BLOODY RIOT - s/t LP 1985

Bloody Riot is an Italian combo formed 1981 in Rome and active until 1987, the group reformed in 2001. The original line-up consisted of Lorenzo Canevacci (guitar), Roberto Perciballi (vocals), Pierpaolo Rossi (bass) & Francesco Latessa (drums), all of whom were minors at the time. Alex Vargiu subsequently replaced Rossi on bass, and Cesare di Porto took over on drums. With this lineup solidified in 1983, they released their first self-produced EP, featuring four splendid tracks. The following year, they recorded thirteen numbers for an album which was released in 1984 in collaboration with Giulio Tedeschi & Meccano Records. They performed their first concerts in rather well-known venues, such as Rome's Uonna Club and Piper Club, or Bari's Fireplace; later, they would perform predominantly in spaces self-managed by Punks such as Victor Charlie in Pisa, La Giungla in Bari, and Virus in Milan or in social centers (such as Forte Prenestino in Rome). Active throughout much of the 1980s, the group disbanded around 1987.

They reunited for a few concerts between 1993 & 1994. In 1998, X Records released the Compilation Come Se Nulla Fosse, which included the EP, the album and several live tracks recorded @ Forte Prenestino. In 2000, they resumed activity, recording three previously unreleased tracks written during the 1980s and adding them to the Compilation 'Disubbidisciti'. This CD was released in 2001 as a companion piece to the book Bloody Riot: Ardecore de Roma (1983-2001), published by Onda Rossa Libri. In 2008, a CD was released featuring all the tracks from the first LP, remixed and remastered from the original master tapes recorded at the Raff studio in Rome 1984.

On March 20, 2016, Roberto Perciballi, the band's singer & frontman passed away. In 1994, Alex Vargiu joined a new Punk band (Thrashred) that was undergoing a stylistic evolution at the time; together with Manolo Morea and Alessandro Petrozzi, he formed the band Bingo, with whom he released three singles as well as the album 'Close Up'. After Bingo disbanded in 2000, he formed another group, the Dissuaders and released the album *Minutes To Go* in 2010, which was dedicated to the poet Jim Carroll. Lorenzo continued to perform live with Alex Vargiu from 1987 until 1991, though they did not release any new material during that period. In 2010, he recorded an album with his new band, Wendy?!, which was subsequently released in 2011. In the early 1990s, Roberto Perciballi founded the band Vegetebol in collaboration with the guitarist from Klaxon, another Punk band based in Rome, and together they released two albums. From 2009 onward, Roberto performed with Because the Bean, a band based in the Reggio Emilia/Parma area, playing all the tracks from the original LP; the group functioned essentially as a tribute band, albeit one featuring the original lead singer. He passed away in March 2016 following a heart attack.

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THE SNIVELLING SHITS - I Can't Come 1989

Just a quick sign of life and I know, it’s nothing new in the blogosphere, but in my opinion, an essential band/record. What can you say about the Snivelling Shits? How to describe them? Three chord Punk with the wit of the TV Personalities and the Albertos and with the intelligence of Magazine. They were definitely not ‘terminal’ or ‘stupid’ nor could you count their ‘brain cells on one finger or less’ Terminal Stupid/I Can’t Come (1977 Ghetto Rockers) is sublime. The latter a paean to unrequited orgasm due to too much speed ‘I fooled you I was using my thumb/The truth of the matter is I can’t come’ Giovano Dadomo ex writer for Sounds and Zig Zag (both music papers) was the leader and fooled NME into giving it single of the week.  Dave Fudger, the bassist,  was also a writer at Sounds. They also included musician pals Steve Nicol from the Hot Rods and (now legendary producer) Steve Lillywhite.

