MARIE MARIE - Do You Do You Brush Your Teeth? 7'' 1980

Only record by this Belgian girl and Marie Marie has the ultimate message: so if you now brush your teeth every single morning, this catchy song, which is very similar in sound to Mister Bertrand's style, will remind you to do it for longer than three minutes. Doing it in the evening is pointless. The flip is a nice, catchy poppy piece that I can listen to, and then it disappears just as quickly. About Marie herself there isn't much information available and Compilations weren't among their friends either; I guess she had a bit of fun with making Punk music and then went back into the anonymity of society. The record was released on the French label Vogue and isn't easy to find these days, so keep your eyes and ears open.

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DMZ - First Time Is The Best Time 7'' 1986

One of Boston’s primary Punk bands, DMZ (stands for Demilitarized Zone) and known for its blend of Punk aggression and Sixties Garage Rock and psychedelia. Led by the maniacal Mono Mann (aka Jeff Conolly, later of the Lyres), an organist/singer and Iggy Pop fixation formed the basis for the group’s influential stylings. Their first s/t album was released 1978, produced by Flo and Eddie, has bad sound, sloppy playing and little character, despite the raveup playing and general enthusiasm. This two-sided killer 7Inch is their fourth one is anything but awful, more like a sunny day with pleasant friends and you'll hear them too when you're busy with talking. In 2003, DMZ closed their headquarters and until 2011 a few records were released, mostly Compilations with rare and live material. Well, some of their recordings have been criticized for production, the band's live performances and raw energy were highly influential. That's all for now, I'm leaving now to have some fun and I'll be back shortly.

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SOFA HEAD - Invitation To Dinner EP 1990

We stay in the UK for a while longer and fly to the north and visit Darlington where we meet Sofa Head (brilliant band-name), a great Nineties Punk band that composed largely of members of Dan with Claire (vocals), Ian (guitar/vocals), founder Ian (bass) and Andrew (drums). Tracks from the band's first first demo, "World" and "Ugly" appeared on the Meantime Records Compilation Spleurk!. Early performances featured a drum machine until they managed to lure drummer Laing from the audience. Andrew (ex-Dan) also recalled playing a handful of gigs as the band timekeeper. Drawing inspiration from the Punkrock pioneers of the 1970s, such as the Ramones & the Sex Pistols, Sofa Head infused their own unique style into the genre, pushing boundaries and defying expectations. Their music was characterized by its raw intensity, blistering guitar riffs, and aggressive, high-octane performances. Their lyrics delved into themes of societal discontent, political disillusionment and the struggles faced by the working class.

Sofa Head made four albums. Pre Marital Yodelling (1127 Walnut Ave.), the title of which is an oblique reference to both Jehovah's Witnesses and Laurel & Hardy. Recorded in July 1989 it was released on Meantime in the UK, on the Double A label in Germany and on the Profane Existence label in the USA. This was followed by the four track EP Invitation To Dinner on the Rugger Bugger Discs label and a John Peel session. This 7Inch featured on the second album What A Predicament. The band released a 12", titled Twat!, featuring two studio tracks & live tracks on the flipside. Laing left the band and joined Leatherface, replaced by a drummer called Graham for the 3rd album Acres Of Geeses. However, Graham disappeared on the eve of the support tour and Laing filled in, finally being replaced by Matthew from the Cleveland band KITO. This line-up did two European tours and a live US 4th album (More Is Not A Word In Our Vocabulary). Sofa Head disbanded in 1994.

Sofa Head's music was characterized by its raw intensity, blistering guitar riffs, and aggressive, high-octane performances. Their lyrics delved into themes of societal discontent, political disillusionment, growing up and a shitty childhood, and all the shit we go through as young People, blah blah blah... the 1st & 2nd album have subsequently been released on a Boss Tuneage CD Compi "Pre Marital Predicament". Enough nonsense, now I'm going to the kitchen and see which delicious dinner I can prepare for myself. Take care!

