7'' 2019

A quick post because my train departures in thirty minutes. RecordStoreDay.com website shows Limited to 1500 copies. Previously unreleased mixes by Alan Winstanley from the Generation X album sessions 1978. Band here Billy (vocals), Derwood (guitars), Tony (bass), Mark (drums), excellent record, red vinyl, Chrysalis records. Re-upps will follow next week..... enjoy the weekend!

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V/A - Catch A Wave 2x10'' 1978

Welcome May and I say Hello to you with this early punk/new wave compilation in chic 10'' design and that twice. I'm really amazed, how many slabs were pressed in my favorite format, especially at this time... I have to send out a loud HOLLADRIO!!.... good boy. The two color palettes feature bands with leatherjackets, big balls, long fingernails, sexy pouts, barbed hair, rivet belt, pop hits, nylon legs, sweaty shirts, etc… and beams us back to the time when punk was 'provocative' & 'real'. Most of the first punk rock bands came from New York, punk became a real movement in London and Catch A Wave unites both cultures & countries with their local yesterdays heroes. Not all songs ignite, but fit for a little time travel. Released without a label, Made In England, but distributed primarily in Scandinavian countries (so they can thaw a little). Good Job!

1.Do Anything You Wanna Do - EDDIE & THE HOT RODS

2.Statue Of Liberty - XTC

3.Klean Living Kids - THE STUKAS

4.Television Screen - RADIATORS FROM SPACE

5.For You - GREG KIHN

6.Saints & Sinners - JOHNNY & THE SELF ABUSERS

7.Do The Standing Still - THE TABLE

8.Kidnapper - BLONDIE

9.Little Big Boss - LITTLE BOB STORY

10.Lovin' Cup - EARTH QUAKE

11.Nervous Wreck - RADIO STARS

12.Rockwrok - ULTRAVOX!

13.I Think We're Alone Now - THE RUBINOOS

14.Dancing The Night Away - THE MOTORS

15.White Line Fever - MOTÖRHEAD

16.Your Generation - GENERATION X

17.Government Action - SKREWDRIVER

18.Roadrunner - JONATHAN RICHMAN & THE MODERN LOVERS

19.Oh Bondage Up Yours! - X RAY SPEX

- Great Thx to Fredrik -

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GENERATION X - Untouchables (Live & Demos 1981)

"This group are important. They are something new, young and exciting. They're fuckin great!" Mark P.(Sniffin Glue 5.11.1976). This nice release was brought to us by A William Broadcasting Production and I don't know the exact release date but that doesn't matter, fifteen live recordings in a modest quality, plus three demos gather here for an hour to document the early days of Generation X, formed in London during the fall of 1976, Billy Idol (guitar), Tony James (bass & vocal) and John Towe (drums) perform a few gigs, under the name Chelsea with Gene October as frontman. Idol and James are also developing a song writing partnership, the results of which are not performed by Chelsea due to a lack of fit with the current group. Idol and James eventually decide to leave Chelsea so that they can create a group based upon their own vision and songs. John Towe comes along as well. On December 4th Billy finds the missing key to their new line up at the Fulham Arts Centre, when he sees seventeen year old Bob "Derwood" Andrews playing guitar in the band Paradox. Derwood is quickly recruited, given a hair cut, and within as little as three weeks after leaving Chelsea, Generation X play their first gig. In mid April 1977, Generation X decide that the weak link in their line-up is drummer John Towe, and he is asked to leave. After auditioning over twenty different drummers, they decide upon eighteen year old Mark Laff (a.k.a. Mark Laffoley). He was drumming for Subway Sect, and upon completion of their lengthy tour with the Clash, leaves to join up with Generation X. With Mark Laff now on-board, the "classic" line-up of Generation X is complete.In May 1979, Bob "Derwood" Andrews tells the other band members, that he is quitting the band. However, his departure is short lived and he soon comes back to finish the remaining live dates (including a tour of Japan) as well as recording sessions for the 3rd LP Sweet Revenge. On December 19th 1979, Derwood again announces to the band that he is leaving and this time sticks to his decision. On January 23rd 1980, Billy and Tony ask drummer Mark Laff to leave the band as well. Bob "Derwood" Andrews and Mark Laff go on to form the group Empire and release one LP Expensive Sound in 1981, before breaking up. Billy Idol and Tony James recruit former Chelsea guitarist James Stevenson and ex-Clash drummer Terry Chimes, re-christen the group Gen X, and go on to release one LP Kiss Me Deadly in 1981, before breaking up.(Source: Mark Gale & Mark Laff) I think you are well informed now so enjoy their sound at maximum volume!

