ZZZ HACKER - Kind, Sieh Da Nicht Hin! EP 1983

I remember when I first came across this record, my then best friend (R.I.P.) lent it to me so I could record it on tape, along with various other rarities, and he said: 'You have to listen to this, brilliantly amateurish and absolutely brilliant.' Well, my friends, I haven't had the tape for a long time, but I somehow got the mp3's. And here it is: ZZZ Hacker is a four piece combo from Bielefeld and were founded 1980 by brothers Kussi (guitar) and Django (bass). Later, Milos (vocals) & Cashba (drums) completed the line-up. After rehearsals, the band initially formed at the AJZ Bielefeld where many of their first gigs took place in the early Eighties. From 1984 onwards, the band played various concerts throughout Germany, including shows with bands like Die Toten Hosen and Peter & The Test Tube Babies, but no full tours. Members of the band also played in Mod revival bands such as Jetzt! and Lik Bit Express. The addition of Charles Hacker and T-Kiela in the early 1990s brought a breath of fresh air to the band. Numerous concerts followed until, after eighteen years, the band released their first album in 1998. In addition to the album Kein Bier Kein Ton… (No Beer, No Sound…), several split singles were released. Every five years, the band celebrates itself at Hackerfest, a two-day festival featuring twelve bands and the "Hacker Ballet," among other acts. In 2003, ZZZ Hacker recorded the title track for the film Operation Dance Sensation; Bela B. provided the vocals. In 2012, after many years, the band released a new album. The Arminia EP 3.0 was presented live on the pitch of the Bielefeld Alm stadium during an Arminia Bielefeld home game in March 2012. I think, they're still alive and this is the first 7Inch by ZZZ Hacker with eight funny pieces. Featured on numerous compis, none of which I know.

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G.P.S. - Quand Revient L'Eté 7'' 1982

Garage Psychiatrique Suburbain (or sometimes Globule Pulsation System), abbreviated as G.P.S., was formed in 1977 in Sèvres by Thomas (vocals/guitars) and Pierre (drums). The latter two had been friends since they were babies. As early as 1975, when they were teenagers, they began experimenting with music. Through friendships between high schools, they met Patrice (bass) and Fabrice (guitars). For musical influences, Thomas could count on his father from a very young age, as he was a singer-songwriter named Jean-Claude Darnal. The four of them started rehearsing in the basement of a large house run by a woman who took in the neighborhood kids. A few chords brought by Thomas, and they were off. No covers in their repertoire. It must be said that it would have been difficult since Thomas was a complete beginner on the guitar! But he composed a lot, and very quickly. Pierre followed suit with the lyrics. They started with a few small appearances at local parties and youth centers, then played their first real concert in 1980 in the Bruyères district at the disused Gevelot factory in Sèvres. They were on the bill with Mama Bea Tekielski, the Tokow Boys, and Oberkampf. They recorded their tracks using a cassette recorder and its built-in microphone, sending demos to record labels. The first demo, featuring "Irradié," "Stress," and "Pas De Politik," was recorded in the children's youth center in Sèvres during the winter of 1979. Others in 1980 were recorded at Thomas's parents' house, in the attic, and then another came from Les Roches (located in the Rhône department), recorded during the All Saints' Day school holidays in a small cave dwelling, the holiday home of Fabrice's parents. Michel Marizi, a friend of Pierre's and an audio enthusiast, regularly helped them with the sound recording of their demos, which were recorded using two Revox B77s.

They played several concerts, including one for a private party at the Lacroix family home, one for sugar producers who wanted punks to play during a medieval festival at their castle, and another in support of the gay rights committee of the 13th arrondissement in Paris, where the unusual show was very well received! Numerous concerts with renowned bands followed. Fabrice left the band, and Marc joined as bassist, along with Thierry Gesteau on vocals and guitar, allowing Pierre to focus entirely on drums. The only label to respond to them in 1981 was Underdog, which had been founded the previous year by Dominique Lamblin, Albert Kosky, and Marc Zermati. Lamblin signed them in early 1982. In the studio, they reworked their earlier compositions.

