MAJOR ACCIDENT - Massacred Melodies 1982

Fourteen uncompromising melodic and fine-executed Oi! Punk tunes at a mid-tempo can be found on Major Accident's debut which was released via Step-Forward Records. Info: Formed in late 1977 in Darlington, legendary Punkers Major Accident were initially influenced by the Sex Pistols & the Clash. A very sad fate befell their early studio activities: both their first recording sessions in 1980, which was supposed to be their debut single (Terrorist Gang/War Boots) and the following one, which produced a completely mucked-up, unusable first edition of this LP, remained unreleased for years. It took until late 1982 for their first proper release to see the light of day: produced by Donkeys guitarist Neil Ferguson, their debut album Massacred Melodies finally came out on Step Forward, supported by a full UK tour with label-mates Chelsea. The distinctive 'Clockwork Orange' image (they were the first punk band to adopt the look from Kubrick's famous movie, which was banned in the UK at the time and impossible to see anywhere) and their song writing, by far more peculiar than the average UK82 Punk band, allowed them to grow a sizable following, and their classic sleeve artwork by Paul Dillon started appearing on the back of more than a few black leather jackets.

The band released their first single, "Mr Nobody", with Step-Forward Records before the release of their first studio LP. A UK tour supporting Chelsea helped promote the release of the record. They had UK Independent Chart hits with singles "Fight To Win" and "Leaders Of Tomorrow" (no. 19, featuring drummer Evo, formerly from the Angelic Upstarts and The Blood who went on to form Punk influenced thrash and speed metal NWOBHM band Warfare), followed by "Respectable" all released on the Flicknife Records label, as was the LP A Clockwork Legion, by which time the band's name had been shortened to "Accident". A live album, Tortured Tunes – the Official Bootleg, was released in 1984, reaching no. 24 on the Uk Independent Chart. Around this time the band appeared on BBC2 playing three songs live. American label Toxic Shock released a follow-up album ...Crazy! in 1985, just before the band split up.

Major Accident re-formed in 1996, once again using the full name rather than just "Accident". The re-formation was accompanied by a new studio album, The Ultimate High, released on We Bite Records, with a seven-inch single, Representation Not Reality, which was released in 1999 on Upstart Productions. The band's final release was a split album with Welsh street Punks Foreign Legion entitled Cry Of Legion. Live performances followed, including a night at New York's CBGB in 2001 with a "Clockwork Punk" theme. The band's activity was sharply curtailed when drummer Laze was involved in a motorcycle accident. They played their final gig around 2012.

2025-present Major Accident makes a return to the live performance scene playing a gig at the forum in Darlington.

Enough blah blah, check out the album and I'll get my ass into the kitchen and whip up a delicious meal.

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CHAOTIC DISCHORD - Their Greatest Fuckin' Hits 1994

Dear friends, it's a blessing that Punkrock exists; I don't know how my life would go on otherwise. Yesterday I got the party started, and that feeling continues today with Chaotic Dischord, top-notch U.K. HardcorePunk. This silver surfer is part of the awesome Punk Collectors Series from Anagram Records and will blast thirty hits right into your living room, so loud that no beer will get warm. And when an album starts with three songs that include the word 'FUCK!' you know what to do. Crank the volume all the way up and punch your neighbor in the face if he even thinks to complain. There is detailed infos in the file; for this, I'm stealing the short version from Discogs: Allegedly formed by members of Vice Squad and their road crew in 1981, although this still remains unconfirmed by members of the band. They also recorded a one-off EP under the name Sex Aids. The line-up consisted of Ransid (vocals), Pox (guitars), Ampex (bass) and Evo (drums). A number of Bristol Punkrock faces as a way to mock the lack of quality control on Riot City Records. A copy of their first recording was sent to Simon Edwards from Riot City. That recording ended up on the Compilation Riotous Assembly, and Chaotic Dischord was signed to his label and the band's point was proved long before Edwards realised that the band he'd signed were royally taking the mickey out of him. But by that point they were shifting so many units that he kept them on anyway and released a total of five albums without them ever playing a live show. The band reformed in 2019 with original members Ransid and Ampex, was temporarily hampered by the 'rona, then have been playing international festivals and recording new material ever since.