Ready Steady Go/Trying For Kicks/Triumph/Anna Smiles/Valley Of The Dolls/Revenge/Day By Day/Rock'N'Roll/Shakin' All Over/Heavens Inside/Untouchables/Andy Warhol/Poison/Kiss Me Deadly/New Orders/Dancing With Myself/Taxidriver

- Great Thx again to Reinhard -

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UNIPLUX - 1981 2016

Late in the evening and while I ripping vinyl a quick post in-between and we visit Rome and meet Uniplux which formed in the early 80s. Before disbanding in mid 80s (the band will reunite later on and continue up to these days) Uniplux released two 7"s. Both records are very hard to find and sought after, mainly because Uniplux offered a unique vision of melodic Punk Rock. While at the same time heavy and melodic, the sound of Uniplux always carried along a certain dose of melancholy, notably underlined in their lyrics and dramatic vocals by two different female singers that sang on these two 7"s.

Incredible but true, but your fave label discovered an entire unreleased punk rock album from the land of spaghetti and mandolino! Uniplux were one of the few bands of 1977 roman punk scene that included bands such Trancefusion, Elektroshock, Luxfero, Ulster Punk Group, Apologia Di Reato, Bads, Stigma, Ddt. This scene is well documented on the magnificent Claudio Pescetelli’s book “Lo stivale e’ marcio” (rave up books 2014) that talks about those pionieristic days. This band released two singles, the first, released for a major label RCA and entitled ‘Chi Siamo Noi?’ came out in 1982, the 2nd one Maledetto Rock, (Pogo Records), came out two years later in 1984. both records are very hard to find and sought after, mainly because Uniplux offered a unique vision of melodic punk rock. in 1997, a bunch of european punk collectors compiled Killed By Death #201, dedicated to Italian 1977/82 punk rock scene, selecting the track “U.X.” to represent this band. After over thirty-six years, RaveUp Records unearthed from the tomb eleven killer tracks amazing Italian punk with female vocals, for fans of Generation X, Buzzcocks, Penetration and all early UK punk rockers, limited to 500 copies!, first 100 on orange vinyl!

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V/A - Personality Crisis!! 1984

A small break of the 7Inch posts for this classic compilation with only hits on it, released via Action Replay Records, everybody knows the songs and if not so let's go. So everything is said and before I give here some crap again I'd rather urge you to download this shit. I like the album title, that is worth mentioning. And now it's time for breakfast.

1.White Punks On Dope - TUBES

2.King Rocker - GENERATION X

3.Hurry Up Harry - SHAM 69

4.Peaches - THE STRANGLERS

5.Bad Girl - NEW YORK DOLLS

6.Gary Gilmore's Eyes - THE ADVERTS

7.Personality Crisis - NEW YORK DOLLS

8.Listen - STIFF LITTLE FINGERS

9.Obsessed - 999

10.Milk & Alcohol - DR FEELGOOD

11.If The Kids Are United - SHAM 69

12.I Think I'm Wonderful - THE DAMNED

- Special Thx to Fredrik -

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V/A - Es Chaos Is Die Botschaft! Es Wurschtln Es! 2 2010

Oh Yeah, it's fantastic to be at home by such a frosty weather! Well, after more than ten years donates us Luziprak Records the second compilation of Es Chaos Is Die Botschaft (1000 copies) with more Austrian Proto Punk and Punk Rock from the first generation, including some rare & some unreleased Punk influenced Powerpop, trash Rock, New Wave and No Wave stuff! Why it took so long explains the maker in detailed words on his blog (click orange above) plus lots of infos to every band. For me an excellent record with exemplary artwork and I challenge you to listen to this and Volume 1, so let's have one or more beer!

