Recently we hosted Olho Seco and speaking of important & influential bands from Brazil, the Inocentes are definitely one of them, an essential hardcore combo that made it as famous as... useless Infos: Inocentes is one of the oldest active Punk combos in Brazil. The group was formed 1981 in São Paulo by Ariel (vocals), Callegari (guitars), Clemente (bass) & Marcelino (drums), former members of pioneer locals Restos de Nada and Condutores de Cadáver. During their first incarnation in the first half of the 1980s, they played basic energetic and politically charged Hardcore/Punk, exemplified by the Grito Suburbano compilation tracks. The band's powerful performances and firm stance soon raised it to the level of one of the movement's spokespersons. Clemente (bass) wrote in his 1982 manifesto: “We are here to revolutionize Brazilian popular music, to paint Asa Branca in black, delay the Trem das Onze, step on Geraldo Vandré’s flowers and make Amélia a woman.” Whatever, they were one of the most requested bands of the movement at that time, present in several TV articles, magazines and in the documentary “Garotos Do Subúrbio” by Fernando Meirelles. In 1983 they released the Miséria E Fome EP on their own and in Germany two tracks on the Life Is A Joke compilation (my first encounter with the band) via Weird System. At the end of the same year the band ended their activities.
In early 1984, Inocentes returned to the stage with a new sound and formation, appeared in the Rock Paulista scene in 1986, were hired by Warner and signed in the same year as the first Brazilian Punk band to a multinational label. They released the mini-LP Pânico Em SP and embark on their first national tour, gaining exposure across the country and eventually reaching mainstream media and the general public. Still with Warner, they released two more albums, 1987's Adeus Carne and 1989's Inocentes. This file is the re-release by Devil Discos and all tracks were recorded 1983, the first four tracks were released on the debut EP and the rest not. Reasons are from liner notes on insert: "This record should have been released in mid-1983, but due to problems with censorship, we were obliged to turn this LP into a 'compact'." And since I don't know exactly why and my Portuguese is rusty, I can't say more about it. It's not important either. Fact is: this record is excellent stuff with a great pissed sound how I love it and not uninteresting for Wenke Myhre fans.
- Great Thx to Julio -
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