They eventually split up in 1988 when Ransid's tool hire business took off. After continued offers from Punk festivals around the globe, Chaotic Dischord reformed to play Rebellion Festival 2020. When that obviously couldn't happen they were confirmed to play in 2021, to the same result. Fortunately Rebellion still wanted them and they played both the 2022 and the 2023 festivals. The band played its first ever gig at Exchange in Bristol in February 2022, and have since gone on to play shows all over the planet, taking in shows in Vancouver, Madrid, Berlin, Australia and Ramsgate. They also occasionally play secret gigs under their aforementioned nom de plume Sex Aids. They continue to tour, and in August 2023, launched their first physical release in thirty-five years when they brought out their Songs To Fuck Your Mental Health To limited edition maxi-single on pukey coloured 10Inch in on their own Irresponsible Punk Songs label. This collected songs from their two previously download only releases.

Hearty food that's perfect when you're confused and need a new boost.

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V/A - Really Fast Vol.3 1986

With this superb Compilation, I'm finally kicking winter's ass and banishing it from my limbs, officially ushering the hot season. Anyone familiar with the impressive Really Fast series knows how sweaty the whole thing is, and those who become curious can indulge the hard flow of piranhas with short breaks in between. The fucker comes, like all the other slabs, with the usual informative artwork. 1300 copies of Volume 3 were pressed on Really Fast Records, and the content ranges from absolutely essential to absolutely essential. I'm sure there's no room for doubt. With that, let's jump into the weekend... "Skål!"

1.Century Of Darkness - AVSKUM

2.How Far Can They Push Us - AVSKUM

3.One Day - DISCARD

4.Fear - DISCARD

5.Swerige - VON BØØM

6.Förintelsen - VON BØØM

7.Dödsfabrik - VON BØØM

8.Kungens Barn - DTR

9.Religiösa Sekter - DTR

10.Enat Folk - DTR

11.If It's A Dream, It's A Nightmare - S.S.S.

12.Förortsliv - S.S.S.

13.Fear Of Warsong - FEAR OF WAR

14.Justice For All - EXISTENZ

15.Polischefsjazz - SLAM

16.Den Nödvändiga Operationen - SLAM

17.Zombie - DISARM

18.Va Dig Själv - DISARM

19.Schhh! - DOM DÄR

20.Krossa Porren - SVART PARAD

21.Sista Kriget - SVART PARAD

22.It's Gonna Explode - THE BEDRÖVLERZ

23.Our Statement - THE BEDRÖVLERZ

24.Pengar Till Vad - RAPED TEENAGERS

25.O.S. - RAPED TEENAGERS

26.Duvan - RAPED TEENAGERS

27.Barbbapappa & Ankan Kalle - RAPED TEENAGERS

28.Lies In Paradise - PÖBEL MÖBEL

29.Blind Killer - PÖBEL MÖBEL

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KARIES - Seid Umschlungen, Millionen 2014

Started as a quartet and developed over the last few years into a different, more experimental like trio and I can't say exactly how I discovered Karies, which formed 2012 in Stuttgart, but in any case, I'm grateful for it. Their sound can probably best be described as "Coldness Made Musical." Waking up to the reality of a neoliberal world. Their stoically driving basslines, deliberate monotony, and recurring guitar riffs make these charismatic musicians a band I enjoy listening to in my desperate hell. To describe the songs as dark is almost an understatement, because they go deeper and pierce every cornerstone of your feelings like a milling machine. I think it was in 2015 or 2016 that my best friend took me to a concert on Klapperfeldstreet, a former police prison, and it was a revelation. Even though I was feeling incredibly fucking bad at the time, the loud & penetrating music was exactly what I needed. Pisse played as the opening act; I'd never heard of them, but they were absolutely fantastic, and I bought a 7Inch (thinking it would already be on the blog - wrong! - I'll rectify that sometime). Well, I bought the second and third albums, and that's it. The album 'Alice' was my farewell, and since then, Karies has been out of my sight. That's just how it goes. Nevertheless, I can highly recommend them because they create movements and don't give a damn about pigeonholes. Karies have landed a real firework with their debut and a trip to the dentist is definitely unnecessary.

