This record is currently in my player around the clock. Pretty cool stuff, punk rock with a wave touch and in between a couple of quick grenades. 'Outside In' is a compilation of the vinyl years 1986 - 1989 from this combo and I get this a few years ago somewhere in Blogland, now exhumed because the band name is at the moment more relevant than ever to me. Something about them:
Formed in 1981, Paranoid Visions quickly allied themselves to the anarcho punk fraternity of the second wave of punk rock in the early 80's. The band were poles apart from the other Irish bands that graced the 1980’s Dublin gig scene.Surprising everyone, including themselves, with their success in both Ireland and the UK in terms of critical acclaim and record sales, they maintained a stance outside of the music industry norms and closely protected their independent status, licensing all of their material directly from their F.O.A.D label. Records such as Autonomy, Schizophrenia and city of screams all sold very well, but it was the attack on the Irish music industry U2Clone assembly line, in the form of the “I Will Wallow” 10” EP that brought the band to a wider and more mainstream audience. FOAD2U2 graffiti adorned walls all over the country….some of it wasn’t even done by the band! Heavily influenced by the Crass ethic of DIY music, the band formed their own F.O.A.D label and licensed their records to All The Madmen, home of the Mob, Thatcher on Acid, Blyth Power and the Astronauts.
Paranoid Visons played gigs and toured with the likes of Poison Girls, DIRT, Blyth Power, Subhumans and The Instigators. In the early 90's they played with bands like Snuff, the Macc Ladds and Manic Street Preachers before calling it a day in 1992. Despite their disbanding, the 90's saw Paranoid Visions becoming the biggest punk band Ireland had ever produced, featuring on several TV shows, newspapers and being offered numerous record deals from Major labels. In 1996 they reformed to play support on some dates for the Sex Pistols Filthy Lucre tour. In 2001 they reformed again and played with the Damned, The Dickies and at the Wasted Festival in Morecombe. While these reunions were always designed to be short lived, with the 2005 reunion, formed in support of the re-release of their back catalogue, it was decided to continue the momentum.
April 2007 saw the release of the bands first new album since 1990. Entitled “40 Shades Of Gangreen” it captures the band at their most tuneful and caustic. General reaction has been that its the best woirk the band have done having been described thus:
"a blistering collection of anti establishment polemic" (hot press editorial)
"highly melodic aswell as being deeply, deeply raucous" (hot press review)
"a blockbuster" (evening herald)
Throughout 2007, Paranoid Visions have performed regularly and will be performing one of the headline slots at the largest punk rock festival in the UK, Rebellion 2007. 2008 sees the release of part one of the bands 12" and CD tribute to their musical influences from the early Irish punk and new wave scene in the form of "The Treasure From The Wasteland" EP. A new album "Beware Of The God" is pencilled for the autumn along with another single serving as part two of the tribute series.
Formed in 1981, Paranoid Visions quickly allied themselves to the anarcho punk fraternity of the second wave of punk rock in the early 80's. The band were poles apart from the other Irish bands that graced the 1980’s Dublin gig scene.Surprising everyone, including themselves, with their success in both Ireland and the UK in terms of critical acclaim and record sales, they maintained a stance outside of the music industry norms and closely protected their independent status, licensing all of their material directly from their F.O.A.D label. Records such as Autonomy, Schizophrenia and city of screams all sold very well, but it was the attack on the Irish music industry U2Clone assembly line, in the form of the “I Will Wallow” 10” EP that brought the band to a wider and more mainstream audience. FOAD2U2 graffiti adorned walls all over the country….some of it wasn’t even done by the band! Heavily influenced by the Crass ethic of DIY music, the band formed their own F.O.A.D label and licensed their records to All The Madmen, home of the Mob, Thatcher on Acid, Blyth Power and the Astronauts.
Paranoid Visons played gigs and toured with the likes of Poison Girls, DIRT, Blyth Power, Subhumans and The Instigators. In the early 90's they played with bands like Snuff, the Macc Ladds and Manic Street Preachers before calling it a day in 1992. Despite their disbanding, the 90's saw Paranoid Visions becoming the biggest punk band Ireland had ever produced, featuring on several TV shows, newspapers and being offered numerous record deals from Major labels. In 1996 they reformed to play support on some dates for the Sex Pistols Filthy Lucre tour. In 2001 they reformed again and played with the Damned, The Dickies and at the Wasted Festival in Morecombe. While these reunions were always designed to be short lived, with the 2005 reunion, formed in support of the re-release of their back catalogue, it was decided to continue the momentum.
April 2007 saw the release of the bands first new album since 1990. Entitled “40 Shades Of Gangreen” it captures the band at their most tuneful and caustic. General reaction has been that its the best woirk the band have done having been described thus:
"a blistering collection of anti establishment polemic" (hot press editorial)
"highly melodic aswell as being deeply, deeply raucous" (hot press review)
"a blockbuster" (evening herald)
Throughout 2007, Paranoid Visions have performed regularly and will be performing one of the headline slots at the largest punk rock festival in the UK, Rebellion 2007. 2008 sees the release of part one of the bands 12" and CD tribute to their musical influences from the early Irish punk and new wave scene in the form of "The Treasure From The Wasteland" EP. A new album "Beware Of The God" is pencilled for the autumn along with another single serving as part two of the tribute series.
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