Their first 7Inch "Quand Revient L'Eté" was released in 1982 on the Underdog label and was quite successful, followed 1983 by the album "Bien Dans La Ville," and three years later by the next album, "En Attendant La Prochaine Guerre." They played numerous concerts, and in 1984 Richard Kolinka discovered them and offered to produce them for his label, KOD. However, this never came to fruition. Their planned performance at the Franconville Festival on May 26th & 27th, 1985, was cancelled. (source: 45vinylvidivici)

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THE RAPED - The 7Inch Punk Collection 1994

Let's come on to another fuzzy by the fantastic Punk Collectors Series by Anagram Records and this is dedicated to the Raped and compiles both singles, some demos and nine live songs. Despite the fact that the band has released very little, they were nevertheless included in this glorious series but their existence was meteoric... Inevitably, with a name like that, criticism was bound to follow. In reality, the problem with the musicians of Raped was that they weren't necessarily suited to Punkrock; a sort of almost gay alternative to the machismo of the movement's early bands, their influences were primarily to be found in GlamRock. Who could take seriously a group whose drummer wore stilettos and whose singer presented himself as an androgynous version of Iggy Pop? Yet Raped certainly didn't lack dark energy; developing a Punkrock directly descended from the Stooges and the Ramones, even the New York Dolls, the band offered raw, punchy, direct music, like Sean slashing his torso on stage... Nothing revolutionary, just good Punkrock with a slight glam edge and a few hits ('Normal', 'Raped'...). In 1978, Raped changed their name to Cuddly Toys to create a more decadent, darkly glam sound where the musicians finally revealed their true potential. Nevertheless, this small collection remains a treat for fans of good old-school Punkrock, its main weakness being that it doesn't quite measure up to the music of Cuddly Toys. (words by Moyen)

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IDIOTS - Schweineköter 2019

As I do this post, I'm listening to Positive Energie with a bottle of Ouzo next to me, and this file was sent to me, but unfortunately I don't remember who sent it. Nevertheless, my thx to you Unknown, feel hugt, and the band would also fit perfectly on this CD. We're talking about the Idiots from Dortmund, they've been around since the early Eighties and besides various 7Inches and Compilation appearances, this is their seventh album and the twelve songs are very offensive and diverse. A bit official info: "Schweineköter, with its deafening guitar riffs and driving drum and bass onslaught, races the listener through the alleys and abysses of the human ego. The unmistakable voice of Sir Hannes Smith brings the Punkrock compositions to their climax. Like a thunderclap, he roars forth, aggressive, captivating, electrifying. He can also become more relaxed at times, but not for too long. Around the next corner, he's already waiting, like a mangy dog, barking, screeching, and hurling unfiltered lyrics at you, hard as concrete." I think, the album is refreshingly hearty, gets you back on track and shows you who you are and what is fucking important in your short life, like cutting radishes.

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V/A - The Vikings Are Coming 1985

The small steel mill town of Fagersta had seven bands and their skills were immortalised on this rare Compilation, first released by Uproar Records in Sweden, then licensed to New Face Records in Brazil, and presents itself as surprisingly diverse: old-school Punk meets brutal Hardcore attacks; melodic speedcore flirts with refreshing thrash noises, while others impress with unique a good sense of humour. The first issue contained the 'Uproar No.3' fanzine, featuring interviews with all the bands on this record. Re-released several times and still as interesting as full red lips. It's time for a small imbiss.

1.Surfer Boy - FEAR OF WAR

2.Morality Fuck-Up - FEAR OF WAR

3.Min Far - FEAR OF WAR

4.Parasite - RESCUES IN FUTURE

5.Ford-Hate - RESCUES IN FUTURE

6.Jerk - RESCUES IN FUTURE

7.You Can Try - RESCUES IN FUTURE

8.Solo Låten - RESCUES IN FUTURE

9.Self Destruct - BEDRÖVLERZ

10.A Child Was Born - BEDRÖVLERZ

11.Satisfied Mind - BEDRÖVLERZ

12.Have A Safe Day (Rasta Mix) - RASTA BOYS

13.Policemans Parade - UGLY SQUAW

14.Another Trojan Horse - UGLY SQUAW

15.Atomkrig - CRUEL MANIAX

16.Once There Was - CRUEL MANIAX

17.Human Rights - CRUEL MANIAX

18.Är Det Försent? - BIZARR

19.Det Var Bättre Förr - BIZARR

20.Gör Din Plikt - BIZARR

21.Blue Eyed Devils - CRUDE S.S.

22.Chaos - CRUDE S.S.

23.Bullying A Nation - CRUDE S.S.

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SUICIDE SQUAD - I Hate School 7'' 1979

Not really new in blogland, but this rare piece of vinyl belongs in my theater because a) it has two fantastic songs on it, and b) it has two fantastic songs on it. I quote: Suicide Squad were formed in 1978 by four schoolmates in Wollongong and consisted of Annie (vocals), Mark (guitars), Con (bass) and Steve (drums), though they relocated to Sydney after struggling to find places to play. After their move they began to build a reputation as a great live band and attracted the attention of Doublethink Records who released their only 7Inch. They then underwent a few line up changes and recorded an album called Vomit On You but this didn't get released until long after they'd split when it came out on Plastic Donut Records (2006) and I would be grateful if someone would send it to me. The band is also featured on a few fantastic Compilations. A Must Listen!