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V/A - Chaos En Madrid 2025

First, all re-upload requests have been completed, and now a disc that was sent to me a few months ago, unfortunately without a sender. Nevermind. The whole world knows that Spain isn't just a beautiful country where I love to be: Culture, delicious food, warm climate, interesting cities and beautiful beaches… All things worth a visit. And the underground scene is just as diverse, and this great record is a perfect example and has its focus on a very special place. The official description reads: "Tough Ain't Enough Records is proud to present, together with Potencial Hardcore & Relapso Records, the new Compilation of Madrid bands: CHAOS EN MADRID!! Following the saga of the legendary "Chaos In...", it's now Madrid's turn! And this bloody sucker features eighteen current bands, plus an extensive fanzine where you can find interviews with all of them. Released in a limited edition of 500 copies, available on black and clear red vinyl!" What more do you need to know? A fucking great record that really caught my attention & extremely worth your valuable time!

1.Fuck The Police - ALL OR NOTHING

2.Positive Psychology - BARBWIRE

3.Tu Final - BELIAL

4.Generación Suicida - CASUS BELLI

5.90's Oi! - FEARLESS VETERANS

6.Cicatriz - GOLPE DE GRACIA

7.Lust Witch - TONY GALENTO

8.Nowhere Fast - HARD & CHEAP

9.Va A Estallar El Caos - KOMANDO SKIZZO

10.Nuevas Glorias - BARDEO

11.Agitación Armada - M.I.L.

12.Until I Die - PORNTRUCK

13.Esto Es Madrid - REJECTS

14.Hostias En El Bar - ROUGH LAW

15.Guerra Al Tiempo - TENSIÓN

16.Love The Oi! - HARD LIFE

17.Ruido - TRES CUERVOS

18.Fucked Up City - VISADO

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HUBBLE BUBBLE - New Promotion 7'' 1978

First, a quick update: I'll take care of the requested re-upps next week. Now heading west, and we'll meet Hubble Bubble. A true legend for a few, featuring young Plastic Bertrand on drums, formed in 1973 by Alain (vocals/guitars), Daniel (bass) and released their first eponymous album on Sinus Records in 1977. Plastic Bertrand is listed as a songwriter, singer and drummer under the name of Roger Junior. The group experienced difficulties following the death of bassist Daniel, as result of an accident while returning from a rehearsal, and the departure of Mister Bertrand. A second album, Faking, followed in 1979, and a year later the band was history. What remains are two 7Inches and albums, some of which have been re-released. This is their first single, promoting two cool fucking tracks from the debut album. Remarkable cover, I must say. Get it Baby!

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OHM & THE SECRET SOURCES - Baby, Baby 7'' 1980

First 7Inch by Ohm & The Secret Sources from Toronto and had a total of six members. This nice beauty features two solid rockin' tracks where the A-side is the winner for me. I'm a bit tired from the last two days which have really worn me out, and I recommend you click on the page linked above for more interesting informations about the band.

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UTANGARÐSMENN - Í Upphafi Skyldi Endinn Skoða 1981

Monday, new week, new music, cheers! Utangarðsmenn (Outsiders) was formed in 1979 and was most active in the early Eighties, becoming one of the most popular bands in the country for that period. This is their second and last album, released by Steinar, and marks the band's heyday. They were the pioneers who brought Punk to Iceland and forever changed the local music scene. Formed in Reykjavík around charismatic frontman Bubbi, who had previously worked as a migrant laborer in the fishing industry. Other founding members were brothers Mick and Danny Pollock, as well as Magnús and Rúnar. Inspired by bands like the Clash and the Stooges, they delivered a raw, politically charged sound. A legendary moment was their performance supporting the Clash in Reykjavík in 1980. They opened the door for the "New Wave" movement in Iceland. Well-known artists like Björk (with her early band Tappi Tíkarrass) were heavily influenced by them. After only two years and a few releases the band dissolved. Bubbi Morthens subsequently launched an unprecedented solo career and founded the band Egó, while the Pollock brothers continued under the name Bodies.