The Snivelling Shits album ‘I Can’t Come’ available at Damaged Goods featuring outtakes, demos and sessions. The album includes what surely would have been a classic punk single ‘Bring Me The Head Of Yukio Mishima’ and other examples of Mr Dadomo’s intense verbiage. In fact after listening to the version of ‘I Can’t Come’ you’ll think it should be changed to ‘I Can’t Shut Up’! Too much speed obviously. Even before the Shits Dadomo and crew had made an appearance on record. They were called Arthur Comics on the now legendary Streets Compilation by Beggars Banquet for their song ‘Isgodman’ because allegedly Beggars didn’t want the word ‘Shits’ on the cover thinking it would harm Sales. The Snivelling Shits also featured on John Peel show on BBC Radio 1 under the name of The Hits, on 6 June 1978 for the John Peel show and broadcast on the 23rd of that month. That said how much of a player was Mr Dadomo. Check out the video from the Nationwide BBC programme about the Sex Pistols from November 1976 where Mr Dadomo expresses worry about the Pistols and what they stand for. And so he should have, because from that time onwards it was all change musically and in the music papers so it is no surprise he, like many others, jumped on board in 1977 and became a supporter and indeed,as per this entry, an artist himself. That said Gio was an obviously a clever and erudite man with a fine dress sense and like Nick Kent harboured thoughts of more than just journalism. While the Snivelling Shits may have finished Giovanni also co wrote a couple of Damned songs ‘I Just Can’t Be Happy Today’ and ‘There ‘Aint No Sanity Clause’. Thank God Ian from Damaged Goods found Gio working in the Notting Hill Record & Tape Exchange and got the album released. Dadomo died in 1997. (source: punk77)

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V/A - Abstract Records Punk Collection 1995

One more great piece from the Punk Collectors Series and the material on this beauty is dedicated to the equally high quality Abstract Records label, which released renowned and top-notch 7Inches by fantastic bands during the Eighties. Some of them remain rare, while others are still available today. Therefore, this series from Anagram Records is, for me, one of the best and most interesting of all the many (it makes the Äppler taste far more intense, even at this early hour). Check out the tracklist, with a line-up like that, you can't hesitate. Do yourself a favor and dive right in. The long Whitsun weekend is kicking off right now, but don't worry about your requests! Next week, this place will spring back to life, complete with plenty of cool stuff, football and sunshine. Cheers! 🍻

1.48 Crash - THE GYMSLIPS

2.Self Destruct - UK SUBS

3.Police State - UK SUBS

4.War Of The Roses - UK SUBS

5.Big Sister - THE GYMSLIPS

6.Robot Man - THE GYMSLIPS

7.Vengeance - NEW MODEL ARMY

8.Nowhere To Run - THE OUTCASTS

9.Denise - JOOLZ

10.The Three Johns - AWOL

11.Great Expectations - NEW MODEL ARMY

12.The Price - NEW MODEL ARMY

13.Armchair Observer - HAGAR THE WOMB

14.Pie & Mash - THE GYMSLIPS

15.Drink Problem - THE GYMSLIPS

16.Daddy's Been Workin' - THE DOWNBEAT

17.Lean On Me - REDSKINS

18.Unionise - REDSKINS

19.Kick Out The Tories - NEWTOWN NEUROTICS

20.Mindless Violence - NEWTOWN NEUROTICS

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THE ECHO - Mirror Of Times 1990

German three piece from Lingen/Ems founded in 1986. In 1984, Christian Schlage & Jürgen Schwegmann co-founded the predecessor band "The Street Parade". When their drummer Henry Hoppert left the band in 1986, they replaced him by Hans-Dieter Herrmann and the newly formed band was called the Echo. It took time until 1990, when the band recorded their first and only vinyl. From 1991, the band's line-up changed several times and the band was given up in 1995 with Schlage as the last founding member. They can also be found on three Compilations, I first encountered it on the German Mystic Sound II CD on Zillo Records. Mirror Of Times is a rare 12Inch (mini-album) by The Echo, released in the autumn of 1990; comprising six tracks, it offers a concise glimpse into the group's musical output during the early Nineties. Stylistically, the tracks reflect the zeitgeist of the late 1980s and early 1990s, with instrumentation built upon solid guitar structures, a straightforward rhythmic foundation, and vocal arrangements typical of the era. Experimental outliers are largely absent; instead, the band focuses on technically sound, direct songwriting, eschewing any filler material. The songs are compactly structured and adhere to established patterns within the alternative Goth genre. The dynamics within the tracks remain largely consistent, a balanced blend of mid-tempo numbers and somewhat more driving passages without venturing into extreme stylistic departures. Mirror Of Times stands as a quintessential document of the German independent/underground scene of that transitional period. While it offers no radical innovations, it impresses through its grounded craftsmanship. It is a release of considerable interest to collectors of rare vinyl editions.

