Sunday, August 23, 2026

STUNT KITES - The Action 5 EP 2018

Now original recordings from 1979 which were made in Sheffield and we meet there the Stunt Kites, a four piece formed around 1978; while there were still some line-up changes during the very early phase (1977/78), a solid, classic core quickly emerged: John (vocals), Nigel (guitars/piano), Andrew (bass), and Tony (drums). Musically, Stunt Kites began with a wild dirty Punk sound which you can here on this little dittie, but they evolved extremely quickly into a solid dynamic PostPunk sound with dark, gothic undertones. Contemporaries describe their early live shows in Sheffield as a "Steamroller" of concentrated energy. Although they never achieved a major commercial breakthrough, they held an almost legendary status in their hometown. Their records were primarily released via small independent labels or self-published; today, they are extremely rare and highly sought-after by collectors. In 1980, they released their first demo, packed with raw, brilliant songs. A year later, their first vinyl release on Pax Records followed, marking their shift toward a classic, atmospherically dark sound. Two years after that came the final 7Inch of their active period, released on Criminal Damage Records, which stands as another collector's item, shining with a typically driving bassline and cutting guitars. The Action EP is a legacy project and a labor for collectors; it was issued (1000 copies via Do It Thissen Records) as a fanzine insert accompanying the premiere edition of the relaunched magazine Safety Pin, which features a major historical article on the origins of Sheffield’s subculture scene, written by Martin X Russian, a legendary figure in the British music press and the former editor of the renowned late seventies music publication NMX (New Musickal Excess). That's the background info. So this wonderful EP features five songs from the band's very first creative phase and shines with an aggressive '77 sound. You're going to like it.


A.P.B. - Shoot You Down 7'' 1981

Right now, I’m looking for suitable songs for a new compilation, and the vast ocean known as World Wide Web washed the following band my way: A.P.B. - Formed in 1979 in the small rural town of Ellon, near Aberdeen, as a trio comprising Iain (vocals/bass), Glenn (guitar) and George (drums), they had no interest in the local music scene. Instead, they embraced the DIY spirit, and the local independent label Oily Records discovered them through their live performances and their first 7Inch Chain Reaction was released. A two and a half minute nugget with fuzzy distorted guitar and Scottish inflected vocals. A change in their sound first became evident with their second single Shoot You Down and the record did well and was quick sold out its first pressing. Numerous singles followed, plus two albums and drained by constant touring and the pressure of the music industry, the band parted ways temporarily in 1989. 2006, the three reunited, released the album Three, and once again played occasional concerts. In Great Britain, their music was something of a well-kept secret. In the US especially in the alternative clubs of New York, New Jersey &d Long Island, they became a favourite act of the underground scene. US radio stations played their songs constantly. So this beauty features two essential PostPunkies with funky rhythms. Side A stands out with its distinctive, driving bassline, and the funky guitar makes the track perfect for moving your hips & the flip is the one which will be on the next Compi, I hope, it will be finished in autumn.


Saturday, August 22, 2026

NOBODYS - Politically Incorrect EP 1995

The second revelation today is a real blast and let me tell you, I only had to hear one song to know I had to buy this record. Convinced?... let's dig deeper: the Nobodys formed in Colorado Springs in 1994, and their musical formula was simple yet effective: they blended a fast, three-chord sound with humorous, deliberately provocative, and often absurdly realistic lyrics. From the very beginning, J.J. Nobody was the foundation and driving force behind the band. The lineup changed frequently over the years; the founding members were J.J. Nobody (vocals/bass), the only constant member, Rodney (guitar), and Justin "Lurch" Disease (drums), who later also served as a touring drummer for the Queers. The Nobodys and The Queers maintained an extremely close partnership; the musicians often helped each other out and would even play instruments for the other band while on tour. Released in 1995 via Just Add Water Records, the Politically Incorrect EP is their second one and is a prime example of raw, aggressive, and brash Punkrock which was typical in the 1980s; the record could easily have originated in that era. Originally pressed as a limited edition, it features seven refreshing songs that deliver a full-on blast in under ten minutes at 33 RPM, letting you know you’re hearing, and living the right kind of music and attitude. It is high energy and embodies exactly the kind of brash, gritty music I love; I’d almost call it a highlight of the Nineties. Shortly after this EP, the band signed with Hopeless Records. Much of the experience gained there, along with the raw sound of the Politically Incorrect era, fed directly into their well known 1996 debut album, Short Songs For Short Attention Spans. And then came five more albums, the last released in 2016, and numerous 7Inches. Featured on numerous Compilations, and that means they are loved. Final words: a fantastic record you’ll want to play over & over again!