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HI-FI'S - Look What You've Done 7'' 1980

Ok friends of good taste, let's talk again about shitty love and we all know how humiliating and disappointing, and also comforting and easy that can be. But it always takes two, and if one doesn't want it, screw that shit, kick her in the teeth and do your own thing. And that's exactly what the boys get with their lone 7Inch. "Look, What Have You Done" & "Why Do You Fucking Love Me?" are essential questions which you only can ask if you have feelings for someone, and that's what's missing in this gray, monotonous, capitalist society, I think. And that was over forty years ago, has anything changed? - The lyrics explores themes of heartbreak, disillusionment, and the complexities of love and relationships. The recurring refrain in the introductory lines establishes a confrontational tone directed at a romantic partner, betrayal and confusion, suggesting that the relationship has resulted in significant emotional turmoil. The repetition emphasizes the intensity of these emotions, adding a layer of frustration. A bit info: the Hi-Fi's were formed 1978 in Toronto by Greg (vocals/guitars), Jim (guitars), Malcolm (bass), Jim (drums), met in high school (later formed Canada's legendary Blue Rodeo). "Punk had made music simple, so you didn't really have to play well to be in a band. So, right from the start, we wrote our own songs." By the time of their one and only single, the brilliantly crafted 'I Don't Know Why (You Love Me) had already splintered into its myriad sub-genres and offshoots, and Hi-Fi's had gelled into a taut quartet ready to compete with the likes of the Mods, the Secrets, Crash Kills Five and the Rage on the city's crowded PowerPop scene. A fantastic 7Inch for all those who have been fooled by love.

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THE BURNOUTS - Porno Queen EP 1999

Five piece from California the Burnouts released one record via Pelado Records and members were Sean (vocals), Mark & Cameron (guitars), Steve (bass), Justin (drums). The band name doesn't seem particularly original; there are many with similar names. However, the boys form California delivers four solid tracks on this piece of wax: two originals and two cover versions on the flip. One is by a legend, and the other is a classic that everyone knows, or at least should know. The title track was used for their only Compilation appearance, Heads Will Roll, and unfortunately there's nothing more to report about them. So anyone who likes crispy Nineties Punk'N'Roll will be well satisfied with consistently high sound quality and wild songs, and the volume might even blow out the candles on your Advent wreath, if you have one.

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FALLOUT - Rock Hard 7'' 1982

Friends, today a real rarity, and I'm grateful to be able to quote a lot of infos here for you, thx to wiki: Fallout was a Heavy Metal band formed in 1979 based in Brooklyn/New York City. The band contained future Type O Negative members Peter Steele (then billed under his birth name, Peter Ratajczyk) on bass & vocals and Josh Silver on keyboards, as well as John Campos on guitars and Agnostic Front drummer Louie Beateaux (then billed as Lou Beato) on drums. Fallout released only one 7Inch before the band's demise in 1982, the "Rock Hard" single, released in 1981 on Silver Records and limited to 500 copies.

After three years of steady gigging, Fallout broke up. Steele & Beateaux went on to form Carnivore, and Silver and Campos formed Original Sin. After the breakup of Original Sin, Campos went on to form his own production company: Powerhouse Entertainment Group, Inc. Campos recorded, produced, and wrote songs for many Independent and major label artists, such as Bret Reilly, Surfing Moses, Jennifer Marks, Alex Skolnick, the Tito Puente band, Jimmy Delgado, Fat Joe, Mink, and more. He now runs a studio and production company out of Astoria, New York called One Mind Music.

Other known songs that were recorded at Soundscape are "Parthenophagia", "Fallout", "Under The Wheels", "Executioner", "Bleed For Me" and an assortment of instrumental 'experiments' none of which have officially been released nor bootlegged. Fallout also recorded the first version of the 'World War Three' Soundscape as an introduction to the song "Fallout". This piece includes synthesized explosions, gunfire and sirens performed by Richard Termini on the Oberheim Two Voice synthesizer and recorded to analog tape. The Soundscape includes screams and death cries performed by the band, the roadies and their girlfriends. This 'World War Three' Soundscape was recreated by Termini for the band Carnivore and is on their debut album (1985).

What are you waiting for?

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V/A - Migraine Für Mein ... Electrokopf EP 2006

A decent small '77 style PowerPunk Compilation from Wanda Records, two times Marseille, two times Saxony. For some of your neighbors, the record actually gives them migraines, while for fans of short, dynamic songs it's rather invigorating. Play this loud at five in the morning and see what happens. The only "downside" is that the whole spectacle is over after about eight minutes, but it puts everything into an endless loop and lovely visitors are guaranteed.

1.Microwave Drugs - THE HATEPINKS

2.She Has No Time - THE SHOEMAKERS

3.Sexy & Mysterious - NEUROTIC SWINGERS

4.Looking Like 20/20 - MOTRAS

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