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BUZZCOCKS - Another Music In A Different Kitchen 1978

Dear friends, it's been a while since I've been active here, but I've been very busy with myself and a whole lot of crap that made it impossible to create anything meaningful. Today I'm finally home and I feel like posting a short musical masterpiece, and all re-upload requests have also been taken care of. The trees are turning green and the temperatures are rising, time for positive vibes, and I'm coming with some Punk-Pop at its finest. The Buzzcocks are now on the turntable and the band were formed 1976 after a Sex Pistols concert in Manchester and are undeniably the pioneers of PopPunk, considered influential trailblazers. Their brilliant combination of Punk energy with catchy melodies and lyrics about love and frustration significantly shaped the genre. Another Music In A Different Kitchen is their fantastic debut and was their first after the departure of original singer Howard Devoto and the arrival of Pete Shelley as lead vocalist. The line-up on these recordings consisted of Pete (vocals/guitar), Steve (guitar/vocals), Steve (bass), John (drums). You can find reviews or more information about the record yourself; I still have a bit to do and have to leave again soon. - They made three albums before their breakup in 1981, all good, and in 1989 they reformed and have been active ever since. Achja, don't miss the excellent Compilation Total Pop, which was immortalized in 1987 by the Hamburg-based label Weird System.

Stay upright and enjoy the music!

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MAJOR ACCIDENT - Massacred Melodies 1982

Fourteen uncompromising melodic and fine-executed Oi! Punk tunes at a mid-tempo can be found on Major Accident's debut which was released via Step-Forward Records. Info: Formed in late 1977 in Darlington, legendary Punkers Major Accident were initially influenced by the Sex Pistols & the Clash. A very sad fate befell their early studio activities: both their first recording sessions in 1980, which was supposed to be their debut single (Terrorist Gang/War Boots) and the following one, which produced a completely mucked-up, unusable first edition of this LP, remained unreleased for years. It took until late 1982 for their first proper release to see the light of day: produced by Donkeys guitarist Neil Ferguson, their debut album Massacred Melodies finally came out on Step Forward, supported by a full UK tour with label-mates Chelsea. The distinctive 'Clockwork Orange' image (they were the first punk band to adopt the look from Kubrick's famous movie, which was banned in the UK at the time and impossible to see anywhere) and their song writing, by far more peculiar than the average UK82 Punk band, allowed them to grow a sizable following, and their classic sleeve artwork by Paul Dillon started appearing on the back of more than a few black leather jackets.

The band released their first single, "Mr Nobody", with Step-Forward Records before the release of their first studio LP. A UK tour supporting Chelsea helped promote the release of the record. They had UK Independent Chart hits with singles "Fight To Win" and "Leaders Of Tomorrow" (no. 19, featuring drummer Evo, formerly from the Angelic Upstarts and The Blood who went on to form Punk influenced thrash and speed metal NWOBHM band Warfare), followed by "Respectable" all released on the Flicknife Records label, as was the LP A Clockwork Legion, by which time the band's name had been shortened to "Accident". A live album, Tortured Tunes – the Official Bootleg, was released in 1984, reaching no. 24 on the Uk Independent Chart. Around this time the band appeared on BBC2 playing three songs live. American label Toxic Shock released a follow-up album ...Crazy! in 1985, just before the band split up.

Major Accident re-formed in 1996, once again using the full name rather than just "Accident". The re-formation was accompanied by a new studio album, The Ultimate High, released on We Bite Records, with a seven-inch single, Representation Not Reality, which was released in 1999 on Upstart Productions. The band's final release was a split album with Welsh street Punks Foreign Legion entitled Cry Of Legion. Live performances followed, including a night at New York's CBGB in 2001 with a "Clockwork Punk" theme. The band's activity was sharply curtailed when drummer Laze was involved in a motorcycle accident. They played their final gig around 2012.

2025-present Major Accident makes a return to the live performance scene playing a gig at the forum in Darlington.

Enough blah blah, check out the album and I'll get my ass into the kitchen and whip up a delicious meal.

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CHAOTIC DISCHORD - Their Greatest Fuckin' Hits 1994