KRAMP - YF 7'' 1982

Let’s turn to a rare 7Inch by the Swedish band Kramp, a quartet hailing from Hallstahammar/Västerås comprising Fredrik (vocals/keyboards), Leif (guitar), Pelle (bass), and Örjan (drums), which was self-released in 1982. The record is considered a quirky cult item among collectors (known as "Skrattlåten," or the "Laughing Song"), while the B-side features a truly punky scorcher. Since the band didn't release any records at the time, only private rehearsal recordings remained for a long period. In 1978, the band recorded some jams using a simple, small cassette recorder, and these raw gems have stood the test of time. The Swedish record label Subliminal Sounds, known for unearthing psychedelic rarities, officially released these historic rehearsals on vinyl and via streaming services, thereby making Kramp’s music accessible to a wider audience for the first time. You can find them on the ultra-rare Killed By Death #50 Compilation, which I can, of course, highly recommend. And a fwe others. Kramp are unusual, experimental, and humorous. Give them your ears!


Friday, August 07, 2026

SLUTS'N - Teddybär EP 1995

In early 1980, three guys and a girl from Braunschweig banded together, deciding to make some noise, marking the birth of Sluts. The original line-up featured Schlampe (vocals), Pelle (guitar), Kat (bass) & Peter (drums). Over the next two years, the band performed frequently in and around Braunschweig and released one great album via AGR, but the end came quickly. Sluts disbanded in 1982. In 1983, Schlampe & Peter joined Aktive Notwehr (coming soon), a band that was being reactivated in Braunschweig at the time. Pelle moved to Heidelberg and reformed Sluts in 1986. To distinguish the group from the original band, an "N" (for "neu"/"new") was added to the name. Since then, the name has been Sluts'n. This second line-up featured Tille (vocals), Ali & Pelle (guitars), Dirk (bass) and Jogi (drums). While the style of the old Sluts leaned more towards classic mid-tempo German Punk, the sound of Sluts'n evolved further, yet retained that characteristic, brash attitude. Several years of line-up changes followed; only Pelle remained a constant presence. Vocalists changed particularly often, though Klaus held the position for many years. Ali left in 1988, and Martin took over on drums. In 1991, Jürgen stepped in on bass, replacing Dirk; the band played as a trio until 1994, with Pelle handling vocals during that period. In 1994, Diesel joined as the vocalist; at just sixteen years old, she was the youngest member of the band. They continued making noise as a quartet for eight years until Jürgen left in 2002. Diesel then took over bass duties as well, and the trio line-up remains in place to this day. Teddybär is their latest release to date; issued on Impact Records in two versions, it marks a stylistic shift away from raw, minimalist '82-style PogoPunk toward a sound that is more melodic yet still aggressive. This EP delivers five highly catchy, dynamic, and hate-filled tracks, complete with humorous, sarcastic broadsides and three-chord structures without sacrificing that signature Punk grit; it is a raw In-Your-Face experience, delivered with significantly more punch and clarity. For fans of classic Nineties German Punk and collectors of rare 7Inch records, this EP is a real find. It captures an exciting transitional phase of the band before things went quiet for them in the years that followed.


