V/A - Berlin Frisbee #02 EP 2002

Second 7Inch Compilation in the small Berlin Frisbee series, released alongside the masterpiece Wenn Kaputt Dann Wir Spass. All of this material is a fascinating piece of divine music that powerfully captures the pulsating energy and creativity of the Berlin underground scene. Upon first listening, I was immediately impressed by the diversity and innovative approach of the tracks included. The compilation offers an exciting mix and reflects the feeling of early, spontaneous basement bands, and each track brings its own character, making the overall listening experience extremely pleasant and varied. It's impressive how diversely the then enclave of Berlin managed to combine its influences while simultaneously presenting its own distinctive style. Many of the songs are not only musically appealing, but also emotionally profound. The lyrics tell stories that range from personal experiences to social issues, and this symbiosis simply sticks in your mind, making listening to this little nostalgic record an intense experience. The recordings are consistently high-quality, and Weird System, as always, has selected the best nuggets. Creative and experimental, Berlin Frisbee #02 is an excellent homage that brings the early Punk rebellion into your home. It's a record I enjoy playing again and again to preserve my identity and be swept away by the energy of the raw sound. 1000 hand numbered copies and an absolute must-have!

1.Nichts Geseh'n - IXTOC-1

2.Ridin' On The 262 - PVC

3.Irrenhaus - ZERFALL

4.Kaiser Wilhelm - ZERSTÖRTE JUGEND

5.Fair Fick - BETONCOMBO

6.Waiting For The Eighties - TEMPO

7.Linus Von Skateboard - SQUANDERED MESSAGE

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XUTOS & PONTAPÉS - Remar, Remar 7'' 1984

Here I am again, and life takes its toll, so there's not much new here, but I guess you've browsed the blog and found plenty of good ingredients for survival. Today we're visiting a beautiful country that I visited last year and meet Xutos & Pontapés, along with UHF, they are considered one of the most well-known Portuguese bands and can look back on a career spanning over forty years. Although they have retained some Punk influences (earlier albums) over the years, their style has essentially remained the same: their own brand of decent Rock. This is their third 7Inch (came also as 12inch with the short version) on Fundação Atlântica with two cool numbers. This beauty is a fascinating piece of Portuguese rock history that will appeal to both fans of the band and new listeners. Active since the late Seventies, the band has established a firm foothold in the Portuguese music scene, and this release is another example of their talent and consistency. "Remar, Remar" offers a powerful blend of catchy melodies and dynamic rhythms, typical of Xutos & Pontapés' style. The guitar riffs are energetic, giving the track an infectious vitality. The singer's voice is full of passion and conveys the song's message with impressive intensity. The lyrics are profound and thought-provoking, reinforcing the emotional connection to the music. The single itself is a beautiful collector's item. The cover design is simple and reflects the band's character. The physical form of the record brings a nostalgic feeling that is often lost in today's digital music landscape. It's a pleasure to put the record on and experience the warm sound of the analog recording. Overall, a strong work and a wonderful reminder of why the band is one of the most influential in the country. If you want to escape from Punkrock sound and need some "relaxing" music, for example for cooking or other things, you should listen to this music, as I will do later.

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V/A - Ei Gude Wie 2015

Back with a local compilation from the beautiful state of Hesse and this beauty features Hessian Cult Hits, that's says the cover but cult isn't the right word, what is cult? There are about 80% good songs on it, that's why I ordered the CD and the Bembel on the front fits our culture and we drink the delicious Äppelwoin out this. My version is called Bloodstains Across Hessen with more Punk material. For me, this thing is not a bad buy, good selection and ideal for tourists. Phew, I'm a bit irradiated and so I'll say goodbye quickly and see you tomorrow, enjoy the music!

1.Ei Gude Wie - RODGAU MONOTONES

2.Phonhaus - CRACKERS

3.Ich Wär So Gern Mal Michael Jackson - FLATSCH!

