EA80 - Definitiv: Nein! 2011

Anyone who puts on an EA80 slab at 8:00 in the morning is either desperate, crazy, a passionate Punk, optimistic, or simply wants to listen to music that is far removed from the usual run-of-the-mill stuff. Well, now you can choose what applies to you and me. It's the eleventh album by the Gladbach gents and with nine songs its their 'shortest', but no less intense. First off, let's mention the elaborate Chromolux Magic Chrome cover and which Punk band goes to such lengths? That's D.I.Y., and the four are always coming up with new ideas for the artwork. I know they struggle with the design, but in the end you're always surprised with the final result, that's a perfect score. To the songs: "Definitely: No!" is a typical, self-contained work, remaining true to their roots but surprisingly more upbeat, biting, and direct than expected. It features a mix of slow, melancholic tracks and driving bangers, offering both self-referential nods and new facets like epic songs and critical lyrics, sounds more upbeat and aggressive than usual, and cementing their status as an uncompromising band that defies every drawer. Even after many years, the band shows no weakness, remaining a fascinating, enigmatic entity that you either love immediately or ignore. It's one more powerful record and I have to admit, it's kind of faded into the background since I prefer the earlier albums, but I have to say, I'm going to put it on my phone right away, and the opener "Fort Von Krank" is so brutally good, you can use it anytime, or as a kick in the ass when you stagnate. EA80 are irreplaceable, and even before the first chord sounds, they tune their guitars in unison to a minor key, count to four, and launch forward. Songs that offer enough space to reflect your visions, feelings and frustrations and others as well. Have emotional moments & pleasant memories with this wonderful record.

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THE DOLE - New Wave Love 7'' 1978

Damn good two-song 7Inch that also belongs in this theater and I'm somehow in an upbeat mood, the prospect of having five days off boosts my vibes. Talkin' about the Dole, a five piece which formed in Peterborough anno 1977 and consisted of Ian (vocals), Simon (guitar), Matt (bass), Paul (drums), Peter (keyboards) and this is their only piece, released via the small independent The Ultimate Record Label. The A-side is a superb love song which I have rarely heard, an absolute must for all lovers and those who live in harmonious relationships. It has nothing to do with fucking Christmas that I chose this particular record; no, no, a beautiful song doesn't need any reasons, you have to do it, not just talk about it. The flip is no less awful; if I understand correctly, it's about a judge who is an asshole, a nasty human, a pisshead. The solid rhythms are supported by the squeaky keys, which are a perfect companion and squeak and fart and have their time in beautiful short solos; I love such a sound, and the snotty guitar gives me the rest. The slab won't cut off your ears, but it comes close. A few Compilation appearances are also available.

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V/A - OX-Compilation #38 2000

Finally, another brilliant OX output, and I've realized I'm missing a few, hmmm... I really have no idea where they've all gone? Well, that's just how it is, and number 38 has the lovely addition Beautiful Music For Beautiful People and yes, that only refers to us. The OX-Fanzine was the best reading material for me back then: funny, informative, and never boring. And while I can't say I always eagerly awaited the next issue, I was always pleased to see a new magazine at my local Kiosk, a few stupid bastards were so brazen to steal the accompanying CD, but well, that's just how it is with those jerks. Precisely those who leave their shitty beer bottles or paper cups, cigarettes and vomit at our performance venues, there's a 'nice' song about that, I have no tolerance for those Pseudo-Punks and they should go where the sun never shines. But I'm getting sidetracked again; I just had an interesting encounter and I'm feeling rather happily motivated, hahahaha..... I guess, I'm a little sarcastic. Thirty-six bands/songs, international, twenty-five years young and I think, it has something for everyone. Meanwhile, I'll go and see where all the other CDs have been.