Thursday, August 06, 2026

DREAM 6 - s/t 12'' 1983

Today is one of those days that I don't really need, and I don’t want to burden you with details. Everyone knows what happened on August 6th, 86 years ago, but that is merely a footnote, but typical of today. I won’t go into specifics; suffice it to say: death comes when it chooses to come (a really shitty intro), but anyone who knows me knows I’m an emotional Fuckhead, hence this fucking prolog. I presumably also chose the record that follows now. I first heard Dream 6 in a movie called The Party Animal from 1984, an absolute must watch. A classic Eighties film with an excellent Soundtrack and I recommend you watch this beauty; you'll have a lot of FUN! The band was formed in 1982 by Johnette (vocals/bass), Jim (guitars), Michael (drums) within the vibrant Los Angeles scene and they released only this 12'' on Happy Hermit Co. before later changing their name to Concrete BlondeThe driving forces behind the band were Johnette & James an they were both very active on the fringes of the L.A. Punk scene. They initially called themselves the Dreamers (later L.A. Dreamers) and contributed a song to a Compilation (don't know which) in 1982. One year later they booked the legendary Gold Star Studios in Los Angeles and together with Michael, they recorded a few songs. Since the final work comprised exactly six awesome goodies, the trio promptly renamed themselves Dream 6. Their musical style ranks between as a blend of PostPunk, Alternative & New Wave. Compared to the later, more polished sound of Concrete Blonde, the music here was significantly rawer and edgier. The sound is driven by a no-frills, propulsive guitar and a dominant bassline. Critics describe the work as a "pretty cool and dark" affair. The lyrics often reflect the melancholy, frustration, and gritty atmosphere of that era. Even in these early recordings, Johnette’s powerful vocal prowess shines through; her voice shifts effortlessly between emotional vulnerability and an aggressive rock roar, a captivating experience. 'Rain' is the absolute standout track (from the soundtrack), and I don't know how many times I rewound and replayed it... and believe me, back then, it wasn't easy to get hold of the record. Get ready for a raw, emotional sound and an uncut gem you’ll want to listen to again and again, featuring one of the most distinctive and emotive vocalists of her generation.


Sunday, August 02, 2026

MOUSER - ¡No Pasarán! EP 2025

I first heard the following band on the Current Affairs Compilation and was immediately captivated by their powerful sound and I’m sure, you’ll like them too. From Delft comes the Punk combo Mouser. The idea for the name came from guitarist Bas. He saw a sketch of a mouse wearing Dr. Hannibal Lecter’s iconic face mask and promptly named the character "Mouser." In English, the word is an official term for cats used to hunt mice, like the famous Chief Mouser to the Cabinet Office at 10 Downing Street. At the same time, it sounds phonetically similar to the well-known Mauser pistol brand. The band features a classic four piece configuration: Léon (vocals/guitar), Bas (guitar), Sander (bass) and Marcel (drums), their first drummer Frank unfortunately died after the first gig from heart failure. They call their music “Old School Punk”. They say they write fast, to the point, catchy, sharp, sometimes very short songs, with uncompromising lyrics which expose our derailed society.

They embodies the true D.I.Y. spirit and in their early years, the band rehearsed in a squat in Delft. After the building was cleared by authorities, they found a new home at SPOD, a well-known alternative music and cultural center in Delft that provides rehearsal spaces for local underground bands. For their recordings, the band headed in April 2025 to the renowned Studio 195 in the Netherlands, a facility with a legendary reputation in the European Punk & Hardcore scene for its raw, analog sound. Mouser recorded there during two major sessions: January 2024 (recording six songs) and August 2025 (recording five additional songs). The debut EP was released by their own and features four punchy, fast, old-school tracks. They say they write fast, to the point, catchy, sharp, sometimes very short songs, with uncompromising lyrics which expose our derailed society.

Final words: Mouser waste no time on their EP; ¡No Pasarán! is a fast-paced, gritty punch to the gut that breathes the raw energy of 80s HardcorePunk. Unpolished and boundlessly energetic. A quick look at the tracks: the title track is an angry, anti-fascist anthem featuring razor sharp riffs, a perfect opener that instantly invites to Pogo. "Smartphone Zombie" is a biting, tongue-in-cheek takedown of modern digital isolation; "Shadows Over Disneyland" is a darkly sarcastic number that tears down the facade of the slick consumerist world; and finally, "Hail Hail Hail!" shines with a furious finale that floors the gas pedal, bringing the EP to a furious close after barely eight minutes. Mouser deliver exactly what the label promises: fresh fast, high octane Punkrock that demands repeated listening.


