Friday, October 23, 2020

ALERTA ROJA - Historiko 81-87: La Otra Cara Del Punk 2013

 
Awesome stuff today from Alerta Roja, an Argentine Punk band from Gerli, Buenos Aires and they are considered one of the precursor bands of the genre in this country. In the late 1970s, Argentina was under a bloody military dictatorship. While Punk was rolling in the United States and England, the wave did not slosh into Argentina. At that time, a young man named Pedro Braun, alias "Hari-B", formed the group Los Testicles (1978), which would later become Los Violadores (1980). In that period, "Hari-B" had to perform Military Service, and his colleagues Sergio Gramatica and other members decided to change the name of the group to Los Violadores. From them, other groups quickly appeared, such as Los Psicópatas (1979) or Los Laxantes (1979), with Gamexane, future member of Todos Tus Muertos (1985) on guitar. Los Psicópatas (1979), later called State Of Siege, was initially made up of Pablo Stella on guitar, Fernán Contreras on drums and Daniel García on bass & vocals. After two months of rehearsals, the band would have their first five songs, from which they would choose the ones that would be part of their first demo. In mid-1981 they released the first Simple Punk from Argentina, which would be released months later, after the Falklands War. That demo would be a 7'' under the independent label created by the group itself, Pelmaso Records, produced by Marcelo Gasió, later a keyboardist for the band.

Months before the Malvinas conflict, they had already decided to call themselves Alerta Roja, as a symbol of the political moment that the country was experiencing. In reference to the chosen name, when interviewed on Radio del Plata by Tom Lupo in '83, they would mention that "" Red Is Not The Way Out Either "". During this time, Sergio Spatavecchia joined the band in voice: 11. In the case of Alerta Roja , we first called ourselves The Psychopaths. They censored us. Then we changed into State Of Siege, the same thing happened to us and before Malvinas we put on a Alerta Roja, to reflect the state in which the country lived. People didn't understand punk, and they don't understand it now. We were not Bolsheviks or Nazis. We just sang revolution, we wanted a much more powerful change. We were apolitical, totally anarchists. Alerta Roja wanted to reach the general public "without trading". Basics to the thirty goodies: Fernán (vocals on tracks: 1-19), Mongo (vocals on tracks: 1-26), Pablo (vocals on tracks: 1-19); Pablo (guitars on tracks: 1-26) & Ucci (guitars on tracks: 27-30), Daniel (bass), Fernán (drums), Marcelo (keyboards) and Chiflo (sax). Songs 1 to 19 belong to "Derrumbando La Casa Rosada", recorded in October 1982 at Estudios del Jardín. Songs 20 to 26 belong to "El Llanto Interior", recorded in September 1985 at Avatar Studios and lollies 27 to 30 were recorded live in Cement April 1987.

This great comilation from Pinhead Records shines with historical recordings of the band and they existed and survived under the nose of a violent and oppressive military dictatorship. The band played gigs in Buenos Aires in the early '80s, giving a voice to a generation of angry Latin American youth. After so many years, these thirty tracks are finally getting a proper CD and their influences pulled from music that managed to cross the ocean and fall into the hands of its members, one might hear the Clash, Sex Pistols or Wire seeping from the groves, but don't be surprised if you get a small dose of the Cure as you listen to this gem. Alongside other amazing bands from South America, Alerta Roja reaffirms that despite the conditions and lack of resources, these nations produced some amazing punk music/attitude.


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