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GORILLAS - It's My Life 7'' 1978

It's time for a little trip, and my pilot just informed me that the weather is perfect for a helicopter flight to London. So, off we go! Here we'll meet a band that started back in 1972 under their first band name, the Hammersmith Gorillas. More from wiki: Jesse Hector played in bands from the age of eleven, first the Sun Records influenced Rock & Roll Trio between 1959 and 1961, and then the R&B influenced band the Cravattes between 1962 and 1964. Cravattes bassist Adrian Stambach joined mod outfit the Clique in 1963. Jesse then reformed the Rock & Roll Trio (1966-1967) before starting two more short-lived bands, the Way of Life (1967) and the Mod Section (1968) and went on to form the proto-Punk band Crushed Butler in 1969 with drummer Darryl Read and bassist Allen Butler. After a brief flirtation with EMI Records, Dick James Music, and Decca Records the band was renamed Tiger in autumn 1970, until Darryl left to join the glam rock group Dizzy after Tiger disbanded, then Hector with the addition of new drummer Gary Anderson and bassist Vic Allen changed name again to Helter Skelter in 1971. With the addition of bassist Allen Butler (who also had been one of a number of different bass players that passed through the Crushed Butler various lineups) the band became the Hammersmith Gorillas in 1972 taking their name from London's pro-Castro activist group the Hammersmith Guerillas.

The band's debut release was a cover version of the Kinks' "You Really Got Me" on the Penny Farthing label, produced by Larry Page, and timed to coincide with the tenth anniversary of the original release. They then signed to Chiswick Records and recording two singles for the label with session drummers Chris Townson playing on the first single and Matt McIntyre playing on the second single for the label. With Gary Anderson back on drums the band begin to build a loyal fanbase before moving on to Raw Records. In 1976, they played at the Mont-de-Marsan Punk Festival in the south of France along with the Damned and Eddie & The Hot Rods. After two more singles in 1978, the band's debut (and only) studio album was issued, Message to the World.

Hector was noted for his extravagant sideburns, and was a keen self-publicist, declaring the Gorillas to be "the future of rock music". He was influenced by several dead rock stars, and several tracks on the band's album were performed in the style of his heroes, including a cover of Jimi Hendrix's "Foxy Lady" and "Going Fishing" performed in the style of Marc Bolan. They returned to Chiswick in 1981 for the "Move It" single with Jimmy Knight appearing on bass, before splitting up after Alan Butler died from injuries sustained in a horse riding accident. Hector continued to regularly perform live around London, working with a new band, Jesse Hector & The Sound, in the early 1990s, with bassist Kevin White and drummer Gilles Baillarguet. The band issued a single in 1991, "Leavin' Town" on the Clawfist label. When the group split in 1993, Hector assembled a new band, the Gatecrashers, named after a Gorillas single, contributing to several retro-garage rock compilations and releasing an EP in 2000, Keep on Moving.

Later Hector worked as a cleaner at the Hackney Empire theatre and the Royal Horticultural Society, and was the subject of a documentary film in 2008, A Message To The World, directed by Caroline Catz, which was shown as part of the Raindance festival, and at the Barbican as part of its "Pop Mavericks" season.

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BOXHAMSTERS - Prinz Albert 1993

Fourth album by the Boxhamsters, which was accompanied by a 7Inch that isn't included in this file - it will come later, I can't find it right now. The four have been considered for years to be the epitome of authentic German Punkrock music, biting, cynical and accusatory. The sound seems a bit thin compared to the previous album, but maybe I'm just hard of hearing. Anyway, Prinz Albert is another excellent record, and every song is a cracker, emotional and thought-provoking. That's the great thing about bands like them, they never made a bad album; I don't have to write much because I'm a lousy reviewer... just listen and immerse yourself in.

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V/A - The Dark Days Are Over (13 Weeks Later) 2025