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RODGAU MONOTONES & Gäste HOB GOBLIN, FLATSCH!, CRACKERS - Silberhochzeit Live 2003

Today's post is special due to a recent event and it is dedicated to the following fantastic person: Gerd Knebel, musician, comedian, and actor, sadly passed away in January 2026 from that damned cancer, and I was a bit shocked when I read the news. He was and will be a huge part of my life. As founding member and singer of the Hessian cult combo Flatsch!, I saw him perform live several times, and I even got to see him with Henni (when he formed the comedy and music duo Badesalz). And I can tell you, with his passing, the Hessian art scene has lost a vital part of it. How can I create a fitting memorial to him? So I came across this double CD. Firstly, because it's excellent, and secondly it also honors the late Lothar (singer of the Crackers), Jürgen (drummer of the Crackers), and Raimund (guitarist of the Monotones) and impressively demonstrates what great bands emerged in the Rhine-Main region in the early 1980s, may they all find peace! - Of course, you won't find any Punkrock here, but rather almost two and a half hours of excellent Rock with emotional and socially critical lyrics, a few in dialect. Should you ever want to visit this beautiful state, you'll discover what a fun-loving bunch we are, you know what I mean. So these recordings were made in March 2003, the Rodgau Monotones celebrated their 25th stage anniversary ("silver wedding") with two sold-out concerts in the Offenbach/Stadthalle together with their old companions Flatsch!, Hob Goblin, Crackers and 8000 fans. Enjoy the sound & the charm of the protagonists!

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TERVEET KÄDET - The Horse 1985

Now an album for special occasions. We're in Finland, and anyone who knows the band knows what to expect: fast-paced Hardcore classics with minimal variation. And honestly, I don't understand a fucking word the singer is saying, which is sometimes good but also kind of annoying because the lyrics get lost in the sound. Well, personally, it doesn't bother me because the intensity and aggression are part of the genre, and if you're having trouble with your girlfriend or want to get rid of some boring visitors, put on this record and you'll be free again. Believe me, this helps! Short basics: the Tornio-based Hardcore Punx Terveet Kädet were active from 1980-2016 and this is, I think, their second album via Barabbas Records. The band's name is abbreviated as TK on the cover. Unlike the band's previous works, the lyrics are in English and this album is the last release to feature the band's original guitarist Tiimo Viik. His replacement was A. W. Yrjänä, who was only ninetten years old and was given the task of composing new songs for the band's next record. - Terveet Kädet played a few festival gigs in the summer of 2019 and a short club tour in September which they played only their Eighties material. Their latest album, Kaikki Kaikkia Vastaan, was released in 2023 and those guys are still active. Now curtain up for twenty loud heart attacks, some with a bit of a metal edge, that will drill their way into your fucking mind, I hope you don't get any long-term damages.

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V/A - Raptus 1983

Raptus is a very energetic Compilation and has a big influential of the Italian HardcorePunk scene and was released via Meccano Records in four different colors, all of which are now as rare as a fly's fart. Considered as key work this beauty features demo and studio tracks. Fourteen trashy songs that sometimes pick up the pace but also slow things down a bit; for me, there isn't a dud, and most of the bands, except for two, don't have much on vinyl. Well, I guess that's why this piece of wax is so sought after by collectors. Definitely worth your precious time. A year later, the second Raptus nugget followed, which should be released in this theater in less than a year, but nothing's for sure. Enjoy the moment!