Saturday, August 01, 2026

THE SIMONS - Stink With Pleasure EP 1992

After a long hiatus, I'm back, and the first post I’m doing today is fulfilling a request. Let's get know the Simons, a band whom surely no one know unless you lived in their region. The Simons came from Sindelfingen and this four piece consisted of Bob (vocals), Mirco (guitars), Olli (bass), Carsten (drums) and they were active in the Nineties and relaesed two EP's and a Cassette. Due to their niche status at the time, there are few documented details about the band, but the key facts can be reconstructed from their releases: "Stink With Pleasure" is their debut EP, released via Bellaforte Records with five solid dirty numbers. The band adhered closely to the traditional Punk sound: three chords, high speed, and maximum energy. It was evident that they were not concerned with highly complex musical structures or technical perfection, but rather with directly conveying the raw joy of playing. The EP was aptly summarized at the time via the Punk fanzine Trust: the band underscored its motto, "Stink With Pleasure," with "tried-and-tested Punkrock," and one could simply hear that they "enjoyed playing." Raw, gritty guitar sound which were heavily distorted, sounding tinny and unpolished. Minimalist drumming, the rhythm section drove the songs forward uncompromisingly, free of unnecessary flourishes or breaks. The vocals were brash, direct, and often characterized by a palpable "We Don't Give A Damn" attitude, far removed from slick, professional studio productions. Instead of melancholic, crushing riffs, they played fast, humorous music designed for partying. This is also evident in titles like their later demo release Punkrock Party, which underscores the carefree, party-loving nature of their style. In short, they can be described as "snot-nosed" Punk with a feel-good factor, music that eschewed political preaching in favor of capturing the raw energy of small, sweaty club shows on vinyl. They can boast a surprisingly large number of invitations to appear on Compilations, which shows that they were in demand. So if anyone has their second record, please come in touch. Enjoy!


Tuesday, June 30, 2026

84 FLESH - Salted City 7'' 1978

Let’s wrap up June with raw, gritty, and uncompromising Punkrock and unfortunately only two are immortalized on this little jewel. The protagonists from Paris was originally formed under the name 1984 and consisted of Henri (vocals), Michel & Pierre (guitars), Luis (bass), Frederik (drums) and later changed it to 84 Flesh. They were part of the first wave of French Punkrock in the late Seventies. Despite a very brief existence of barely a year, their only 7Inch was released via Skydog and is highly sought after by collectors nowadays. Both songs are featured on relevant Compilations, which shows how great the tracks are... an honorable gesture. After a quick break-up, the musicians regrouped as Suicide Roméo which leans more towards New Wave. An excellent record or a defining, ultra-short bolt of lightning.


Thursday, June 25, 2026

PQ ROCKERS - The Lost Generation EP 1985

The PQ Rockers, Filip (vocals/guitars), Häck (bass), Magnus (drums), were a trio from Varberg on the west coast. Known for their raw sound, they recorded their only EP in the mid Eighties at the studios of the legendary Punk band Asta Kask and was released via Street Rock'n'Roll Records. Four solid songs, aggressive and anthemic vocals, raw, gritty guitar work with strong solos, and driving bass and drums. Since the songs are sung in Swedish, the music makes its impact primarily through melody and energy. The whole package is a real pleasure. On the back cover, the band cheekily thanks their manager Lasse McLaren and jokingly announces a fictional single titled "Kalle Kanin," which has not yet been released. I rather doubt that the 7Inch is a sought after collector's item nowadays, aside from a contribution to a tape Compilation, the band didn't really make any further mark, but for fans of the Scandinavian 80s sound, it is certainly a fitting choice.