Dear friends, it's a blessing that Punkrock exists; I don't know how my life would go on otherwise. Yesterday I got the party started, and that feeling continues today with Chaotic Dischord, top-notch U.K. HardcorePunk. This silver surfer is part of the awesome Punk Collectors Series from Anagram Records and will blast thirty hits right into your living room, so loud that no beer will get warm. And when an album starts with three songs that include the word 'FUCK!' you know what to do. Crank the volume all the way up and punch your neighbor in the face if he even thinks to complain. There is detailed infos in the file; for this, I'm stealing the short version from Discogs: Allegedly formed by members of Vice Squad and their road crew in 1981, although this still remains unconfirmed by members of the band. They also recorded a one-off EP under the name Sex Aids. The line-up consisted of Ransid (vocals), Pox (guitars), Ampex (bass) and Evo (drums). A number of Bristol Punkrock faces as a way to mock the lack of quality control on Riot City Records. A copy of their first recording was sent to Simon Edwards from Riot City. That recording ended up on the Compilation Riotous Assembly, and Chaotic Dischord was signed to his label and the band's point was proved long before Edwards realised that the band he'd signed were royally taking the mickey out of him. But by that point they were shifting so many units that he kept them on anyway and released a total of five albums without them ever playing a live show. The band reformed in 2019 with original members Ransid and Ampex, was temporarily hampered by the 'rona, then have been playing international festivals and recording new material ever since.

They eventually split up in 1988 when Ransid's tool hire business took off. After continued offers from Punk festivals around the globe, Chaotic Dischord reformed to play Rebellion Festival 2020. When that obviously couldn't happen they were confirmed to play in 2021, to the same result. Fortunately Rebellion still wanted them and they played both the 2022 and the 2023 festivals. The band played its first ever gig at Exchange in Bristol in February 2022, and have since gone on to play shows all over the planet, taking in shows in Vancouver, Madrid, Berlin, Australia and Ramsgate. They also occasionally play secret gigs under their aforementioned nom de plume Sex Aids. They continue to tour, and in August 2023, launched their first physical release in thirty-five years when they brought out their Songs To Fuck Your Mental Health To limited edition maxi-single on pukey coloured 10Inch in on their own Irresponsible Punk Songs label. This collected songs from their two previously download only releases.

Hearty food that's perfect when you're confused and need a new boost.

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V/A - Really Fast Vol.3 1986

With this superb Compilation, I'm finally kicking winter's ass and banishing it from my limbs, officially ushering the hot season. Anyone familiar with the impressive Really Fast series knows how sweaty the whole thing is, and those who become curious can indulge the hard flow of piranhas with short breaks in between. The fucker comes, like all the other slabs, with the usual informative artwork. 1300 copies of Volume 3 were pressed on Really Fast Records, and the content ranges from absolutely essential to absolutely essential. I'm sure there's no room for doubt. With that, let's jump into the weekend... "Skål!"

1.Century Of Darkness - AVSKUM

2.How Far Can They Push Us - AVSKUM

3.One Day - DISCARD

4.Fear - DISCARD

5.Swerige - VON BØØM

6.Förintelsen - VON BØØM

7.Dödsfabrik - VON BØØM

8.Kungens Barn - DTR

9.Religiösa Sekter - DTR

10.Enat Folk - DTR

11.If It's A Dream, It's A Nightmare - S.S.S.

12.Förortsliv - S.S.S.

13.Fear Of Warsong - FEAR OF WAR

14.Justice For All - EXISTENZ

15.Polischefsjazz - SLAM

16.Den Nödvändiga Operationen - SLAM

17.Zombie - DISARM

18.Va Dig Själv - DISARM

19.Schhh! - DOM DÄR

20.Krossa Porren - SVART PARAD

21.Sista Kriget - SVART PARAD

22.It's Gonna Explode - THE BEDRÖVLERZ

23.Our Statement - THE BEDRÖVLERZ

24.Pengar Till Vad - RAPED TEENAGERS

25.O.S. - RAPED TEENAGERS

26.Duvan - RAPED TEENAGERS

27.Barbbapappa & Ankan Kalle - RAPED TEENAGERS

28.Lies In Paradise - PÖBEL MÖBEL

29.Blind Killer - PÖBEL MÖBEL

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KARIES - Seid Umschlungen, Millionen 2014

Started as a quartet and developed over the last few years into a different, more experimental like trio and I can't say exactly how I discovered Karies, which formed 2012 in Stuttgart, but in any case, I'm grateful for it. Their sound can probably best be described as "Coldness Made Musical." Waking up to the reality of a neoliberal world. Their stoically driving basslines, deliberate monotony, and recurring guitar riffs make these charismatic musicians a band I enjoy listening to in my desperate hell. To describe the songs as dark is almost an understatement, because they go deeper and pierce every cornerstone of your feelings like a milling machine. I think it was in 2015 or 2016 that my best friend took me to a concert on Klapperfeldstreet, a former police prison, and it was a revelation. Even though I was feeling incredibly fucking bad at the time, the loud & penetrating music was exactly what I needed. Pisse played as the opening act; I'd never heard of them, but they were absolutely fantastic, and I bought a 7Inch (thinking it would already be on the blog - wrong! - I'll rectify that sometime). Well, I bought the second and third albums, and that's it. The album 'Alice' was my farewell, and since then, Karies has been out of my sight. That's just how it goes. Nevertheless, I can highly recommend them because they create movements and don't give a damn about pigeonholes. Karies have landed a real firework with their debut and a trip to the dentist is definitely unnecessary.