1.Tentacoli Di Potere - DRULL

2.Militare - DRULL

3.Anarchia In Italia - UART PUNK

4.Frustrazione - UART PUNK

5.Massacro - WRONG BOYS

6.Ma Che Bella Società - UDS

7.Basta - UDS

8.Italia/Italia - PETROLIO

9.Hateful Town - THE WOPS

10.Kids - THE WOPS

11.Fall Of Italian Empire - LAST CALL

12.Your Solution - LAST CALL

13.Raw Power - RAW POWER

14.You Are A Victim - RAW POWER

15.The End - RAPTUS

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PETER & THE TEST TUBE BABIES - Pissed And Proud 1982

And once again a live album and as a debut its always welcome in my house. Brighton's Peter & The Test Tube Babies were formed 1978 and when I put these boys on, memories of better days come flooding back. Every year around Christmas time, they played here in Frankfurt at the old Batschkapp (I scanned a few tickets for you), and it was always a celebration because all my friends came and it was an emotional evening with lots and lots of alcohol. Those days are unfortunately over because some have already gone. Well, that's just how it is. A review: "Well, they’ve finally put an album out. The sound quality is so good that you’d never know it was live except for the crowd noise and interaction between the band and audience. These guys produce powerful Punk Oi! music, but their themes are questionable, as with most such groups. They have all sorts of songs about “birds” the English equivalent of “chicks” and not being able to get off. Then we have the familiar ode to fighting, getting beat up, and the wimps that won’t fight in “Moped Lads.” Socially relevant themes in “Keep England Untidy” tell us to litter, and “Shitstirrer” is where they explain that when things are bad they will make them worse. Their song “Elvis Is Dead” is a classic, though, and “Maniac” is a great pun. But who knows at this point if they’re serious? Fun band to listen to but not to contemplate. They are thugs and proud of it." (Ruth Schwartz, MRR #4 • January/February 1983) -  I can only agree, the song selection is perfect, the atmosphere is great, and this nugget was released by No Future Records. - I can't get rid of this damn cold, it's driving me crazy and I'm already getting a damn ginger tea skin.

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RONDOS - Red Attack 1980

The Rondos would become one of the most influential DIY bands in the Netherlands, sporting a communist imagery perhaps more out of provocation than ideology. Formed 1977 in Rotterdam by John van de Weert (vocals), Allie van Altena & Maarten van Gent (guitar/vocals), Frank (bass), Wim Ter Weele (drums) and were active from 1977 to 1980. Their sound is minimalist, angry, and incredibly biting. The lyrics deal with the bankruptcy of culture and taking to the streets to spray graffiti, the senselessness of wars, and the daily struggle for survival in this worthless, selfish society. They made three 7Inches and one album, all released on their own label King Kong Records, and in 2009 they re-released everything on two records called Destroy The Entertainment: "Repetitive, stripped-down, and furious songs. They forged a new direction in the Dutch music scene: aesthetically far removed from rock, they played by their own rules, wrote their own fanzines, and created DIY platforms intended to be inclusive and inspiring. Rehearsal spaces, gigs, and stencil machines. Power To The People! They significantly inspired a new wave of Dutch bands, particularly in the Wormer and Utreg scenes." The Rondos made a great racket with their songs and I have to admit, listening to them never gets boring. And I've heard minimalist music before where I had to switch off after two or three songs. Loved and therefore featured on several Compilations.

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VULPE SS - Barbarela 83' 2012

Vulpe SS was founded 1982 by Mamen (vocals), Loles (guitars), Begoña (bass), Lupe (drums) and this female Basque combo made in their short activity one fucking great 7Inch via Dos Rombos Discos which went on to sell 12.000 copies. However, legal difficulties created problems for the group on their promotional tour. The band dissolved in 1983 although they reformed briefly in 1985 to play some gigs. - This record today was released via Punkaway in a limited edition of 800 copies and the songs were all recorded live on May 20th, 1983 @ the Barbarela Rock hall in Palma/Majorca and you listen to twelve decent bloodstains, jaja, I can say that with certainty, especially when my nose runs and forehead burns. Also featured on numerous Compilations.