4.Du Lachst Immer Noch - HOB GOBLIN

5.Big Mäc - FEINBEIN

6.Ich Bin So Cool - ADAM & THE MICKY'S

7.Die Hesse Komme! - RODGAU MONOTONES 

8.Immer Das Gleiche - STRASSENJUNGS

9.Pornokino - CRACKERS

10.Zärtliche Gefühle - MÖLLER

11.Weniger Ist Mehr - SASCHA KRIEGER

12.Wurstwasser - MUNDSTUHL

13.Badekapp - FLATSCH!

14.Die Runkelreuweroppmaschin Fährt Tanzen - ADAM & THE MICKY'S

15.Gnadenlos Erotisch - HOB GOBLIN

16.Is Nur Kino (Live) - RODGAU MONOTONES

17.Klassenfahrt Zum Titisee - CRACKERS

18.Durchgemacht - STRASSENJUNGS

19.Ich Brauch' Meinen Suff - TANKARD

20.Bembel With Care - V8 WIXXXER

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MORTIMER - Profesión 7'' 1979

Second (first 7Inch listen here) and final 7Inch by Mortimer from Barcelona on Chapa Discos. In 1977 the new scene in Barcelona was basically formed by just a few bands and Mortimer was one of them. Many disbanded in barely a year without putting out any full length. This was the case with Mortimer, a trio formed by Xavier (vocals/guitars), Josep (bass) and Iñaki (drums). Discogs says: Clearly not punk (music wise), Mortimer were more a straight Rock band, not too far away from mid 70s british pub-rock bands but with a Hardrock edge. Pure "Rock De Barrio" from the filthy (then) streets of Barcelona worst districts. The reason why they were included in the Punk-pack was both because of a marketing strategy of their label Belter, but also because in those wild days (Franco had died only two years before) their attitude and stage energy was considered dangerous, rebellius and antisocial. They were on some Compilations and that's it.

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LILIEDUGG - Neonråte EP 1981

Liliedugg was formed in Trondheim 1980 and on their debut EP they consisted of Lars (vocals), Gunnar & Steinar (guitars), Torgeir (bass), Lard (drums). They released this infamous EP in 1981 and a full length two years later. The first version of this beauty came with a pornographic cover. The bands distributor refused to carry it and sell it. The band caved in and printed up a more neutral cover. The neutral cover is considered the most rare version as it was only sold in a few stores and the band continued to sell the pornographic version at their gigs. Liliedugg was known for outrageous stage performances with a mix of Punk and Hardrock and from the EP to their only full-length album their music went in a darker and more experimental direction. Lyrically, the focus was then more on English lyrics. Subsequent releases include a split LP with Wannskrækk and a split 7Inch with Helter Skelter, as well as several songs on Compilations. 1984 they broke up, but they continued to play a reunion concert once in a while. In 2006 they reformed as a band. In 2007 they released a discography CD called Sannhetens Voktere. In November 2006, Liliedugg & Wannskrækk played a reunion concert at UFFA. Since then they occasionally performed reunion concerts and finally made a mini-CD Slow Atomic Bomb in 2007. Enjoy four exceptional tracks from an interesting band that only managed to make the leap to other Norwegian heroes to a limited extent; a great EP in any case.

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THE MOONDOGS - Talking In The Canteen EP 1981

Well, the north Irish three piece Moondogs from Derry are already a welcome guest in this theater and today follows another highlight with their, I think, third 7Inch at Real Records. I can offer you three perfect tunes and it's like a release from old burdens, if you know what I mean, it's a positive move, excellent guitar playing and solid mid-tempo and each song is individual. The Moondogs have quality and show it, I am very impressed with their sound and when you hear it you will understand what I mean. Grab it!