Welcome to another indispensable release on WDM Records, and number 017 is a small follow-up to the last Compilation I posted thirteen weeks ago. Both can be considered as a whole. That's of course due to the experience I've had, and I know that the person concerned will never listen to this music, but I had a little hope for change and didn't want to accept this situation. After all, I thought there was some feeling involved, but now I know it better, the file is closed I can say. I thought so too, but I like to give a second chance and I think it's only fair, but when you realize there's really nothing there, just only self-interest, selfishness, and zero emotions, I have no other choice to let this person go who was truly important to me, and that hurts like fucking hell. Well, dear friends, it's not a pleasant experience and I know, I am a fool, but it's part of life, like buying bread from the baker or need to pee. I hope this selection reflects the inner turmoil I've gone through, and if anyone now in this trouble or has currently experiencing something similar will find comfort & strength in this fucker, hope it helps and conveys to you that YOU are valuable and don't let yourself be beaten down or taken advantage of, and that you will do better next time, recognize the signs and listen to your instincts. Personally, I have to say it's one of the best Comps I've ever made, and it accompanies me while cooking, cleaning, or posting. Every song is a nail in the coffin and a cry for help. And if this stupid bitch ever reading this: think about your life and stop screwing over people who like/love you and show a little respect! - So, now it's out and finished. My dear listeners, I wish you positive thoughts while listening to this short emotional musical roller coaster.

1 Brainstorm - ENGLISH DOGS

2 Young Girls At Market - THE BIZARROS

3 A Bitch Is A Bitch - GRUBERGER BROTHERS

4 Apolitical - BIG BOYS

5 Nugget Killer - POT VALIANT

6 Back Biter - THE RUTS

7 Greed - CANCERSLUG

8 Trapped In The Wreckage - THE PRESS

9 Baby Goodbye - SPITTIN' IMAGE

10 Let's Have Some Fun - THE NOISE

11 I Look Alone - BUZZCOCKS

12 Can't Tell No One - NEGATVE APPROACH

13 I've Got A Gun - NOMEANSNO

14 Eye Don't Like You - FINAL SOLUTIONS

15 Don't Talk To Me - THE EYES

16 Let Me Out Of Here - FIZIK

17 Just Can't Wait - THEATRE

18 Soul Train - PSYCHO'S

19 Right Way Home - XDREAMYSTS

20 I Don't Like You - JFA

21 Top Secret Man - PLASTICS

22 Object - AHEADS

23 Lies - DOMINOES

24 You're So Silly - TOKYOS

25 Fick Dich! - HEITER BIS WOLKIG

26 Local News - NEWTOWN NEUROTICS

27 What's This Shit Called Love? - PAGANS

28 I Don't Wanna Be Like You (Live) - LOS REACTORS

29 Revolution - X

30 Baby Come Back - THE SURVIVORS

31 Coming Down - EA80

32 Gone - VAGRANTS

33 Lies For Survival - FUNERAL ORATION

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DISCO ZOMBIES - South London Stinks 2021

Let's kick off the gloomiest month of the year with a highlight, and I love this band; everything about them is just perfect: the vocals, the humor, the music, the band name, the clothes, hahaha... and the guys have recorded three fantastic 7Inches and, I don't know if I can say this, they started working with a drum machine quite early on, because it's already present on their third 7Inch. The band consisted of Dave (vocals), Mark & Andy (guitars), Geoff (bass), Andy (drums) and the Disco Zombies should rank high in the pantheon of legendary English DIY Punk bands, but a frustrating career of bad timing, record label mismanagement and three terrific singles slipping through the cracks have kept them in the shadows. In 1977 they were Leicester’s greatest Punk band but the single that might have shot them to the top of the UK heap, filled with pop gems like Top of the Pops and Punk A Go Go, was scrapped at the last possible minute due to a production company implosion. Still hopeful, they moved to London and prepared for stardom. They recorded and released the John Peel favorite Drums Over London themselves, a song whose satire may have been too subtle for the masses. Sung from the viewpoint of a xenophobic right-winger, many took it as racist and it found fans among the crowd they were trying to critique.

Peel had to explain to Rock Against Racism it actually supported their views! Due to the success of Drums Over London, their first single finally saw release as The Invisible EP. Unfortunately as it was a year late it was seen as being out of time and quickly sank without a trace. With hindsight we can hear it for what it really was, an EP of killer Pop-Punk. And had it come out on time, their Top of the Pops would’ve beaten the Rezillos to the charts by six months. One more single, an artier affair with a drum machine and DIY atmosphere, was released. Here Come The Buts backed by Mary Millington, their tribute to England’s most famous Porn star suicide, marry a more PostPunk atmosphere of repetitious drum machine programming with their usual infectious melodies and snarling guitars.