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V/A - Chaos En Madrid 2025

First, all re-upload requests have been completed, and now a disc that was sent to me a few months ago, unfortunately without a sender. Nevermind. The whole world knows that Spain isn't just a beautiful country where I love to be: Culture, delicious food, warm climate, interesting cities and beautiful beaches… All things worth a visit. And the underground scene is just as diverse, and this great record is a perfect example and has its focus on a very special place. The official description reads: "Tough Ain't Enough Records is proud to present, together with Potencial Hardcore & Relapso Records, the new Compilation of Madrid bands: CHAOS EN MADRID!! Following the saga of the legendary "Chaos In...", it's now Madrid's turn! And this bloody sucker features eighteen current bands, plus an extensive fanzine where you can find interviews with all of them. Released in a limited edition of 500 copies, available on black and clear red vinyl!" What more do you need to know? A fucking great record that really caught my attention & extremely worth your valuable time!

1.Fuck The Police - ALL OR NOTHING

2.Positive Psychology - BARBWIRE

3.Tu Final - BELIAL

4.Generación Suicida - CASUS BELLI

5.90's Oi! - FEARLESS VETERANS

6.Cicatriz - GOLPE DE GRACIA

7.Lust Witch - TONY GALENTO

8.Nowhere Fast - HARD & CHEAP

9.Va A Estallar El Caos - KOMANDO SKIZZO

10.Nuevas Glorias - BARDEO

11.Agitación Armada - M.I.L.

12.Until I Die - PORNTRUCK

13.Esto Es Madrid - REJECTS

14.Hostias En El Bar - ROUGH LAW

15.Guerra Al Tiempo - TENSIÓN

16.Love The Oi! - HARD LIFE

17.Ruido - TRES CUERVOS

18.Fucked Up City - VISADO

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HUBBLE BUBBLE - New Promotion 7'' 1978

First, a quick update: I'll take care of the requested re-upps next week. Now heading west, and we'll meet Hubble Bubble. A true legend for a few, featuring young Plastic Bertrand on drums, formed in 1973 by Alain (vocals/guitars), Daniel (bass) and released their first eponymous album on Sinus Records in 1977. Plastic Bertrand is listed as a songwriter, singer and drummer under the name of Roger Junior. The group experienced difficulties following the death of bassist Daniel, as result of an accident while returning from a rehearsal, and the departure of Mister Bertrand. A second album, Faking, followed in 1979, and a year later the band was history. What remains are two 7Inches and albums, some of which have been re-released. This is their first single, promoting two cool fucking tracks from the debut album. Remarkable cover, I must say. Get it Baby!

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OHM & THE SECRET SOURCES - Baby, Baby 7'' 1980

First 7Inch by Ohm & The Secret Sources from Toronto and had a total of six members. This nice beauty features two solid rockin' tracks where the A-side is the winner for me. I'm a bit tired from the last two days which have really worn me out, and I recommend you click on the page linked above for more interesting informations about the band.

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UTANGARÐSMENN - Í Upphafi Skyldi Endinn Skoða 1981

Monday, new week, new music, cheers! Utangarðsmenn (Outsiders) was formed in 1979 and was most active in the early Eighties, becoming one of the most popular bands in the country for that period. This is their second and last album, released by Steinar, and marks the band's heyday. They were the pioneers who brought Punk to Iceland and forever changed the local music scene. Formed in Reykjavík around charismatic frontman Bubbi, who had previously worked as a migrant laborer in the fishing industry. Other founding members were brothers Mick and Danny Pollock, as well as Magnús and Rúnar. Inspired by bands like the Clash and the Stooges, they delivered a raw, politically charged sound. A legendary moment was their performance supporting the Clash in Reykjavík in 1980. They opened the door for the "New Wave" movement in Iceland. Well-known artists like Björk (with her early band Tappi Tíkarrass) were heavily influenced by them. After only two years and a few releases the band dissolved. Bubbi Morthens subsequently launched an unprecedented solo career and founded the band Egó, while the Pollock brothers continued under the name Bodies.