1.Crazy Police - SCOOTER

2.Ich Sprenge Alle Ketten - WILLI WARMA

3.I Found Out - TOM PETTINGS HERTZATTACKEN

4.Der Weisse Rum - NULL KOMA NICHTS

5.Tenebrae - RPB

6.Sex In Der Stadt - HOTEL MORPHILA ORCHESTER

7.Mein Kampf - COMMERCIALS

8.Robert Damiens - KILLROY

9.One Million Barrels - INTIMSPRAY

10.Keine Ahnung - FRONTAL

11.Sweet Little Girl - EXCALIBUR

12.Der Letzte Dreck Von Wien - DIRT SHIT

13.Cold Love - CADILLAC

14.Pumperl Geht... - ÖMÖ

15.Take Me As I Am - BLACK VEIL

16.Fang An - X-BELIEBIG

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EMPIRE - Expensive Sound 1981

Here's a fantastic album and the only one by Empire, a band which founded 1980, after leaving famed post-punk band Generation X (featuring Billy Idol), guitarist Bob "Derwood" Andrews and drummer Mark Laff formed the band along with bassist Simon Bernal. Initially an instrumental band, when no singer surfaced Andrews deputised on vocals. They released one single 'Hot Seat' and one album 'Expensive Sound', both of which went re-issued with bonus tracks in 2003 by Poorly Packaged Products.

That's a bit info from their facebook appearance (written by Tiziano Caliendo) there you can read all. For me are all eleven songs cool, melodic, rockin' and a clear voice. Sure a few weak here too, especially the 7Inch track is damn lame, and the last two at the end are also mist but with 'Today' and 'Electric Guitar' two must listenings. Ach, I don't give a shit and it's a nice litte one and you have probably thirty-three minutes of your valuable time left. Surprisingly good!

- Special Thx to Fredrik -

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LOS VIOLADORES - s/t LP 1983

Fantastic debut album by this legendary punk band from Argentina, Los Violadores. They deserve the full description which I lending from the essential kfth page: Despite its demographic size and socio–cultural importance in Latin America, and unlike Brazil, Mexico or Colombia, Argentina didn't produce many first rate hardcore and punk bands during the 80's. But still, Los Violadores are probably among the pioneers of Punk Rock in the area. Guitarist Hari B. formed Los Testiculos in Buenos Aires in 1978, while the military dictatorship (who ruled the country between 1976 – 1983) was at the peak of their power. The regime, that in a couple of years murdered more then 30.000 left wing activists (or that were suspected to be so), saw any act of non–conformity as potentially subversive, so obviously the first generation of Argentinian punks was very much underground. But they still managed to survive.

In 1980, Hari B., together with drummer Gramatica, changed their name to Los Violadores. Due to censorship, they were unable to publicly use the new "offensive" name for a while, so they ommitted just one letter and remained "Los Voladores" for the early show fliers. About a year later, they were joined by vocalist Pil Trafa and bassist Stuka. After one of the first shows with this line up, about 200 hundred persons were arrested and the band members were charged with "political disturbance", thus gaining public notoriety and making it clear that Punk was alive in Argentina. As they put it "We wanted to make something that was punk but still rooted in our reality. We didn't want to be part of the complacent Argentinian rock scene, which was silent during the dictatorship and thus partner for the atrocities". They were one of the few bands which refused to take part in a huge rock concert sponsored by the military dictatorship as part of the Falkland/ Malvinas war propaganda campaign, even though they were surprisingly invited to participate. Ironically, many of those who did appear there were actually self professed hippies, who probably saw punk as something "violent & fascistic". Los Violadores pointed at that hypocritical "hippy ideology" as their second main enemy after the military regime.

Also in 1982 they recorded their first (self titled) LP, which could only hit the streets in late 1983, after democratic elections took place. It was released by the Argentinian independent label Umbral and it includes 12 great tracks with excellent production. Unlike the raw, thrashy hardcore produced in neighboring Brazil, Los Violadores are more '77 influenced, althought with an updated sound, kinda like Generation X meets DOA.

After the return of democracy, Hari B, who thought that the main reason of existance for the band was to fight the dictators hip, quit. He played for a short time with Argentinian's Oi! pioneers Comando Suicida, long before they became full-fledged boneheads. In 1984, Los Violadores were asked to contribute a track for the now legendary P.E.A.C.E. compilation, being the sole representatives of Latin American punk among the 40+ other bands and maybe making a small name for themselves in the international punk community. In fact, Argentinian rock magazines reported that there was lots of interest in the band from Europe and that they sold thousands of copies in the "old world", but that seems pretty unlikely.