 

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EATER - The Compleat Eater 1993

Another jewel from Anagram Records' Punk Collectors Series and this is dedicated to one of the oldest UK bands. We're talking about Eater and they formed 1976 in London and consisted of Andy (vocals), Brian (guitar), Ian (bass) & Dee/Phil (drums). They released several 7Inches and an album, all on their own label. This nice Compilation features everything the band released between 1976 and 1979, a total of twenty-eight crispy delicacies. A short outside support from Richie Unterberger: "With their stripped-down power-chord anthems, Eater were nowhere near as talented or versatile as the early Punk pioneers like Buzzcocks or the Jam. Nevertheless, they managed to create spirited, if somewhat typical and rather generic, early Punk that is not as dispensable as some reference works claim. Eater disbanded at the end of the 1970s. Phil, Dee's successor, joined Slaughter & The Dogs, and singer Andy recorded a single with former Damned guitarist Brian James in the mid-80s, but that was basically it for band members." And now enjoy the exuberant, youthful, fast, snotty, catchy and energetic sound of this young teenage band. I need to go back to bed and sleep myself healthy.

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REST OF THE BOYS - Live Auf'er Walli/Lübeck, Januar 1985

The coldest month begins today, so let's warm up with another aLive post, this time from a band that received little attention but irreplaceable to me. I'm talking about The Rest Of The Boys, a band from Lübeck that was primarily active in the Eighties. Founded as Restive Boys by Kirk (bass), Rolf (guitar), Mampe (drums) and Ritchie (vocals) they released their first EP Die Wende in 1983 on their own label and this Killer is still one of my favorite 7Inches. In 1986, a tape and a second 7Inch, both named Where's All The Hope?, were released, before twenty-four months passed and the only album Days Weeks And Years came out. That was the last life-sign of the Boys. Some members were also active at the same time in the Pissed Boys. This little gem is an authentic document of North German Punk history, which at the time was primarily shaped by Hamburg bands. The recordings capture perfect the raw energy of Lübeck's Walli (an alternative venue on the Wall peninsula), and the sound is consistently fantastic and unpolished; you can practically feel the vibes and the carefree atmosphere, and you know: that's the place where you wanna be. It's not a high-fidelity blast, but a honest reflection of a sweaty Punk gig as I have often experienced. The band plays significantly more aggressively and faster than on their vinyl releases, but that's usually the case, I'd say. The tape contains a brilliant mix of their songs and shows the band in excellent form. For collectors, this tape is a holy grail of the Lübeck scene. It's less of an album for "pleasure listening" and more of a historical document that wonderfully preserves the spirit of the Eighties. I'm sure you'll like it.

The Rest Of The Boys/Dirty Ways/Different Ways/Tubestation/Innocent Faces/Death & Love/The Only Thing I Know/Towns Like Desserts/A Feeling/Your Mind Is On The Screen/Ice/Banana Sunshine/Die Legendäre Bühnenshow/Peter Says/Peter Says/Innocent Faces

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HÜSKER DÜ - The Living End 1994

All good things come in threes, that said a famous Greek Philosoph many centuries ago, and if you want to know what he meant by that and how three people can create a sound with simple instruments that simply blows you away, you know who I'm talking about. He listen to Hüsker Dü and their The Living End record, an energetic live beauty which documents recordings from the band's last fucking US tour in October 1987 (shortly before their split). It showcases the group at their peak, delivering raw, fast goodies and is praised by critics as "Controlled Chaos" (what kind of crap is this?), such a lousy statement doesn't them a disservice. This album an important chapter in their discography and set a high benchmark and deserves a considerable amount of respect of their works and their unconventional sound. Alternative Rock??? So what the FUCK?? I just can't understand some people. Are so many really deaf and blind? I guess so, the number of idiots I'm encountering right now is truly extraordinary. I feel like the biggest moron on this beautiful planet. But I don't want to think about it anymore, get upset about it, let this crap putting away, click it away, throw it in the trash. It infuriates me like the German postal service; that asshole postman isn't capable of putting a notification card in my shitty mailbox... what a stupid wanker. And on top of that, they charge exorbitant postage costs. I know this shit doesn't belong here, but what about you? I'd really like to know. -  To the post: the album offers a very raw sound that captures the band's "furious best." They play with high speed and intensity. Some songs, especially from the Warehouse album, sound very powerful, while older tracks sometimes lose some of their passion. It includes rare & previously unreleased songs. An essential document not only for fans, which, according to Bob Mould, doesn't necessarily reflect the band's impending demise, but rather the raw energy of the tour.