Wednesday, June 24, 2026

V/A - Liga Dos Últimos EP 2012

This beautiful dittie features four energetic tracks by four Portuguese combos. The release serves as a tribute to the raw spirit of football and the term "Liga Dos Últimos" is widely recognized in Portugal for celebrating the humorous, grassroots, and passionate side of football, inspired by the RTP (Rádio e Televisão de Portugal) magazine show that followed lower-tier and amateur local matches. Kick off with Acromaníacos from Bobadela; formed in the mid-nineties, they have released a ton of material to date. Their song "Descontrolado" (Out Of Control) reflects the wild, unfiltered energy often found in the lower tiers of the stadium. #2 is hailing from Lisbon, Facção Opposta celebrate top notch Oi!, known for their aggressive sound and socially critical lyrics; their discography includes several vinyl releases, and the track "Carne Para Canhão", translates to Cannon Fodder, delivering a raw, anthemic critique. The second half begins with Albert Fish (named after an American murderer and cannibal), also from Lisbon and active since 1995 with a substantial back catalog, whose contribution "Hell" stands out to the band's signature of loud guitars, nice tempo and clear vocal style. Just before the final whistle, Canhões De Guerra, who previously lacked a vinyl release, wrap up the match with an explosive killer track titled "O Coiso" (The Thing); there is no extra time here. The title reflects a humorous, laid back tone and perfectly captures the spirit of the mentioned above TV show. All tracks embody a subculture that mirrors the chaotic, passionate, and uncompromisingly independent vibe of local Portuguese amateur football leagues. Hand numbered to 300 copies on purple clear vinyl and fitted with a lovely insert that is well worth seeing. TOP!

1.Descontrolado - ACROMANÍACOS
2.Carne Para Canhão - FACÇÃO OPPOSTA
3.Hell - ALBERT FISH
4.O Coiso - CANHÕES DE GUERRA


Tuesday, June 23, 2026

GRAPHIC SHADOWS - She Turns Her Eyes Away EP 1981

Graphic Shadows' first vinyl is an obscure, rare four track EP released on Explicit Records; the quartet consisted of Greg (vocals/keys), Kenny (guitars), Franz (bass), and Marc (drums). They were active in the Washington, D.C. music scene during the early Eighties and also released an album in 1984 before eventually calling it quits. When the band released their record in 1981, the independent music scene in Washington, D.C. was still in its infancy. Although the city would soon become world renowned for its raw Dischord Hardcore sound, this 7Inch presents a fascinating, alternative musical portrait of the region: the transition from edgy GaragePunk to dark New Wave and early goth rock. The EP is a prime example of the DIY ethos, featuring a sound that is highly dynamic, raw, and unpolished. The bass often takes center stage, driving the songs forward, while the guitars utilize heavy chorus and reverb effects, lending the record a cool, atmospheric depth. The vocals are detached, slightly monotonous and melancholic, yet they erupt with furious energy during faster passages. The title track is clear the highlight with its driving, melancholic midtempo gem. It is followed by a fast and aggressive number, which showcases the band's brash attitude; it reveals the group's Punk roots. "SBS" is a more experimental, rhythm driven one that radiates a sense of nervous agitation. The final nugget closes with a dense flair, once again employing walls of noisy guitar. Overall, it is an unpolished diamond in the rough, an absolute must-buy for historians of the D.C. scene, provided one is lucky enough to snag a copy, but for simply listening to, the digital route suffices.


Monday, June 22, 2026

YOUR FUNERAL - I Want To Be You 7'' 1982

"I Want To Be You" is a rare and seminal PostPunk song by the all female band Your Funeral from Denver and consisted of Jeri Rossi (vocals/guitars), Karen Sheridan (bass/vocals) and Cleo Tilde (percussion) and the track was originally released in 1982 on a limited 7Inch and later gained wider recognition through Compilations such as Sacred Bones Records' Killed By Deathrock Vol.1 and is the band’s only official release. These two songs offer a condensed lesson in atmosphere and sonic claustrophobia; their minimalist aesthetic breaks with almost every convention of the classic, stadium ready rock of the early 80s. Instead of opulence, the absolute minimum reigns supreme. Driven by a stoic, almost mechanical drumbeat, the tracks pulse like the unstoppable heartbeat of a fixation. The bass pumps deep, muffled, and hypnotic in the foreground, providing the melodic structure while the guitar deliberately disrupts it. Jeri’s guitar work defines the texture; eschewing warm chords, she employs cutting, cold, flanger-distorted riffs. The notes sound sharp almost like the scraping of metal lending the songs their unmistakable deathrock edge. Her vocals, too, are far from polished or smooth; they possess a raw, almost lethargic urgency, reminiscent at times of early Lydia Lunch, that peers deep into the abyss of the human psyche. The subject matter is not romantic love, but destructive envy and a total fixation on another person. The desire to slip into someone else’s skin to completely erase one’s own identity in order to become someone else becomes oppressively palpable through the song's repetitive structure. It is a psychological portrait of a loss of control. There is no reverb to artificially inflate the sound, nor are there any smoothing effects; everything sounds dry and direct, creating an atmosphere of extreme intimacy. "I Want To Be You" is a great example of how one need not rely on complex song structures or virtuosic solos to create a musical work of art. Your Funeral required nothing more than a bassline, a cutting riff, and an obsessive idea to craft one of the most atmospheric 7Inches of the entire PostPunk era. There remains the fascinating tragedy of a band that, after just two songs, virtually vanished from the scene. But with this rare beauty, they have immortalized themselves.