1.Rest Of My Life - WIPERS

2.Last Train To Vaudeville - DUMBELL

3.Lifetime Problems - TEXAS TERRI & THE STIFF ONES

4.Let's Get Drugs - ZEKE

5.Beelzebubba Walk - SMOKE BLOW

6.Let's Roll - THE VERDICTS

7.Never Wanted You To Love Me - THE UNKINDS

8.Keep Falling - NRA

9.How It's Done - DWARVES

10.There's Gonna Be A Killing After Midnite - NEW WAVE HOOKERS

11.Jemand - WOHLSTANDSKINDER

12.Deutschpunkrevolte - WTZ

13.Ich Hätt' So Gerne Titten - LOKALMATADORE

14.Wenner, Wenner - DIE KASSIERER

15.Nix Tun - HANSWURST SENIOR

16.Rip Off Nr. 5 - 1.MAI 1987

17.Agro - BARMBEKER URKNALL

18.I Want To Date A Pornostar - KILL ALLEN WRENCH

19.Dog Faced Boy - RICKSHAW

20.Siam - DOG TOFFEE

21.Make My Day - NIXON NOW

22.Clandestine Touch Up - ATOM RHUMBA

23.En Mi Cabeza - WEBELOS

24.Rising Surf - LOMBEGO SURFERS

25.Jones - CRO-MAGS

26.No Doomsday - BONEHOUSE

27.Schläge - TRIBUT

28.These Were The Days - KICK JONESES

29.Grim Sleeper - KILLRAYS

30.Gogogadizo Easy Living - D.SAILORS

31.Punkrocknonstop - DERITA SISTERS & JUNIOR

32.Unkind - SHEMALE TROUBLE

33.I Don't Want You To Stay - REAGAN CAIN

34.Out Of Here - TUTRIBES

35.Royal Family - SIDE EFFECT

36.Songs And Dreams - RED LIGHTS FLASH

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STATISTICS - Dumb 7'' 1979

Let's stay on the British Isles and turn to a band about which I can find zero information, I'm talkin' about the Statistics, presumably from London, and they released a single on Tyger Label Records with two, I would say PowerPop goodies, and then they disappeared without a trace. "Dumb" is always a great title, and it's particularly appealing to me right now because I know someone (or at least I thought I did) who's incredibly stupid and doesn't realize it. Musically, it's a rhythmic stomper with great lyrics; definitely worth for a new Compilation. With a sax which is really okay and you can even hear an organ, really a beautiful number. The flip is also impressive, it's a bit faster and is dominated by the organ, or at least it immediately captivates your ear, wonderfully quirky. Supposedly, a DIN A4-sized insert card with comic illustrations introducing the label "Tyger Label Records" and a sticker with a tiger's head were included, but unfortunately, it's missing. Anyway, the Statistics made a very good record and deserve attention and appreciation!

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U.K.SUBS - Predator 7'' 2017

When I can't think of anything else and need a kick in the pants, I usually choose one of my favorites, and the UK Subs have been among them for many, many years. Live, always a treat, and on canned just as good. Since I don't own everything and some new things have been sent to me, I'm presenting you their 7Inch from 2017 that features two absolute bangers. Comes in blue vinyl and some copies came with a free download and an exclusive badge and patch, the rest is self-explanatory! That's enough for today, I'm a bit drunk and tired... all this crap is exhausting... take care and stay perpendicular!

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DEFNICS - 51% 7'' 1981

I'm starting the weekend with something that, to be honest, is nothing new, but is absolutely essential when you love a decent KBD sound. So you know who's blasting your ears, here's a short info from the label that re-released the record: "The Defnics, Robert (vocals/guitar), Sablack (lead guitar), Brandon (bass) & Johnny (drums), from Cleveland cut only one 7Inch on Terminal Records and a piece on the Cleveland Confidential Compilation. They played out as the Defnics for almost two years and broke up in the summer of 1982. Bill (a.k.a. Robert Conn) went on to join the second formation of the Pagans. Brandon joined Red October with Chris Andrews. Bob started the Plague with Duke Snyder and Johnny. Reformed in 2001 and published a 7" on Smog Veil Records with a new song written by Robert Conn along with a screaming live version of “51%”, recorded at the band’s reunion show." (source: BreakoutRecords) A brilliant record; used countless times on numerous cool compis. A true friend to enjoy your first breakfast beer!

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SUBWAY SECT - Nobody's Scared 7'' 1978

Subway Sect were among the first British Punk bands. Although their commercial success was limited by the small amount of material they released, they are considered extremely influential. The line-up on this superb 7Inch consisted of Vic (vocals), Rob (guitars), Paul (bass), Bob (drums) and this formation recorded one more 7Inch plus the band's first John Peel session. Sadly this is all that remains from Subway Sect from their 1977-1978 period. Two nice tracks with fantastic lyrics, side A is clearly the winner for me. The flip is a four-minute thunderstorm that's motivating and, as far as I'm concerned, could go on forever... a harmonica is also on board. Great Stuff!