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NUNFUCKERS - Dead And On The Floor EP 1987

A short trip across the Atlantic and we visit the Nunfuckers. Short Info: "Formed in July of 1985 in Waterloo/Ontario. The first practice was in Bob's garage - Bob on drums, Dave on guitar, Ian on vocals and Todd on guitar. Practice went for a couple of hours. When Todd got bored and left, Ian, Bob and Dave wrote and recorded the "Today Is A Good Day" demo (on a tape recorder). At least one song on the demo had lyrics about actually fucking nuns." After a second demo the band returned in 1987 to CKMS to record their only EP with eleven songs (this one) in two hours for $30. 1.000 copies were pressed at World Records in Bowmanville and the record got a good review in MMR #49 (I've always enjoyed stuff like this: tight, to-the-point thrash with basic production and snappy riffing. Although I can't say this is remarkably original, it connects with charm, fun, and touches of songwriting quality. Very good! (Steve Spinali, MRR #49 • June 1987) and sold out in five months by mail order, mostly to Germany. The Nunfuckers disbanded after playing terribly at the University of Guelph in early 1988."  Well, what I can say is that the record is a decent Hardcore relic but the production is a bit dull, of course that could be due to the rip, which is not mine, but overall it is an important sound document of Canadian Punkrock. They also appear on some tape Compilations that received little attention.

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CRETINS & BLUT+EISEN - Dachau Disco 7'' 1984

Absolutely brilliant split 7inch from two German combos that I really appreciate and whose records served me well in my early days as  Punkrocker and still boom from my speakers and shouldn't be missing in any collection: Cretins and Blut+Eisen, both from Hanover and this is a rare piece from Weird System and as far as I know both tracks are only available on this little fucker. Discogs says: Dachau Disco was a new recording, first released on the infamous HanNOver FunFunFun (why hasn't this been posted yet?) Compilation, here with slightly changed lyrics to avoid any previous accusations of fascism. It's not that important, this 7Inch is a highlight of German Wertarbeit and everything fits on it. I think, the first 1000 copies came in yellow vinyl and are very sought after among collectors today. With this I have made you happy once again and now I am withdrawing into my darkness. Cheers!

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TRANSISTORS - Telephone 7'' 1980

Lone 7Inch on Screwball Records by this Colorado PowerPop five piece and the Transistors consisted of Rikki (rhythm guitar/vocals), Keith (lead guitar/vocals), Karen (bass/vocals), "Flash" Gordon Kennedy (drums) and I find, it's a strong debut. They bring with their two songs a mixture of catchy melodies and rough charm to the table. The record starts with a driving drumbeat that immediately grabs your undivided attention. The guitar riffs are sharp and concise, the vocals are full of energy and emotion, which means that the record quickly sticks in your head, while the lyrics describe a critical examination of the communication culture of the time. They address the feeling of isolation in an increasingly interconnected world and the difficulties of making real human connections. This message is timeless and still speaks to many people today who feel lost in a world full of digital communication. It is a call for authenticity and a return to interpersonal relationships. The recordings are raw and unpolished and very authentic. There are no excessive effects or polish; instead, the focus is on the band's energy and performance. This helps to underline the raw emotion and urgency of the message. The Transistors made a name for themselves in this scene by challenging the typical clichés of Punk while developing their own unique style. They have also been guests on some Compilations. A fantastic slab that convinces both musically & lyrically.

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V/A - Oi! It's Party Time For... Working Class Kids! #3 EP 1997

Last chapter of this small mini-series called Oi! It's Party Time by the French label One By One Records with four bands, three from the States, one from France. The first act is Bovver 96 from Philadelphia, who released two 7Inches and an album in the Nineties and they give us a fast, snotty number as the opener. Next up is A.O.C. from the Moulins & Yzeure area in France who belt out a decent Oi! Smasher and the song is taken from their first tape Cuvée 1996. A single + a CD decorate their discography. The flip starts with the Suspects from Arlington, and the gents were present in the Nineties with two 7inches and albums, their song for this dittie is taken from the second album New Dawn In The 21st Century and will smash your house like an eclat in the White House. And as fourth in the league Riot Squad from Dallas, originally formed in late 1989 then reformed in 1993 after a break. They have released two albums plus a 7Inch and cassette and round off the EP with a fast, likeable and exclusive blast. Fabulous record!

1.Clockwork Chameleon - BOVVER 96

2.L'Apéro - A.O.C.

3.Ead Street Punks - THE SUSPECTS

4.Stand Up & Be Proud - RIOT SQUAD

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