Sunday, June 21, 2026

MAGIC SPLATTERS - Blamage EP 1994

I think, this is the debut EP by the Magic Splatters, a Frankfurt based quartet who was active in the Rhine-Main region during the nineties, who back then had a reputation as a notorious, hard partying band. Released on the French label Adrénaline Records, the EP comes in a simple foldout sleeve made of thick cardstock available in five different cover colors; it is hand numbered (500 copies) and includes a small insert and is a classic, lovingly DIY production. The four track EP delivers raw, unvarnished '77 Punk: fast, aggressive melodies and snarly vocals paired with simple, driving three chord riffs. The lyrics are typical of the Frankfurt scene: direct, slightly self-deprecating, and free of politically correct frills. It charges relentlessly forward, leaving no time to catch one’s breath. It is a perfect document of the Nineties Frankfurt underground: unpolished, high energy, and recorded with a wink. It strikes a perfect balance between angry Punk and nice catchy sounds. A cynical reckoning with societal constraints & philistinism. You will love it.


Tuesday, June 16, 2026

A.D's - Alone Again EP 1981

The A.D.'s were a cult-favorite four piece from Albany/New York and consisted of Jim (vocals), Bob (guitars), Mark (bass) & Chris (drums) and they are bestknown in regional underground music circles for their DIY Punk ethos and their popular 1980 area-hit single, Livin' Downtown (it perfectly blends a raw, grinding guitar sound with a catchy PowerPunk hook). The A.D.'s remain one of the great mysteries of American Underground music history; they were an extremely obscure independent band within the US Garage Rock and PostPunk scenes of the early Eighties. To this day, there are virtually no documented biographical details, official band rosters, or historical accounts regarding the collective. Unlike the commercial acts of the era, the A.D.'s operated entirely independently; they recorded their music themselves and distributed it in very limited quantities via the tiny independent label Blue Lunch Records. Musically, their style was deeply rooted in the garage rock of the late Seventies & early Eighties. Their sound blended the raw, unpolished "rehearsal-room" aesthetic of 1960s GaragePunk with the edgy New Wave and PostPunk influences emerging in the early 1980s. The absence of biographical data is entirely typical for "private press" records (self-released albums) from that period. Back then, many young high school or college bands would rent a studio for a weekend, press 100 to 500 copies of a single for friends and local radio stations, and then disband shortly thereafter. Decades later, the band was rediscovered thanks to digitization efforts by music enthusiasts, and the song 'Alone Again' is now regarded as a lost gem. The A.D.'s can also be found on relevant CompilationsI’d like to add one more thing: the raw power of the first 7Inch is somewhat gone, but that doesn't hurt anything. Give it a listen!


Friday, June 12, 2026

KALTE HAND - Säureblocker EP 2024

A real discovery that was whispered to me is the following band and after their brilliant first tape 2023, this is the debut 12Inch from the Augsburg Wave Punkers Kalte Hand, consisted of Julian (vocals/guitars), Hubbl (vocals/bass) and Björn (drums). Four great tracks on limited, coloured marbeled vinyl in a DIY screenprinted cover, which combine 80s Wave/PostPunk with a proper old-school Punk substructure and German lyrics. This is as cold as the band name and as urgent as the EP name suggests and they made their first mark on this crazy theater with the refreshing Positive Energie #2 Compilation... you should give it a listen.