By then, they were already changing direction towards a more commercial one, something typical for many bands from the era. Their second mini album Y Ahora Que Pasa Eh? is definately more rock/pop influenced, but in my opinion still enjoyable. They kept playing until the early 90's and even after that, they reformed several times, but their output is totally irrelevant to these pages. Their old material was reissued on CD by the major they had signed with, but their first LP was bootlegged on vinyl a couple of years ago. (source: killfromtheheart)

-  Special Thx to Reinhard -

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V/A - Break The Rules #8 1997

One more fuckin' awesome punk compilation with old farts now. Splitting from his partnership with Incognito Records, Peter P., who compiled the Back To Front compilations, started his own label, Insekten Records, to put out his new series, Break the Rules. The series picks up where Back To Front left off (with #7). This, like the others, is s greaat mix of early rough-edged punk as well as punk with a poppier edge. And like his other comps here is Volume #9), he's have the permission from the bands to use these songs. Like the KBD or Bloodstains series: this LP is a killer! Get it yet and good Morning!

1.Go Go Go - P.F. COMMANDO

2.Suburban Kid - P.F. COMMANDO

3.New Time - SNUKY TATE

4.Blank Generation - XTRAVERTS

5.No Desire - JACK & THE RIPPERS

6.Used To Be In Love - DAYGLO ABORTIONS

7.Suicide - DAYGLO ABORTIONS

8.1967 - DAYGLO ABORTIONS

9.Kent Agent - MASS MEDIA

10.I'm The Nightmare - TV-WAR

11.Slave - HITLER SS

12.Occasional Lay - X-TERMINATORS

13.Loven Slår - HÆRVERK

14.Ingen Visjoner - HÆRVERK

15.We Want It Legalised - ACCIDENT ON THE EAST LANCS

16.Junked Up Judy - XPRESS

17.Burning - JUST URBAIN

18.Vardad Klädsel - KRIMINELLA GITARRER

19.Poliisi Pamputtaa Tass - EPPU NORMAALI

20.Dentist Blues - MIRANDA'S

21.Kidz Next Door - KIDZ NEXT DOOR

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V/A - Burning Ambitions (A History Of Punk) 1982

Burning Ambition: The History of Punk, attempts to be a definitive overview of the British (except DK) wave/punk scene in the late 70s/early 80s and while it falls short of its goals, it's nevertheless an admirable effort. The Crème de la Crème are here to honor, only classics on it. Surely some of you, like me, have the original records at home but this double album should become a favorite of yours, because this record is one of the finest punk compilations which is ever released. Love to hear all these classic songs in this order and believe me.... you will enjoy it as a good fuck.

1.Boredom - BUZZCOCKS

2.Bingo Masters Breakout - THE FALL

3.12XU - WIRE

4.Life - ALTERNATIVE TV

5.Keys To Your Heart - THE 101'ERS

6.I'm Alive - 999

7.Gary Gilmore's Eyes - THE ADVERTS

8.Justifiable Homicide - DAVE GOODMAN & FRIENDS

9.Where Have All The Boot Boys Gone - SLAUGHTER & THE DOGS

10.(Get A) Grip On (Yourself) - THE STRANGLERS

11.Your Generation - GENERATION X

12.Baby, Baby - THE VIBRATORS

13.Identity - X-RAY SPEX

14.Read About Seymour - SWELL MAPS

15.I'm Stranded - THE SAINTS

16.Chinese Rocks - HEARTBREAKERS

17.Lock It Up - EATER

18.Ain't Got A Clue - THE LURKERS

19.Lady - ADAM & THE ANTS

20.Love Song - THE DAMNED

21.Looking After No. 1 - BOOMTOWN RATS

22.Where's Captain Kirk? - SPIZZ ENERGI

23.In A Rut - THE RUTS

24.Angels With Dirty Faces - SHAM 69

25.Stranglehold - U.K.SUBS

26.Flares & Slippers - COCKNEY REJECTS

27.The Wait - KILLING JOKE

28.No Goverment - ANTI-PASTI

29.Holiday In Cambodia - DEAD KENNEDYS

30.Dead Cities - THE EXPLOITED

31.Last Rockers - VICE SQUAD

32.Harry May - THE BUSINESS

33.Police Story - THE PARTISANS

34.Someone's Gonna Die - BLITZ

35.City Baby Attacked By Rats - G.B.H

36.Complete Disorder - DISORDER

37.Russians In The DHSS - ATTILA THE STOCKBROKER

38.Lust For Glory - ANGELIC UPSTARTS

- Huge Thx to Fredrik -

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