Three more aborted records followed and more songs, only ever played live, were heard by increasingly fewer people as the Punk dream gave way. But now, at long last, the Disco Zombies, a great pop band with catchy hooks, witty lyrics and infectious energy - can be appreciated by the rest of us. Available for the first time since their release, the Disco Zombies’ three classic, collectible singles, coupled with seven bonus unreleased tracks, are featured on the new Acute Records Compilation Drums Over London. In addition, the digital download contains a complete live set including five more songs not recorded or heard anywhere else, as well as some choice covers that will prove the Disco Zombies are more than another forgotten Punkrock hard-luck story. 

I'm grateful for all these words, and unfortunately I can't remember where they came from. When the double LP came out back then, I had to grab it immediately. With its colored vinyl and excellent band history, the release on Optic Nerve Recordings was an absolute must fro me, and I can only recommend that you buy it. It's worth every fucking penny. - Again in detail: The Invisible EP, Track 5 was recorded in Leicester sometime in 1978 and is an unreleased demo cut, the Drums Over London 7'', Here Come The Buts 7'', plus more stuff which was recorded @ Alvic Studios/London in 1980 and remained unreleased till now. Essential !!!!!!!!!!!!!!!!!!

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JESSE. - s/t LP 1998

Now rare stuff by Jesse. which was a three piece from Sunderland who released one album, featuring Frankie (vocals/guitars), Leighton (bass), Peter (drums) and a number of singles on the infamous Rugger Bugger Label in the Nineties. "You know as a musician if you ever supported Wat Tyler you really should consider giving up. Luckily for you Jesse ignored that non-existent rule and despite a European Tour together, they ploughed ahead and recorded this LP. It never sold in massive numbers but that’s neither here nor there. it still holds a special place in my heart." The complete discography was released as a double album just over a year ago, which I unfortunately don't own. Fourteen melodic Gassenhauer with Frankie's distinctive voice will bring the best mood to your veins, just like your morning coffee. And to that, the insightful words accompanying make this record an essential hearing. I'm ready for the weekend!

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PAGANS - Street Where Nobody Lives 7'' 1978

First, some good news: a few re-upps have been released from Kraken and you'll surely find them. What's going on today? Brilliant stuff by the Pagans, a four piece from Cleveland and active from 1977-1979. Members were Michael (vocals), Tommy (guitars), Tim (bass), Brian (drums), they reformed several times, with new incarnations and this is their second 7Inch on Drome (1st pressing limited to 1700 copies), and both tracks are pure energy, and the flip side is a damn anthem with the profound question "What's This Shit Called Love?" and that, my dear friends, is what I've been asking myself for fifty years. "Can’t beat it - this classic single has been reissued in limited supplies and should not be passed up. Raw, awesome raging Punkrock!" (Tim Yohannan, MRR #31 • December 1985) Does anyone have an answer? Of course, it always takes two, like with tango, and over a long lifetime you think you know what you're doing, but somehow there are high hurdles and also stupidity that prevent a harmonious relationship, things that just don't fit. Yes, yes, that sounds negative, but unfortunately, those are my experiences, although I don't want to conceal the positive aspects either. Anyway, the Pagans conjure up some impressive music, and their repertoire is surprisingly large for a band that hasn't been around for very long. Take it!

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SNFU - If You Swear, You'll Catch No Fish 1986

The second album with BYO Records by Edmonton's SNFU and the record has received generally positive reviews since its initial release. In 1986, MMR described the material on the album as "much stronger than the tunes on their debut LP". In a retrospective review, critic Vincent Jeffries wrote for AllMusic that the record is "[c]onsidered by many to be the band's finest release" and that it "deservedly ranks high on many all-time Punk lists." But as SNFU biographer Chris Walter suggests, the album's thin and experimental sound also alienated some listeners, as the band itself would later express mixed feelings about the album's post-production mastering. Well, those are the official opinions and I don't say that it's thin and uninspired and there are some good songs on it, but the Bums is somehow too soft, you know what I mean? It doesn't hit me like the year before and so I still consider their first album is the best. Well, what do I know anyway? Fact is, it's a little different, and that usually can't harm, right?

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