Now the debut by Springtoifel from Mainz on New Age Records. Founded in 1981, Springtoifel, whose founding members Olaf (vocals/organ) and Paule (bass) can still be found in the quintet's line-up today, was one of the very first German-speaking Oi-Punk bands ever. From the beginning, the band stood out clearly in the young Oi! scene with their then still quite exotic passion for ska, fluffy, offbeat hits with organ backing. Since then, the 'Mainzeldroogs' have not only stood for unforgettable, lively, first-class Punkrock sing-along anthems crowned by Olaf's roaring organ, but also for exotic musical quotes from completely foreign genres such as tango, bossa nova or even folk music, in addition to the obligatory brilliant ska songs. At a time when the music scene was dominated by New Wave, Punk and the emerging electronic music, the band managed to create a unique sound that combines both traditional and modern elements. The album is a fascinating work that takes listeners on a journey through various musical styles and themes, a remarkable example of the fusion of rock, folk and experimental music. The band combines catchy melodies with powerful guitar riffs and a driving rhythm. The use of traditional instruments, such as accordion and violin, gives the sound a folkloric touch, while the electric guitars and synthesizers underline the contemporary influence. This mix creates a dynamic soundscape that is both nostalgic and innovative. The lyrics are quite funny, sometimes poetic and invite interpretation. Themes such as love, loss, freedom and the fight against societal norms are treated in a way that is both personal and universal. The title track, "Tanz Der Teufel," is particularly notable as it offers a dark yet captivating narrative that draws the listener in. The imagery is powerful, creating an atmosphere that is both mystical and challenging. The production of the album is well done, with the sound being clear and balanced. The instruments are well-matched, and the vocals come through clearly. The mix of acoustic and electric elements is cleverly used to underline the different moods of the songs. The production reflects the experimental nature of the band and adds to the overall impact of the album. A review: ... the music and the feel, a strong early sing-song Oi! feel, like Sham 69 are both driving & passionate. Most of the stuff marches along at a good clip, both the harder thrash tunes and the slower bigger Punk sounds. (Dogtowne, MRR #40 • September 1986) This debut is an impressive record and leaves a strong first impression. Both thumbs up!