Info Info Info:
"Nerves are fraying. The twenty-four teeth of time gnaw away, ceaselessly tangling the silken threads upon which our vague plans hang. Hands thrust deep into jacket pockets, they walk with heads bowed. Some barricade themselves in, lie down, and when the time comes, simply never rise again. The sparrows have long since whistled it all from the rooftops, chirping after every impact. They laugh at the self-inflicted weariness of human beings who dream of themselves and their pets on the moon, who twist reality to suit their whims. Real-time location tracking replaces communication, as if solid ground could truly be claimed. Their stomachs churn and a fire burns in their gullets, fueled by the compulsion to perform, by flexibility, and by self-destructive overcompensation. Just a tiny spark, the desire for a shred of happiness down here, way down here. Those who refuse to accept this without a fight find themselves kettled, mercilessly abandoned to the sadism of the security forces. Vessels of bratwurst on the outside and the urge to urinate within. Anxious buoys bobbing in the wake of long-adrift ideologies. They cannot drift away to entirely different, unprecedented places; tethered fast, they defend their rigid boundaries born of dutifully learned fear. Yet the writing is already on the wall: even with handcuffs binding their hands, our rage refuses to back down."

"Catchy, moody PostPunk band from Germany. As someone who doesn’t speak or understand German, I loved that you don’t have to know exactly what the singer is saying to understand the music; it speaks for itself. KALTE HAND isn’t afraid to go heavy with the drums and rhythm section as a whole, as well as beginning and ending the album with anxious guitar lines that sound like they’re trying to escape something, all of which creates a darker and intriguing vibe to their Music" (Emma Miller, MRR #499 • December 2024).


Thursday, June 11, 2026

LITTLE MURDERS - She Lets Me Know 7'' 1981

The football World Cup is finally starting, and I’m looking forward to plenty of interesting matchups; I’ll watch whatever I can live. But before things kick off shortly, we’re taking a quick trip Down Under to visit a band that was formed over forty years ago. Little Murders (named after the 1971 Alan Arkin directed film) were formed from the ashes of Melbourne Punk band The Fiction by singer Rob Griffiths and were signed to the iconic Au Go Go label. Their sound was catchy, energetic, and powerful, however after a string of singles and the acclaimed album Stop! the band broke up in 1985. Little Murders were Australia’s own version of the New Wave of PowerPop in the late 1970s and early 1980s. They were the premier mod band on the Melbourne independent music scene at that time and thrilled fans with their great sound and releases. Although the band broke up in the mid-1980s, they reformed at various times over the next twenty-five years. But since the release of the anthology, Stop Plus Singles, on Off The Hip Records in 2009, along with a permanent line up (in actual fact, longer than any other incarnation), the band have recorded the PowerPop splendour of Dig For Plenty in early 2011 and played around Melbourne, Sydney and Adelaide. This was followed by the release of GO in 2013 and Hi-Fab! in 2016. 2017 saw a release of a "Best Of.. " Album plu their very first overseas tour of Japan in June of 2018. This is their third 7Inch, featuring two emotional PowerPop jewels, and I do wonder a bit why they haven't been sought out for any PowerPearls Compilations, well that will remain a mystery. Fact is, they're a magnificent band that still plays live nowadays. 


Tuesday, June 09, 2026

OMA HANS - Abmeldung 7'' 2005

"Abmeldung" (Cancellation Of Registration) was the final official release from the Hamburg four piece Oma Hans [Jens (vocals), Andreas (guitar), Peta (bass) and Armin (drums]. Shortly after this sucker, the legendary band disbanded. Originally released via Schiffen as limited edition. Oma Hans were founded 2001 when Dackelblut was finshed and stood apart from the classic, blunt style of German Punk. Their sound combined raw guitars with melancholic melodies and Rachut’s often angular, highly evocative lyrics. Another recurring element was the prominent lead vocals of Peta, which contrasted with Rachut’s characteristic spoken word vocal style. The band also attracted the attention of the music press due to a public feud centered on matters of substance with the Hamburg indie-pop band Kettcar. Triggered by a line in the Kettcar song "Skateboard," Oma Hans accused the band of political timidity and of merely maintaining the status quo. Oma Hans responded explicitly to this with the critical song "Gummiwände" on their final album whereupon Kettcar again on the B-side of their EP 48 Stunden with "Why actually indie charts, Digger?" answered. Anyway, Oma Hans produced two albums, a Mini 12Inch and this single and after disbanding, they merged into other projects.


