Next classic German Punk album is the debut record from Canal Terror and I don't know how many times I played this LP up and down: angry, aggressive, rebellious music which has nothin' lost of their rudeness. Founded 1980 in Bonn by Tommy, Volker and Dominik, 15 to 17 years old, in the following year 14-year-old drummer Rainer completed the band. 1981 published the first demo recordings and a Super-8 film on which they introduced for the first time their most popular song 'Staatsfeind'. In December, the band participated on the compilation Soundtracks Zum Untergang 2 (AGR). Canal Terror played this year their first concerts outside of Cologne and Bonn with Black Flag, Minutemen, Slime, OHL, etc... More demo tapes were released in the following two years. In December 1982 they recorded their debut LP, appeared due to differences with label boss Karl-Ulrich Walterbach, in the spring of 1983. Tommy left the band in 1983 after internal disputes and Rainer moved to the micro. Ex-Toxoplasma bassist Stefan came as a drummer. Frank Glienke ("KutA") was for a few concerts the second guitarist but left the band very soon. The group toured again with Razzia, Inferno, Neurotic Arseholes, Boskops, Die Ärzte, etc... and the recordings for the compilation Underground Hits 2 emerged. Again it come to quarrels and Dominik and then Volker left the band. The band continued until 1984 by Rainer and Stefan and with other members. On the Dutch sampler 'Babylon Bleibt Fahren' the song "Staatsfeind" was in a live version on it and shortly after this release the band split up for good. In December 1991 the band played in the original line-up a unique concert in the Biscuithalle/Bonn, together with Toxoplasma, Die Skeptiker and the British band Urge. In 1992 Red Rossetten Records released a CD with recordings of this gig under the title "Live In Bonn". AGR reissued without the permission of the band their first album in the 90's and so Canal Terror secured in a trial against AGR the rights to their songs. A Review: "Canal Terror produce diverse hardcore material on their debut album, including full-tilt thrash ("Multis," the title cut, etc.), Oi!-influenced stuff ("Bonn-Duell"), '77 punk with melodic guitars ("100 Mann"), reggae-punk mixtures ("Mallorca"), some cool Rock'N'Roll ("Hey"), and even a funnypunk version of "My Bonnie." The guitars should have been emphasized more in the mix, but this record is still entertaining as hell." - Jeff Bale (from MMR #8, September 1983) / That's the story so far, for me another major record which is second to none today.