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RODGAU MONOTONES & Gäste HOB GOBLIN, FLATSCH!, CRACKERS - Silberhochzeit Live 2003

Today's post is special due to a recent event and it is dedicated to the following fantastic person: Gerd Knebel, musician, comedian, and actor, sadly passed away in January 2026 from that damned cancer, and I was a bit shocked when I read the news. He was and will be a huge part of my life. As founding member and singer of the Hessian cult combo Flatsch!, I saw him perform live several times, and I even got to see him with Henni (when he formed the comedy and music duo Badesalz). And I can tell you, with his passing, the Hessian art scene has lost a vital part of it. How can I create a fitting memorial to him? So I came across this double CD. Firstly, because it's excellent, and secondly it also honors the late Lothar (singer of the Crackers), Jürgen (drummer of the Crackers), and Raimund (guitarist of the Monotones) and impressively demonstrates what great bands emerged in the Rhine-Main region in the early 1980s, may they all find peace! - Of course, you won't find any Punkrock here, but rather almost two and a half hours of excellent Rock with emotional and socially critical lyrics, a few in dialect. Should you ever want to visit this beautiful state, you'll discover what a fun-loving bunch we are, you know what I mean. So these recordings were made in March 2003, the Rodgau Monotones celebrated their 25th stage anniversary ("silver wedding") with two sold-out concerts in the Offenbach/Stadthalle together with their old companions Flatsch!, Hob Goblin, Crackers and 8000 fans. Enjoy the sound & the charm of the protagonists!

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TERVEET KÄDET - The Horse 1985

Now an album for special occasions. We're in Finland, and anyone who knows the band knows what to expect: fast-paced Hardcore classics with minimal variation. And honestly, I don't understand a fucking word the singer is saying, which is sometimes good but also kind of annoying because the lyrics get lost in the sound. Well, personally, it doesn't bother me because the intensity and aggression are part of the genre, and if you're having trouble with your girlfriend or want to get rid of some boring visitors, put on this record and you'll be free again. Believe me, this helps! Short basics: the Tornio-based Hardcore Punx Terveet Kädet were active from 1980-2016 and this is, I think, their second album via Barabbas Records. The band's name is abbreviated as TK on the cover. Unlike the band's previous works, the lyrics are in English and this album is the last release to feature the band's original guitarist Tiimo Viik. His replacement was A. W. Yrjänä, who was only ninetten years old and was given the task of composing new songs for the band's next record. - Terveet Kädet played a few festival gigs in the summer of 2019 and a short club tour in September which they played only their Eighties material. Their latest album, Kaikki Kaikkia Vastaan, was released in 2023 and those guys are still active. Now curtain up for twenty loud heart attacks, some with a bit of a metal edge, that will drill their way into your fucking mind, I hope you don't get any long-term damages.

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V/A - Raptus 1983

Raptus is a very energetic Compilation and has a big influential of the Italian HardcorePunk scene and was released via Meccano Records in four different colors, all of which are now as rare as a fly's fart. Considered as key work this beauty features demo and studio tracks. Fourteen trashy songs that sometimes pick up the pace but also slow things down a bit; for me, there isn't a dud, and most of the bands, except for two, don't have much on vinyl. Well, I guess that's why this piece of wax is so sought after by collectors. Definitely worth your precious time. A year later, the second Raptus nugget followed, which should be released in this theater in less than a year, but nothing's for sure. Enjoy the moment!

1.Tentacoli Di Potere - DRULL

2.Militare - DRULL

3.Anarchia In Italia - UART PUNK

4.Frustrazione - UART PUNK

5.Massacro - WRONG BOYS

6.Ma Che Bella Società - UDS

7.Basta - UDS

8.Italia/Italia - PETROLIO

9.Hateful Town - THE WOPS

10.Kids - THE WOPS

11.Fall Of Italian Empire - LAST CALL

12.Your Solution - LAST CALL

13.Raw Power - RAW POWER

14.You Are A Victim - RAW POWER

15.The End - RAPTUS

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PETER & THE TEST TUBE BABIES - Pissed And Proud 1982