Monday, June 08, 2026

INFA RIOT - Still Out Of Order 1982

Infa Riot were originally formed in late 1979 by vocalist Lee Wilson and his bass playing brother Floyd together with guitarist Barry Damery & drummer Mark Reynolds. The name Infa Riot is an abbreviation for "In For A Riot." Infa-Riot's first gig was supporting the Angelic Upstarts in a North London pub, Mensi was a huge fan. Heavily influenced by the Angelic Upstarts, Infa Riot, within a year of forming, found themselves in "Sounds" newspaper courtesy of a live review by none other than the Upstarts vocalist Mensi who was impressed by the bands performance at Hornsey Community Centre, only their fourth every gig! By November of 1980 they'd completely blown off the Lyceum stage both Chelsea and The Dark and earnt themselves the tag 'the new boot boys sensations' in the countless fanzines they managed to appear in. It though seemed that Infa-Riot never really had a steady drummer, it seemed to changed monthly. Their first issued recordings were two tracks on the Strength Through Oi! Compilation in May 1981. These two songs were "Riot Riot" & "We Outnumber You." Infa-Riot's first single was released in September 1981 on Secret Records. This was the double A side Kids Of The '80's/Still Out Of Order. This single entered the UK Indie Charts at #9 position. In February of 1982, they played at the "Gathering Of The Clans" Festival in Scotland. At this festival they played with the Exploited, Vice Squad & Anti-Nowhere League and many other great legendary bands. Their second single "The Winner" was releaed in May 1982.

They then recorded an album and released it in August 1982. This debut called Still Out Of Order, some songs included on this album were classics like "Power", "You Ain't Seen Nothin' Yet" & "5 Minute Fashion." This album spent four weeks in the national UK charts & reached #42. By this time Infa-Riot was a favorable Oi! band among Skins & Punks throught Great Britain. In 1983 things started to settle down for Infa-Riot. This went quite partly due to a fight that broke out between them & Nazi band Skrewdriver road crew at a gig in the 100 club in London.

Good things started up again in 1984, but due to some controversy over their name Infa Riot, the band changed it to the less controversial the INFAS. A new album & single were released. Both were titled "Sound & Fury" and were released under their new name the Infas. After all of this the band began to fade away. An attempted come back came in November 1985 when they played a gig in Leeds. It was a good start but it was evident that the band couldn't have that certain something that they had had in the past. An LP of this gig was released by Link Records in September 1986 as a fitting testament to one of the finest Oi! bands of all time. Their last sign of life was in 2017, with their official 2nd album, Old & Angry, on Randale Records.


Thursday, June 04, 2026

EJACULATORS - Wank Generation EP 2024

The Ejaculators are a brutal good SynthPunk four piece from Chicago and known for its raw, irreverent and fast-paced lo-fi sound, which blends classic Hardcore energy with prominent, off-kilter synthesizers. The band consists of musicians who are also active in other well-known bands such as Ignorantes and Mock Execution. Members are Spawn (vocals/bass), Troy (guitar), Sean (keys), Gabe (drums). In 2024 the band released their first EP via the label General Speech Records and comprises five short, aggressive songs. The release sold out extremely quickly on cassette and was subsequently pressed as a 7Inch. The band themselves describe the vibe of their release with the provocative slogan: “For fans of drugs & alcohol, and masturbating to the Virgin Mary.” Accordingly, the aesthetic is uncensored, blasphemous, and classic in its collaged Hardcore Punk style. For the vinyl pressing via General Speech Records, two different versions were produced: A regular pressing on black vinyl featuring the standard cover; and one with a very provocative, extremely hot cover, pressed on colored vinyl in the aptly named “Ejaculate” shade. Their musical style is chaotic and gritty blend and a damn must listen! “A big fat middle finger to anyone who still believes in anything, or thinks that people makes any sense. This is real Punk!” Exactly the right words for this.