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DEAD KENNEDYS - @ The Paradiso/Amsterdam 5.12.1982

Here I am again, and it's snowing, and it's miserable, and blah blah blah. We're staying live, and today I'm presenting you the second record from the anniversary box set "Forty," by the Dead Kennedys which was released six years ago. This wonderful recording shows the Californians in top form during their third European tour. These recordings were made at one of Amsterdam's oldest venues, the Paradiso, and you can imagine, if you know the city, how exhilarating this gig was. So far so good, enjoy the material. I'll be back soon, as I've been blessed with a fucking flu and this beauty is driving me absolutely crazy. Incidentally, all re-upload requests have been finished. Stay Healthy!

Moral Majority/I Am The Owl/Life Sentence/Police Truck/Riot/Bleed For Me/Holiday In Cambodia/Let's Lynch The Landlord/Chemical Warfare/Nazi Punks Fuck Off/Kill The Poor/We've Got A Bigger Problem Now/Too Drunk To Fuck

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NEW ORDER - @ Recreation Centre/Tolworth 12.05.1983

This band is with me for a long fucking time: New Order from Manchester, who were 'involuntarily' formed in 1980 after the tragic end of the unique Joy Division. They retained their dark sound on their debut album, but with their second LP, they reinvented themselves and created their own style. And when 'Blue Monday' was released, their popularity spread across the great ocean, making the four what they are today: one of the most successful pop bands on the planet. The concert @ the Recreation Centre on May 12, 1983, is one of their best, and as I've read, the recordings quickly circulated afterward. No wonder, because it's an awesome soundboard recording and the song selection is fantastic and offers a delightful mix of their early great tracks. There is more detailed information in the file from someone who attended this legendary concert, and apparently the rip is also from this human; I am grateful for this and may this musical outpouring satisfy you.

Blue Monday/In A Lonely Place/Chosen Time/Dreams Never End/We All Stand/Leave Me Alone/Age Of Consent/Temptation/586/Everything's Gone Green

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LOVE A - Irgendwie 2013

Dear friends and followers of this little theater, a new year is here and I hope you have welcomed it in a decent way and I start fucking 2026 with a band I like a lot and this is their second album on Rookie Records and it's a nugget made for every emotional mood. I'm talkin' about Love A, a four piece founded in Trier 2010, known for their distinctive German lyrics and charismatic melodic songs. I first encountered the band in 2013 at a legendary concert in the old Batschkapp in Frankfurt, and this album was the first one I ever bought immediately. That almost never happens, but the four of them impressed me so much that I couldn't resist. It was love at first tone, like when you recognize yourself in another person, discovering facets you like because you like them in yourself. It's almost as if your own self is standing before you, and you know and feel that this is the right person you want to wake up with every morning, and that's exactly the feeling I had when I first saw Love A in this hot and small area. I wanna quick slip in suitable review: "Irgendwie" (Somehow) positions thirteen highly danceable gems rather uncomfortably between stools, with clear lyrics, lyrical sophistication, and copious amounts of cynicism. Love A delivers without resorting to an overly obvious fuck-you attitude. And yet, the extended middle finger lurks everywhere – somewhat hidden behind great guitar melodies, post-punk bass lines, and singer Jörkk's undeniable entertainment skills. "Everything's Already Been Said/Just Not Everywhere." True to this motto, Love A depict the state of a society in which one increasingly doesn't know where to go, but somehow also quite clearly where not to go. (Eric Meyer) That's life, and anyone who knows it knows what I'm talking about. But I don't want to dwell on life's little shitties any longer; Love A does this brilliantly, and I highly recommend that if you don't speak German, you use a translator so you can understand what it's about. It's definitely worth it and helps you recharge and get rid of useless baggage, just like me when I do listening, looking ahead and seeing all the crap in a different light. A worthy successor to the debut and a short video from the concert back then is also included. Now I'm going fishing. Enjoy the record + screw dumb simple minded people!

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