And once again a live album and as a debut its always welcome in my house. Brighton's Peter & The Test Tube Babies were formed 1978 and when I put these boys on, memories of better days come flooding back. Every year around Christmas time, they played here in Frankfurt at the old Batschkapp (I scanned a few tickets for you), and it was always a celebration because all my friends came and it was an emotional evening with lots and lots of alcohol. Those days are unfortunately over because some have already gone. Well, that's just how it is. A review: "Well, they’ve finally put an album out. The sound quality is so good that you’d never know it was live except for the crowd noise and interaction between the band and audience. These guys produce powerful Punk Oi! music, but their themes are questionable, as with most such groups. They have all sorts of songs about “birds” the English equivalent of “chicks” and not being able to get off. Then we have the familiar ode to fighting, getting beat up, and the wimps that won’t fight in “Moped Lads.” Socially relevant themes in “Keep England Untidy” tell us to litter, and “Shitstirrer” is where they explain that when things are bad they will make them worse. Their song “Elvis Is Dead” is a classic, though, and “Maniac” is a great pun. But who knows at this point if they’re serious? Fun band to listen to but not to contemplate. They are thugs and proud of it." (Ruth Schwartz, MRR #4 • January/February 1983) -  I can only agree, the song selection is perfect, the atmosphere is great, and this nugget was released by No Future Records. - I can't get rid of this damn cold, it's driving me crazy and I'm already getting a damn ginger tea skin.

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RONDOS - Red Attack 1980

The Rondos would become one of the most influential DIY bands in the Netherlands, sporting a communist imagery perhaps more out of provocation than ideology. Formed 1977 in Rotterdam by John van de Weert (vocals), Allie van Altena & Maarten van Gent (guitar/vocals), Frank (bass), Wim Ter Weele (drums) and were active from 1977 to 1980. Their sound is minimalist, angry, and incredibly biting. The lyrics deal with the bankruptcy of culture and taking to the streets to spray graffiti, the senselessness of wars, and the daily struggle for survival in this worthless, selfish society. They made three 7Inches and one album, all released on their own label King Kong Records, and in 2009 they re-released everything on two records called Destroy The Entertainment: "Repetitive, stripped-down, and furious songs. They forged a new direction in the Dutch music scene: aesthetically far removed from rock, they played by their own rules, wrote their own fanzines, and created DIY platforms intended to be inclusive and inspiring. Rehearsal spaces, gigs, and stencil machines. Power To The People! They significantly inspired a new wave of Dutch bands, particularly in the Wormer and Utreg scenes." The Rondos made a great racket with their songs and I have to admit, listening to them never gets boring. And I've heard minimalist music before where I had to switch off after two or three songs. Loved and therefore featured on several Compilations.

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VULPE SS - Barbarela 83' 2012

Vulpe SS was founded 1982 by Mamen (vocals), Loles (guitars), Begoña (bass), Lupe (drums) and this female Basque combo made in their short activity one fucking great 7Inch via Dos Rombos Discos which went on to sell 12.000 copies. However, legal difficulties created problems for the group on their promotional tour. The band dissolved in 1983 although they reformed briefly in 1985 to play some gigs. - This record today was released via Punkaway in a limited edition of 800 copies and the songs were all recorded live on May 20th, 1983 @ the Barbarela Rock hall in Palma/Majorca and you listen to twelve decent bloodstains, jaja, I can say that with certainty, especially when my nose runs and forehead burns. Also featured on numerous Compilations.

 

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EATER - The Compleat Eater 1993

Another jewel from Anagram Records' Punk Collectors Series and this is dedicated to one of the oldest UK bands. We're talking about Eater and they formed 1976 in London and consisted of Andy (vocals), Brian (guitar), Ian (bass) & Dee/Phil (drums). They released several 7Inches and an album, all on their own label. This nice Compilation features everything the band released between 1976 and 1979, a total of twenty-eight crispy delicacies. A short outside support from Richie Unterberger: "With their stripped-down power-chord anthems, Eater were nowhere near as talented or versatile as the early Punk pioneers like Buzzcocks or the Jam. Nevertheless, they managed to create spirited, if somewhat typical and rather generic, early Punk that is not as dispensable as some reference works claim. Eater disbanded at the end of the 1970s. Phil, Dee's successor, joined Slaughter & The Dogs, and singer Andy recorded a single with former Damned guitarist Brian James in the mid-80s, but that was basically it for band members." And now enjoy the exuberant, youthful, fast, snotty, catchy and energetic sound of this young teenage band. I need to go back to bed and sleep myself healthy.

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