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DIE BÖSE HAND - Strike Out 2004

I believe the following record was mentioned at some point by one of you, and this wish almost faded into oblivion, but my Punk gene rediscovered it, and here it is: The great Compilation by Die Böse Hand. All five Singles, plus two sampler pieces; in total twenty-two songs are on this nice Fucker, unfortunately there's no booklet, and released via Bad Moon/Musikzimmer. For the most part, only cover songs are performed here, but in a style that could almost only come from these three; anyone who knows the main bands of this collaboration knows exactly what I'm talking about. Of course I could have posted all the singles, but listening to all the songs in a row is an absolute joy and crash through the ceiling; the awesome production is a highlight as well. I tell you: You can't get past this stuff. Thx Junge, Co & Ulf

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ZZZ HACKER - Kind, Sieh Da Nicht Hin! EP 1983

I remember when I first came across this record, my then best friend (R.I.P.) lent it to me so I could record it on tape, along with various other rarities, and he said: 'You have to listen to this, brilliantly amateurish and absolutely brilliant.' Well, my friends, I haven't had the tape for a long time, but I somehow got the mp3's. And here it is: ZZZ Hacker is a four piece combo from Bielefeld and were founded 1980 by brothers Kussi (guitar) and Django (bass). Later, Milos (vocals) & Cashba (drums) completed the line-up. After rehearsals, the band initially formed at the AJZ Bielefeld where many of their first gigs took place in the early Eighties. From 1984 onwards, the band played various concerts throughout Germany, including shows with bands like Die Toten Hosen and Peter & The Test Tube Babies, but no full tours. Members of the band also played in Mod revival bands such as Jetzt! and Lik Bit Express. The addition of Charles Hacker and T-Kiela in the early 1990s brought a breath of fresh air to the band. Numerous concerts followed until, after eighteen years, the band released their first album in 1998. In addition to the album Kein Bier Kein Ton… (No Beer, No Sound…), several split singles were released. Every five years, the band celebrates itself at Hackerfest, a two-day festival featuring twelve bands and the "Hacker Ballet," among other acts. In 2003, ZZZ Hacker recorded the title track for the film Operation Dance Sensation; Bela B. provided the vocals. In 2012, after many years, the band released a new album. The Arminia EP 3.0 was presented live on the pitch of the Bielefeld Alm stadium during an Arminia Bielefeld home game in March 2012. I think, they're still alive and this is the first 7Inch by ZZZ Hacker with eight funny pieces. Featured on numerous compis, none of which I know.

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G.P.S. - Quand Revient L'Eté 7'' 1982

Garage Psychiatrique Suburbain (or sometimes Globule Pulsation System), abbreviated as G.P.S., was formed in 1977 in Sèvres by Thomas (vocals/guitars) and Pierre (drums). The latter two had been friends since they were babies. As early as 1975, when they were teenagers, they began experimenting with music. Through friendships between high schools, they met Patrice (bass) and Fabrice (guitars). For musical influences, Thomas could count on his father from a very young age, as he was a singer-songwriter named Jean-Claude Darnal. The four of them started rehearsing in the basement of a large house run by a woman who took in the neighborhood kids. A few chords brought by Thomas, and they were off. No covers in their repertoire. It must be said that it would have been difficult since Thomas was a complete beginner on the guitar! But he composed a lot, and very quickly. Pierre followed suit with the lyrics. They started with a few small appearances at local parties and youth centers, then played their first real concert in 1980 in the Bruyères district at the disused Gevelot factory in Sèvres. They were on the bill with Mama Bea Tekielski, the Tokow Boys, and Oberkampf. They recorded their tracks using a cassette recorder and its built-in microphone, sending demos to record labels. The first demo, featuring "Irradié," "Stress," and "Pas De Politik," was recorded in the children's youth center in Sèvres during the winter of 1979. Others in 1980 were recorded at Thomas's parents' house, in the attic, and then another came from Les Roches (located in the Rhône department), recorded during the All Saints' Day school holidays in a small cave dwelling, the holiday home of Fabrice's parents. Michel Marizi, a friend of Pierre's and an audio enthusiast, regularly helped them with the sound recording of their demos, which were recorded using two Revox B77s.

They played several concerts, including one for a private party at the Lacroix family home, one for sugar producers who wanted punks to play during a medieval festival at their castle, and another in support of the gay rights committee of the 13th arrondissement in Paris, where the unusual show was very well received! Numerous concerts with renowned bands followed. Fabrice left the band, and Marc joined as bassist, along with Thierry Gesteau on vocals and guitar, allowing Pierre to focus entirely on drums. The only label to respond to them in 1981 was Underdog, which had been founded the previous year by Dominique Lamblin, Albert Kosky, and Marc Zermati. Lamblin signed them in early 1982. In the studio, they reworked their earlier compositions.

Their first 7Inch "Quand Revient L'Eté" was released in 1982 on the Underdog label and was quite successful, followed 1983 by the album "Bien Dans La Ville," and three years later by the next album, "En Attendant La Prochaine Guerre." They played numerous concerts, and in 1984 Richard Kolinka discovered them and offered to produce them for his label, KOD. However, this never came to fruition. Their planned performance at the Franconville Festival on May 26th & 27th, 1985, was cancelled. (source: 45vinylvidivici)

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